September 9, 2023 — Jobs
- The following Jobs were posted:
- Wicked (open call for dancers)
- Hadestown (open call for chorus dancers)
- Pretty Woman (submissions for principal roles)
- Pretty Woman (submissions for chorus singers)
Performers
No current openings.
Posted: November 30, 2023
Audition: December 9, 2023
See images below. Visit the show page to view the current tour route.
Posted: April 11, 2023
Auditions: April 20, 2023
Equity North American Tour
- Director: Christopher Renshaw
- Book: Aurin Squire
- Choreographer: Rickey Tripp
- Original Music, Music Arrangements,
- Orchestrations, Music Direction: Annastasia Victory & Michael O. Mitchell
- General Manager: Martian Entertainment
- Associate Director: Christina Sajous
- Associate Choreographer: Aurelia Michael
- Casting Director: Duncan Stewart, CSA of ARC
- Casting Associate: Patrick Maravilla of ARC
- In the Room: Rickey Tripp (Choreographer), Duncan Stewart (Casting Director)
Production Description
Told from the perspective of the women in Armstrong’s life, A Wonderful World charts Armstrong’s journey from the birth of jazz in his native New Orleans through his international stardom, featuring beloved songs recorded and made popular by him.
SEEKING
Equity actors for chorus dancer parts in A WONDERFUL WORLD (see breakdown).
[FEMALE-IDENTIFYING ENSEMBLE] 20s-30s, female-identifying, black. Strong singers and dancers to play multiple roles (Storyville sex-workers, Brothel clients, Band members, Charleston dancers, show-dancers, film crew, protesters, nurses etc.) Strong tap ability preferred.[MALE-IDENTIFYING ENSEMBLE] 20s-30s, male-identifying, black. Strong singers and dancers to play multiple roles (Storyville sex-workers, Brothel clients, Band members, Charleston dancers, show-dancers, film crew, protesters, nurses etc.) Strong tap ability preferred.Dates & Locations
- Audition:
- Thursday, April 20, 2023
9:30 AM (E) - Audition: 9:30-5:30 PM / Lunch: 1:30-2:30 PM
- Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
- Thursday, April 20, 2023
- Holding/Audition room information:
- The audition room (Studio 304) can accommodate no more than 32 dancers at a time.
- The holding room (Studio 306) can accommodate no more than 35 individuals at a time.
Instructions
Please dress in clothing you are able to dance in. Male-identifying dancers, please wear shoes you are comfortable dancing in. Female-identifying dancers, please bring heels. Please bring a picture and resume, stapled together.
SALARY
- Production (League) $2323 weekly minimum
Other Dates
- Rehearsal Dates: August 21 (Principal Roles start)/August 28 (Ensemble/Chorus and
Swings start) to Sunday September 17, 2023 in NYC - New Orleans Saenger Theatre Dates: September 18 – October 8, 2023
- Chicago Cadillac Palace Dates: October 10 – 29, 2023
COVID Safety Policy:
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at http://www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
We welcome performers of all gender identities, abilities/exceptionalities, and body types. Please take this into consideration when submitting clients. Actors of diverse cultural and racial backgrounds are encouraged to audition. In addition to genders listed in character breakdowns, we are actively seeking trans and non-binary performers for all roles.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour route.
Posted: November 16, 2022
Expires: November 28, 2022
Equity National Tour
- Director: Des McAnuff
- Resident Director: Brian Harlan Brooks
- Book: Dominique Morisseau
- Choreographer: Sergio Trujillo
- Associate Choreographer: Edgar Godineaux
- Music Supervisor: Kenny Seymour
- Music Director: Jonathan Smith
- Casting: Tara Rubin Casting
Production Description
This show is the electrifying new smash-hit Broadway musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame.
SEEKING
Equity actors for possible future replacement principal roles in the touring production of AIN’T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS (see breakdown).
OTIS WILLIAMS (Male-Identifying) 30s-40s – Founder And Last Surviving Original Member Of The Temptations. Never The Flashiest Performer, But Always The Rock Of The Group. A Stand-Up Guy, Tough, With A Big Heart And Deep Conscience. BARITONE; Strong Mover; Principal; This Character Is Black.
DAVID RUFFIN (Male-Identifying) 20s-30s – Lead Singer Of The Temptations After Al, Helped Take The Group To The Top Of The Charts. As Electric On Stage As “Lightning In A Bottle.” Maybe The Most Charismatic Front Man In Pop Music History. LEAD TENOR & Strong Dancer; Principal; This Character Is Black.
MELVIN FRANKLIN (Male-Identifying) 20s-30s – Loved His Mama. The Bass Of The Group And One Of The First Members Otis Recruited. Nicknamed “Blue” Because Of His Fondness For The Color, Melvin Was Incredibly Loyal To The Group And, Particularly, Otis. BASS & Strong Dancer; Principal; This Character Is Black.
EDDIE KENDRICKS (Male-Identifying) 20s-30s – Friends With Paul Since Elementary School, Eddie Created Most Of The Group’s Vocal Arrangements And Served As Wardrobe Manager. Outspoken. Loved Cornbread So Much, They Nicknamed Him “Corn.” STRONG FALSETTO & Strong Dancer; Principal; This Character Is Black.
PAUL WILLIAMS (Male-Identifying) 20s-30s – No Relation To Otis, Paul Was One Of The Founding Members Of The Temptations And The Group ’s Resident Choreographer. Well-Liked And Kind, But Unable To Cope With His Own Demons. STRONG DANCER; Principal; This Character Is Black.
Instructions
A NOTE REGARDING SELF-TAPE QUALITY: Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.
Please Include A Full-Body Slate At The Beginning Of Your Video. Please Prepare One Of The Songs at:
https://tinyurl.com/atpprincipals
OR A Brief Cut Of A Motown Song Of Your Choice. Submit An Unlisted YouTube (Not Private), Vimeo, Dropbox, Or Google Drive Link.
Submit at:
https://tinyurl.com/atptourepaform
EMC AND NON-UNION SUBMISSIONS WILL BE VIEWED IF TIME PERMITS.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Salary
$1072 weekly minimum plus overage participation (Category 1)
Visit the show page to view the current tour route.
Posted: April 11, 2023
Auditions: April 27, 2023
Equity North American Tour
Producer: Disney Theatrical Productions Director/Choreographer: Casey Nicholaw Music: Alan Menken
Lyrics: Howard Ashman and Tim Rice Additional Lyrics: Alan Menken and Chad Beguelin
Book: Chad Beguelin
Musical Supervisor: Michael Kosarin Casting: Tara Rubin Casting
Expected to attend: Michael Callahan (Dance Captain) & Felicia Rudolph (Casting Director
Production Description
From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite.
SEEKING
Equity actors for chorus dancers parts in ALADDIN (tour) (See breakdown).
[ENSEMBLE DANCERS] Excellent dancers with fantastic singing voices to comprise the ensemble, play featured roles and possibly understudy principal roles.Dates & Locations
- Audition:
- Thursday, April 27, 2023
2:00 PM (E) - 4 Groups
- Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504 - Holding room Studio 312
- Thursday, April 27, 2023
- Holding/Audition room information:
- The audition room can accommodate no more than 33 individuals at a time.
- The holding room can accommodate no more than 100 individuals at a time.
- The maximum number of dancers allowed in the room at one time is: 30
Instructions
Please be prepared to dance. Female Presenting dancers should bring character heels. You may be asked to stay and sing. Please bring sheet music for a traditional up tempo musical theatre song that shows your range. An accompanist will be provided. Please bring a hardcopy headshot and resume stapled together.
SALARY
$1357 weekly minimum (Tier C)
COVID Safety Policy:
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at http://www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
The audition process is open to actors of all races and ethnicities, gender identities and ages, as well as performers with disabilities.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour route.
Posted: March 8, 2023
Equity North American Tour
Production Description
Little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. She is determined to find the parents who abandoned her years ago on the doorstep of an orphanage. Annie escapes to the wondrous world of NYC and finds a new home and family in billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.
SEEKING
Actors for children roles in ANNIE. In-person and online submission opportunities available.
AUDITION
Audition Dates & Locations
- Saturday, March 11, 2023
Sign-ups begin at 9AM and will continue to Noon. Callbacks will take place the same afternoon. Please be prepared to wear a mask in all inside spaces associated with the audition process. - Location:17 N State St 19th floor, Chicago, IL 60602
- From those with professional acting experience to true diamonds-in-the-rough, we encourage everyone who thinks they have what it takes to be the next Annie, Pepper, or any of the other orphans to come to our open call in Chicago. And if you can’t make it in person, please submit your information online. This is your chance to step into the spotlight and have a real shot at touring the country next season with Annie.
- If applicants cannot make the in-person casting in Chicago, the producers encourage submitting a video audition below.
Audition Guidelines:
- All children must be 8yrs old by August 15th, 2023
- All children must be under 4′ 7″ for consideration
- No previous experience necessary
- All children must be accompanied by someone over 18
- All children will need a release form filled out by a legal guardian
Instructions
Children will be asked to sing a portion of HARD KNOCK LIFE and TOMORROW and to dance. If you have a photo and resume, please bring those along.
When you arrive we will need you to check in at the desk and submit your “audition form” that can be filled out in advance from the ANNIE website (download available below). You will be given a number as to when your group will be called in for an audition in the studio. We plan on having all the kids sing a bit of HARD KNOCK LIFE and TOMORROW (this music is available here for your child to learn prior to the audition). We may bring in groups of 15-20 children to review the songs or one at a time with the creative team.
ONLINE SUBMISSIONS
For “orphan” roles:
- Age: Applicant must be at least 8 years old as of August 15, 2023
- Height requirement: Under 4′7″/55 inches
- All ethnicities encouraged to submit
Please click on the link below to fill out the form:
www.cognitoforms.com/PaulHardt1/ANNIETour202324Submissions
Tour Dates
- The 2023-2024 Annie National Tour will have rehearsals beginning in September, and the tour will run through June 2024.
All dates are subject to change.
Visit the show page to view the current tour route.
Posted: September 9, 2023
Expires: September 20, 2023
Equity Video Submissions
- Produced by Colin Ingram
- Book/Co-Created by Bob Gale
- Co-Created by Robert Zemeckis
- Music and Lyrics by Glen Ballard and Alan Silvestri
- Directed by John Rando
- Choreographed by Chris Bailey
VIEWING SUBMISSIONS:
Claire Burke, CSA (Casting Director)
PRODUCTION DESCRIPTION
When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past and send himself… back to the future.
SEEKING
Equity actors for roles in the BACK TO THE FUTURE National Tour (see breakdown).
The producers and creative team of BACK TO THE FUTURE encourage actors of all races, cultural backgrounds, abilities, and gender identities to audition for all roles.
MARTY MCFLY: 5’4”-5’10”. A teenage hero, he is geeky but charismatic and attractive. Excellent rock tenor (sings a sustained C in chest voice). Great sense of comedy and confident mover.
DOC BROWN: Doc ages from his 40s – 60s. A dreamer, who, as the song says, strives to be a winner, even if he doesn’t quite make it. A friend, mentor, and father/uncle figure to the teenager Marty McFly. A showman with a flair for the unexpected. Eccentric and characterful. Has a great sense of comedy with a strong pop rock voice.
BIFF: 20s, 6’+. A local bully who comes from a long line of bullies in Hill Valley, most of whom harassed members of the McFly family. Strong tenor/high baritone (belts to an A). He has an imposing physicality.
LORRAINE BAINES-MCFLY: 18+ to play older (47) and younger (17). The wife of George McFly and mother of Marty. Unhappy and downtrodden in 1985, she has a spunk and zest for life in 1955. Has strong comedy and a strong musical theatre belt with flexibility across the range, (soprano Belt to Eb).
GEORGE MCFLY: 18+ to play older (47) and younger (17). A geek as a teenager in 1955, he has a penchant for science fiction and writes some of his own but never allows himself to share his stories to anyone due to his fear of rejection. As a middle-aged man, he is of low social status. A very strong physical comedian who can hold a tune. Baritone.
GOLDIE WILSON/MARVIN BERRY: 30s – 50s, these characters are Black. Goldie Wilson is the Mayor of Hill Valley in 1985. Marvin Berry is Chuck Berry’s cousin and the lead singer of the headlining band at the 1955 Enchantment Under the Sea dance. An incredible gospel voice. Skilled in vocal improvisation.
PRINCIPAL STRICKLAND/LOU CARRUTHERS/MAYOR RED THOMAS/SAM BAINES: 30s – 50s. To cover various characters in Marty’s present and past, including STRICKLAND: The uptight authoritarian principal at Marty’s high school. May also cover DOC.
PREPARATION
Please prepare a video of a brief pop or contemporary musical theatre song OR one of selections provided here: https://www.dropbox.com/sh/6g37i0kee2jauga/AACnzhOYSPN7A7k_b7YquKz4a?dl=0 Please include a full-body slate at the beginning of your video. -Send one link as a downloadable video via Vimeo, Google Drive, or Drop Box ONLY. If submitting via Google Drive, please make sure the privacy settings are set so that we do not need to request access to view. -Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.
As part of a pilot program created in the Touring agreement: The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members’ submissions have been viewed, the employer will notify each member who viewed their audition.
Submissions will be accepted through September 20th at 6:00PM EST.
SALARY
Touring Agreement $1,056 weekly minimum (level 5)
DATES
First Rehearsal: April 2024
First Performance: June 6, 2024
NOTES
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour route.
Posted: October 21, 2023
Expires: November 2, 2023
- Produced by Colin Ingram
- Book/Co-Created by Bob Gale
- Co-Created by Robert Zemeckis
- Music and Lyrics by Glen Ballard and Alan Silvestri
- Directed by John Rando
- Choreographed by Chris Bailey
Expected to attend:
Chris Bailey (Choreographer)
Claire Burke, CSA (Casting Director)
Frankie Ramirez (Casting Associate)
PRODUCTION DESCRIPTION
When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past and send himself… back to the future.
SEEKING
Equity chorus dancers (Male & Female characters) in the Touring production of BACK TO THE FUTURE (See breakdown).
ENSEMBLE: 20s-30s. Seeking excellent, versatile singers capable of singing in both musical theatre and pop styles. Solid experience with harmony work needed. Looking for a range of dance styles from contemporary musical theatre as well as varying 80’s genre and 50’s rock and roll. Partnering skills also will be explored.
AUDITION
Date & Location
- Date & Time: Thursday, November 2, 2023
- Male Characters: 10:00 AM (E)
- Female Characters: 2:00 PM (E)
- Location:
Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Holding room – Studio 314; audition room 315
PREPARATION
Please arrive warmed up and ready to dance.
Please wear form-fitting clothing you can move in. Please bring tennis shoes/sneakers.
You may be asked to demonstrate your skills if you tumble proficiently, so please be warmed up accordingly. Please bring a hardcopy headshot and resume.
SALARY
Touring Agreement $1036 weekly minimum (Level 5)
DATES
First Rehearsal: April 2024
First Performance: June 6, 2024
NOTES
The producers and creative team of BACK TO THE FUTURE are seeking actors of all races, cultural backgrounds, abilities, and gender identities to audition for all roles.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour route.
Posted: November 20, 2023
Expires: November 30, 2023
- Producer: Warner Bros., NETworks Presentations
- Director: Alex Timbers
- Choreographer: Connor Gallagher
- Book: Anthony King and Scott Brown
- Music & Lyrics: Eddie Perfect
- Music Supervisor: Kris Kukul
- General Manager: Gentry Associates, Gregory Vander Ploeg
- Casting Director: The Telsey Office
- Expected to attend:
Casting Directors: Rachel Hoffman or Rashad Naylor
Production Description
Based on Tim Burton’s dearly beloved film, this hilarious new musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.
SEEKING
Equity actors for future replacements in the touring production of BEETLEJUICE (See breakdown).
[BEETLEJUICE] An ageless con-man, somewhere between 12 and 12,000, maturity-wise. Beetlejuice was born dead and is deeply lonely, but his problem is that he’s invisible to living people. He wants nothing more than a chance to experience life, and he has a plan! Beetlejuice is more than a little A.D.D. in his excitement; a motormouth who mimics human emotion and has zero understanding of personal boundaries. Strategic and cagy and wildly dangerous in his pursuit, Beetlejuice meets his match in Lydia. He is relentlessly positive in the face of never-ending obstacles on his journey to becoming alive. Bold, physical, comedic. Excellent singer. Any ethnicity.[LYDIA] Late teens (18+), Dark, smart and moody, with a jet black sense of humor and a streak of anarchy, Lydia’s a step ahead of almost everyone she meets, living or dead, but she’s at the mercy of a mania, just like Beetlejuice. Lydia wants life to mean something. The world seems small to Lydia since her mother died; she longs for it to reveal itself as something more fantastical than it is. Heart-forward, and on a quest to find a reason to live. Dry & comedic. Great rock belt/mix voice. Any ethnicity.[ADAM] Mid 30s, Adam is one of those “nice guys” who only have two problems: Can’t seem to get anything started, can’t seem to get anything finished. A putterer-craftsman, Adam adores his wife Barbara and the cozy, cloistered, slightly claustrophobic, conspicuously childless life they’ve built together. What Adam doesn’t realize is: That fastidiously unfinished life of his is nearly finished. Any ethnicity. Great baritenor/tenor.[BARBARA] Mid 30s, is a mouse that didn’t roar. Which doesn’t mean she can’t. Sweetly neurotic, devoted to her carefully-curated house and her careful curator of a house-husband, Barbara is positive, affirming, and unfailingly kind. She and Adam strenuously protect each other while inadvertently holding each other back. Barbara has a fierce heart and a heroic mother-bear instinct. Deft, subtly comic, and disarmingly honest. Any ethnicity. Great Pop/Musical Theater voice with astrong mix.[CHARLES] Late 40s/early 50s, is a mini-mogul who needs to control life’s chaos to feel safe. And yet, not far beneath his diamond-hard surface, he feels constantly out of control. In the wake of losing his wife, he refuses to look back as he attempts to rebuild the world for himself and his daughter. Charles is a master-class in blustery overcompensation and strict compartmentalization, but below the surface there is a softness and vulnerability he is afraid to let out. Any ethnicity. Should sing some.[DELIA] 30s-40s, ditzy yet ambitious, Delia is unfailingly positive, and always looking for a silver lining, even when nobody’s asking for one. Delia is a searcher, longing for a place to belong, and under her optimistic surface there are demons she keeps at bay (most of the time). She’s never faced anyone as smart and cutting as Lydia before, but sees that Lydia is struggling and feels she has a lot to give. Any ethnicity. Excellent singer with a strong pop/belt/mix.AUDITION
Date & Location
- Thursday, November 30, 2023
- 10:00 AM – 6:00 PM (E)
- Lunch 1:30 PM – 2:30 PM
Location:
Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Holding room Studio 312
INSTRUCTIONS
Please prepare a brief pop/rock or contemporary musical theater song in the style of the show. Please bring sheet music for the piano accompanist provided. Please bring a headshot and resume stapled together.
SALARY
Touring Agreement $1165 weekly minimum (Level 5)
NOTES
BEETLEJUICE First National Tour LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour routes.
Posted: March 1, 2023
Expires: March 15, 2023
Equity North American Tour
- General Manager: Work Light Productions / Anièle Fortin, Courtney King
- Director: Marianne Elliott
- Associate Director: Tanisha Fordham
- Production Supervisor: Tim Semon
- Music Supervisor: Joel Fram
- Choreographer: Liam Steel
- Associate Choreographer: Simone Sault
- Casting Director: Tara Rubin Casting / Merri Sugarman, CSA
- Casting Associate: Spencer Gualdoni
Expected to attend:
Music Director: Paul Staroba
Casting Director: Merri Sugarman
Production Description
It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in 21st-Century New York could drive a person crazy.
SEEKING
Equity actors for roles in COMPANY (Tour) (See breakdown).
[BOBBIE] – Female-Presenting. 30 – 40. Our Narrator. Single, Successful And In Demand. She Is A Loyal Friend To All Her Friends, But Lost Herself A Bit In All The Play Dates And Dinner Parties. Very Highly Skilled Mezzo Or Soprano.
[SARAH] – Female-Presenting. 40 – 45. Sarah Is One Of The First Members Of The Company To Be Introduced To The Musical. She (And Husband Harry) Invite Bobbie For Dinner Where It Soon Emerges That Sarah Has Been On Every Diet Under The Sun And Has A Firm Weakness For Baked Goods. Sarah Also Has A Passion For Magazine Subscriptions And Her Newly Discovered Hobby – Jujitsu.
[HARRY] – Male-Presenting. 40 – 45. Harry Is One Of Bobbie’s Close Friends. Husband Of Sarah. Harry Travels A Lot On Business & It Becomes Clear That Harry Has A Severe Drinking Problem That He Refuses To Fully Acknowledge; Highly Skilled Baritone.
[SUSAN] – Female-Presenting. 30 – 40. A Southern Belle, Brave And Front Footed. Married To Peter And Claims To Be Jealous Of Bobbie’s Single Life. Bright And Funny. Highly Skilled Mezzo Or Soprano.
[PETER] – Male-Presenting. 30 – 40. Married To Susan. A Sweet Man, Swoons At The Sight Of Blood, Generally Faint-Hearted – But Kind. Highly Skilled Baritone.
[JENNY] – Female-Presenting. 30 – 40. Married To David. Confident, Sexy And Alluring. She ’s Been Around The Block – And Enjoyed It. Tries To Bring Out A Wilder Side In Her Slightly Staid Husband, But Is Also Very Protective And Supportive Of Him. Highly Skilled Mezzo Or Soprano.
[DAVID] – Male-Presenting. 30-40. Husband Of Jenny. David Describes Himself As A Square. He Lives Life On The Straight And Narrow And Likes It That Way. Highly Skilled Baritone.
[JAMIE] – Male-Presenting. 25 – 35. Lovable, Kind, Warm, Slightly Neurotic. Jamie Is Engaged To Paul, But Terrified Of Marriage. Kooky, A Bit Goofy, A Good Person. Highly Skilled Tenor, Sings “Getting Married Today.”
[PAUL] – Male-Presenting. 25 – 35. Paul Is Getting Married To Jamie. A Supportive, Patient Man. Highly Skilled Tenor.
[JOANNE] – Female-Presenting. 50 – 60. Joanne Is Currently Married To Larry, Her Third Husband. Her Deep Insecurity Is Masked By Her Sharp Tongue. Cynical And Sarcastic, Real Funny Bones. Sings “Ladies Who Lunch.” Highly Skilled Alto/Mezzo Soprano.
[LARRY] – Male-Presenting. 40 – 50. Larry Is Married To Joanne. A Successful City Type. Sexy And Self-Assured And Deeply In Love With His Wife. A Self-Professed Happy Man. Highly Skilled Tenor.
[PJ] – Male-Presenting. 25 – 35. One Of Bobbie’s Boyfriends. Living In New York, A Hipster. Cool And Adventurous. Highly Skilled Baritone Or Tenor. Sings “Another Hundred People.”
[THEO] – Male-Presenting. 25 – 35. A Former Flame Of Bobbie’s, Now A Close Friend – With Some Persisting Spark. Sensitive, Kind And Caring, Longing For Domesticity And A Calmer Life Away From New York. Highly Skilled Baritone Or Tenor.
[ANDY] – Male-Presenting. 25 – 35. Another Of Bobbie’s Boyfriends. An Air Steward; Funny, Handsome, But Not Very Bright. Excellent Comic Timing. Highly Skilled Baritone Or Tenor.
Audition Dates & Locations
- Monday, March 13, 2023
10 AM – 6 PM (E)
Break: 1:00 – 2:00pm - Tuesday, March 14, 2023
10 AM – 6 PM (E)
Break: 1:00 – 2:00pm - Wednesday, March 15, 2023
10 AM – 6 PM (E)
Break: 1:00 – 2:00pm - Location:
March 13-14: Pearl Studios (500)
500 8th Ave
New York, NY 10018
Holding room Studio 306March 15: Pearl Studios (519)
519 8th Ave
12th Fl
New York, NY 10018
Holding Room Studio G
Holding/Audition room information:
The maximum capacity in the holding room is: 40
The maximum capacity in the audition room is: 40
Instructions
Please prepare a cut from the standard musical theatre repertoire that shows vocal and emotional range. Please do not sing from the show. An accompanist will be provided. Bring your headshot and resume stapled together.
Tour Dates
- 1st Rehearsal In NYC: on or about September 4th, 2023
- 1st Performance: on or about October 10th, 2023
All dates are subject to change.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Salary
Short Engagement Touring $958 weekly minimum
Please note: we are in the process of gradually ramping up Equity monitor presence at auditions held at venues other than the Equity audition center. This off-site audition will be facilitated by an Equity monitor.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour route.
Posted: May 11, 2023
Expires: May 23, 2023
- Producer: Disney Theatrical Productions
- Director: Michael Grandage
- Music & Lyrics: Kristen Anderson-Lopez and Robert Lopez
- Musical Supervisor: Stephen Oremus
- Book: Jennifer Lee
- Choreography: Rob Ashford
- Casting: The Telsey Office
- Associate Music Supervisor: Annbritt DuChateau (expected to attend)
Production Description
From the producers of The Lion King, Mary Poppins, and Aladdin comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Based on the 2014 animated feature, the new Disney stage musical Frozen features a score by Kristen Anderson-Lopez and Robert Lopez, including their Oscar-winning song, “Let It Go,” and a book by Jennifer Lee, the Oscar-winning film writer and director (with Chris Buck).
SEEKING
Equity actors for future replacement chorus singer parts in the touring production of FROZEN (see breakdown).
ENSEMBLE SINGERS- Adults of all ethnicities with fantastic singing voices. The ensemble singers also may play and/or cover featured roles, including King Agnarr, Queen Iduna, Pabbie, Bulda, and Oaken.
ENSEMBLE DANCERS – Adult dancers of all ethnicities with excellent technique and fantastic singing voices. The ensemble dancers also play and/or cover featured roles, including King Agnarr, Queen Iduna, Pabbie, Bulda, and Oaken.
PABBIE – 30s-40s –Wise, mysterious, charismatic and gentle patriarch of the Hidden Folk. Baritone. Tall, muscular, striking, handsome, statuesque. FEATURED ENSEMBLE
OAKEN– 30s-40s – Fun-loving, teddy-bear, family-man proprietor of Wandering Oaken’s Trading Post and Sauna. Possibly has some extreme physicality (height, size, etc). Great comedic timing with singing ability. FEATURED ENSEMBLE
BULDA– 30s/40s – Nurturing, funny, empathetic, and spirited matriarch of the Hidden Folk. Fantastic belt voice and excellent movement/dance skills. FEATURED ENSEMBLE
KING AGNARR– 30s/40s – Stern, protective, yet adoring father of two young girls. Baritone or Bass. FEATURED ENSEMBLE
QUEEN IDUNA/FEMALE ENSEMBLE– 30s – Elegant, strong, and devoted mother of the princesses. Soprano. FEATURED ENSEMBLE
DURATION
- Currently touring
AUDITION
Date:
Tuesday, May 23, 2023
9:30 AM (E)
Tuesday, May 23, 2023
2:00 PM (E)
Location:
Actors’ Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
Studio A
PREPARATION
Please prepare a short cut of a contemporary musical theatre song. You may find materials and more information at the link: https://tinyurl.com/FrozenMay2023Auditions
NOTES
WE STRONGLY ENCOURAGE ACTORS OF ALL CULTURAL BACKGROUNDS TO ATTEND.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
SALARY
Touring Agreement $2,403 weekly minimum (Level 1)
Visit the show page to view the current tour route.
Posted: November 5, 2022
Expires: November 26, 2022
- Producer: Disney Theatrical Productions
- Director: Michael Grandage
- Music & Lyrics: Kristen Anderson-Lopez and Robert Lopez
- Musical Supervisor: Stephen Oremus
- Book: Jennifer Lee
- Choreography: Rob Ashford
- Casting: The Telsey Office
Production Description
From the producers of The Lion King, Mary Poppins, and Aladdin comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Based on the 2014 animated feature, the new Disney stage musical Frozen features a score by Kristen Anderson-Lopez and Robert Lopez, including their Oscar-winning song, “Let It Go,” and a book by Jennifer Lee, the Oscar-winning film writer and director (with Chris Buck).
SEEKING
Equity actors for possible future replacement chorus dancer and singer parts in the National tour of FROZEN (see breakdown).
ENSEMBLE DANCERS – Adult dancers of all ethnicities with excellent technique and fantastic singing voices. The ensemble dancers double as and/or cover featured roles, including King Agnarr, Queen Iduna, Pabbie, Bulda, and Oaken.
ENSEMBLE SINGERS – Adults of all ethnicities with fantastic singing voices. The ensemble singers also double as and/or cover featured roles, including King Agnarr, Queen Iduna, Pabbie, Bulda, and Oaken.
PABBIE – 30s-40s. Wise, mysterious, charismatic and gentle patriarch of the Hidden Folk. Baritone. Tall, muscular, striking, handsome, statuesque. FEATURED ENSEMBLE.
OAKEN– 30s-40s. Fun-loving, teddy-bear, family-man proprietor of Wandering Oaken’s Trading Post and Sauna. Possibly has some extreme physicality (height, size, etc). Great comedic timing with singing ability. FEATURED ENSEMBLE.
BULDA– 30s/40s. Nurturing, funny, empathetic, and spirited matriarch of the Hidden Folk. Fantastic belt voice and excellent movement/dance skills. FEATURED ENSEMBLE.
KING AGNARR– 30s/40s. Stern, protective, yet adoring father of two young girls. Baritone or Bass. FEATURED ENSEMBLE.
QUEEN IDUNA/FEMALE ENSEMBLE– 30s. Elegant, strong, and devoted mother of the princesses. Soprano. FEATURED ENSEMBLE.
Duration
- Currently touring
Instructions
Slate with name, height, and full body shot. Please record in a well-lit space, not back-lit.
DANCERS: Please prepare the dance combination at: https://tinyurl.com/FrozenTourAEAAuditionMaterials
Please note that the choreography can be modified to be performed in a 10×10 foot space.
FEATURED ENSEMBLE: Please prepare a 16-32 bar cut of a contemporary or traditional musical theatre song. You may also use the accompaniment at:
https://tinyurl.com/FrozenTourAEAAuditionMaterials
Submit at: https://forms.gle/TQTej9z92FUnHGgLA
NOTES
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Salary
Production (Disney) $2311 weekly minimum
Visit the show page to view the current tour route.
Posted: May 11, 2023
Expires: May 24, 2024
- Producer: Disney Theatrical Productions
- Director: Michael Grandage
- Music & Lyrics: Kristen Anderson-Lopez and Robert Lopez
- Musical Supervisor: Stephen Oremus
- Book: Jennifer Lee
- Choreography: Rob Ashford
- Casting: The Telsey Office
- Expected to attend: Casting Directors Rachel Hoffman and/or Jimmy Larkin
Production Description
From the producers of The Lion King, Mary Poppins, and Aladdin comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Based on the 2014 animated feature, the new Disney stage musical Frozen features a score by Kristen Anderson-Lopez and Robert Lopez, including their Oscar-winning song, “Let It Go,” and a book by Jennifer Lee, the Oscar-winning film writer and director (with Chris Buck).
SEEKING
Equity actors for future replacement principal roles in the touring production of FROZEN (see breakdown).
ELSA – 20s – Reserved and hesitant, yet inherently regal, Elsa makes a stunning new Queen of Arendelle. However, she has been trained for over a decade to fear and hide her magical powers. Strong belter.
ANNA – late teens/20s – Optimistic, enthusiastic, and slightly disheveled Princess of Arendelle. Naturally funny and courageously fearless, her greatest flaw – and her greatest strength – is her faith in love. Strong belter with soprano/mix.
HANS – 20s – The youngest of thirteen brothers, Prince Hans of the Southern Isles is a real charmer– as handsome as handsome gets. Anna falls for his open wittiness on the spot – he gets her. Tenor.
OLAF – 20s – A big-voiced snowman created by Elsa’s magic, Olaf is pure innocence, completely content to be anywhere, doing anything. Great singer.
KRISTOFF – 20s – A human orphan raised by Hidden Folk in the forest, Kristoff is a self-reliant ice-seller & Mountain Man whose best friend is a reindeer, for whom he provides a voice so they can have conversations. Kristoff is naturally warm with a good heart, although he’s circumspect about Anna and her mountaintop mission. Baritone.
WESELTON – 50s – A chauvinistic, intolerant diplomat, the Duke of Weselton seeks any opportunity to get ahead. He seizes on Elsa’s “accident” to spread fear and discredit the entire royal family of Arendelle. Short (under 5’7”) Baritone.
SVEN – The lovable reindeer & sidekick to Kristoff. Funny, inquisitive and intuitive. Dancers/Acrobats with strong upper body and core strength and stamina to operate a full body puppet. Height minimum 5’10” max 6’2”.
YOUNG ELSA – 11 years old – Bright, poised, elder princess of Arendelle who adores her younger sister. She aims to be a perfect daughter, but wrestles with a dangerous talent. Soprano.
YOUNG ANNA – 8 years old –- Energetic, free-spirited younger princess of Arendelle who dotes on every word and movement of Elsa. She is heartbroken when she is isolated from Elsa by their parents. Soprano.
DURATION
- Currently touring
AUDITION
Date:
Wednesday, May 24, 2023
9:30 AM – 5:30 PM (E)
Break: 1:00-2:00pm
Location:
Actors’ Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
Studio A
PREPARATION
Please prepare a cut of a contemporary musical theatre song. Those interested in the role of SVEN are invited to come in and have a conversation about your puppetry experience or you may visit the link provided for information on submitting virtually. You may find materials and more information at https://tinyurl.com/FrozenMay2023Auditions
NOTES
WE STRONGLY ENCOURAGE ACTORS OF ALL CULTURAL BACKGROUNDS TO ATTEND.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
SALARY
Touring Agreement $2,403 weekly minimum (Level 1)
Visit the show page to view the current tour route.
Posted: May 17, 2023
Expires: May 26, 2023
- Producer: Tristan Baker of Runaway Entertainment
- Director: Conor McPherson
- Book: Conor McPherson
- Songs by: Bob Dylan
- Movement Director: Lucy Hind
- General Manager: Foresight Theatrical
- Casting Director: Duncan Stewart CSA or ARC
- Expected to attend:
Casting Director: Duncan Stewart CSA or ARC
Casting Associate: Patrick Maravilla of ARC
Production Description
This spiritually uplifting and beautiful story is set in Duluth, MN, in 1934, when a group of wanderers’ lives intersect at a house full of music, life and hope weaving through a story the Chicago Tribune declares is “Nothing less than a Broadway Revelation.”
SEEKING
Equity actors for roles in GIRL FROM THE NORTH COUNTRY (tour) (See breakdown).
[NICK LAINE]: 50s. The proprietor of the guesthouse. An unconventional leading man with edge andsexual vitality. A restless man who seems younger than his years and yet he still wears something that
is broken. He is all heart, taking in the waifs and strays who knock on his door, but has no head for
business. The bank is about to repossess the house, which has been in the family for generations. He
takes care of his wife who is slowly succumbing to dementia. Knowing that the world is about to crash
down around him he struggles to find security for his family. Open to considering both non-singers and
singers.[ELIZABETH LAINE]: 50s. Nick’s wife. A complicated and contentious woman at the best of times she is now struggling through the haze of progressively worsening dementia. She had, long ago, fallen out of love with her husband but the two are now forever tied together by the needs of her caretaking. She is still more than capable of showing flashes of the woman she used to be. Tough, acerbic and a ferocious defender of her two kids.[MARIANNE LAINE]: Early 20s. Black. Nick and Elizabeth’s daughter. Abandoned by boarders who left her in a bag at the guesthouse as a baby, she has been raised by Nick and Elizabeth. She is pregnant but who the father of her child is remains a mystery. Her world is small and she yearns to blow it open. She has a lot of her father’s strength as well as his restlessness. A chance encounter with a penniless drifter gives her one shot at getting out and starting a new life.[GENE LAINE]: 20s. Nick and Elizabeth’s son. Aspires to be a writer, with perhaps the soul of a poet but looks more like a farmhand. Something rough-hewn about him already despite his years. Smart and appealing, he has a way with words. Already something of a lost and yearning soul. He sits in the bars in town in search of inspiration but mostly what he finds is the bottom of the bottle. Alcohol fuels his sense of rage at the disappointments life has already dealt him. If he could only get to New York surely the great American novel would pour out of him.[KATE DRAPER]: 20s. Gene’s ex-girlfriend. She is beautiful and bright with a life ahead full of possibilities. Unable to embrace Gene’s darkness and complication she has moved on with her own life. In a town this small, she will always be the one who got away.[MRS. NIELSEN]: 40s. Black. A widow. Nick’s mistress. Attractive. Self-possessed. Equal parts warmth and ballsy poise. You know she is in the room when she enters it. She is living at the boarding house while she waits for her dead husband’s money to come through. Still vibrant and full of life she is yearning for another chance at life and love.[MR. BURKE]: 50s. A onetime factory owner. A man’s man who relished his power and the fraternal combat involved in business. He now carries an air of defeat, although he doesn’t know it. The combination of his family tribulations and the depression have knocked the wind out of his sails.[ELIAS BURKE]: Early 30s. His son. A grown man with the developmental capabilities of a four year old child. Although he has a sweet and benign spirit, he has a physical strength that he doesn’t understand or know how to control. Capable of creating an expressive physical life.[MRS. BURKE]: Late 40s – early 50s. Elias’ mother. She has devoted herself to caring for her son at the expense of her own happiness and fulfillment, with little or no help from her husband. Was attractive and is now trying to hold on to something that is slipping away along with the best years of her life. She numbs the pain with an addiction to morphine. Both dramatic and comedic skills. A strong singer who is more chanteuse than musical theater vocally. PLEASE NOTE: Ability to play a drum kit or have developed percussion skills a plus.[JOE SCOTT]: Late 20s –Early 30s. Black. A boxer. He is making his way to Chicago where he is looking for a fresh start after serving time. Although prison interrupted a promising career as a fighter he still has the quickness and ferocity that will put him on top in a physical confrontation. He is forthright and piercingly clear about what he wants but there is still something enigmatic about his past. He just might be Marianne’s ticket out of town.[REV. MARLOWE]: 50s. A bible salesman and a weasel. He hides behind the semi- respectability of selling God’s word but in reality he’ll pull any con to survive.[MR. PERRY]: 60s. A shoe mender. Although he is over forty years her senior he is Nick ’s best bet for a husband for Marianne. He is a decent and kind man with his own business and house. A widower, he is lonely and afraid of his rapidly approaching old age.[DR. WALKER]: Late 40s – early 60s. A physician. A storyteller. A likeable man with a warm spirit and speaking voice. Although a frequent visitor to Nick’s house, he is something of an outsider amongst the others, a characteristic which suits him perfectly as the narrator of the story. He knows everything about the intimacies of his patient’s lives but his own life is an enigma to them and perhaps to himself. An acute observer of other people’s pain, he eventually succumbs to the unbearableness of his own loneliness. Actors of color are encouraged to audition for this role.
TOUR DATES
- Rehearsal: on or about Thursday, August 31, 2023 in NYC
- Tech Rehearsals: on or about October 1, 2023 in Minneapolis
- Preview: on or about Oct 7, 2023 in Minneapolis
- Opening: on or about Oct 10, 2023 in Minneapolis
SALARY
Short Engagement Touring Salary Pending
AUDITION
Dates:
Thursday, May 25, 2023
10:00 AM – 6:00 PM (E)
Lunch 1:00 PM – 2:00 PM
Friday, May 26, 2023
10:00 AM – 6:00 PM (E)
Lunch 1:00 PM – 2:00 PM
Location:
Pearl Studios (500)
500 8th Ave
New York, NY 10018
Holding room Studio 404
PREPARATION
Please prepare a brief song of your choice in the style of the show. An accompanist will be provided. Also, please bring your headshot and resume stapled together.
NOTES
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Duluth Tour LLC is an Equal Opportunity Employer where the spirit of inclusion feeds into everything that we do. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and teammates. We believe that opportunity, access, resources and rewards should be available to and for the benefit of all. Duluth Tour LLC is committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, and Veteran status.
Visit the show page to view the current tour route.
Posted: May 9, 2023
Expires: May 18, 2023
- Producer: Tristan Baker of Runaway Entertainment
- Director: Conor McPherson
- Book: Conor McPherson
- Songs by: Bob Dylan
- Movement Director: Lucy Hind
- General Manager: Foresight Theatrical
- Casting Director: Duncan Stewart CSA or ARC
- Expected to attend:
Movement Director: Lucy Hind
Casting Associate: Patrick Maravilla of ARC
Production Description
This spiritually uplifting and beautiful story is set in Duluth, MN, in 1934, when a group of wanderers’ lives intersect at a house full of music, life and hope weaving through a story the Chicago Tribune declares is “Nothing less than a Broadway Revelation.”
SEEKING
Equity actors for chorus dancer parts for GIRL FROM THE NORTH COUNTRY (tour)
[ENSEMBLE WOMAN 1]: 20s. Black. Strong, versatile singer and character actor who looks and feels more like they belong in The Grapes Of Wrath than Meet Me in St. Louis. They will be part of the onstage company and cover principal roles. This actor will also cover principle roles likely to include Marianne Laine and Mrs. Nielsen.
[ENSEMBLE WOMAN 2]: 40s. Strong, versatile singer and character actor who looks and feels more like they belong in The Grapes Of Wrath than Meet Me in St. Louis. They will be part of the onstage company and cover principal roles. This actor will also cover principle roles likely to include Elizabeth
Laine and Mrs. Burke.
[ENSEMBLE MAN 1]: Late 20s – Early 30s. Black. Strong, versatile singer and character actor who looks and feels more like they belong in The Grapes Of Wrath than Meet Me in St. Louis. They will be part of the onstage company and cover principal roles. This actor will also cover principle roles likely to include Joe. Seeking an actor with a large range to cover both baritone and HIGH tenor solos.
[ENSEMBLE MAN 2]: 40s – 50s. Strong, versatile singer and character actor who looks and feels more like they belong in The Grapes Of Wrath than Meet Me in St. Louis. They will be part of the onstage company and cover principal roles. This actor will also cover principle roles likely to include Nick, Reverend Marlowe and Mr. Burke
Dates
- Rehearsal: on or about Thursday, August 31, 2023 in NYC
- Tech Rehearsals: on or about October 1, 2023 in Minneapolis
- Preview: on or about Oct 7, 2023 in Minneapolis
- Opening: on or about Oct 10, 2023 in Minneapolis
Salary
Short Engagement Touring Salary Pending
AUDITION
Date:
Thursday, May 18, 2023
9:30 AM (E)
Lunch 1:30 PM – 2:30 PM
Location:
Pearl Studios (519)
519 8th Ave
12th Floor
New York, NY 10018
Holding room Studio B
PREPARATION
Please come prepared to dance. Wear shoes you are comfortable moving in. Also, please bring your headshot and resume stapled together.
NOTES
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Duluth Tour LLC is an Equal Opportunity Employer where the spirit of inclusion feeds into everything that we do. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and teammates. We believe that opportunity, access, resources and rewards should be available to and for the benefit of all. Duluth Tour LLC is committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, and Veteran status.
Visit the show page to view the current tour route.
Posted: September 18, 2023
Audition: October 13, 2023
- Producers: Dale Franzen, Mara Isaacs, Hunter Arnold, Tom Kirdahy
- Book, Music, and Lyrics: Anais Mitchell
- Director: Rachel Chavkin
- Choreographer: David Neumann
- Music Director: Liam Robinson
- Associate Casting Director: Micah Johnson-Levy
- General Manager: RCI Theatricals
Expected to attend:
Associate Casting Director: Micah Johnson Levy
Associate Choreographer and Associate
Director: T. Oliver Reid
Production Description
Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love.
SEEKING
Equity chorus dancers for possible future replacements in the currently running production of HADESTOWN (Tour) (See breakdown).
All the Equity stage managerial positions are currently filled.
WORKER 1: Soprano. (F#3 – E5). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.
WORKER 2: Low alto. (E3 – C#5). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.
WORKER 3: Tenor. (B2 – B4). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.
WORKER 4: Tenor/baritone. (G2 – G4). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.
WORKER 5: Bass/baritone. (C2 – G4). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.
AUDITION
- Friday, October 13, 2023
10:00 AM, 2:30 PM
Lunch 1:30 PM – 2:30 PM
Location
- Pearl Studios (500)
500 8th Ave
New York, NY 10018 - Holding Room 309
Instructions
Please dress in clothing you are able to dance in and bring tennis/gym shoes. Also, please bring a picture and resume, stapled together.
NOTES
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
NOTE FROM CREATIVE: We welcome performers of all ethnicities, gender identities, and body types. We are seeking actors with unique, vibrant singing skills. Certain roles will also require strong instrumental abilities. Actors of diverse cultural and racial backgrounds are encouraged to apply. In general, we are not looking for conventional “music-theatre style”/vibrato singers. We are seeking singers capable of pure tones and/or vibrato that feels informed by jazz/rock/gospel.
CONTRACT
Touring Agreement $1344 weekly minimum (Level 4)
Visit the show page to view the current tour route.
Posted: May 17, 2023
Expires: June 2, 2023
Non-Equity National Tour
Production Description
Hairspray is the story of 16-year-old Tracy Turnblad in 1960’s Baltimore as she sets out to dance her way onto TV’s most popular show. Can a girl with big dreams (and even bigger hair) change the world?
SEEKING
Submissions for the 2023-2024 National Tour of HAIRSPRAY [see breakdown].
EDNA TURNBLAD (FEATURED ACTOR)
Age 40 – 50
Male to play female. Large physique. Sincere and honest, not camp drag. Strong acting and comic ability a must. 60’s Baltimore housewife, larger-than-life character actor with singing ability to convincingly play mother of Tracy. (May wear a fat suit and must be able to move in heels.) Simple dance/movement required. Actor/Comedian. Bass-Baritone.
TRACY TURNBLAD (FEATURED SINGER)
Plays Late Teen
5′ 5″ or shorter, to play high school age. Strong plus size teen with aspirations to change the world, optimistic. Strong actress with a natural genuine likeability. Outgoing, unstoppable, goodhearted with a vibrant, lovable, spirited personality. Loves to dance. Mezzo-Soprano. Strong Theatre/Pop belt singer and great mover.
LINK LARKIN (FEATURED SINGER)
Plays Late Teen
To play high school age. Handsome, sexy, clean-cut, goodhearted, down to-earth. The heartthrob of the local TV teen dance show. Strong pop singer and great mover. Does dancer chorography. High Bari-Tenor with strong falsetto.
MOTORMOUTH MAYBELLE (FEATURED SINGER)
Age 40 – 50
Seaweed and Little Inez’s mother. Queen of Baltimore Soul, a radio DJ. Powerful and inspiring, with an infectious, brassy personality. Strong, soulful, gospel/pop singer – old school gospel diva, voice is very important. 60’s cool and hip, liberal part of civil rights movement. Strong actress with ability to convey depth and light-heartedness. Minimal movement required. Alto with high belt.
CORNY COLLINS (FEATURED SINGER)
Age 30 – 35
Host of the local TV teen dance show. Handsome, charming, engaging, smooth. Young Dick Clark type. Strong pop singer, movement a plus. High Baritone.
SEAWEED J. STUBBS (FEATURED SINGER)
Plays Late Teen
To play high school age. Penny’s boyfriend. Cool, sexy, street smart, goodhearted. Good actor with strong young masculine presence. Strong, soulful, tenor pop singer and great mover. Tenor to A with strong falsetto.
PENNY PINGLETON (FEATURED SINGER)
Plays Late Teen
To play high school age. Ditzy, neurotic, devoted best friend of Tracy. Good sense of comedic timing with good physique. Strong high belt, Contemporary Theatre/Pop voice. Must be a good mover. Mezzo-Soprano.
AMBER VON TUSSLE (LEAD VOCALIST)
Plays Late Teen
To play high school age – Tracy’s nemesis. Strong dancer/singer/actress who can play bratty, popular, spoiled princess who gets her way. Must be a strong dancer. Mezzo-Soprano.
VELMA VON TUSSLE (FEATURED ACTOR)
Age 35 – 50 may look younger.
Former beauty queen. Plays Amber’s mother. Big fish in a small pond – domineering – stage mother. Upscale, attractive, and prejudiced snob who always wants her daughter in the spotlight. Strong actress who has poise and good sense of her body with a strong singing voice. Simple dance movement required. Mezzo-Soprano with strong belt mix.
PRUDY PINGLETON (FEATURED ACTOR)
Age 40 – 55
Comedic actress to play various zany roles including Penny Pingleton’s uptight and small-minded mother. Also plays a sadistic high school gym teacher. Must be a sharp, funny, inventive character. Minimal-singing role. Simple dance movement required. Mezzo-Soprano.
WILBUR TURNBLAD (FEATURED ACTOR)
Age 40 – 55
Working class inventor. Tracy’s Father. Sweet, goofy, childlike personality. Funny, good character singer. Also plays various roles including a flamboyant fashion boutique owner and a condescending high school principal. Must be an inventive character actor. Simple dance movement required. Baritone.
PEARL (LEAD DYNAMITE) (FEATURED SINGER)
Age 25 – 30
Soulful voice, strong belt, must be able to sing tight harmonies and move well. Will also be part of ensemble in certain numbers and understudies Motormouth. Mezzo-Soprano with strong belt mix up to high A.
LITTLE INEZ (LEAD VOCALIST)
Plays Early Teen
Must be able to play 15ish, Seaweed’s lovable little sister. Spunky, tough, streetwise, outgoing, older than her years. Must be able to move very well – does dancer choreography. May double as one of the Dynamites. Soulful voice with strong belt mix. Mezzo-Soprano.
MALE ENSEMBLE / COVERS (DANCER/VOCALIST)
Males, all races, to play young high school teenagers. Strong dancer/singer/actors who may be required to understudy leading roles. Dance styles should include Musical Theatre, Jazz & Tap (a plus).
FEMALE ENSEMBLE / COVERS (DANCER/VOCALIST)
Females, all races, to play young high school teenagers. Strong dancer/singer/actors who may be required to understudy leading roles. Dance styles should include Musical Theatre, Jazz & Tap (a plus).
TOUR DATES
- Rehearsals begin August 28, 2023 in Ft. Myers, FL. Performances will begin at the Broadway Palm Dinner Theatre in Ft. Myers, FL, and then move to Bus and Truck tour that runs through June 23, 2024.
All dates are subject to change.
INSTRUCTIONS
Submissions must be submitted by June 2, 2023. All submissions must be submitted through the email link below. Submissions are to be considered for in-person auditions and callbacks that will be held the week of Monday June 19 through 23, 2023 at Pearl Studios, 8th Ave, NY, NY.
Seeking strong singers and dancers. All roles being considered. All ethnicities.
VIDEO SUBMISSION SHOULD INCLUDE THE FOLLOWING:
Full Body Video
Slate Name and Representation if Applicable
32 Bars in Style of Show
Any other Dance and Acting Reels you may have
Headshot and Resume
SALARY
- $600.00 – $900.00 per week
NOTES
Meals on performance days, travel, and housing provided in Ft Myers for rehearsals and performances. Per-diem, travel and housing provided on Bus and Truck Tour.
Visit the show page to view the current tour route.
Posted: May 6, 2023
Expires: May 16, 2023
- Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
- Director: Thomas Kail
- Music and Lyrics: Lin-Manuel Miranda
- Musical Director: Alex Lacamoire
- Choreography: Andy Blankenbuehler
- Casting: The Telsey Office
- Viewing auditions:
Matt Gallagher (Associate Music Supervisor)
Peter Dunn (Casting Associate)
Alexis Brown (Casting Assistant)
Production Description
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.
SEEKING
[ENSEMBLE SINGERS/ OFFSTAGE SWINGS]: Male and female, age 18 to early 30s, all ethnicities. Actors of color are encouraged to attend. Amazing, versatile singers/actors who move very well. MUST BE ABLE TO RAP WELL! Will portray various characters in the ensemble and potentially understudy principal roles.Date & Location
- Audition:
- Tuesday, May 16, 2023
- 10:00 AM (E)
- Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504 - Holding room Studio 312
INSTRUCTIONS
Please prepare 16 bars of a pop or rock song of your choice. Please bring sheet music. An accompanist will be provided. Please also bring a picture and resume stapled together.
SALARY
- $2311 weekly minimum
NOTES
Audition is for both the Broadway and touring productions.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour routes.
Posted: October 18, 2023
Audition: October 30-31, 2023
- Producers: Sonia Friedman Productions, Colin Callender, Harry Potter Theatrical Productions
- Original Story by: J.K. Rowling, Jack Thorne and John Tiffany
- Playwright: Jack Thorne
- Director: John Tiffany
- Movement Director: Steven Hoggett
- Casting: Jim Carnahan, Casting Director
Expected to attend:
Alexandre Bleau, Casting Director
Production Description
When Harry Potter’s head-strong son Albus befriends the son of his fiercest rival, Draco Malfoy, it sparks an unbelievable new journey for them all—with the power to change the past and future forever.
SEEKING
Equity actors for roles in HARRY POTTER AND THE CURSED CHILD (TOUR) (See breakdown).
Harry Potter: Male, 37-40. Height of approximately 5 feet 10 inches. Father of James, Albus and Lily. Married to Ginny. Head of Magical Law Enforcement at the Ministry of Magic.
Ron Weasley: Male, 37-40. Father of Rose. Married to Hermione. Runs Weasleys’ Wizard Wheezes. Comedy chops.
Hermione Granger: Female, 37-40. Mother of Rose. Married to Ron. Minister of Magic. Strong willed. The brightest witch of her age.
Ginny Potter: Female, 37-40. Mother of James, Albus and Lily. Married to Harry. Senior Quidditch correspondent for the Daily Prophet newspaper.
Draco Malfoy: Male, 37-40. Father of Scorpius. Independently wealthy. Natural authority.
Amos Diggory: Male, 60s. Cedric Diggory’s father.
Albus Dumbledore: Male, 60s. Past Headmaster of Hogwarts.
Hogwarts Professor: Male, 60s. Defense Against Dark Arts Professor.
Sorting Hat: Male, 30s. Magic hat which sorts students into their houses at Hogwarts.
Professor McGonagall: Female, mid 40s-mid 50s. Scottish. Headmistress of Hogwarts.
Trolley Witch: Female, mid 40s-mid 50s. Works on the Hogwarts Express.
Albus Potter: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Son of Harry and Ginny. Student at Hogwarts.
Scorpius Malfoy: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Son of Draco. Student at Hogwarts.
James Potter Jr.: 18+ to play 16. Must be 5 feet 7 inches or shorter. Son of Harry and Ginny. Brother of Albus and Lily.
Yann Fredericks: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Student at Hogwarts.
Karl Jenkins: Male, 18+ to play 14-16. Must be 5 feet 7 inches or shorter. Student at Hogwarts.
Craig Bowker Jr.: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Student at Hogwarts.
Delphi Diggory: Female, mid-20s. Must be 5 feet 7 inches or shorter. Niece of Amos Diggory. Works at St. Oswald’s Home for Old Witches and Wizards.
Rose Granger-Weasley: Female, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Daughter of Ron and Hermione. Student at Hogwarts.
Moaning Myrtle: Female. 18+. Must be 5 feet 7 inches or shorter. Ghost of Myrtle who died at Hogwarts.
Polly Chapman: Female. 18+. Must be 5 feet 7 inches or shorter. Student at Hogwarts.
AUDITION
- Monday, October 30, 2023
10:00 AM – 6:00 PM
Lunch 2:00 PM – 3:00 PM - Tuesday, October 31, 2023
10:00 AM – 6:00 PM
Lunch 2:00 PM – 3:00 PM
Location
- Pearl Studios (500)
500 8th Ave
New York, NY 10018 - Holding Room: Studio 412
Instructions
Please prepare the sides for the roles you wish to be considered for. Sides will be provided day of the audition up to 30 minutes prior to your audition time. Sides are all in this Dropbox:
https://www.dropbox.com/scl/fo/p2zerkcn5ps1rxnfyvw59/h?rlkey=i43l9lwgud1rh3u63xeyxwcl8&dl=0 .
Please read the EPA Sides Breakdown for which side to read for roles where sides don’t exist. Also, please bring your headshot and resume stapled together.
DATES
- First Rehearsal: Summer 2024
- First Performance: Fall 2024
NOTES
We will also be seeking various on and offstage understudy positions for the above roles.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
CONTRACT
The minimum base weekly salary for the positions being auditioned for is established by a collective bargaining agreement between The Broadway League Inc., on behalf of the above-named producer, and Actors’ Equity Association. It is anticipated that the base weekly salary for each of the above-listed roles will range between a minimum of $2,499.0 per week (which equals an annualized base salary of $129,948) and a maximum of $4,000 per week (which equals an annualized base salary of $208,000).
Visit the show page to view the current tour route.
Posted: July 10, 2023
Expires: August 7, 2023
Non-Equity National Tour
- Director: Matt August
- Book and Lyrics: Timothy Mason
- Music: Mel Marvin
- Choreographer: Bob Richard
- Music Supervisor: Peter Leigh-Nilsen
- General Management: Crossroads Live North America
- Casting: Murnane Casting
Production Description
The Grinch discovers there’s more to Christmas than he bargained for in this heart-warming holiday classic. Max the Dog narrates as the sour and scheming Grinch, whose heart is “two sizes too small”, decides to steal Christmas away from the holiday loving Whos.
SEEKING
[THE GRINCH] Male identifying character, 35+ to play 56 years old. Should be 6’0” or taller. Our main protagonist. He has spent years living in seclusion. He is fed-up with Christmas and ingeniously decides to steal it. A beastly, charming, often silly curmudgeon. He is hilariously scary but with a softy’s heart underneath — think more Wile E. Coyote than Voldemort. He fancies himself a Vaudeville superstar with “champion-stock” DNA and has a personality that outsizes everybody else in Whoville. The Grinch is a real triple threat. Baritone (A2-D4) with strong falsetto. LEAD[OLD MAX] Male Identifying, character 45+ to visibly be the oldest soul on stage. Our storyteller who unexpectedly has a final memory that inspires him to celebrate the night of the Grinch’s transformation with the audience. A wise and somewhat weary old soul on the last legs of a spectacular life. He is trustworthy and charming and can “spin a yarn” like the best of them. Sings You’re a Mean One. Bass-baritone (G2-E4). PRINCIPAL[CINDY-LOU WHO] Female identifying character, 6-10 years old to play younger. Should be 4’2” or under and visibly the smallest person on stage. She is the youngest child of the central Who family. She is the one person with a genuine heart of gold that can find and express love to the Grinch. She is still young enough to be guided by her sense of wonder and empathy and believes in the possibility for goodness in the Grinch. Soprano (A3-F5). PRINCIPAL[GRANDPA WHO] Male Identifying character, 55 years old. The eldest of the central Who family. He is gruff, comically grumpy, and enjoys antagonizing Mama Who and trying to scare the children with ghost stories. He loves Christmas and his grandchildren but is driven batty by both. Baritone (Bb2-E4). FEATURED ENSEMBLE[GRANDMA WHO] Female Identifying character, 55 years old. The matriarch of the central Who family who can solve any problem, a peacemaker. She is loving and warm. The children respect and listen to her, and she has the patience to calm both them and Mama Who. Mezzo Soprano (C4-E5). FEATURED ENSEMBLEInstructions
Sign up online for an audition:
https://www.signupgenius.com/go/10C084FADA72DA0FDCE9-howthe
NOTES
Whoville is made up of individuals that are all different from one another and get much joy in celebrating the holiday, the community, and their differences. We are actively assembling a cast that represents different ethnicities, races, gender identities, religions, levels of ableness, sexualities, and political parties. It is meant to be a metaphor for the rich and diverse cultural tapestry that makes up our melting-pot nation.
Salary
Performance weeks may have up to 12 performances in a given week. The Production runs approximately 85 minutes.
- Rehearsals: $600 flat p/w
- Performances:
- $1,500 p/w – Lead
- $750 p/w – Principals
- $650 p/w – Featured Ensemble
- $600 p/w – Ensemble
Travel, housing, and per-diem will be provided by the company.
Visit the show page to view the current tour route.
Posted: December 9, 2022
Expires: December 20, 2023
Equity National Tour
- Music and Lyrics: Stephen Sondheim
- Book: James Lapine
- Producer: Jujamcyn Theaters
- Director: Lear deBessonet
- Choreographer: Lorin Latarro
- Music Director: Rob Berman
- General Manager: ShowTown Theatricals, Nathan Gehan/Samuel Dallas
- Casting: The Telsey Office
- Casting Directors: Craig Burns, CSA and Geoff Josselson, CSA
Production Description
Into the Woods follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King’s Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch’s curse, the two set off on a journey to break the curse. Everyone’s wish is granted, but the consequences of their actions return to haunt them later with disastrous results.
SEEKING
Equity actors for roles in INTO THE WOODS (see breakdown).
[RAPUNZEL’S PRINCE] Character is male (cis, transgender, or nonbinary), 30s—40s, any ethnicity. Vocal Range: C Sharp 3–E4. The younger prince. Less is expected from him, so he receives less attention. A hopeless romantic who’s in love with love. The women in his life are ultimately interchangeable. PRINCIPAL
[CINDERELLA’S FATHER/PUPPETEER] Character is male (cis, transgender, or nonbinary), 40s— 50s, any ethnicity. Willfully ignorant. Prioritizes his new family over his first daughter. Has puppetry skills. No solo singing. PRINCIPAL
[MALE UNDERSTUDY] Characters are male (cis, transgender, or nonbinary), 20—40s, any ethnicity. To understudy various principal roles (See below descriptions herein). PRINCIPAL—OFFSTAGE UNDERSTUDY
[FEMALE UNDERSTUDY] Characters are female (cis, transgender, or nonbinary), 20—40s, any ethnicity. To understudy various principal roles (See below descriptions herein). PRINCIPAL—OFFSTAGE UNDERSTUDY
THE FOLLOWING ROLES ARE CAST:
[BAKER] Character is male (cis, transgender, or nonbinary), 30s—40s, any ethnicity. Vocal Range: A Flat 2-G4. Well-meaning and neurotic, with a big heart. He loves his family but doesn’t know how to show it. He was abandoned as a child and struggles to connect with his community. Always has good intentions. PRINCIPAL—PLAYED BY SEBASTIAN ARCELUS
[WITCH] Character is female (cis, transgender, or nonbinary), 40s—50s, any ethnicity. Vocal Range: F3-G5. She has her own moral code and is unbothered by society’s expectations. She’s powerful but cannot accept the limitations of that power. More compassionate than she’ll ever let on. PRINCIPAL—PLAYED BY MONTEGO GLOVER
[BAKER’S WIFE] Character is female (cis, transgender, or nonbinary), 30s—40s, any ethnicity. Vocal Range: F3-G5. She often puts the needs (and egos) of those around her before her own. Struggles to balance the love she has for her family with her desire for adventure. She’s hardworking and very perceptive. PRINCIPAL—PLAYED BY STEPHANIE J. BLOCK
[CINDERELLA] Character is female (cis, transgender, or nonbinary), 20s, any ethnicity. Vocal Range: G3-G5. Earnest and vulnerable. She’s been taken for granted long enough and is ready to stand up for herself. She longs for safety and a community of her own. Much more adaptable than people think. PRINCIPAL—CAST TBA
[NARRATOR/MYSTERIOUS MAN] Character is male (cis, transgender, or nonbinary), 50s—60s, any ethnicity. Vocal Range: G2-E4. The NARRATOR is objective and impartial to the fairytale antics that surround him. Intellectual and good-natured. The MYSTERIOUS MAN has spent a lifetime running away from his mistakes. He’s whimsical and untouchable but hides a deep pain. PRINCIPAL—PLAYED BY DAVID PATRICK KELLY
[CINDERELLA’S PRINCE/WOLF] Characters are male (cis, transgender, or nonbinary), 30s—40s, any ethnicity. Vocal Range: B2-F4. CINDERELLA’S PRINCE is in love with love…and himself. He only wants what he can’t have. He’s used his looks and wealth to coast through life and is terrible in a crisis. The WOLF is a predator. He beguiles his victims with his charm until it’s too late. Thinks he’s a rockstar. PRINCIPAL—PLAYED BY GAVIN CREEL
[LITTLE RED RIDING HOOD] Character is female (cis, transgender, or nonbinary), 18+ to play younger, any ethnicity. Vocal Range: B flat 3-F5. A curious and naïve young girl. She’s often too trusting of strangers and is quite fearless. She has to grow up quicker than expected. Has strong comedic timing. PRINCIPAL—PLAYED BY KATY GERAGHTY
[JACK] Character is male (cis, transgender, or nonbinary), 18+ to play younger, any ethnicity. Vocal Range: B2-G4. He is a constant daydreamer and the reluctant provider for his family. He’s often unable to read his surroundings but can rise to any occasion in a crisis. PRINCIPAL—PLAYED BY COLE THOMPSON
[JACK’S MOTHER] Character is female (cis, transgender, or nonbinary), 40s—60s, any ethnicity. Vocal Range: B flat 3-F5. A single mother left by her husband. She loves her son but is run ragged by the realities of life. She will defend him in the face of incredible odds. PRINCIPAL—PLAYED BY AYMEE GARCIA
[RAPUNZEL] Character is female (cis, transgender, or nonbinary), 20s, any ethnicity. Vocal Range: B3-A5. She’s spent her entire life being protected from the world. Restless and sheltered, until she loses the only family she’s ever known. Her newfound independence is unkind to her. PRINCIPAL—PLAYED BY ALYSIA VELEZ
[GRANDMOTHER/CINDERELLA’S MOTHER/GIANT’S WIFE] Characters are female (cis, transgender, or nonbinary), 40s—60s, any ethnicity. Vocal Range: A3-F Sharp 5. GRANDMOTHER is the salt of the earth and deeply passionate about life. CINDERELLA’S MOTHER is the ghostly figure of the kind mother that Cinderella knew when she was a child. Her spirit looks after her daughter. GIANT’S WIFE was once a warm and compassionate woman who was betrayed by Jack and is looking for revenge. PRINCIPAL—CAST TBA
[CINDERELLA’S STEPMOTHER] Character is female (cis, transgender, or nonbinary), 40s—50s, any ethnicity. Vocal Range: A3-F Sharp 5. The ultimate social climber, she views her children as extensions of herself. Cruel and materialistic. PRINCIPAL—PLAYED BY NANCY OPEL
[LUCINDA] Character is female (cis, transgender, or nonbinary), 20s, any ethnicity. Vocal Range: C4-A Flat 5. Cinderella’s stepsister. Shallow and a bully. The world revolves around her. PRINCIPAL—PLAYED BY TA’NIKA GIBSON
[FLORINDA] Character is female (cis, transgender, or nonbinary), 20s, any ethnicity. Vocal Range: C4-A Flat 5. Cinderella’s stepsister. Shallow and a bully. Oblivious to her flaws. PRINCIPAL—PLAYED BY BROOKE ISHIBASHI
[STEWARD] Character is male (cis, transgender, or nonbinary), 30s, any ethnicity. Loyal to a fault. Loves order and wants to maintain it, even in absurd circumstances. Has strong comedic timing. No solo singing. PRINCIPAL—JIM STANEK
[MILKY WHITE/PUPPETEER] Character is male (cis, transgender, or nonbinary), 20s—30s, any ethnicity. Jack’s beloved cow who is as white as milk. One of the four objects needed to break the Witch’s curse. Has puppetry skills. No solo singing. PRINCIPAL—PLAYED BY KENNEDY KANAGAWA
Instructions
Please sing a brief Sondheim song of your own choosing. Please provide your own accompaniment. As an alternative to singing a song of your choice, you may sing the excerpt from the show in the link below. Sheet music, teaching tracks, and accompaniment are provided at:
https://www.dropbox.com/sh/ep19fmszxwe3hsv/AADZIySgvA31W8IT45l1qpVva?dl=0
TAPING INSTRUCTIONS:
If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height and location/place of residence.
Please submit your headshot, resume and audition video link at:
https://forms.gle/3Xy12xGNP8HRnGPX7
Dates
Rehearsals: January 23, 2023 in NYC
- Tech/Previews – Buffalo, NY: February 13—19, 2023
- Performances: February 20—July 30, 2023
All dates are subject to change
Salary
Production (League) $2311 weekly minimum
Notes
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour route.
Posted: August 10, 2023
Audition: August 22, 2023
- Producer: Vivek J Tiwary, Arvind Ethan David, Eva Price
- Director: Diane Paulus
- Musical Director: Matt Doebler
- Choreographer: Sidi Larbi Cherkaoui
- Book: Diablo Cody
- Music: Alanis Morissette, Glen Ballard
- Lyrics: Alanis Morissette
- Casting: C12 Casting/Jillian Cimini
Expected to attend:
Yeman Brown, Assistant Choreographer
Jillian Cimini, Casting Director or
Neal Buckley, Casting Associate or
Sujotta Pace, Casting Associate
Production Description
Jagged Little Pill is an exhilarating new musical inspired by the themes and raw emotions laid bare in Alanis Morissette’s seminal album of the same name.
SEEKING
Equity chorus dancers for possible future replacements in the touring production of JAGGED LITTLE PILL.
ENSEMBLE DANCERS: 20s – 30s, all gender identities, all ethnicities, all body types (may understudy other roles) – especially interested in strong dancers with expertise in contemporary dance, hip hop, floor work and freestyle to play various roles within the ensemble plus featured dance pieces. Strong rock vocals an advantage.
AUDITION
Tuesday, August 22, 2023
10 AM – Auditions Begin
1:30 PM – 2:30 PM – Lunch
2:30 PM – Auditions Continue
Ripley-Grier Studios (520)
520 8th Ave
New York, NY 10018-6507
Holding room Studio 17H
INSTRUCTIONS
Please wear clothing and sneakers or shoes you are comfortable dancing in and bring a stapled headshot and resume.
CONTRACT
Touring Agreement $996 weekly minimum (Level 5)
NOTES
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
JAGGED LITTLE PILL is committed to equal employment opportunities and welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender expression, sexual orientation, religion, neurodiversity, and artists with disabilities. JAGGED LITTLE PILL is committed to providing a respectful, inclusive and safe environment for the audition process free from harassment, discrimination or bullying. This production contains material related to sexual violence that some may find upsetting and disturbing, and therefore as a duty of care we encourage all candidates to research the issues raised in this show to ascertain their comfortability in exploring this content throughout the process.
Visit the show page to view the current tour route.
Posted: May 1, 2023
Expires: May 4, 2023
- Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
- Music & Lyrics: Andrew Lloyd Webber & Tim Rice
- Produced By: Stephen Gabriel, Work Light Productions
- General Manager: Courtney King
- Director: Timothy Sheader
- Associate Director: Brian Harlan Brooks
- Music Supervisor: David Holcenberg
- Choreographer: Drew McOnie
- Associate Choreographer: Ashley Andrews
- Casting Director: Wojcik Casting Team
Production Description
With music by Andrew Lloyd Webber and lyrics by Tim Rice, this global blockbuster tells the story of the final weeks in the life of Jesus Christ, from the perspective of Judas Iscariot.
SEEKING
Wojcik Casting Team in partnership with Jesus Christ Superstar is committed to creating an atmosphere that engages and promotes diversity and inclusion in all areas of personal identity. We strongly encourage performers of all ethnicities, races, gender identities, ages, body types and abilities to submit for this project. We are actively seeking a cast which is inclusive and strive to promote a process and production that expresses the multidimensional society in which we live.
Specifically looking for outstanding singers who have an authentic feel, understanding & passion for the sound & music of late 60s/early 70s rock music. In particular The Beatles, Gloria Jones, Led Zeppelin, Stevie Wonder, Carol King, James Taylor, Joni Mitchell & Pink Floyd. Performers need a strong individual identity, ability to communicate beyond the fourth wall in a very large house and to be free and creative during the rehearsal process. Instruments (especially guitar) a huge plus for all roles. ALL ETHNICITIES AND GENDER IDENTITIES ENCOURAGED TO SUBMIT.
PRINCIPALS
[JESUS] Rock tenor; 20s- 30s. Chest voice B2-Ab4, powerful falsetto/scream up to G5. This role demands a well-rounded baritone voice that also has a super extended upper register- virtuosity coupled with sensitive musicianship a must. Think James Taylor meets Steven Tyler. A true “rock star”, comfortable addressing a group of 12 or an arena of 12,000. This role does not dance but must be comfortable moving. MUST SING WITH PRECISION. MUST PLAY GUITAR.[JUDAS] Rock/soul tenor; 20s-30s. (E3-D4 (+). This role requires an agile and sensitive voice with access to extremely high registers across a full dynamic range. Stylistically drawing a great deal from soul music, useful reference points would be Stevie Wonder/Murray Head.He is the antagonist of the show, concerned that fame is getting in the way of the message of social justice. Someone who can tell a story through a melody, with exquisite diction and intonation. This role does not dance but must be comfortable moving. MUST SING WITH PRECISION.
[MARY] Belt mezzo; 20s –30s. (G#3-C5) ALTERNATIVE/TRUE ROCK VOCAL STYLISTS. This is NOT a traditional Musical Theatre Ingenue Singer. This is NOT a “TRADITIONAL” Musical Theatre vocal sound. Former prostitute, now follower of Jesus, grappling with her feelings and her faith. Seeking singers who can communicate her solo as more than just a simple love song. This role does not dance but must be comfortable moving. Drawing its influence from early 70s pop, this role requires musical simplicity & excellent phrasing. Think Joni Mitchell/Carol King. MUST SING WITH PRECISION (No riffing required)[PILATE] Baritone or Baritenor; 30s – 40s. (A2-Bb4) A strong baritone with extended high register. Think Bob Dylan, Paul McCartney, Robert Plant. A diverse musical journey through both acts requires a singer of great stillness, yet with the ability to tear the roof off in the final bars MUST SING WITH PRECISION. GUITAR PLAYING PREFERRED.[ANNAS] 30s – 40s. (E3-D5) Funky high rock/soul tenor, with a great flair for swing & groove. Shrill, tightly wound, sadistic high priest. Strong Mover. MUST SING WITH PRECISION.[CAIAPHAS] low bass (C#2-F4). 30s – 40s. A strong bass with a baritone range. Must have great feel for groove & an astonishing musical presence. Should look and act very cool. Strong Mover. MUST SING WITH PRECISION.
[ENSEMBLE] Singer/ Dancers of ALL Gender Identities – versatile, strong classic rock, pop or soul singers who are also outstanding dancers. Must be both excellent dancers and singers. Character ages are 20’s/30’s. Performers of all ethnic and racial backgrounds are encouraged to apply. The choreography is extremely rhythmic, energetic and requires physical stamina. Ensemble members must be comfortable being able to sing well and engage in intense aerobic movement at the same time. Portions of the show involve lifts and partnering, jumping, and kneeling. A dance background in any of the following styles is helpful: modern, contemporary, jazz, hip-hop, African, musical theater. Men appear shirtless at times and some women appear with bare midriffs.Featured roles such as HEROD, SIMON, PETER, and RIOT LEADER will come out of the ensemble. Members of the Ensemble may also cover select principal roles. All ensemble members will need to dance or move extremely well.
[HEROD] High baritone; 30 -50s (B3 – G5) Featured ensemble role. The former Superstar, now gone to seed. Cynical, comedic, cruel: a creature. Candidates are encouraged to bring in their own individual performance. Director will shape concept around the right artist.[SIMON] 20s- 40s. Tenor/high baritone (D3-Bb4(+)) with authentic northern soul/church/RnB voice to escalate the 1st act into a musical frenzy. Featured Ensemble role. Fanatic follower of Jesus and his underground movement. Instigator, outlaw, protestor.[PETER] Folk-rock baritone, 20s- 30s. (D3-G4) Featured Ensemble role. Heartbreaking voice with a little edge. James Taylor/Rod Stewart. Guitar skills essential. Mild-mannered follower, scared believer.[RIOT LEADER] – 20 to 35 years old, all ethnicities female. An EXCEPTIONAL dancer with solid vocal abilities. This character must have outstanding stage presence and in the style of a Greek chorus leader, deliver complete control of the company whilst performing. We are looking for someone whose ability to connect emotionally to their body whilst dancing is truthful and grounded.Dates & Locations
Rehearsals on or about: September 5 – 23
Tech Tentatively: September 24 – 30
Closing Date(s): TBD Summer 2024**All Dates are subject to change and are COVID dependent**
- Tour Location is USA but all hired should have a valid passport good through 2025.
INSTRUCTIONS
TO SUBMIT: Please email headshot/resume and vocal reels or clips to jcstourcasting@gmail.com
Initial auditions will be done by self-tape. Callbacks will be scheduled by video and/or in person.
Audition Details: Initial auditions by self-tape. In person callbacks in NYC 5/31 and 6/1.
SALARY
- $700 weekly plus per diem
- Shared accommodations. Minimum essential insurance plan offered.
NOTES
ALL ACTORS MUST BE FULLY VACCINATED
Visit the show page to view the current tour route.
Posted: July 22, 2022
Expires: August 1, 2022
Equity National Tour
- Producer: Cameron Mackintosh
- Directors: James Powell & Laurence Connor
- Music: Claude-Michel Schönberg
- Lyrics: Alain Boublil and Herbert Kretzmer
- Book: Alain Boublil and Claude-Michel Schönberg
- Musical Supervisor: Stephen Brooker
- US Musical Supervisor: James Moore
- Casting: Tara Rubin Casting/ Felicia Rudolph, CSA, casting director (viewing auditions)
Production Description
Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, Les Misérables, direct from its acclaimed Broadway return.
SEEKING
Equity actors for principal roles (see breakdown)
JEAN VALJEAN – 35-40s. Sings to B (high lyric baritone or tenor with both strong low notes and a strong falsetto). A poor man who rises to affluence, he has great natural nobility and dignity. A powerful figure, a physically and morally large man with a character of operatic size and passion. The voice has a pop/rock sound or a classical sound of extraordinary textual clarity. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
JAVERT – 35-40s. Baritone, sings to G. Policeman who relentlessly hunts Valjean. An imposing character. The ultimate “law and order” figure. Obsessed, to the point of irrationality, with a rigid and merciless moral code. He too is a character of operatic size and passion. Both belt voice and classical can suit this role. Has a natural gravitas and a darker vocal quality than Jean Valjean. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
THENARDIER – Late 30s-40s. Strong comic character role. A dishonest innkeeper, later a petty, amoral thief. Greedy, irreverent, selfish, boorish, vulgar. Baritone, sings to F sharp. Has a strong handle on using text in song. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
MARIUS – Late teens to early 20s. High baritone (sings to A) with a strong bottom (to A). A member of the aristocracy who joins the revolutionary student movement. Romantic but in a sensitive, 19th century “byronic” way. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
ENJOLRAS – 20s-early 30s. High baritone (to G sharp/B flat) very strong singer. Charismatic political figure. Leader of the revolutionary movement. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
FANTINE – Early 20s – early 30s. Belt up to C, sings to E flat. Dignified and elegant factory worker, struggling to support her fatherless daughter. Later is a pauper, a prostitute, a consumptive and a ghost. Earthy and poignant. Although finally defeated by circumstances she should appear to be strong and a survivor. She puts up a valiant fight against the horrors of her life. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
COSETTE – Late teens to early 20s. Fantine’s daughter (first seen as and played by a child). Delicate, elegant, and vulnerable. Cosette is also loyal, confident, intelligent and has a curiosity and spirit that pushes her to strive for a life of her own beyond the comfortable but sheltered life she was brought up in. Falls in love with and later marries Marius. Soprano (to high C) but a light, young “floating” sound, without heavy vibrato. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
EPONINE – Late teens to 20s. An enormous and beautiful belt voice, with a contemporary edge. Belts to C sharp (sings to E flat). Daughter of the Thénardiers but in no way behaves like them. Fired by an unrequited love for Marius. Gamine, forlorn. Hasn’t learned to disguise her emotions; wears her heart on her sleeve. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
MADAME THENARDIER – 30s-early 40s. Tough, sharp, coarse, boorish, vulgar. Strong character comedienne role. Belter. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
GAVROCHE – Boy, age 7 – 11. 52” tall or less. Spunky street urchin. Lots of personality. Sings very well. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
LITTLE COSETTE AND LITTLE EPONINE – Girls, age 7 – 11. 50” tall or less. Sweet innocent waifs. Pretty soprano voice. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
Dates & Locations
- 1st Rehearsal in NY: August 22, 2022
- 1st Performance: On or about October 7, 2022
* All dates are subject to change.
Instructions
Please slate with your name and height.
Please prepare a video of you singing ONE of the provided Principal show material cuts from this link: https://tinyurl.com/LesMisTour… . (For Gavroche, please prepare both cuts.) No songs of your own and please only submit once.
Please only submit a Dropbox or Google Drive Link. Video submissions must be submitted no later than AUGUST 1, 2022 at 6:00pm ET. Any videos submitted after the deadline will not be viewed.
Salary
- Short Engagement Touring $859 weekly minimum (Category 3)
Notes
THE PRODUCERS, CREATIVE TEAM AND CASTING TEAM ARE COMMITTED TO AN EQUITABLE, INCLUSIVE, AND ACCESSIBLE CASTING PROCESS FOR LES MISERABLES. WE ARE ACTIVELY SEEKING PERFORMERS OF ALL RACES, ETHNICITIES, CULTURAL BACKGROUNDS, ABILITIES, GENDER IDENTITIES, AND BODY TYPES TO AUDITION.
All touring employees must adhere to strict protocols and guidelines and will be required to be fully vaccinated for COVID-19, administered at least two weeks prior to any on-site work for production (including any in- person callbacks)
Visit the show page to view the current tour route.
Posted: September 18, 2023
Audition : October 4, 2023
Equity National Tour
- Producer: Cameron Mackintosh
- Directors: James Powell & Laurence Connor
- Music: Claude-Michel Schönberg
- Lyrics: Alain Boublil and Herbert Kretzmer
- Book: Alain Boublil and Claude-Michel Schönberg
- Musical Supervisor: Stephen Brooker
- US Musical Supervisor: James Moore
- Casting: Tara Rubin Casting
Expected to attend:
Casting Directors: Merri Sugarman, CSA and/or Claire Burke CSA
Production Description
Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, Les Misérables, direct from its acclaimed Broadway return.
SEEKING
Equity actors for future replacements for roles in LES MISERABLES (see breakdown)
JEAN VALJEAN – 35-40s. Sings to B (high lyric baritone or tenor with both strong low notes and a strong falsetto). A poor man who rises to affluence, he has great natural nobility and dignity. A powerful figure, a physically and morally large man with a character of operatic size and passion. The voice has a pop/rock sound or a classical sound of extraordinary textual clarity. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
JAVERT – 35-40s. Baritone, sings to G. Policeman who relentlessly hunts Valjean. An imposing character. The ultimate “law and order” figure. Obsessed, to the point of irrationality, with a rigid and merciless moral code. He too is a character of operatic size and passion. Both belt voice and classical can suit this role. Has a natural gravitas and a darker vocal quality than Jean Valjean. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
THENARDIER – Late 30s-40s. Strong comic character role. A dishonest innkeeper, later a petty, amoral thief. Greedy, irreverent, selfish, boorish, vulgar. Baritone, sings to F sharp. Has a strong handle on using text in song. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
MARIUS – Late teens to early 20s. High baritone (sings to A) with a strong bottom (to A). A member of the aristocracy who joins the revolutionary student movement. Romantic but in a sensitive, 19th century “byronic” way. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
ENJOLRAS – 20s-early 30s. High baritone (to G sharp/B flat) very strong singer. Charismatic political figure. Leader of the revolutionary movement. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
FANTINE – Early 20s – early 30s. Belt up to C, sings to E flat. Dignified and elegant factory worker, struggling to support her fatherless daughter. Later is a pauper, a prostitute, a consumptive and a ghost. Earthy and poignant. Although finally defeated by circumstances she should appear to be strong and a survivor. She puts up a valiant fight against the horrors of her life. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
COSETTE – Late teens to early 20s. Fantine’s daughter (first seen as and played by a child). Delicate, elegant, and vulnerable. Cosette is also loyal, confident, intelligent and has a curiosity and spirit that pushes her to strive for a life of her own beyond the comfortable but sheltered life she was brought up in. Falls in love with and later marries Marius. Soprano (to high C) but a light, young “floating” sound, without heavy vibrato. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
EPONINE – Late teens to 20s. An enormous and beautiful belt voice, with a contemporary edge. Belts to C sharp (sings to E flat). Daughter of the Thénardiers but in no way behaves like them. Fired by an unrequited love for Marius. Gamine, forlorn. Hasn’t learned to disguise her emotions; wears her heart on her sleeve. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
MADAME THENARDIER – 30s-early 40s. Tough, sharp, coarse, boorish, vulgar. Strong character comedienne role. Belter. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
GAVROCHE – Boy, age 7 – 11. 52” tall or less. Spunky street urchin. Lots of personality. Sings very well. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
LITTLE COSETTE AND LITTLE EPONINE – Girls, age 7 – 11. 50” tall or less. Sweet innocent waifs. Pretty soprano voice. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.
AUDITION
- Wednesday, October 4, 2023
10:00 AM–6:00 PM
Lunch 1:00 PM – 2:00 PM
Location
- Pearl Studios (500)
500 8th Ave
New York, NY 10018 - Holding Room: Studio 402
INSTRUCTIONS
Please prepare a short, legit musical theatre song to sing. Opera, Jazz, Rhythm and Blues and Rock ‘n’ Roll are not appropriate styles for this production. Please bring sheet music and a stapled together headshot and resume.
SALARY
- Touring Agreement – $920 weekly minimum (Level 6)
NOTES
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
THE PRODUCERS, CREATIVE TEAM AND CASTING TEAM ARE COMMITTED TO AN EQUITABLE, INCLUSIVE, AND ACCESSIBLE CASTING PROCESS FOR LES MISERABLES. WE ARE ACTIVELY SEEKING PERFORMERS OF ALL RACES, ETHNICITIES, CULTURAL BACKGROUNDS, ABILITIES, GENDER IDENTITIES, AND BODY TYPES TO AUDITION.
There are no Equity stage managerial positions currently available.
Visit the show page to view the current tour route.
Posted: October 12, 2023
Audition: October 23-24, 2023
- Producer/Theatre Company: Big League Productions
- Executive Producer: Daniel Sher
- Director: Jeffrey B. Moss
- Choreographer & Associate Director: Diane Laurenson
- Musical Director: Thomas Fosnocht
- Music: Jason Howland
- Book: Allan Knee
- Lyrics: Mindi Dickstein
- Casting Director: Alison Franck
Production Description
Based on Louisa May Alcott’s 1868–69 semi-autobiographical two-volume novel, it focuses on the four March sisters— traditional Meg, wild, aspiring writer Jo, timid Beth and romantic Amy,— and their beloved Marmee, at home in Concord, Massachusetts, while their father is away serving as a Union Army chaplain during the Civil War. Intercut with the vignettes in which their lives unfold are several recreations of the melodramatic short stories Jo writes in her attic studio.
SEEKING
Open call for roles of Jo, Laurie and Professor Bhaer.
All other roles have been cast at this time.
[JO MARCH] 21 to 28 years old to play 17-23, all ethnicities woman. : The protagonist who stands up for everything she believes in. Passionate, adventurous and brave. (Vocal Range E3-A5 (Belt/Mix). Should be funny, have an amazing singing voice and be a star performer. Pay: $900/week.
[LAURIE LAURENCE] 21 to 28 to play 18-23 years old, all ethnicities man. The bright-eyed-boy-next-door with considerable charm. (Vocal Range Bb2-Bb4 (Tenor), Age Range 18-23). Pay: $800/week.
[PROFESSOR BHAER] 25 to 45 years old, all ethnicities man. A German Professor who exemplifies proper manners. He is a boarder in Mrs. Kirk’s boarding house. (Vocal Range G2-F#4 (Baritone). Pay $700/week.
AUDITION
- Open call for Jo: October 23, 2023 11:00 AM–5:00 PM (lunch 2-3)
- Open call for Laurie and Professor Bhaer: October 24, 2023 10:00 AM–5:00 PM (lunch 2-3)
Location
- Ripley-Grier Studios
520 8th Avenue
17th Floor, Studio 17D
New York, NY 10018
INSTRUCTIONS
Sing from book of audition songs, LIMIT, 16 bars (please be strict with this) and should be a song from Musical Theatre, more in the legit/traditonal style vs pop or contemporary musical theatre. Bring additional materials in case we need to hear anything else. Bring hard copy of photo and resume.
DURATION
Rehearsals Start: January 8, 2024 (NYC)
Tech Starts: January 29, 2024 (Owensboro, KY)
Performances: February 3 – May 19, 2024
Visit the show page to view the current tour route.
Posted: November 11, 2022
Expires: November 23, 2022
Equity North American Tour 2023-2024
- Producers: Judy Craymer, Richard East, And Bjorn Ulvaeus For Littlestar In Association With Universal
- Music and Lyrics: Benny Andersson & Bjorn Ulvaeus
- Book: Catherine Johnson
- Director: Phyllida Lloyd
- Associate Director: Martha Banta
- Choreographer: Anthony Van Laast
- Associate Choreographer: Janet Rothermel
- Associate Musical Supervisor: David Holcenberg
- General Management: Work Light Productions
- Casting: Tara Rubin Casting
- Casting Director: Kevin Metzger-Timson, CSA (viewing auditions)
Production Description
ABBA’s greatest hits are woven into a sunny tale set on a Greek island. On the eve of her wedding, a bride’s quest to discover her father’s identity brings three men from her mother’s past back to the place they last visited 20 years ago.
SEEKING
Equity actors for principal roles in the touring production of MAMMA MIA (see breakdown).
DONNA (Late 30s-Early 40s) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. The Mother Of A 20-Year-Old Daughter. Attractive And Free-Spirited. A Former Lead Singer In A Group Called “Donna And The Dynamos” Who Now Owns And Runs A Hotel/Casino On A Greek Island. A Strong Feminist Who Also Has A Zany And Vulnerable Side. Strong Rock Belt With A Great Low Range And Terrific High Belt To C#.
TANYA (Late 30s-Early 40s) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. A Former Singer In The “Dynamos.” Rich, Sophisticated, Acerbic, Funny, And Witty. Sings.
ROSIE (Late 30s-Early 40s) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. A Former Singer In The “Dynamos” Who Now Writes For And Runs A Feminist Press. She’s Confident, Strong, And Funny On The Outside But Shy Underneath. Kooky And Fun, Good Comic, Bit Of A Clown. Sings.
SOPHIE (18-25) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. A Very Special Young Woman Who Is Determined To Find The Romance And Happiness She Feels Eluded Her Mother. Has A Wild, Zany Spirit Even Though She Pursues A Conventional Marriage. Pop Soprano.
SAM (Late 30s-Early 40s) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. May Be Sophie’s Father. Left Donna 20 Years Ago Because He Was Engaged To Another Woman. Charming, Successful Architect. Sings. High Rock Baritone To Ab.
HARRY (Late 30s-Early 40s) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. May Be Sophie’s Father. British Financier, Wealthy, Buttoned-Up, And Conservative, But Trying To Reconnect With His Freer, Youthful Self. English Accent. Sings. High Baritone.
BILL (Late 30s-Early 40s) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. May Be Sophie’s Father. A Travel Writer With No Possessions Or Strings. Good-Natured, Always Ready For Adventure. Funny, Preferably A Big Or Imposing Man. Sings Well.
SKY (Mid-Late 20s) Black, Indigenous, API, Latine, MENASA, Mixed, Or White. Sophie’s Fiancé. Athletic And Attractive, He Has Given Up His Life As A Successful Young Businessman In Order To Make Over Donna’s Taverna And Marry Sophie. Tenor To Ab.
DATES
- 1st Rehearsal in NYC: on or about September 25th, 2023
- 1st Performance: on or about October 27th, 2023
Instructions
Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape. Please include a full-body slate at the beginning of your video.
Please prepare a video of a brief pop/rock song of your choice OR one of the selections provided at:
https://tinyurl.com/mmepamaterials
Submit at: https://tinyurl.com/mmepaform
NOTES
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
We Are Committed To Inclusive And Equitable Casting For All Roles In Mamma Mia! And Are Actively Seeking People Of All Races, Cultural Backgrounds, Abilities, And Gender Identities To Audition. The Breakdown Below Refers To The Characters As They Are Written In The Mamma Mia! Script And Are Not Meant To Limit The Actors We Are Looking To Cast In The Roles.
Salary
$958 weekly minimum (Category 2)
Posted: December 22, 2022
Expires: December 30, 2022
Equity National Tour
- Produced by The Michael Jackson Estate and Lia Vollack Productions
- Written by Lynn Nottage
- Directed and Choreographed by Christopher Wheeldon
- Music Supervision by David Holcenberg
- Music Direction by Jason Michael Webb
- General Management by Bespoke Theatricals
- Casting by The Telsey Office
Production Description
MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status.
SEEKING
[MJ] – Male, Black, Michael Jackson in his late 20s – early 30s. Fantastic singer (able to sing in a high tenor and falsetto range) and dancer. PRINCIPAL.
[MICHAEL/TOUR SINGER/ISLEY BROTHER] – Male, Black, Michael Jackson in his late teens and early 20s. Excellent singer (able to sing in high tenor and falsetto range) and dancer. Doubles as a Tour Singer and Isley Brother. PRINCIPAL.
[LITTLE MICHAEL] – Male, Black, Michael Jackson at about age 10, a fantastic singer and dancer. Unchanged singing voice. PRINCIPAL.
[LITTLE MARLON] – Male, Black, Marlon Jackson at about age 12, a great dancer and singer. Understudies the role of Little Michael. Unchanged singing voice. PRINCIPAL
[ROB/JOSEPH JACKSON] – Male, Black, 40s-50s. Rob is the director of the Dangerous Tour. Michael is rehearsing, and in flashbacks becomes Joseph Jackson, Michael’s forceful and dominating father. Great singer (baritenor/tenor range). PRINCIPAL.
[RACHEL] – Female, any ethnicity, 20s-30s. Smart, inquisitive, ambitious but warm. Single minded documentary filmmaker and journalist. Singer. PRINCIPAL.
[KATE/KATHERINE JACKSON] – Female, Black, 30s-40s. Kate is a back-up singer for Michael and in flashbacks becomes Katherine Jackson, Michael’s warm and loving mother. Fantastic, soulful singer with extraordinary vocal range. PRINCIPAL.
[TITO JACKSON/QUINCY JONES/TOUR SINGER/JACKIE WILSON] – Male, Black, 30s. Quincy Jones, an iconic record producer/musician. Tito Jackson, Michael’s older brother; fantastic singer (baritone/tenor range) who moves very well. Doubles as a Tour Singer and Jackie Wilson. PRINCIPAL.
[NICK/BERRY GORDY/DON CORNELIUS/DOCTOR] – Male, Black, 40s-50s. Nick is the organized and authoritative stage manager for the Dangerous. In flashbacks, becomes Berry Gordy, the iconic record producer and founder of Motown. Great singer (baritone range). PRINCIPAL.
[DAVE] – Male, 40s-50s. Michael’s fastidious business manager. Singer. PRINCIPAL.
[ALEJANDRO] – Male, 30s. Humorous, fun-loving, fan of MJ, who is good at his job as a documentary camera man. Singer. PRINCIPAL.
Dates
- 1st rehearsal: May 2023
- 1st performance: Summer 2023
* All dates are subject to change.
Instructions
Start with a slate! Tell us your name, your height, where you are from and how old you are.
Next, sing the song that is in the audition packet at:
https://www.dropbox.com/sh/m8nkifvycbqra82/AAD65V9zpCKHD4_4oCP4NFBZa?dl=0
It is a medley of “The Love You Save” and “ABC”. There are some MP3s in the Dropbox to help you learn the song, and then to play when you record the song. Please sing it in the higher octave (where Michael sang it when he was your age).
*You can look directly at the camera for the song. And have FUN with it. Michael was a performer, so you can add some fun & performance if you would like.
Please prepare either a short song in the style of the show OR one of the musical selections provided at:
https://tinyurl.com/MJAEAMaterials
See BREAKDOWN for special instructions for Young Michael & Young Marlon.
Submit your headshot, resume and audition video at:
https://docs.google.com/forms/d/e/1FAIpQLSdDkBAZqTfJpmh_23chgiKVWm3Mur2DsnE3q6nreSQFRIFXYw/viewform
Salary
$2311 weekly minimum + media (pending new tour agreement)
All employees must adhere to strict protocols and guidelines and will be required to be fully vaccinated for COVID-19 prior to any on-site work for production (including any in-person callbacks).
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour route.
See image below
Posted: February 27, 2023
Expires: March 7, 2023
Equity North American Tour
- Book: Karey Kirkpatrick and John O’Farrell
- Music and Lyrics: Wayne Kirkpatrick and Karey Kirkpatrick
- Producer: Kevin McCollum
- Director: Jerry Zaks
- Choreographer: Lorin Lotarro
- Musical Supervisor: Ethan Popp
- General Manager: Work Light Productions
- Casting: The Telsey Office/Craig Burns, CSA; Ally Kiley
- Expected to attend: Ethan Popp (Musical Supervisor) and Ally Kiley (Casting Associate)
Production Description
Daniel Hillard, a struggling, out-of-work actor, will do anything for his kids. After losing custody in a messy divorce, he disguises himself as Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.
SEEKING
Equity actors for chorus singer parts in MRS. DOUBTFIRE (tour).
[ENSEMBLE] Any gender, 20s—50s, any ethnicity. To appear in the ensemble playing various roles. Strong pop singers with a wide range. Strong dancing ability. Tumbling is a plus. Dynamic and vivid personalities. Comic chops. Possible principal understudy assignments.Audition Dates & Locations
- Tuesday, March 7, 2023
9:30 AM (E)
Break 1:00 – 2:00pm - Location:
- Actors’ Equity New York Audition Center
165 W 46th St
16th Floor
New York, NY 10036
Studio B
- Actors’ Equity New York Audition Center
Holding/Audition room information:
The maximum capacity in the audition room is: 52
The maximum capacity in the holding room is: 80- Instructions:
Please prepare a brief pop song or musical theatre pop song (i.e. “DEAR EVAN HANSEN,” “MEAN GIRLS,” or similar) showing range. Bring sheet music; a piano accompanist will be provided. Also, please bring your headshot and resume stapled together.
Tour Dates
- Rehearsals: on or about August 21, 2023
- Tech: on or about September 15, 2023
- Performances: on or about September 24, 2023
- Closing: on or about August 2024
All dates are subject to change.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Salary
Short Engagement Touring $958 weekly minimum (Category 2)
All touring employees must adhere to strict safety protocols and guidelines and will be required to be fully vaccinated for COVID-19 prior to any on-site work for the production (including any in-person callbacks).
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour route.
Posted: February 9, 2023
Expires: February 22, 2023
Equity North American Tour
- Director: Alex Timbers
- Music Director: Cian McCarthy
- Musical Supervisor: Justin Levine
- Book: John Logan
- Choreography: Sonya Tayeh
- Casting: Jim Carnahan, Stephen Kopel
Production Description
Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® nominee Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of truth, beauty, freedom, and — above all — love. With a book by Tony winner John Logan, music supervision, orchestrations and arrangements by Justin Levine, and choreography by Emmy® nominee Sonya Tayeh, Moulin Rouge! is more than a musical; it is a state of mind.
SEEKING
Equity actors for future replacements for roles in MOULIN ROUGE tour (see breakdown).
All principals must be incredible Pop/Rock/Soul singers.
Satine: Female, 30s Satine is a star. Beautiful, glamorous, sexy, commanding. Fully aware of her worth. Wicked sense of humor and smart… But beyond this, our heroine has a deep humanity. She has suffered and her wounds are very close to the skin. Heartbreaking. An incredible singer. Belt.
Christian: Male, 20-30s A handsome young American. There ’s a special intensity and drive behind his easy and natural charm. Not an ingénue, not entirely innocent. A man of quick passion, warm humor, and deep secrets. An incredible singer. High tenor.
Henri Toulouse-Lautrec: Male, 30s-40s. The famous French artist. He is a bold visionary and a tough-minded anti-romantic romantic. A doomed genius. Extremely charismatic and fervently eloquent. A strong singer.
Zidler: Males, 40s-60s The M.C. and Impresario of the Moulin Rouge. He seems almost a human caricature – too grand and showy. His manner is sly and insinuating. He’s knowing and wise, crafty and venal. All in all, irresistible. A strong singer.
Duke: Male, 30s-40s A handsome, viral man. Dripping with wealth and power. Old French Aristocracy, modern attitudes and tastes. He carries real class and gravitas. Dangerously sexy. An incredible singer. Tenor.
Santiago: Male, 30s, Latin. Santiago is a comically dashing figure. He’s the greatest tango dancer in Paris – and the greatest gigolo. A ferocious Argentinian swashbuckler, he lives for the extravagant torments of love. He’s wild, dangerous and unpredictable, driven by his passionate emotions. A brilliant dancer. An incredible singer. Tenor.
Nini: Female, 30s. Lead dancer at the Moulin Rouge. Sharp, ambitious, sexy and cunning. Has all the assets of a real star, except for warmth. Hard and gorgeous as a gemstone. Brilliant dancer. A strong singer.
Dates & Locations
- Wednesday, February 22, 2023
10:00 AM – 6:00 PM - Notes: Lunch 2:00 – 3:00 PM
- Location:
- Ripley-Grier Studios (520)
520 8th Ave 16th floor
New York, NY 10018 - Holding room 17R
- Ripley-Grier Studios (520)
Holding/Audition room information:
The maximum capacity in the holding room is: 40
The maximum capacity in the audition room is: 30Appointments: Per AEA regulation we will have 126 time slots (18 per hour) available. Times will be given on a first come first serve basis to Equity Members, members of AGMA who have proof of at least one year’s membership and members of Canadian Equity starting no earlier than 9:15 AM the day of the audition.
- Instructions:
Please prepare a short cut of a pop, rock or soul song. Please, no musical theatre. Please bring sheet music, an accompanist will be provided. Also, please bring your headshot and resume stapled together.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Salary
The minimum base weekly salary for the positions being auditioned for is established by a collective bargaining agreement between The Broadway League Inc., on behalf of the above-named producer, and Actors’ Equity Association. It is anticipated that the base weekly salary for each of the above-listed roles will range between a minimum of $2,439.00 per week (which equals an annualized base salary of $126,828) and a maximum of $4,000 per week (which equals an annualized base salary of $208,000).
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Visit the show page to view the current tour route.
Posted: June 21, 2023
Expires: June 23, 2023
- Director: Lonny Price
- Revised Book: Larissa Fasthorse
- Choreographer: Lorin Latarro
- Music Supervisor: Andy Einhorn
Production Description
Featuring a timeless score that includes “I’m Flying,” “I’ve Got To Crow,” “Never Never Land,” “I Won’t Grow Up,” and so many more, Peter Pan is now updated for a new generation of thrill seekers—and more spectacular than ever. Come witness the new definitive version of a story that never grows old.
SEEKING
PETER PAN (Male-Identifying) Nimble, strong, and physically fit. Strong Tenor vocals. Must be 5’6″ and under.
INSTRUCTIONS
Please submit picture and resume to:
Deadline: Friday June 23 at 10AM EST
SCHEDULE
Rehearsals begin: October 2023
- Performances begin: Winter 2023/2024
Visit the show page to view the current tour route.
Posted: July 19, 2023
Expires: September 10, 2023
Non-Equity National Tour
Production Description
“Once upon a time, there was a little ogre named Shrek….” And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude and over a dozen other fairy tale misfits, and you’ve got the kind of mess that calls for a real hero. Luckily, there’s one on hand… and his name is Shrek.
SEEKING
Performers of ALL ages, sizes, ethnicities, gender identities and abilities to bring these beloved characters to life. Especially seeking singer / actor/ movers. Non-Union Only.
SHREK: Lead, Male, 20-38. Our story’s title character. A big, green, terrifying Ogre who lives alone on a swamp. He embarks on a journey to rid his land of fairytale creatures and, along the way, falls in love with Fiona. He begins as a grumpy hermit but reveals his layers and eventually becomes the hero. Baritenor. Vocal range: A2 – G#4
FIONA: Lead, Female, 18-36. The beautiful princess of Far Far Away, she transforms into an Ogre every night when the sun sets. She is rescued by Shrek and eventually falls in love with him. Quirky, blunt, and multitalented, she is not an ordinary princess. Mezzo Soprano with Belt-Mix. Vocal Range: F3-G5.
DONKEY: Lead, Male, 18-35. A talking donkey who joins Shrek on the run from Farquaad’s guards. Quite the chatterbox, he is not deterred by Shrek’s looks and practically forces himself into his good graces. Easily frightened and pushy, but with an optimistic heart. Tenor. Vocal Range: C3-B4.
LORD FARQUAAD over 18: 18+ to play 25-40s, 5’6 & under. The comically short, ruthless ruler of Duloc. They are in search of a princess to marry so that they can become king. They have an intensely unfair bias against fairytale creatures that stems from a resentment of their father. They are self-absorbed, lonely, and cruel. There is an “oiliness” about them. Baritone. Vocal range: B2-D5. *Keys can be adjusted for the performer based on vocal type. Preferably seeking a performer 5’4 or shorter for this track.
LORD FARQUAAD under 18: Child performer with maturity, 5’6 & under. The comically short, ruthless ruler of Duloc. They are in search of a princess to marry so that they can become king. They have an intensely unfair bias against fairytale creatures that stems from a resentment of their father. They are self-absorbed, lonely, and cruel. Baritone. Vocal range: B2-D5. *Keys can be adjusted for the performer based on vocal type. Preferably seeking a performer 5’6 or shorter for this track.
DRAGON: Supporting, Female, 18-40. A Dragon that has been charged with guarding Princess Fiona in her isolated castle. She eventually falls in love with Donkey and attempts to keep him there forever. Imposing and flirtatious, but tired of her job as a glorified babysitter. This track will play other roles. Alto belt. Vocal Range: F3-Eb5.
GINGY: Supporting, All Genders, 18-35. A gingerbread “man” initially kidnapped by Lord Farquaad. Their wit and resolution help them both avoid trouble and inspire the rest of the fairytale creatures. This track will play other roles. Soprano/Mezzo/Alto/Countertenor. Vocal Range: B3-C#5.
PINOCCHIO: Supporting, All Genders, 18-40. The leader of the fairytale creatures. Performer will operate an animated puppet whose nose grows every time they lie. Plenty of sass with a penchant for lying. Seeking a performer with puppeteer experience, who can embody the spirit of Pinocchio through use of the puppet for this track. Soprano/Mezzo/Alto/Countertenor. Vocal Range: E3-F#4.
YOUNG FIONA – 18+: Supporting, Female, 18-25 to play 9yr old. Princess Fiona as a little girl. May double as Young Shrek, Baby Bear, or Grumpy Dwarf. Soprano with belt.
TEEN FIONA – 18+: Supporting, Female, 18-25. Princess Fiona as a teenager. May double as a fairytale creature. Soprano with belt.
YOUNG SHREK – 18+:
Supporting, All Genders, 18-25. lays Young Shrek in “Big, Bright, Beautiful World”. May double as Young Fiona, Baby Bear, or Grumpy Dwarf. Possible cover for Farquaad. Tenor.
ENSEMBLE/FAIRYTALE CREATURES:
Supporting, All Genders, 18-40. Seeking strong singer/dancers with excellent comedic ability to play a motley crew of familiar fantasy characters and a few other roles. All vocal types. Strong Singer/Movers with great personality and story-telling skills. Ensemble may cover principal roles.
SWINGS: Supporting, All Genders, 18-40. Seeking strong singer/dancers with excellent comedic ability to swing the fairytale creatures in this production. All vocal types.
REHEARSAL AND PRODUCTION DATES & LOCATIONS
- November Work Session Dates: sometime between November 3rd – November 21st, 2023
- Rehearsal Start Date: January 22, 2024 – February 16th, 2024 (NYC)
- Tech February 18th – 25th, 2024 (Out of town tbd)
- Opening Night February 26th, 2024 (Out of town tbd)
- Tour currently booked through January, 2025
- (All dates are subject to change)
Auditions: Initial Self-tape
Callbacks: In person in NYC September 11th – 14th, 2023
SALARY
All Roles
- Rate: $650.00 – $750.00 / week
- Total Pay: $33,800.00 – $39,000.00 for an estimated 52 weeks of work
- Additional: Salary: Principals $750/wk, Ensemble $650/wk plus $350/wk per diem
- Travel and accommodation provided while on tour
NOTES
All talent must have a valid Passport.
MUST BE AVAILABLE FOR FULL CONTRACT – PLEASE CHECK THE DATES BEFORE SUBMITTING!
Round Room Live & 5th Estate in partnership with Wojcik Casting Team is committed to creating an atmosphere that engages and promotes diversity and inclusion in all areas. We strongly encourage performers of all ethnicities, races, gender identities, ages, body types and abilities to submit for this project. We are actively seeking a cast which is inclusive and strive to promote a process and production that expresses the multidimensional society in which we live.
STRICT COVID PROTOCOLS AND GUIDELINES WILL BE FOLLOWED FOR AUDITION/ REHEARSAL PROCESS AND TOURING. ROUND ROOM LIVE IS PROMOTING A FULLY VACCINATED ENVIRONMENT FOR THE CAST AND CREATIVE TEAM OF THIS TOUR.
WE WILL BE ACCEPTING TAPED SUBMISSIONS FOR OUR INITIAL APPOINTMENTS. CALLBACKS WILL BE IN PERSON IN NYC SEPTEMBER 11th-14th.
Please email your submission of headshot/resume to roundroomcasting@gmail.com for consideration.
Visit the show page to view the current tour route.
Posted: January 17, 2023
Auditions: February 11, 2023
Equity North American Tour
- Directors: Lucy Moss and Jamie Armitage
- Music and Lyrics: Toby Marlow, Lucy Moss
- Book: Toby Marlow, Lucy Moss
- Choreography: Carrie-Anne Ingrouille
- Casting: Tara Rubin Casting
Production Description
From Tudor Queens to Pop Princesses, the six wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power!
SEEKING
Future replacements in Six the Musical tour.
Triple-threat performers 18 and up to portray the six wives of Henry VII as they reunite to tell their stories via a pop concert. Must have incredible pop voices, strong dance skills, great comedic instincts, and the ability to interact well with an audience.
Dates & Locations
- Audition:
- Saturday, February 11, 2023
- TMProductions
630 Rundle Ave, Nashville, TN 37210
- Sign-in begins at 9 AM and ends promptly at 12 PM
- Auditions commence at 10 AM
- You may be asked to attend a dance callback the next day on Sunday, February 12.
- If asked to dance, wear comfortable clothing and a light soled boot with a thick or chunky heel. Further callbacks to sing a song of your choice from the show may be scheduled in the afternoon after dancing. If you’d like to familiarize yourself with the material visit this link: www.tinyurl.com/SIXMaterial
Instructions
- Prepare 16-32 bars of a contemporary pop song and bring sheet music and your book
- Bring a hardcopy picture and resume, stapled together
- Bring proof of COVID vaccination
COVID Safety Policy:
All performers must be fully vaccinated against COVID-19 to attend this call with no exceptions, meaning you received at least your 2nd dose in a 2-dose series or a single-dose vaccine.
- Audition is also for replacements for Broadway company
- Questions? sixmusicalcasting@gmail.com
- Video submissions will not be accepted.
- No phone calls please.
Visit the show page to view the current tour routes.
Posted: May 17, 2023
Expires: June 4, 2023
Non-Equity National Tour
- Producer/Theatre Company: I Got You Babe LLC
- Executive Producer: Daniel Sher/Big League Productions, Inc.
- Director: Casey Hushion
- Choreographer: Antoinette DiPietropolo
- Musical Supervisor: Kristin Stowell
- Book: Rick Elice
- Orchestrations: Daryl Waters
- Music Arrangements: Daryl Waters
- Dance Arrangements: Zane Mark & Daryl Waters
- Additional Orchestrations: Steve Orich
- Casting Director: Alison Franck
Production Description
Three actresses play Cher as we follow her meteoric career from childhood to her early years in Los Angeles through to her huge successful 1998 departure single “Believe”. The years pass on stage as the hit songs flow, allowing the audience to keep track of the rapid chronological events in Cher’s life.
SEEKING
Submissions for Babe, Lady, & Star [see breakdown]. Additional roles will be released at a later date.
[BABE] Female, late teens to early 20’s. Any ethnicity. Cher at the early stage of her life. Fiercely independent but insecure about her looks, being “different”, being challenged from dyslexia. Anxious to “get up and get out”, to sing, to dance, to act, to be somebody. Determined to be famous, drawn to Hollywood and the movies. Surrounded by women as a girl; eager for romantic encounters as a teen. Seeing Sonny the first time is her “Romeo and Juliet moment”. Must have an excellent pop/rock voice and effortlessly sing 8 shows a week. 5’6″ and taller only. $1000/week.[LADY] Female, Late 20s-Early 30s. Any ethnicity. Cher in her 30’s. Delighted by the power and trappings of stardom. Exhausted by the demands of a fully-booked life. She wears her fame and her femininity as naturally as any of the famous Mackie creations; with ease and aplomb. In the spotlight, she thrives. Out of it, she pines for the minutiae of ordinary life – going to the movies, shopping with friends, being a mommy, making music. Must have an excellent pop/rock voice and effortlessly sing 8 shows a week. 5’6″ and taller only. $1000/week.[STAR] Female, 40’s-50’s. Any ethnicity. Cher as we see her now. If she’d known that this is what it’s like to have it all, she might have been willing to settle for less. But she doesn’t settle, she strives. She pushes through the old fears and insecurities to try new things, to be new versions of herself. Brings her talent for being real to her music, and also to her acting. And also, to her search for love, for a good man who can handle a powerful woman. Must have an excellent pop/rock voice and effortlessly sing 8 shows a week5’6″ or taller. $1200/week min, negotiable depending on experience.
TOUR DATES
- Rehearsal Date(s): late October 2023
- Opening Date(s): Late November 2023
- Closing Date(s): June 2024
All dates are subject to change.
INSTRUCTIONS
Email photo and resume to franckcasting23@gmail.com.
SALARY
- $1000/week + travel & housing on tour / No travel/housing provided for rehearsals in NYC.
NOTES
I WILL BE REQUESTING A SELF TAPE FROM THOSE WE FEEL ARE RIGHT FOR THIS PROJECT.
****To avoid any confusion please only submit for ONE CHER role, do not submit for each role. if you read older or younger than your original submissions, we can move you around for callbacks*****
Visit the show page to view the current tour route.
Posted: October 28, 2023
Audition: November 7-8, 2023
- Producers: Executive Producer: Daryl Roth
- Producers: Victoria Lang, Ryan Bogner, Tracey McFarland, Jayne Baron Sherman, Hunter Arnold, Kayla Greenspan
- Director: Giles Croft
- Music Supervisor: Jonathan Girling
- Movement/Choreography: Kitty Winter
- Associate Director: Damian Sandys
- Resident Director: Arpita Mukherjee
- Writer: Matthew Spangler from Khaled Hosseini’s novel
- Casting Director: Wojcik Casting Team
Expected to attend:
Casting Directors: Scott Wojcik & Fiona McIntyre Sucher
Production Description
One of the best-loved and most highly acclaimed novels of our time, THE KITE RUNNER is a powerful play of friendship that follows one man’s journey to confront his past and find redemption.
SEEKING
Equity actors for roles in the national tour of THE KITE RUNNER (See breakdown).
[AMIR] 35 to 45 years old, Middle Eastern male. Afghan. Amir is the narrator of the novel. A charismatic, deeply intelligent and attractive young man whose essential failing is a desperate need for approval from his withholding widowed father. Bullied from a young age, he cannot find either the bravado or the true courage to face his father or to stand up for his best friend. Deeply human. Able to play the character from age 10 through his late 30s. On-stage for the entire evening. Afghan accent except when narrating, then Amir has an American accent.[HASSAN / SOHRAB / AS CAST] Both tracks are an adult playing a child. 18+ to play 12-year-old and 30 to 40 years old, Middle Eastern male. Afghan. HASSAN – Amir’s closest childhood friend. 12 years old. Open, funny, deeply vulnerable, loyal and instinctively courageous. Witty but due to his station, uneducated. SOHRAB is the son of Hassan. Much in common with his father but physical and mental abuse after the fall of Afghanistan creates deep psychological trauma. Capable of great warmth but also of conveying great damage without being either maudlin or playing the victim. Both roles require an Afghan accent.[BABA / AS CAST] 45 to 60 years old, Middle Eastern male. Afghan. Amir’s father and a wealthy and influential businessman, charitable, envied. Charismatic and dominating. Courageous with a will of iron. A widower, he is the biological father of Hassan, a fact he hides from both of his children. He naturally gravitates towards Hassan’s spirit much to the dismay and confusion of his legitimate son, Amir. Flees to America after the Russian invasion of Afghanistan in 1979 with Amir, leaving behind Hassan and rebuilds his life in a far humbler way, never revealing his secret. Afghan accent.[ASSEF / AS CAST] 25 to 35 years old, Middle Eastern male. Afghan. We see him as a teenager and a young man. Committed to the belief that the dominant Afghan ethnic group, Pashtuns are superior to Hazaras. As a teen, the neighborhood bully, violent and ruthless. He is a true sociopath, capable of great charm and incredible violence. As an adult, he joins the Taliban and sexually abuses Hassan’s son, Sohrab. A truly nasty piece of work. Afghan accent.[RAHIM KHAN / DR SCHNEIDER / OMAR FAISAL / AS CAST] 40 to 50 years old to play 30s to early 60s, Middle Eastern male. A chameleon with exceptional language skills and a dry sense of humor. RAHIM KHAN – Afghan, Baba’s business partner and surrogate member of the family. Sympathetic to Amir, perceptive, understands the dynamic between father and son A keeper of secrets. In Act II, Rahim Khan becomes the conscience of Amir and the play. DR SCHNEIDER – an American oncologist of Russian descent. OMAR FAISAL – an American/Pakistani immigration attorney. Speaks in Russian as well as English with a Russian accent aswell as Afghan and American accent.[SORAYA / AS CAST] 25 to 35 years old, Middle Eastern female. Afghan. Warm and sympathetic, attractive, intuitive and strong. Daughter of an Afghan General, has also emigrated to the US and wants to become an English teacher. Before meeting Amir, she ran away with an Afghan boyfriend in Virginia, which in the eyes of many of her countrymen and women, tainted her and her family’s name. Strong enough to not let either tradition or opinion color her sense of self-worth. Afghan accent. Sings.[GENERAL TAHERI / AS CAST] 40 to 55 years old, Middle Eastern male. GENERAL TAHERI is an upper class, well-educated Afghan. Has a dry sense of humor, Soraya’s father and perhaps more compassionate than most. Afghan and American accent.[KAMAL / ZAMAN / AS CAST] 18+ to play 12-year-old and 30 to 40 years old, Middle Eastern male. KAMAL is a 12-year-old Afghan and one of Assef’s gang. A follower, not a leader. ZAMAN 30s – 40s Afghan, director of an orphanage in Kabul. ZAMAN makes deals with the devil every day and rationalizes the treatment of the children in his care to excuse the desperate conditions and abuse they are subject to under his watch. He is not genuinely evil and is tortured by not being able to do better. Ability to sing a plus. Afghan accent.[ALI/ FARID / AS CAST] 45 to 60 years old, Middle Eastern male. Afghan. Servant to BABA and father in name to Hassan. Loyal, dignified, kind, warm and honorable. Carries Baba’s secret and protects Hassan at great personal risk. FARID Afghan, working class, has survived the Soviet invasion and the takeover of the Taliban but at a great price. Fierce, a survivor with courage and a moral center. Afghan accent.[WALI / DOCTOR / AS CAST] 25 to 35 years old, Middle Eastern male. Afghan, Wali is one of Assef’s gang. DOCTOR – Pakistani ophthalmologist, any age. Has an excellent ear for dialects. Afghan and Pakistani accents. Extremely helpful but not required for this actor to sing.[ENSEMBLE / MERCHANT] 20 to 35 years old, Middle Eastern male. MALE PRESENTING. Physically agile, good ear, central to creating the world of kite running and the soundscape of the piece. Understudies. Speaks in Russian as well as English with a Russian accent. Comfortable singing.[ENSEMBLE / POMEGRANATE LADY / RAYMOND] 25 to 35 years old, Middle Eastern female. FEMALE PRESENTING. Physically agile, good ear, central to creating the world of kite running and the soundscape of the piece. Understudies Soraya. Comfortable singing. RAYMOND – American Embassy official in Pakistan. Afghan and American accent.AUDITION
- Tuesday, November 7, 2023
9:30 AM – 5:30 PM
Lunch 1:00 PM – 2:00 PM - Wednesday, November 8, 2023
9:300 AM – 5:30 PM
Lunch 1:00 PM – 2:00 PM
Location
- Actors’ Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
Instructions
Please prepare a short monologue of your choice. Also, please bring your headshot and resume stapled together.
DATES
- Rehearsal: 3/6/2024-3/27/2024 in NYC
- Tech 3/28/2024- 4/3/2024 in San Jose, CA
- Preview: 4/3/2024
- Opening: TBD
- Closing: 6/30/2024
NOTES
Although the character of Amir is on stage for the entire performance, this is an ensemble piece. The ensemble will be used as much as possible to fill the stage with movement and sound in necessary scenes and to embody many of the descriptive passages. All performers must be willing to populate the worlds of Kabul, Pakistan and the United States.
Only fully vaccinated individuals will be considered for the production.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Additional information: https://wojcasting.com/audition_info/the-kite-runner/
If you have any questions, please email staff@wojcasting.com.
CONTRACT
$884 weekly minimum (Level 7)
Visit the show page to view the current tour route.
Posted: July 14 2023
Audition: July 26-27, 2023
Equity National Tour and Broadway Production
- Producer: Buena Vista Theatrical Group
- Director: Julie Taymor
- Songs by: Elton John/Tim Rice
- Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
- Book: Irene Mecchi/Roger Allers
- Choreography: Garth Fagan
- Casting: Mark Brandon, CSA/Binder Casting
Expected to attend:
- Marey Griffith (Associate Choreographer)
- Mark Brandon, CSA /ARC (Casting Director)
- Jarrett Reiche/ARC (Casting Associate)
Production Description
Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.
SEEKING
Equity dancers for chorus of the Broadway and national touring productions of THE LION KING.
NOTE: We will definitely be hiring replacements for all North American companies from these auditions.
ENSEMBLE: Strong female identifying dancers with a modern/ballet dance background—late teens to early 30s.
ENSEMBLE: Strong male-identifying dancers with a modern/ballet dance background—late teens to early 30s. Some dancers require strong acrobatic skills.
Dates
Female Characters
- Date: Wednesday, July 26, 2023
- Time: 11:00 am
Male Characters
- Date: Thursday, July 27, 2023
- Time: 11:00 am
Location
- Pearl Studios (500)
519 8th Ave
New York, NY 10018 - Holding Room 409
- Pearl Studios (500)
Instructions
Please be warmed up and ready to dance in flat jazz shoes or bare feet. You may be asked to sing. Please prepare a song that shows off your voice and range. Bring sheet music. Pianist will be provided. Bring a picture and resume, stapled together.
NOTES
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
CONTRACT
Production (Disney) / Touring Agreement
$2439 weekly minimum – Broadway
$2403 weekly minimum (level 1) – Tour
Visit the show page to view the current tour route.
Posted: February 1, 2023
Audition: February 14, 2023
Equity National Tour
- Producer: Buena Vista Theatrical Group
- Director: Julie Taymor
- Songs by: Elton John/Tim Rice
- Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
- Book: Irene Mecchi/Roger Allers
- Choreography: Garth Fagan
- Casting: Mark Brandon, CSA/Binder Casting
Production Description
Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.
SEEKING
Equity actors for chorus singer parts in the Broadway and National Tour of THE LION KING.
Ensemble: Strong male identifying and female identifying singers who move very well—late teens – mid 40’s.
NOTE: We will definitely be hiring replacements for all North American companies from these auditions.
WE STRONGLY ENCOURAGE SINGERS OF ALL CULTURAL BACKGROUNDS TO ATTEND THIS CALL.
Dates & Locations
- Date: Tuesday, February 14, 2023
- Time:
- 10:00 am – Female Identifying Singers
- 2:30 pm – Male Identifying Singers
- Location:
- Pearl Studios (519)
519 8th Ave
12th Floor
New York, NY 10018
- Pearl Studios (519)
Instructions
Be prepared to sing one brief classic R&B, pop or rock and roll song that shows off your voice and range. Please do not sing material from THE LION KING. No standard Broadway theatre music. Bring sheet music. Pianist provided. Bring a picture and resume, stapled together. Chorus Call procedures will be in effect. Non-Equity performers will be seen, time permitting.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The audition room (12th Floor Studio H) can accommodate no more than 20 individuals at a time.
The holding room (12th Floor Studio F) can accommodate no more than 35 individuals at a time.
Salary
$2,323.00 weekly minimum
Visit the show page to view the current tour route.
Posted: August 7 2023
Audition: August 19, 2023
Equity National Tour and Broadway Production
- Producer: Buena Vista Theatrical Group
- Director: Julie Taymor
- Songs by: Elton John/Tim Rice
- Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
- Book: Irene Mecchi/Roger Allers
- Choreography: Garth Fagan
- Casting: Mark Brandon, CSA/Binder Casting
Production Description
Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.
SEEKING
Future replacements for Young Simba and Young Nala for Broadway and the North American Tour.
YOUNG SIMBA: 9 – 12 years old. An African lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. Looking for a young actor/singer with natural talent, charm, and charisma. Actor must move well and hold the stage on his own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.
YOUNG NALA: 9 – 12 years old. An African lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Looking for a young actor/singer with natural talent, charm, and charisma. Actor must move well and hold the stage on her own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.
AUDITION
Saturday, August 19
9 AM – Sign In Begins
10 AM – Auditions Begin
11 AM – Sign In Ends
The Apollo Theater
253 W. 125th Street
New York, NY 10027
INSTRUCTIONS
Be prepared to be taught the last verse of Just Can’t Wait to be King. All children must be accompanied by a parent or guardian. Parents or guardians must remain at the audition site at all times. Please be prepared to wait.
It’s always best to audition in person but if you are unable to attend this call, please click here for instructions on how to submit a video audition.
CONTRACT
Production (Disney) / Touring Agreement
Minimum weekly salary is $2,771.98.
Visit the show page to view the current tour route.
Posted: December 8, 2022
Expires: December 16, 2023
Equity National Tour
- Producer: Kristin Caskey, Mike Isaacson, Brian Anthony Moreland, and Ambassador Theatre Group
- Director: Schele Williams
- Book: William F. Brown
- Music/Lyrics: Charlie Smalls
- Additional Materials for this Production: Amber Ruffin
- Music Supervisor: Joseph Joubert
- Choreographer: JaQuel Knight
- General Manager: Foresight Theatrical
- Casting: Tara Rubin Casting
Production Description
This beloved Broadway musical sets Dorothy’s adventures in the Land of Oz to a dazzling, lively mixture of rock, gospel and soul music. Dorothy, a restless Kansas farm girl eager to see the world, is transported by a tornado to a magical world of Munchkins, witches and a yellow brick road. On her way to the Emerald City to meet the Wizard of Oz, who she believes can help her get back home to Kansas, she encounters the Scarecrow, Tin Man, and Cowardly Lion — friends who help her battle the Wicked Witch of the West and eventually learn that there is “no place like home.”
SEEKING
Equity actors for principal roles in THE WIZ (see breakdown).
Dorothy: (16-25) teenager that feels like she doesn’t belong. She is a seeker with a big heart and the capacity to be braver than she thinks.
Aunt Em: (35-50) loving soul, determined to ensure Dorothy belongs there.
Addaperle: (35-50) All knowing, clever with a big personality. Brilliant con artist.
Scarecrow: (20-30) big hearted and fiercely protective of his new friend Dorothy. Dances exceptionally well.
Tin Man: (20-30) deeply curious and clever, a real leader in the group. He is seeking a heart but has enormous compassion.
Lion: (20-35) Empathic kind soul who masks his insecurity with bravado. He is seeking the confidence and kindness Dorothy provides.
Evilline: (35-55) Big personality both evil and fierce. Cunning and ruthless but with style. The original Diva.
The Wiz: (40-65) the ultimate con artist. Smooth double talker with incredible charm. Larger than life.
Glinda: (35–50) generous, protective and encouraging soul. Your favorite Auntie.
Instructions
Please prepare the material in the folder for the role you wish to submit for included in this link: https://tinyurl.com/THEWIZEPAMATERIALS2022
Please include a full-body slate at the beginning of your video.
A NOTE REGARDING SELF-TAPE QUALITY:
Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.
Please submit your headshot, resume and audition video link (Dropbox, or Google Drive Link) at: https://tinyurl.com/EPATHEWIZ2022
Submission Deadline is December 16th at 6pm ET.
Dates
In-Person Auditions – January 4th-22nd, 2023
- Studio Rehearsals: Monday, August 14, 2023
- Cast on Stage: Tuesday, September 12, 2023
- First Preview: Saturday, September 23, 2023
- Press Opening: Friday, October 6, 2023
All dates are subject to change
Salary
Development Agreement $600 weekly minimum (Tier 1)
Notes
Broadway bound production with Tier 1 workshop in May/June 2023, followed by a Pre-Broadway Tour 2023 with a 2024 Broadway run.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour route.
Posted: August 17, 2023
Audition: August 25, 2023
- Producer: Stage Entertainment and The Nederlander Organization
Director: Phyllida Lloyd - Associate Director: Sharika Niles
- Book: Katori Hall, Frank Ketelaar and Kees Prins
- Choreographer: Anthony Van Laast
- Associate Choreographer: Janet Rothermel
- Music Director: Alvin Hough Jr.
- Casting: The Telsey Office, Patrick Goodwin, CSA
Expected to attend:
- Music Director and Supervisor: Alvin Hough Jr.
- Casting Directors: Patrick Goodwin and Rashad Naylor, The Telsey Office
Production Description
Tina follows Tina Turner from her humble beginnings in Nutbush, Tennessee, to her transformation into the global queen of rock ‘n’ roll.
SEEKING
Equity chorus singers (female and male characters) for the touring company of TINA – THE TINA TURNER MUSICAL (See breakdown).
ALLINE BULLOCK/IKETTE: Female, late teens to early 30s. African American/Mixed Race. Tina’s older sister. Light, carefree energy. No worries, fun loving, lives in the moment. Exuberant and bubbly. Has great comedic timing. Looking for an experienced actress with excellent singing voice and excellent dance skills. Doubles as one of the Ikettes. FEATURED ENSEMBLE.
FEMALE ENSEMBLE / IKETTES (possibly covering Tina, Alline, Zelma, Gran Georgeanna): Females, 20s-30s. African American/Mixed Race. Looking for excellent dancers and singers with strong acting skills to play an ‘Ikette’ as well as other ensemble elements. FEATURED ENSEMBLE.
FEMALE ENSEMBLE (to cover Rhonda Graam): Females, mid 20s to mid 30s. Caucasian. Looking for excellent actor/singers with good dance / movement to play small roles within the show.
ROGER DAVIES: Male, late 20s to early 30s. Caucasian. Australian. The Manager who transformed Tina’s career in the 80’s. When we first meet Roger, he is only 27. Passionate about music. Excitable, strong willed. Has excellent comic skills. With excellent singing voice, an excellent Australian accent, and strong movement skills. FEATURED ENSEMBLE.
RICHARD BULLOCK: Male, late 30s-early 40s. African American/Mixed Race. Looking for an excellent actor and strong singer to double as the following roles: RICHARD BULLOCK – Anna Mae’s (Tina’s) Father and Zelma’s husband. A Preacher. Full of passion, fire and spirit. Has a violent, fiery relationship with Zelma and inflicts physical abuse. Must be an excellent mover. FEATURED ENSEMBLE.
RAYMOND EARL KING: Male, 20s-early 30s. African American/Mixed Race. One of Ike’s band, The Kings of Rhythm. Has undeniable chemistry with Tina. Charming. Hates the abuse Ike inflicts on Tina. Has a good spirit. Must be a fantastic singer with strong movement skills. FEATURED ENSEMBLE.
ERWIN BACH & OTHERS: Male, late 20s- mid 30s. Caucasian. Tina’s German marketing manager who she falls in love with and later marries. The couple remain married to this day. Younger than Tina, charismatic, gentle, clearly intelligent and handsome. Magnetism is essential to believe she fell in love at one glance. Must be an excellent actor with a strong voice and strong movement skills. Must have an excellent German accent. FEATURED ENSEMBLE.
PHIL SPECTOR & OTHERS: Male, 30s. Caucasian. The prolific record producer, musician, songwriter, and businessman. Signed Ike and Tina to his label. An eccentric genius, looking for a very strong character actor with excellent singing voice and excellent comedic instincts. FEATURED ENSEMBLE.
JOHN CARPENTER/MALE ENSEMBLE: Male, late 20s to late 30s. Caucasian. To play the Capitol Records music producer. Authoritative. A businessman. Must be an excellent singer/actor with strong movement skills. FEATURED ENSEMBLE.
MALE ENSEMBLE (to cover Ike Turner and/or Richard / Raymond): Males, 30s-40s. African American/Mixed Race. Looking for excellent actor/singers with good dance / movement to play small roles and cover Ike Turner and Richard/Raymond.
MALE ENSEMBLE (to cover Roger, Erwin and Phil): Male, mid 20s to mid 30s. Caucasian. Looking for excellent singers/actors with good movement / dance to play small roles.
MALE ENSEMBLE, RONNIE/CRAIG: Male, mid 20s to mid 30s. African American/Mixed Race. Looking for excellent singers/actors with good movement/dance skills to play RONNIE and CRAIG, Tina’s grown children.
AUDITION
Female Characters
- Date: Friday, August 25, 2023
- Time: 10:00 AM
Male Characters
- Date: Friday, August 25, 2023
- Time: 2:00 PM
Location
- Pearl Studios (500)
519 8th Ave
New York, NY 10018 - Holding Room 406
Instructions
Please come warmed up and prepared to sing a 16-32 bar cut in the style of the show that shows off range. A piano accompanist will be provided. Please bring your headshot and resume stapled together.
NOTES
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
CONTRACT
Touring Agreement $996 weekly minimum (Level 5)
Visit the show page to view the current tour route.
Posted: April 17, 2023
Auditions: April 28, 2023
Equity National Tour
- Producers: Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt, and David Stone
- Director: Joe Mantello
- Choreographer: Wayne Cilento
- Music & Lyrics: Stephen Schwartz
- Book: Winnie Holzman
- Music Supervisor: Stephen Oremus
- Music Director: Dan Micciche
- Associate Director: Lisa Leguillou
- Associate Choreographer: Corinne McFadden Herrera
- General Manager: 321 Theatrical Management
- Casting: The Telsey Office
- Expected to attend:
Dan Micciche: Music Director
Ally Kiley: Casting Associate – Telsey Office
Production Description
Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good.
SEEKING
Equity actors for chorus singer parts in the Broadway and tour productions of WICKED.
[SINGERS WHO MOVE] Any gender, 20s – 50s, any ethnicity. Seeking fantastic singers with a wide vocal range. Should have movement ability. To play various characters in the ensemble. Possible principal understudy assignments.Duration
- Currently touring
AUDITION DATES
Friday, April 28, 2023
10:00 AM (E)
Lunch 1:00 PM – 2:00 PM
LOCATION
Pearl Studios (500)
500 8th Avenue
New York, NY 10018-6504
PREPARATION
Please prepare 16 bars of a contemporary musical theater song showing range. Sopranos may sing 16 bars of a traditional legit musical theater song showing range. Bring sheet music for your song; an accompanist will be provided.
Also, please bring your headshot and resume stapled together.
NOTES
The open call is for both the Broadway and National Touring Companies.
Salary
Production (League) $2311 weekly minimum
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
- The maximum capacity in the holding room is: 100
- The maximum capacity in the audition room is: 21
Visit the show page to view the current tour route.
Musicians
No current openings.
Posted: October 7, 2023
NETworks Presentations, LLC is seeking an ASSOCIATE CONDUCTOR/KEYBOARD for the PETER PAN Bus & Truck National Tour.
Rehearsals begin on or about October 30, 2023, and Performances run through August 18, 2024.
To be considered
- You must submit the following: a current resume and video samples (overtures, dance music, musical theatre repertoire, etc.) of your playing and conducting.
- Excellent keyboard skills are required.
Employment Specifics
- Competitive salary, single occupancy housing, weekly expense allowance and company provided transportation.
Send materials to John Mezzio at NETworksMusicDept@gmail.com
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin. Applicants of all ethnic and racial backgrounds, gender identities, and abilities are encouraged to apply.
Posted: May 17, 2022
NETworks Presentations, LLC
SEEKING
NETworks Presentations, LLC is seeking an an immediate replacement Conductor for the ANASTASIA Bus & Truck National Tour.
Rehearsal and Production Dates & Locations
- Employment begins on/about: October 25, 2022
- Closing Date: May 21, 2023
* All dates are subject to change.
Compensation & Union Contract Details
$1500/week
Competitive salary, weekly expense allowance, company provided double occupancy housing and transportation.
Previous podium conducting experience is required.
Please send materials to John Mezzio: NETworksMusicDept@gmail.com
NOTES
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Visit the show page to view the current tour route.
Posted: May 17, 2022
NETworks Presentations, LLC
SEEKING
NETworks Presentations, LLC is seeking keyboardists for the 2022-2023 touring season. Shows include: HAIRSPRAY, ANASTASIA, and ELF THE MUSICAL.
NOTES
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Rehearsal and Production Dates & Locations
- Rehearsal Date(s): on/about August 2, 2022
- Closing Date: June 25, 2023
* All dates are subject to change and vary based on each show.
Compensation & Union Contract Details
$650-750/week
Competitive salary, weekly expense allowance, company provided double occupancy housing and transportation.
To be considered, you must submit the following materials: a current resume, and video samples (overtures, dance music, musical theatre repertoire, etc.) of your keyboard playing.
Please send materials to John Mezzio: NETworksMusicDept@gmail.com
Visit the following show pages to view the current tour routes:
Posted: May 17, 2022
NETworks Presentations, LLC
SEEKING
NETworks Presentations, LLC is seeking an Associate Conductor/Accordion replacement for the FIDDLER ON THE ROOF Bus & Truck National Tour.
NOTES
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Rehearsal and Production Dates & Locations
- Rehearsal Date(s): on/about September 13, 2022
- Closing Date: May 28, 2023
* All dates are subject to change.
Compensation & Union Contract Details
$750-900/week
Competitive salary, weekly expense allowance, company provided double occupancy housing and transportation.
Excellent keyboard skills are required for this accordion/keyboard position. To be considered you must submit the following materials: a resume and video samples (overtures, dance music, musical theatre repertoire, etc.) of your playing.
Please send materials to John Mezzio: NETworksMusicDept@gmail.com
Visit the show page to view the current tour route.
Posted: May 3, 2022
NETworks Presentations LLC
SEEKING
NETworks Presentations, LLC is seeking musicians for its 2022-2023 touring season. Shows include: THE BOOK OF MORMON, HAIRSPRAY, ANASTASIA, and FIDDLER ON THE ROOF. Open positions include: REEDS (flute/clarinet/oboe/bass clarinet/saxes), VIOLIN, CELLO, TRUMPET/FLUGELHORN, TROMBONE, GUITAR, BASS, and DRUMS/PERCUSSION.
Rehearsals begin in September 2022 and performances run through June 2023. Competitive salary based on experience, double occupancy housing, weekly expense allowance and company provided transportation.
Compensation & Union Contract Details
- $600.00-750.00
Instructions
To be considered, you must submit the following: a current resume and video samples (overtures, dance music, musical theatre repertoire, etc.) of your playing.
Send materials to John Mezzio at:
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Visit the All Shows to view the current tour routes.
Management and Production
No current openings.
Posted: October 28, 2023
Expires: November 8, 2023
- Producers: Executive Producer: Daryl Roth
- Producers: Victoria Lang, Ryan Bogner, Tracey McFarland, Jayne Baron Sherman, Hunter Arnold, Kayla Greenspan
- Director: Giles Croft
- Music Supervisor: Jonathan Girling
- Movement/Choreography: Kitty Winter
- Associate Director: Damian Sandys
- Resident Director: Arpita Mukherjee
- Writer: Matthew Spangler from Khaled Hosseini’s novel
Production Description
One of the best-loved and most highly acclaimed novels of our time, THE KITE RUNNER is a powerful play of friendship that follows one man’s journey to confront his past and find redemption.
SEEKING
Equity stage managers for the national tour of THE KITE RUNNER.
INSTRUCTIONS
Please submit your resume and cover letter for consideration.
Submit to: drtheatricaljobs@gmail.com
DATES
- Rehearsal: 3/6/2024-3/27/2024 in NYC
- Tech 3/28/2024- 4/3/2024 in San Jose, CA
- Preview: 4/3/2024
- Opening: TBD
- Closing: 6/30/2024
NOTES
Only fully vaccinated individuals will be considered for the production.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
CONTRACT
Touring Agreement:
$1248 weekly minimum (Level 7) – Stage Manager
- $1021 weekly minimum (Level 7) Assistant Stage Manager
Visit the show page to view the current tour route.
Posted: September 9, 2023
Expires: September 20, 2023
- Produced by Colin Ingram
- Book/Co-Created by Bob Gale
- Co-Created by Robert Zemeckis
- Music and Lyrics by Glen Ballard and Alan Silvestri
- Directed by John Rando
- Choreographed by Chris Bailey
VIEWING SUBMISSIONS:
Claire Burke, CSA (Casting Director)
PRODUCTION DESCRIPTION
When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past and send himself… back to the future.
SEEKING
All Stage manager positions are currently filled.
Please submit for future consideration.
PREPARATION
Please submit your resume and cover letter for future consideration to:
info@bespoketheatricals.com
SALARY
$1,637 weekly minimum Stage Manager (level 5)
$1,294 weekly minimum Assistant Stage Manager (level 5)
DATES
First Rehearsal: April 2024
First Performance: June 6, 2024
NOTES
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Visit the show page to view the current tour route.
Posted: March 1, 2023
Expires: March 20, 2023
Equity North American Tour
- General Manager: Work Light Productions / Anièle Fortin, Courtney King
- Director: Marianne Elliott
- Associate Director: Tanisha Fordham
- Production Supervisor: Tim Semon
- Music Supervisor: Joel Fram
- Music Director: Paul Staroba
- Choreographer: Liam Steel
- Associate Choreographer: Simone Sault
- Casting Director: Tara Rubin Casting / Merri Sugarman, CSA
- Casting Associate: Spencer Gualdoni
Production Description
It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in 21st-Century New York could drive a person crazy.
SEEKING
Equity Assistant stage managers for COMPANY (Tour).
Please submit for currently available Assistant stage manager positions and future consideration for Stage manager positions.
Tour Dates
- 1st Rehearsal In NYC: on or about September 4th, 2023
- 1st Performance: on or about October 10th, 2023
All dates are subject to change.
Instructions
Please submit a cover letter and your resume for consideration to the following email address:
Salary
Short Engagement Touring
$1572 weekly minimum – Stage managers
$1244 weekly minimum – 1st Assistant stage manager
$1079 weekly minimum – 2nd Assistant stage manager
Visit the show page to view the current tour route.
Posted: June 28, 2023
Production Description
Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Moulin Rouge! The Musical is a theatrical celebration of truth, beauty, freedom, and — above all — love.
REPORTS TO
Associate Choreographer
POSITION OVERVIEW
A dancer and choreographer who will support the choreography department as needed in maintaining the North American tour both in New York (casting, teaching new cast members etc.) and on the road. The role will require periodic travel during the employment dependent on the needs of the touring production and other needs worldwide. This person will report to the Choreographer and Associate Choreographer in addition to the Producers and General Managers. The individual should be a confident leader, cool under pressure, and an excellent communicator. Someone who is committed to collaborating with integrity, confidentiality, compassion and a positive attitude. Ideally this is someone who has some previous experience as an assistant or associate choreographer but is looking to gain more experience on a large-scale commercial musical.
ROLE AND RESPONSIBILITIES
Learning the show through a robust boarding process with the Associate Choreographer which will include dedicated rehearsal time, meetings, new cast rehearsals in New York, some independent study, and watching the show.
Eventually, collaborating and assisting the choreography department in rehearsals, casting, and noting the show. Creating paperwork and charts when needed and working directly with new cast members in New York and existing cast members on the road.
Collaborating with Directing, Music, Dance Captain and Stage Management teams to schedule studio and stage rehearsals, put ins and other rehearsals as needed.
QUALIFICATIONS AND REQUIRED SKILLS
Comprehensive communication and proactive problem-solving skills.
The ability to remain calm in stressful conditions.
The capability to share space with other leaders in the room.
An understanding of how to run a rehearsal room with efficiency, calm, and collaboration.
DATES
Beginning July or August 2023 exact date TBD
EEOC STATEMENT
Moulin Rouge is an Equal Opportunity Employer where the spirit of inclusion feeds into everything that we do. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and teammates. We believe that opportunity, access, resources and rewards should be available to and for the benefit of all. Moulin Rouge is committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, and Veteran status.
Visit the show page to view the current tour route.
Posted: December 3, 2022
Equity North American Tour
Production Description
What will it take to get two dozen powerfully passionate, exceedingly complicated, and all-too-human individuals to settle their differences, while they hold the very future of a nation in their hands? This Tony Award-winning Best Musical is tuneful, witty, and constantly surprising, especially in this revolutionary new production from directors Jeffrey L. Page (Violet) and Diane Paulus (Waitress). You may never think about our country—who we are and why—the same way again.
The 1776 National Tour is seeking an experienced Assistant Company Manager, beginning January 2023 through August 2023. Theatrical touring experience is required.
The Assistant Company Manager collaborates with the tour’s Company Manager and General Manager; and will interact with the Creative Team, Producers and Stage Management team on the business and operations of the tour.
Responsibilities include, but are not limited to:
- Advancing logistics and oversee Box Office/House Seat needs
- Assisting with nightly Box Office statements
- Developing local market data sheets
- Coordinating company travel and housing
- Arrange logistics for visiting creative and design team members
- Processing workers comp claims and assisting with insurance needs
- Processing weekly commissions and payments
- Coordinating company parties and events
- Monitoring the overall health and well-being of all touring personnel
- Performing other related administrative duties and assignment, to include COVID safety certifications and protocols
Candidates must be able to multi-task in ever-changing work environments while remaining cool, calm, and approachable for all company members. ACM will interact with the producing and creative teams and will have access to confidential information, requiring the utmost discretion and professionalism. Candidates must also be proficient in Microsoft Office (Word, Excel, Outlook) and must be licensed drivers.
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin. Applicants of all ethnic and racial backgrounds, gender identities, and abilities are encouraged to apply.
Please submit cover letter, resume and references to hr@networkstours.com, and include “1776 ACM” in the subject line.
Visit the show page to view the current tour route.
Posted: January 31, 2023
Production Description
Girl From the North Country is written and directed by celebrated playwright Conor McPherson, boldly reimagines 20 legendary songs of Bob Dylan, including Hurricane, I Want You, Slow Train Coming, Forever Young and Like A Rolling Stone as they’ve never been heard before.
This spiritually uplifting and beautiful story is set in Duluth, MN, in 1934, when a group of wanderers’ lives intersect at a house full of music, life and hope weaving through a story the Chicago Tribune declares is “Nothing less than a Broadway Revelation.”
SEEKING
Company Manager for the National Tour of Girl From the North Country.
As a critical member of the management team, the Company Manager collaborates with General Management, Stage Management, Creative Team and Department Heads in the day to day operations of the show including moving the company from city to city.
Duties
- Process weekly payroll, reimbursements, and remitting union benefits
- Audit and report nightly box office statements and weekly financial settlements
- Oversee processes company house seats, releases, and inventory management
- Work with the tour’s external human resources team to ensure all HR & Equity, Diversity, and Inclusion practices are being uplifted and adhered to
- File workers comp claims and assist company members with the insurance process
- Book and coordinate travel and housing for a touring company, plus creatives and producers, as needed
- Assist with the planning and execution of company events, parties, and maintaining company morale
- Other duties as assigned
Qualifications
- Strong communication and problem solving skills are required.
- Detail-oriented, willing to complete both complex and menial repetitive tasks with exacting precision and a positive attitude.
- Strong written and verbal communication skills
- Strong skills with accounting
- Preferred minimum 3 years’ experience as CM of a touring or Broadway show.
- Good with people – from performers, crew, and musicians, to producers, creatives, and audience members
Dates
Rehearsals commence August 2023 in New York City. The tour will begin in Minneapolis in October 2023 moving to various cities every couple of weeks.
Salary
$2,000.00 – $2,500.00 per week
- All travel and housing will be per the SET contract rules.
Instructions
Apply for this job by clicking here
Duluth Tour LLC is an Equal Opportunity Employer where the spirit of inclusion feeds into everything that we do. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and teammates. We believe that opportunity, access, resources and rewards should be available to and for the benefit of all. Duluth Tour LLC is committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, and Veteran status.
Visit the show page to view the current tour route.
Posted: January 12, 2023
Production Description
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.
SEEKING
Associate Company Manager for the engagement in Toronto (February 22, 2023–June 11, 2023).
Duties
The Associate Company manager reports to the Company Manager and General Manager, and alongside the Company Manager, will oversee:
- The overall well-being of the company and maintenance of company morale
- Calculating and executing weekly payroll and reimbursements
- Calculating and remitting union benefits (health, pension, annuity, etc.) and royalties
- Approving expenditures, paying bills and reconciling the company credit card
- Ensuring all union rules and regulations are adhered to at all times
- Fostering positive relationships with each venue’s administration and presenter
- Working in tandem with the box office, lottery and ticketing departments on pricing, scheduling, programming, implementation, house seats and releases
- Auditing and reporting nightly box office statements and weekly financial settlements
- Compiling information for annual audits
- Organizing EduHam performances and events
- Planning company events
- Liaising with all departments and distributing any mass correspondence on behalf of the Producers or General Managers
- Booking and coordinating travel and housing for the company and creatives
- Managing and booking House Seats for each touring engagement
- Valid US Driver’s License required
- Other duties as assigned by the General Managers or Producers
Salary
The current minimum salary for Associate Company Managers is $1846.87/week + vacation, per diem, health and welfare, and pension.
Instructions
Please email a current resume in PDF format saved as LAST NAME, FIRST NAME to resumes@baselinetheatrical.com. In the body of your email, please include a brief cover letter as well as your availability.
Due to the volume of applications we receive, we are not able to respond to every applicant. Please do not call the office regarding the status of your application.
UNION
Association of Theatrical Press Agents and Managers
Visit the show page to view the current tour route.
Posted: December 22, 2022
Production Description
Gloria Estefan has sold over 100 million records and sold out stadiums around the world. Emilio and Gloria Estefan together have won 26 Grammy® Awards. But their music is only half the story.
On Your Feet! is the new Broadway musical about two people who believed in their talent, their music and each other and became an international sensation.
SEEKING
Company Manager for the National Tour of “On Your Feet,” the story of Gloria and Emilio Estefan.
Duties
Company Manager’s duties shall consist of such services as are customarily rendered by a Company Manager for a touring musical stage production including, but not limited to, serving as the onsite liaison for Producer with all Theater, Promoter, Presenter representatives; working with General Manager to secure, organize, and implement the travel and accommodation arrangements for all employees, independent contractors, producers, management and creative staff in regards to the Play; overseeing the schedule for rehearsals, tech rehearsals, travel plans, performances, load ins and load outs in collaboration with the Stage Manager and Production Manager; processing all ticket requests; assisting with marketing, FOH activities, sponsor and public relations needs as necessary; VIP and meet and greet coordination as necessary in conjunction with the VIP vendor; press requests; handling all financial settlements with theater and/or Presenter on behalf of Producer; running payroll on a weekly basis; remitting payment for invoices, bills, petty cash, and emergency expenses; maintaining the production’s good standing with all venues; handling any workers compensation and insurance needs as they arise; handling any emergency situations as they may arise on the tour; working closely with General Manager and Producer to ensure the production is managed efficiently; and providing reasonable support to the production with any and all matters relating to the company, and all other duties, as needed.
Dates
January 3 – May 14, 2023
Salary
- $1,200.00 – $1,400.00/week
- The tour will provide transportation and per diem in addition to the weekly salary.
Instructions
Please submit a cover letter, your current resume including full contact information and work/educational history to:
info@evanbernardinproductions.com
Visit the show page to view the current tour route.
Posted: July 25, 2023
Production Description
Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.
SEEKING
All Equity Stage managerial positions for THE LION KING currently running on Broadway, and on tour are currently filled.
Please submit for future consideration.
DATES
Currently running on Broadway and on tour.
CONTRACT
Production (Disney) / Touring Agreement
- $3950 weekly minimum (level 1) – Tour
- $3119 weekly minimum (Level 1) – Tour
- $2607 weekly minimum (level 1) – Tour
INSTRUCTIONS
For future consideration, please email your resume.
Deadline: 08/03/2023
SUBMIT TO
Lisa.Dawn.Cave@disney.com
NOTES
Also accepting submissions for the production currently on Broadway.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour route.
Posted: February 19, 2023
Production Description
This beloved Broadway musical sets Dorothy’s adventures in the Land of Oz to a dazzling, lively mixture of rock, gospel and soul music.
SEEKING
Production Stage Manager for The Wiz.
As a critical member of the stage management team, the Production Stage Manager collaborates with all artistic staff, General Management, Company Management, performers and production personnel in the creation and maintenance of the production as well as managing the Stage Management department.
Duties
- Create and maintain a safe work environment in the rehearsal room and in the theater.
- Strong communication skills and ability to remain calm in stressful conditions are required.
- Managing rehearsal rooms during the original rehearsals and understudy rehearsals after Opening.
- Manage the cast backstage and anticipate their needs for a safe performance.
- Adhere and apply all AEA rules and company policies.
- Create and maintain both presets and running lists for all departments.
- Collaborate with Department heads during the load in’s for the safe and efficient layout of the backstage spaces.
- Call the show and run the backstage SM track as required.
- Create rehearsal reports, show reports and other reporting documents as required.
- Manage the Stage Management department.
- Other Stage Management duties as assigned.
Qualifications
- Strong communication and problem-solving skills are required.
- Detail-oriented, willing to complete both complex and menial repetitive tasks with exacting precision and a positive attitude.
- Ability to lead and instruct a team
- Preferred minimum 3 years’ experience as PSM of a touring or Broadway show.
- Knowledge of or experience in several road venues throughout the country.
Dates
Rehearsals commence August 2023 in New York City. The tour will begin in Baltimore in September 2023 moving to various cities every couple of weeks, and finally stopping on Broadway in March 2024.
Anticipated Schedule (Tour):
- Studio Rehearsals: Monday, August 14, 2023
- Cast on Stage: Tuesday, September 12, 2023
- First Preview: Saturday, September 23, 2023
- Press Opening: Friday, October 6, 2023
Salary
Pre-Broadway Tour: SET Scale through $2,250 plus overage and vacation per ATPAM Agreement
Broadway: Scale through $3,000, plus vacation per ATPAM Agreement
Benefits
Per ATPAM Union (SET Agreement)
Travel & Housing
All travel and housing will be per the AEA production contract rules.
Instructions
Apply for this job by clicking here
Ease On Down LLC is an Equal Opportunity Employer where the spirit of inclusion feeds into everything that we do. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and teammates. We believe that opportunity, access, resources and rewards should be available to and for the benefit of all. Ease On Down, LLC is committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, and Veteran status.
Visit the show page to view the current tour route.
Technical
No current openings.
Posted: October 28, 2023
Job Overview:
The Kite Runner Tour is seeking a full time Production/Head Carpenter to begin work ASAP.
The Production Carpenter is a managerial level position responsible for liaising between the scenic designer and the build shop during the build the show, as well as oversight of all elements of getting the show up and running on tour.
The Head Carpenter is responsible for the overall maintenance of the physical production throughout the run of the tour according to the standards and methods set by the Set Designer and Management. Head Carpenter will be responsible for documenting and updating pre-show, run of show, and touring paperwork.
The Head Carpenter will set and manage the work calls, advance the show and oversee the traveling carpentry department and local crew members that are hired in each city, supervising load in, load out, and those that are hired for run-of-show, while also running their own track during the show. The Head Carpenter will work closely with Production Management (Aurora Productions) to accomplish advancing and evaluating future venues. The Head Carpenter is the leader of the entire crew and therefore excellent communication, management and collaboration skills are a must.
The Kite Runner Tour is committed to doing our part to make touring a more equitable, inclusive, just, and anti-racist place to work. We encourage applications from individuals whose backgrounds are underrepresented in the theatre industry, including race, ethnicity, class, gender identity or expression, ability, and sexual orientation.
The pre-production portion of the tour would start and continue intermittently from October 2023 through March 2024. Tech is scheduled to start in San Jose on or about March 18, 2024, and conclude on or about June 30, 2024, with a possible extension to August 4, 2024.
Salary for Head Carpenter will be $2,300/wk on a Pink SET contract, with the Production Carpenter fee to be negotiated on top of that.
Please submit your resume and cover letter to kiterunnerjobs@auroraprod.com with “TKRT- Production Carp search” in the subject line.
SALARY:
- $2,300.00 per week
Visit the show page to view the current tour route.
Posted: November 3, 2023
Job Overview:
Shrek On Tour, LLC is seeking an experienced Head Carpenter to join the upcoming North American bus & truck Tour of Shrek The Musical.
Theatrical touring experience is required. Reporting to the Production Manager and Company Manager, the Head Carpenter is responsible for supporting and maintaining the technical standards, procedures, and practices within the daily operation of the show. The Production Manager works with the Stage Manager to ensure the show is built to its fullest potential, considering venue restrictions while ensuring a safe environment. This position manages the technical and logistical aspects and overall safety compliance of the tour.
Responsibilities:
- Daily point of contact for local labor and building staff involved in executing the show build.
- With the Company Manager, ensure all details for the day are correctly advanced, Including the venue, labor, and truck parking.
- Point of contact for all technical needs of the touring party and the day-to-day contact for the touring crew.
- Ensure stage placement is correct and sightlines are considered.
- Facilitate all flow of information among the crew and management.
- With the Stage Manager, make adjustments to the show’s build when needed.
- Coordinate all parking for the trucks and buses.
Qualifications:
- Three or more years of experience in a Head Carpenter or similar role.
- One or more years of theatrical touring experience.
- Must hold a current passport and have no international travel restrictions.
- Familiarity and working knowledge of standard touring practices.
- Strong organizational and administrative skills, including experience reading contracts, correspondence, ticketing reports, and other documents.
- Outstanding judgment and ability to prioritize varying tasks.
- Skilled in communicating clearly, with tact and discretion, as well as maintaining confidentiality.
- Excellent written and verbal communication skills.
- Experience coordinating complex logistics and working within assigned budgets.
- High level of computer proficiency with knowledge of Master Tour, Word, and Excel.
- Familiarity with budgets and comfort with finance or fundamental accounting principles.
- Ability to work independently and in a team environment and demonstrated sound judgment when issues must be escalated.
- Positive, articulate, outgoing, flexible, calm under pressure with a friendly personality.
NOTES
This is a non-union and non-equity tour.
Single hotel accommodations.
The company pays for all travel.
DATES
- Position to start 1/1/2024 at a reduced rate for pre-production
- Travel 2/10 to rehearsals
- The first show is on 2/24
- Dates are currently being booked into 2025
Apply by email to jobs@shrekontourllc.com
SALARY:
- Rate starts at $1700 per week plus per diem.
Visit the show page to view the current tour route.
Posted: February 27, 2023
Job Overview
The Follow Spot Operator is responsible for loading in and out the lighting package of the show, specifically the portions of the rig as designated by the head electrician. This can include and is not limited to: overhead LX package, FOH lights, and set electrics.
The Follow Spot Operator supervises at least four local electricians that will help assist in loading in and out the show. They are also responsible for at least one local crew member during the performances.
Responsibilities and Duties
- Load In / Load Out
- Become familiar with show specific lighting gear, the assembly process, and travel methodology
- Load and secure lighting elements in touring trailers
- Communicate with other crew when tasks impact multiple departments
- Supervision
- Lead at least four local electricians while directing the show’s lighting load-in and load-out
- Oversee one or two local spotlight operators
- Show Call
- Operate one follow spotlight and take cues as directed by the SM
- Call at least one other local spot op’s cues and instruct them on when to use their light
- Daily Operations
- Manage hardware and tool inventory
- Keep road boxes organized
- Perform work calls when needed per the direction of your department head
- Safe Practices
- Understand the Employer’s Safety Handbook
- Recognize unsafe work, and report it to the Head Carpenter
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin. Applicants of all ethnic and racial backgrounds, gender identities, and abilities are encouraged to apply.
NETworks crew members have the opportunity to work with a tight knit team to prep, load-in/out and run exciting Broadway tours throughout North America, while collaborating with the industry’s leading directors, choreographers and designers. All crew members work under IATSE contracts with benefits. Each tour varies in size, length and route and may include full week, split week and single night engagements. Touring experience is preferred but not required. NETworks offers tremendous growth potential for its crew members, and most have enjoyed continual employment for many years.
COVID: Please note that to work on any NETworks tour, employees must be fully vaccinated prior to their start dates.
Les Misérables is a L Agreement contract. The Asst. Electrician/ Follow Spot Operator will receive a weekly salary ($1500/week) plus per diem and benefits, including health and welfare.
The Assistant Electrician / Follow Spot Operator reports to the Head Electrician.
Fill out an application at http://www.networkstours.com/job/production-jobs/ today!
Visit the show page to view the current tour route.
Posted: July 25, 2023
Job Overview
The Head Sound / Sound Mixer will lead the sound department in the safe consistent running, moving and maintenance of all sound elements associated with the Moulin Rouge National Tour. Touring a live theater production is a unique and fast paced environment. You must be able to handle stressful situations and find solutions to problems quickly. The successful candidate for this position will have experience loading shows in and out, have extensive knowledge of theatrical sound systems, and will be a self-starter.
ROLE AND RESPONSIBILITIES
Job responsibilities include but are not limited to:
• Regularly mixing the show during live performances.
• Maintain a schedule of Sound department pink contract staff and ensure coverage for all shows, work calls, and rehearsals.
• Working with the rest of the Sound team to maintain and repair all show equipment to the highest standards.
• Working with the rest of the Sound team to manage the local union electrics crew at each show stop.
• Regular participation in work calls, and rehearsal as directed by stage management and head carpenter.
• Arrival on time and ready for work at the start of each call.
• Participate in Sound Check at the start of each new city.
• An eagerness to jump in where necessary to help troubleshooting.
QUALIFICATIONS & REQUIRED SKILLS
• Detail-oriented, willing to complete both complex and menial repetitive tasks with exacting precision and a positive attitude.
• Ability to lead and instruct a crew of dozens of people with varying skill levels.
• Excellent computer skills (Mac & PC).
• Min 1 years’ experience working on an IATSE Full Pink Contract.
• Min 3 years’ experience with Sound Mixing.
• Min 3 years’ experience in the sound department of a touring or Broadway show.
• Knowledge of or experience in several road venues throughout the country.
• Working proficiency of Digico SD7 Consoles and Qlab.
START DATE
September 2023
Length of Contract – Open Ended
TRAVEL & HOUSING
All travel and housing will be per IATSE Full Pink Contract.
EEOC STATEMENT
Moulin Rouge is an Equal Opportunity Employer where the spirit of inclusion feeds into everything that we do. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and teammates. We believe that opportunity, access, resources, and rewards should be available to and for the benefit of all. Moulin Rouge is committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, and Veteran status.
Apply online:
https://MRBway.bamboohr.com/careers/50
Visit the show page to view the current tour route.
Posted: April 6, 2023
Job Overview
The HMU Supervisor is responsible for the care, management, maintenance, and organization of hairstyles including haircuts and hair color dyeing, wigs, and makeup. They must safely load in and out of various venues and take lead on training the local labor. A current cosmetology license and theatrical wig experience is preferred.
The HMU Supervisor is in charge of all the touring crew within their department. In addition to supervising their department’s members, they are also responsible for a local crew of stagehands during load-in and load-out as well as performances.
Responsibilities and Duties
- Maintain the style of the production as dictated by the Designer
- Create and execute a proper cleaning schedule of wigs and tools
- Create and execute a schedule for actor cuts and colors
- Coordinate with local salons for work needed outside skill range
- Purchase and maintain any specialty makeup and hair supplies
- Load In / Load Out
- Oversee and train local wardrobe crew to prepare the hairstyles, wigs, and/or makeup for the show or load-out
- Continue to execute and advise on hair or wig styling and repairs
- Load and secure hair elements in touring trailers
- Supervision
- Lead and direct local hair team to assist in preparing the wigs for the show
- Oversee and direct the Hair and Makeup Assistant
- Show Call
- Teach local crew members show cues
- Perform all show cues not done by a local
- Staffing Recommendations
- Work closely with Production Management to advise on hiring and firing within the department
- Make best recommendation for open positions within the department
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin. Applicants of all ethnic and racial backgrounds, gender identities, and abilities are encouraged to apply.
NETworks crew members have the opportunity to work with a tight knit team to prep, load-in/out and run exciting Broadway tours throughout North America, while collaborating with the industry’s leading directors, choreographers and designers. All crew members work under IATSE contracts with benefits. Each tour varies in size, length and route and may include full week, split week and single night engagements. Touring experience is preferred but not required. NETworks offers tremendous growth potential for its crew members, and most have enjoyed continual employment for many years.
COVID: Please note that to work on any NETworks tour, employees must be fully vaccinated prior to their start dates.
Pay for touring technicians is dependent on the IATSE qualification of each tour. Employees receive weekly salary of $1600 plus per diem and benefits, including health and welfare.
Fill out an application at http://www.networkstours.com/job/production-jobs/ today!
Visit the show page to view the current tour route.
Posted: October 7, 2023
Job Overview:
Pan Touring, LLC is seeking a Head Carpenter for the National Tour of Peter Pan. The Head Carpenter is responsible for advancing with venues, loading in and out the show, ensuring the performances run safely, acting as the supervisor for the touring crew (between eight and sixteen people), and is ultimately the supervisor of the local provided labor crew of thirty-five to sixty people. This position is the supervisor of every member in all technical departments.
Start Date: October 30, 2023
Reports To:
The Head Carpenter reports to the Production Manager and works closely with the Company Manager and Stage Manager.
Responsibilities and Duties:
Paperwork (Venue Advance)
- Create documentation for the technical aspects of each venue stop on the route
Load In / Load Out
- Oversee trucking
- Time management
- Problem solve and check in on all departments
Show Call
- Run cues as designated during tech
- Observe all scene changes for safety
Payroll
- Tracks local and touring crew per the prevailing contract and reports to Company Management for payroll and settlement purposes
Staffing Recommendations
- Work closely with Production Management to advise on hiring, firing, and disciplinary action of all touring crew members
- Make best recommendation for open positions
Qualifications and Experience:
- Theatrical touring experience.
- Minimum three years show production experience in a similar role.
Salary:
Peter Pan is a S Contract. Head Carpenter will receive a weekly salary of $1400/week plus per diem and benefits, including health and welfare.
FAQ:
Pan Touring, LLC and NETworks Presentations is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin. Applicants of all ethnic and racial backgrounds, gender identities, and abilities are encouraged to apply.
Pan Touring, LLC and NETworks crew members have the opportunity to work with a tight knit team to prep, load-in/out and run exciting Broadway tours throughout North America, while collaborating with the industry’s leading directors, choreographers and designers. All crew members work under IATSE contracts with benefits. Each tour varies in size, length and route and may include full week, split week and single night engagements. NETworks offers tremendous growth potential for its crew members, and most have enjoyed continual employment for many years.
Fill out an application at: http://www.networkstours.com/job/head-carpenter-national-tour-of-peter-pan/
Visit the show page to view the current tour route.
Posted: August 10, 2023
Opening for Head Carpenter – North American Touring Production of STOMP
Individual will be responsible for shepherding a smooth and safe load-in, performance, and load-out at every venue.
General responsibilities include, but are not limited to:
- Keeping open lines of communication with Production Manager, touring crew, and local crew
- Maintaining the scenery and scenic equipment
- Leading local crews on load-in, performance, and load-out
- Executing show cues as well as changeover and pre/post show duties in a safe, professional and timely manner
Qualified candidates must have an extensive background and relevant expertise in carpentry on tour. Substantial experience in maintaining and repairing production equipment is required. Candidates should also be able to lift and maneuver up to 50 lbs. and stand for extended periods of time, navigate stairs, ladders, etc. Moreover, applicants must be safety conscious, detail-oriented, organized, and articulate; maintaining a positive, affable disposition while working is critical.
TOUR INFORMATION
Dates: October 9, 2023 – June 16, 2024
Locations: United States, Canada
Route: includes one nighters, split-weeks, and week-long stays
SALARY
Compensation is $1,250/week + per diem + single occupancy housing
NOTES
In accordance with STOMP’s COVID-19 Safety Policy, applicant must be fully vaccinated and have received a booster.
All touring company members must have a passport valid through November 2024.
Interested applicants should send a resume and full contact information, along with 2 references to stompjobs@frankelgreen.com
Please include as the subject line: “Application for Head Carpenter – STOMP Tour”
No phone calls please.
Visit the show page to view the current tour route.
Posted: February 27, 2023
Job Overview
The Head Electrician is responsible for loading in and out the lighting package of the show and designating portions of the rig to the electrics assistant(s). This can include but is not limited to: overhead lighting (LX) package, Front of House (FOH) LX, and set electrics. Also running a show track which traditionally consists of operating the lighting console and taking show cues from the calling Stage Manager (SM) on headset.
The Head Electrician supervises all the touring crew within the department. In addition to supervising the department’s members, they also are responsible for a local crew of twelve or more electricians during load-in and load-out.
Responsibilities and Duties
- Paperwork (Venue Advance)
- Create lighting documentation for each venue stop on the route
- Load In / Load Out
- Become familiar with show specific lighting gear, the assembly process, and travel methodology
- Load and secure lighting elements in touring trailers
- Communicate with other crew when tasks impact multiple departments
- Be available to answer all questions from electrics assistant(s)
- Replicate the focus and movement of intelligent lighting fixtures at each stop on the tour without supervision
- Supervision
- Lead and direct at least four local electricians to assist in loading in the show
- Oversee the assistant(s) within the electrics department and direct them
- Show Call
- Run cues as designated during tech
- Staffing Recommendations
- Work closely with Production Management to advise on hiring and firing within electrics department
- Make best recommendation for open positions within electrics department
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin. Applicants of all ethnic and racial backgrounds, gender identities, and abilities are encouraged to apply.
NETworks crew members have the opportunity to work with a tight knit team to prep, load-in/out and run exciting Broadway tours throughout North America, while collaborating with the industry’s leading directors, choreographers and designers. All crew members work under IATSE contracts with benefits. Each tour varies in size, length and route and may include full week, split week and single night engagements. Touring experience is preferred but not required. NETworks offers tremendous growth potential for its crew members, and most have enjoyed continual employment for many years.
COVID: Please note that to work on any NETworks tour, employees must be fully vaccinated prior to their start dates.
The Book of Mormon is a Medium contract. The Head Electrician will receive weekly salary ($1100/week) plus per diem and benefits, including health and welfare.
Fill out an application at http://www.networkstours.com/job/production-jobs/ today!
Visit the show page to view the current tour route.
Posted: April 20, 2023
Job Overview
The Assistant Hair Supervisor assists the Hair Supervisor in the safe and consistent running, moving, and maintaining of all wig and hair elements associated with the WICKED North American Tour.
Responsibilities and Duties
ROLES AND RESPONSIBILITIES:
- Styling and cutting of all Hair textures.
- Wig Styling, Maintenance, and repair.
- Fitting wigs and hairpieces.
- Working quickly and accurately under pressure.
- Running a principal hair track and knowing additional tracks.
- Styling/maintaining/cleaning of lace front wigs.
- Assisting in quick changes.
- Assisting the Hair Supervisor in overseeing the hair crew.
- Training hair crew and vacation swings.
- Putting new actors into the show.
- Attending rehearsals that require Actors to be in costume and wigs.
Qualifications and Skills
– Detail-oriented, willing to complete both complex and menial repetitive tasks with exacting precision.
– One years’ national touring experience or analogous experience
– Valid IATSE card and travel card a plus
– Cosmetology or barber license.
– Styling and cutting of all Hair Types.
– Wig Knotting/Repair/Alterations.
– Team player, able to work long hours in very close quarters with many different types of passionate personalities.
– Willing to work in an 8-show a week schedule, with one day off a week. Often called in for rehearsals outside of the show schedule.
– Must be able to work around loud sounds and flashing lights.
– Willingness to work in dark often cramped/ closed spaces.
– Excellent practical, problem-solving, organizational, planning and time management skills.
– Any film/ TV/ dance/ trade show/ industrial/ live performance experience a plus.
– At least 3 references required.
SALARY: Weekly Salary: $1,800 + All Applicable Overtime Per Full Pink Contract
BENEFITS: Per IATSE Full Pink Contract
TRAVEL & HOUSING: Per IATSE Full Pink Contract
START DATE: May 15, 2023
END DATE: May 19, 2024
EEO STATEMENT: Wicked LLC is an Equal Opportunity Employer with a commitment to providing a workplace which thrives on dignity, mutual respect and inclusion. We celebrate individuality and recognize that individual differences enable every company member to bring something unique to their role and to the show. We actively employ and engage everyone based on their skillsets, abilities and experience, irrespective of age, gender or gender identity, neurological or physical ability, sexual orientation, socioeconomic class, race, ethnicity, marital or veteran status. As part of our collective responsibility to maintain an ethos of teamwork, professionalism, and healthy collaboration, we honor and acknowledge the immeasurable contribution made by every individual in our dedication to delivering world class performances.
TO APPLY: Please send your resume and references to resumes@321mgt.com. Please include “Assistant Hair” in the subject line followed by your last name and first name.
Visit the show page to view the current tour route.
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Performers
Posted: October 20, 2022
Expires: November 17, 2022
- Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
- Director: Thomas Kail
- Music and Lyrics: Lin-Manuel Miranda
- Musical Director: Alex Lacamoire
- Choreography: Andy Blankenbuehler
- Casting: The Telsey Office
- Viewing auditions:
Bethany Knox: Casting Director
Peter Dunn: Casting Associate
Alexis Brown: Casting Assistant
Production Description
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.
SEEKING
ALEXANDER HAMILTON: Male. Non-white, 30s, Tenor-Baritone. An earnest, ambitious hothead, a man possessed. Speaks his mind, no matter the cost. Raps VERY well. Eminem meets Sweeney Todd. PRINCIPAL
ELIZA HAMILTON: Female. Non-white, 20s – 30s, Soprano. Fiercely loyal, self-possessed, proud. Evolves from lovesick, wealthy young woman to the sole keeper of her late husband’s legacy. Alicia Keys meets Elphaba. PRINCIPAL
ANGELICA SCHUYLER: Female. Non-white, 20s-30s, Mezzo – Soprano, Sings and raps well. Fierce, dazzling, brilliant, can read a room and everyone in it instantly. Deeply in love with Hamilton, who is married to her beloved sister Eliza. Nicki Minaj meets Desiree Armfeldt. PRINCIPAL
AARON BURR: Male. Non-white, 20s-30s, Tenor/Baritone, sings and raps in equal measure. Our narrator. A cool, steely reserve. An orphan raised in wealth, plays his cards and opinions close to the vest. Slow to anger, but when he gets there, look out. Javert meets Mos Def. PRINCIPAL
GEORGE WASHINGTON: Male. Non-white, 30s-40s, Tenor/Baritone, sings and raps in equal measure. Authoritative, regal, aloof, aware of his place in history at all times. John Legend meets Mufasa. PRINCIPAL
MARQUIS DE LAFAYETTE/THOMAS JEFFERSON (dual role): Male. Non-white, 20s-30s, Tenor- Bari, Sings and raps well. LAFAYETTE is an earnest, idealistic Frenchman who reveals himself to be a superb military commander/rapper. Think Lancelot meets Ludacris. JEFFERSON is relaxed, jazzy, brilliant, whose effortless cool is ruffled ONLY by Hamilton. Harold Hill meets Drake. PRINCIPAL
HERCULES MULLIGAN/JAMES MADISON (dual role): Male. Non-white, 20s-30s, Tenor/baritone, Sings and raps well. MULLIGAN is the life of the party, dripping with swagger, streetwise and hilarious. Joins the revolution to get out of being a tailor’s apprentice, and befriends Laurens, Hamilton and Lafayette. Busta Rhymes meets Donald O’Connor. MADISON is incisively intelligent, quiet, professional. A former Hamilton ally, he becomes Jefferson’s detail man concerning all matters—he gets things done. RZA meets Zach from Chorus Line. PRINCIPAL
JOHN LAURENS/PHILIP HAMILTON (dual role): Male. Non-white, late teens 20s, Tenor, Sings and raps well. LAURENS is an ardent young abolitionist and idealist, born into privilege, joining the Revolution. Hamilton’s loyal best friend. Nas meets Elder Price. PHILIP HAMILTON. Prodigious, full of life, a wordsmith in the mold of his father Alexander. Tupac meets J. Pierrepont Finch. PRINCIPAL
PEGGY SCHUYLER/MARIA REYNOLDS (dual role): Female. Non-white, late teens-20s, Mezzo- Soprano. PEGGY SCHUYLER: sweet, shy, youngest of the three Schuyler Sisters. The Michelle Williams of Destiny’s Child. MARIA REYNOLDS: sultry, young, calculating. Affects the role of a damsel in distress to seduce Hamilton. Jasmine Sullivan meets Carla from Nine. PRINCIPAL
KING GEORGE: Male. Caucasian, 30s-40s, Tenor, British accent. The King of England. Entitled, pouty nihilist. Sees the American Colonies as a deluded former lover, who will come crawling back. Rufus Wainwright meets King Herod in JCS. PRINCIPAL
INSTRUCTIONS
Please prepare a brief cut of a pop/rock song that shows your style and vocal range. If you do not have access to accompaniment, you may sing your song of choice a cappella. If you are not able to sing a song of your choosing, please feel free to use the accompaniment provided. Sheet music and accompaniment MP3 are available at the following link:
https://www.dropbox.com/sh/zgnhga8gegx6q79/AAAABNXkp6bYkqPe2bwX9R0Ea?dl=0
Submit here:
https://docs.google.com/forms/d/e/1FAIpQLSfz1pcgjcCITwViZr2SAux_0JSqlBNUpTiUfemykawArSaYlg/viewform
SALARY
Production (League) $2323 weekly minimum
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour route.
Posted: October 8, 2022
Expires: November 7, 2022
Equity National Tour
- Producers: Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt, and David Stone
- Director: Joe Mantello
- Choreographer: Wayne Cilento
- Music & Lyrics: Stephen Schwartz
- Book: Winnie Holzman
- Music Supervisor: Stephen Oremus
- Music Director: Dan Micciche
- Associate Director: Lisa Leguillou
- Associate Choreographer: Corinne McFadden Herrera
- General Manager: 321 Theatrical Management
- Casting: The Telsey Office
- Casting Director: Craig Burns, CSA (viewing auditions)
Production Description
Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good.
SEEKING
Equity actors for possible replacement principal roles in the Broadway production and National Tour of WICKED (see breakdown).
[ELPHABA] Character is female (cis or transgender), 20s, any ethnicity. The “wicked” witch. Born with emerald-green skin, she has had a rough childhood and is an outcast from the beginning. Smart, fiery, sensitive, passionate, misunderstood, sincere, has potent inner beauty, rallies for the underdog, has great talent for sorcery. Has a thrilling, powerhouse, contemporary high-belt singing voice. A lead capable of carrying a big show. PRINCIPAL
[GLINDA] Character is female (cis or transgender), 20s, any ethnicity. The “good” witch. Charming, entrancing, ambitious, perky, vain, very popular, a social climber, but also vulnerable and sympathetic. Her friendship with Elphaba reveals more depth in her character. Has excellent comic chops and a glorious singing voice with high soprano and belt capability. A lead capable of carrying a big show. PRINCIPAL
[FIYERO] Character is male (cis or transgender), 20s, any ethnicity, height of 5’11” or taller. A striking prince with a philosophy of “Dancing Through Life.” A wealthy, dangerous party boy who at first is attracted to Glinda. Initially he is shallow and self-absorbed; however, his growing relationship with Elphaba prompts him to reexamine his way of thinking. Has a strong tenor pop/rock singing voice and movement ability. PRINCIPAL
[THE WIZARD OF OZ] Character is male (cis or transgender), 50s – 70s, any ethnicity. A carnival huckster who blew into Oz in a hot air balloon and became a false-faced leader. Strong, distinctive, engaging, and sweet with a character singing voice. PRINCIPAL
[MADAME MORRIBLE] Character is female (cis or transgender), 50s – 70s, any ethnicity. A sorceress and Headmistress of Shiz University. Dignified, powerful, haughty, has a dark side. Takes Elphaba under her wing, training her in sorcery. A strong, comical character with formidable presence. Sings a little; able to carry a tune. PRINCIPAL
[NESSAROSE] Character is female (cis or transgender), 20s, any ethnicity. Elphaba’s striking, lonely, compassionate younger sister, she was favored by their father. Has spent her life in a wheelchair. Becomes obsessively attached to Boq and becomes the Wicked Witch of the East. Commanding with a strong belt singing voice. PRINCIPAL
[BOQ] Character is male (cis or transgender), 20s, any ethnicity, height of 5’7” or shorter. A helpless, quirky munchkin. Enamored with Glinda, who pays him no mind. Reluctantly, he becomes involved with Nessarose. Comical with a strong tenor singing voice. PRINCIPAL
[DOCTOR DILLAMOND] Character is male (cis or transgender), late 40s – 70s, any ethnicity. A distinguished and well-liked professor at Shiz University. He is a goat and the sole animal on the faculty. He becomes a victim to the animal discrimination occurring in Oz. Has stature and a sense of gravity, authority, and comic skill. Sings a little; able to carry a tune. PRINCIPAL
Duration
- Currently touring
Instructions
If you are using an iPhone to videorecord, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height.
Please sing a brief contemporary musical theater song showing range. Sopranos may sing a brief traditional legit musical theater song showing range. Please provide your own accompaniment. As an alternative to singing a song of choice, you may sing an excerpt from WICKED. Sheet music, teaching tracks, and accompaniment tracks for all principal roles are accessible at the following link: https://tinyurl.com/3schhaa6
Submit to: https://docs.google.com/forms/d/e/1FAIpQLSciJRpyqCYLHgurQOBhZVNO_SHjWzIsXvwmDSeZg1HtEhcyXQ/viewform
NOTES
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Salary
Production (League) $2323 weekly minimum
Visit the show page to view the current tour route.
Posted: October 8, 2022
Expires: October 19, 2022
Equity National Tour
- Producer: Paula Wagner
- Director/Choreographer: Jerry Mitchell
- Book: Garry Marshall & J.F. Lawton
- Music & Lyrics: Bryan Adams & Jim Vallance
- Music Supervisor: Will Van Dyke
- Executive Producer/General Manager: 101 Productions, Ltd.
- Casting: The Telsey Office
Production Description
One of Hollywood’s most beloved stories of all time, Pretty Woman: The Musical is brought to life by a powerhouse creative team representing the best of music, Hollywood, and Broadway.
SEEKING
VIVIAN WARD Character is female (cis or transgender), 20s – 30s, any ethnicity. A quirky girl who reluctantly works on Hollywood Boulevard as a prostitute but harbors Cinderella dreams of a better life. A star-crossed meeting with a lost billionaire propels her into a fish-out-of-water adventure among the rich and powerful of Beverly Hills. A Rodeo Drive shopping transformation takes her from Malibu parties to opera galas where she learns that confidence, and staying true to oneself, is even more important than material wealth. In the process, she discovers her self-worth and becomes determined not to settle for anything less than taking full control of her own destiny. Has strong comedic chops and movement ability. Excellent pop/rock singer. Versatile in style. Has a strong belt and mix. PRINCIPAL
EDWARD LEWIS Character is male (cis or transgender), late 30s – 40s, any ethnicity. A smart, successful, well-educated business mogul who takes over troubled companies and liquidates their assets. His tough, workaholic exterior conceals a sensitive, artistic side, including a love of music and the arts. He’s in the process of orchestrating the biggest financial deal of his career, but the recent death of his father has him questioning his priorities. He hires Vivian hoping for some temporary, hassle-free companionship, but she completely upends his life. He realizes he will have to change if he wants to hold onto the things that matter most to him. Excellent pop/rock singer. Tenor. Is able to confidently sing an A. PRINCIPAL
HAPPY MAN/BARNARD THOMPSON Character is male (cis or transgender), 30s – 50s, any ethnicity. The magical Hollywood Boulevard fairy godfather to Vivian’s street Cinderella, he begins the story as a fast-talking peddler of Maps to the Stars who urges Vivian to hold onto her dreams. Later he transforms into Mr. Thompson, the efficient manager of the Beverly Wilshire Hotel. He teaches Vivian ballroom dancing, how to dress like a lady, and, most importantly, to believe in herself. Excellent pop/rock singer. Tenor. Vocally diverse and able to switch between styles. Strong movement ability. PRINCIPAL
KIT DELUCA Character is female (cis or transgender), 20s – 40s, any ethnicity. A professional prostitute and party girl who took Vivian under her wing to teach her how to survive on the streets. Tough but funny, she comes to realize she has a lot to learn from Vivian about not giving up and settling for less. Inspired by Vivian’s example, begins a search for a better life. Excellent pop/rock singer. Powerhouse high belter. PRINCIPAL
PHILLIP STUCKEY Character is male (cis or transgender), 30s – 40s, any ethnicity. A ruthless and energetic lawyer who has partnered with Edward Lewis on many successful hostile corporate takeovers. He loves money and is willing to cross almost any legal or ethical boundary in the pursuit of it. When Edward’s growing relationship with Vivian begins to threaten his business interests, he becomes a dangerous adversary. Solid singer. PRINCIPAL
Duration
- Currently touring
Instructions
Please prepare a brief 1980s or 1990s pop/rock song of choice (No musical theatre, please). Please provide your own accompaniment. As an alternative to singing a song of choice, you may sing an excerpt from PRETTY WOMAN available at https://tinyurl.com/yj9ppzy9 . If the track you are auditioning with is less than one minute in length, you are welcome to additionally prepare one of the ensemble tracks.
Submit at: https://tinyurl.com/Pretty-Woman-Tour-EPA
Salary
Short Engagement Touring $930 weekly minimum (Category 2)
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour route.
Posted: October 8, 2022
Auditions: October 18-19, 2022
Equity National Tour
- Producers: Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt, and David Stone
- Director: Joe Mantello
- Choreographer: Wayne Cilento
- Music & Lyrics: Stephen Schwartz
- Book: Winnie Holzman
- Music Supervisor: Stephen Oremus
- Music Director: Dan Micciche
- Associate Director: Lisa Leguillou
- Associate Choreographer: Corinne McFadden Herrera
- General Manager: 321 Theatrical Management
- Casting: The Telsey Office
Production Description
Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good.
SEEKING
Unique and fit dancers with strong ballet and jazz technique for Wayne Cliento’s edgy and contemporary choreography. Think “So You Think You Can Dance.”
Duration
- Currently touring
AUDITION DATES
Tuesday, October 18, 2022
10:00 AM – Masculine Dancer Tracks
10:45 AM – Masculine Dancer Tracks
11:30 AM – Feminine Dancer Tracks
12:15 PM – Feminine Dancer Tracks
* Please hold the afternoon in case you’re asked to return to dance more.
Wednesday, October 19, 2022
10:00 AM – Feminine Dancer Tracks
10:45 AM – Feminine Dancer Tracks
11:30 AM – Masculine Dancer Tracks
12:15 PM – Masculine Dancer Tracks
* Please hold the afternoon in case you’re asked to return to dance more.
Callbacks will occur on Thursday, October 20, 222 morning/early afternoon.
LOCATION
3rd Street Dance
8558 West 3rd Street
Los Angeles, CA 90048
PREPARATION
Wear jazz shoes or sneakers. Bring photo/resume. After dancing, you may be asked to sing 16 bars of a musical theatre song or pop song; bring sheet music.
NOTES
Equity and Non-Equity dancers, ages 18 to early 30s of all ethnicities and gender identities, are welcome to attend.
The open call is for both the Broadway and National Touring Companies.
Salary
Production (League) $2323 weekly minimum
Visit the show page to view the current tour route.
Posted: October 8, 2022
Audition: October 13, 2022
Equity National Tour
- Producers: Dale Franzen, Mara Isaacs, Hunter Arnold, and Tom Kirdahy Book
- Director: Rachel Chavkin
- Music & Lyrics: Anaïs Mitchell
- Music Director: Liam Robinson
- Choreographer: David Neumann
- General Manager: RCI Theatricals
- Casting: Stewart/Whitley
Production Description
Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love.
SEEKING
WORKER 1: Soprano. (F#3 – E5). Any age, any gender identity, any ethnicity. Physically strong and a great dancer. The workers chorus populates the world above and below ground, representing the spirit of both labor and community.
WORKER 2: Low alto. (E3 – C#5). Any age, any gender identity, any ethnicity. Physically strong and a great dancer. The workers chorus populates the world above and below ground, representing the spirit of both labor and community.
WORKER 3: Tenor. (B2 – B4). Any age, any gender identity, any ethnicity. Physically strong and a great dancer. The workers chorus populates the world above and below ground, representing the spirit of both labor and community.
WORKER 4: Tenor/baritone. (G2 – G4). Any age, any gender identity, any ethnicity. Physically strong and a great dancer. The workers chorus populates the world above and below ground, representing the spirit of both labor and community.
WORKER 5: Bass/baritone. (C2 – G4). Any age, any gender identity, any ethnicity. Physically strong and a great dancer. The workers chorus populates the world above and below ground, representing the spirit of both labor and community.
Duration
- Currently touring
AUDITION DATE
Thursday, October 13, 2022
9:00 AM ET
LOCATION
Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Check lobby upon arrival for any changes.
PERSONNEL
Please dress in clothing you are able to dance in and bring tennis/gym shoes. Bring a picture and resume, stapled together. Please prepare the dance combination found here
SCHEDULE:
9:00 AM – 10:00 AM – Group 1
10:00 AM – 11:00 AM – Group 2
11:00 AM – 11:15 AM – 15-min break
11:15 AM – 12:15 PM – Group 3
12:15 PM – 1:15 PM – Group 4
1:15 PM – 2:15 PM – Lunch
2:15 PM – 3:15 PM – Group 5
3:15 PM – 4:15 PM – Group 6
4:15 PM – 4:30 PM – 15-min break
4:30 PM – 5:30 PM – Group 7
APPOINTMENTS
You can sign-up for an audition slot at: https://forms.gle/SUVfGLrz3DUg… . If all slots are full, please email hadestownaudition@gmail.com to add yourself to the waitlist. Please put “HADESTOWN TOUR ECC WAITLIST” in the subject line. Once submissions are closed, confirmations will be sent out and any open slots will be allocated to individuals on the waitlist.
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Salary
Short Engagement Touring $1,073 weekly minimum (Category 1)
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
NOTE FROM CREATIVE: We welcome performers of all ethnicities, gender identities, and body types. We are seeking actors with unique, vibrant singing skills. Certain roles will also require strong instrumental abilities. Actors of diverse cultural and racial backgrounds are encouraged to apply. In general, we are not looking for conventional “music-theatre style”/vibrato singers. We are seeking singers capable of pure tones and/or vibrato that feels informed by jazz/rock/gospel.
Visit the show page to view the current tour route.
Posted: August 19, 2022
Expires: September 12, 2022
Equity National Tour
- Producer: Buena Vista Theatrical Group
- Director: Julie Taymor
- Songs by: Elton John/Tim Rice
- Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
- Book: Irene Mecchi/Roger Allers
- Choreography: Garth Fagan
- Casting: Mark Brandon, CSA/Binder Casting
Production Description
Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.
SEEKING
YOUNG SIMBA: 9 – 12 years old. An African lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. A natural talent with charm and charisma that moves well and able to hold the stage on his own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.
YOUNG NALA: 9 – 12 years old. An African lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Looking for a young actor/singer with natural talent, charm and charisma. Actor must move well and hold the stage on her own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.
Duration
- First rehearsal: November 15, 2022
- First performance: December 13, 2022
- Contract ends: May 16, 2023
* All dates are subject to change.
Instructions
All initial auditions will be via self-tape. Work sessions and callbacks will be via Zoom. Virtual “live” final callbacks will be on Wednesday, September 28, 2022.
For consideration, prepare all materials in the packet for your role. Audition materials and MP3’s can be accessed here:
https://www.dropbox.com/sh/bijf349qrifo83e/AAAenbZpIMg6SebQ0mpkO1tca?dl=0
Self-taping Specifics
Video Framing
Sides and songs – please be sure the video is framed so that we see the top of your head to your waist. Tape at ½ or ¾ shot. Video should be filmed horizontally, yes- the slate too, and make sure you are well lit.
You must include a ‘slate’ video with your name, date of birth, height, representation (or not), location, and Covid-19 vaccination status.
All videos should be uploaded as separate clips, not as one continuous video.
We would like the videos to be labeled in this exact way and order (if applicable): Slate, Side #1, Side #2, “I Just Can’t Wait to be King”.
*Do not add your name, show title, or character to the file names. Just label them simply as stated above. And do not put anything in all caps- only Title Case.
Videos should be uploaded as separate files via a single link to a Dropbox, Google Drive, or Vimeo folder. Make sure all permissions are removed (Google Drive) and the download feature is enabled (Vimeo). No YouTube videos will be accepted.
Send to lionkingchildren@disneyonbroadway.com
Salary
$2,323.00 weekly minimum
Visit the show page to view the current tour route.
Posted: August 4, 2022
Expires: August 12, 2022
Non-Equity National Tour
- Producer: Running Subway Productions & TROIKA Entertainment
- Book and Lyrics: Timothy Mason
- Music: Mel Marvin
- Director: Matt August
- Choreographer: Bob Richard
- Musical Supervisor: Peter Leigh-Nilsen
- Creator: Jack O’Brien
- Original Choreographer: John DeLuca
- Casting: Binder Casting
Production Description
Featuring the hit songs “You’re A Mean One, Mr. Grinch” and “Welcome Christmas,” The Grinch discovers there’s more to Christmas than he bargained for in this heart-warming holiday classic. Max the Dog narrates as the mean and scheming Grinch, whose heart is “two sizes too small”, decides to steal Christmas away from the holiday loving Whos.
SEEKING
[MAMA WHO] Female Identifying, 30s. Must be 5’6” or taller. The Mother of the central Who Family. She is overwhelmed by the Christmas hysteria, and she is unsuccessfully struggling to maintain control of both her children and Grandpa and Grandma Who. Adorably annoying, funny, and a loving mother. Soprano with belt (C4-F5). FEATURED ENSEMBLE
[GRANDPA WHO] Male Identifying, 55 years old. The eldest of the central Who family. He is gruff, comically grumpy, and enjoys antagonizing Mama Who and trying to scare the children with ghost stories. He loves Christmas and his grandchildren but is driven batty by both. Baritone (Bb2-E4). FEATURED ENSEMBLE[WHO FAMILY CHILDREN] Male and Female Identifying, 18+ to play younger. Must be 5’2” or shorter. Roles include Danny Who, Boo Who, Betty-Lou Who, and The Children of Whoville. The rest of the children from the central Who family. They are the life and pulse of the Holidays: loud and filled with energy. Looking for dancers who are skillfully acrobatic and/or gymnastic. The specific “tricks” for each track will be tailored to the skills of the performers. Tricks can include splits, balancing, juggling, skating with Heely’s, etc. Who Family Children need to sing. ENSEMBLE
[ADULT WHO ENSEMBLE] Male and Female Identifying, 20s-40s. The Adults of Whoville. They have a bright optimism and radiate joy and enthusiasm. They are all different from one another and get much joy in celebrating the holiday, the community, and their differences. Should be dancers who are skillfully acrobatic and/or gymnastic. The specific “tricks” for each track will be tailored to the skills of the performers. Tricks can include splits, balancing, juggling, skating using Heely’s, etc. Adult Ensemble will cover principal and featured roles — see character descriptions. Adult Who Ensemble needs to sing well. ENSEMBLE
[CINDY-LOU WHO] Female identifying, 6-10 years old to play younger. Must be 4’2” or under and visibly the smallest person on stage. She is the youngest child of the central Who family. She is the one person with a genuine heart of gold that can find and express love to the Grinch. She is still young enough to be guided by her sense of wonder and empathy and believes in the possibility for goodness in the Grinch. Soprano (A3-F5). PRINCIPAL
[ANNIE WHO] Female Identifying, 8-13 years old to play 10. Must be 4’2″-4’9”. She is the second youngest child of the central Who family. Primary function of this role is to cover Cindy-Lou Who — see character description. This track will dance. Soprano (A3-F5). FEATURED ENSEMBLE
Dates & Locations
- 1st Rehearsal in NY: late October 2022
- Closing: late June 2023
* All dates are subject to change.
Preparation
-For consideration, prepare all materials in the packet for your desired role.
*If there is a dance combo included, please tape this too, in sneakers. Please note, we are looking more for character/personality and storytelling with the dance combos, than technique. Have SO MUCH fun with it! It should be joyful!
Audition materials can be accessed here: https://www.dropbox.com/sh/t9gpkvzb8cecd3x/AAAAruoqcDst5WIeVSe3XIzwa?dl=0
*If a song is provided in multiple keys, pick the one that best suits your voice.
-In addition to the audition packet, sing a brief cut of a song that you love to sing. Please use an accompaniment track, no a capella singing.
*If possible, accompaniment tracks should be played on a separate device than the one being used for recording.
-Also, if you have any special skills in dance (jumps, leaps, turns), cirque (juggling), or any kind of tumbling/acrobatics, we would love to see that, too! Please include a separate short video showing us your best and most impressive tricks.
Instructions
You must include a ‘slate’ video with your name, pronouns, height, current location, Covid-19 vaccination status, and a full body pan or zoom. If you are under the age of 18, please also include your age.
All videos should be uploaded as separate clips, not as one continuous video.
We would like the videos to be labeled in this exact way and order (if applicable): Slate, Side #1, Side #2, Song #1 (Welcome Christmas), Song #2 (Title of your song), Dance Combo, etc.
*Do not add your name, show title, or character to the file names. Just label them simply as stated above. And do not put anything in all caps- only Title Case.
Videos should be uploaded as separate files via a single link to a Dropbox, Google Drive, or Vimeo folder. Make sure all permissions are removed (Google Drive) and the download feature is enabled (Vimeo). No YouTube videos will be accepted.
-Video Framing:
Sides and songs – please be sure the video is framed so that we see the top of your head to your waist. Video should be filmed horizontally, yes- the slate too, and make sure you are well lit.
Dance combo – Please frame the video so that we can see your full body for the entire combo.
Salary
Rehearsals:
Flat. $600.00 p/w
Performances:
Min. $1,500 p/w – Lead
Max. $750 p/w – Principals
Max. $650 p/w – Featured Ens.
Flat. $600 p/w –Ensemble
Producers will provide Actors with travel & double occupancy housing. Plus, weekly per-diem of $280 upon the first night spent in Producer provided housing.
Rehearsals are currently scheduled to take place in Lafayette, LA. And housing will be provided.
Notes
All touring employees will be required to be vaccinated for COVID-19 and adhere to strict protocols and guidelines when traveling with the tour. The Producer’s protocols will be in addition to any local city, or state guidelines that are in place.
Whoville is made up of individuals that are all different from one another and get much joy in celebrating the holiday, the community, and their differences. We are actively assembling a cast that represents different ethnicities, races, gender identities, religions, levels of ableness, sexualities, and political parties. It is meant to be a metaphor for the rich and diverse cultural tapestry that makes up our melting-pot nation.
Visit the show page to view the current tour route.
Posted: August 4, 2022
Expires: August 10, 2022
Equity National Tour
- Producer: Roundabout Theatre Company
- Playwright: Charles Fuller
- Director: Kenny Leon
- Casting: Jim Carnahan Casting
Production Description
1944. A black Sergeant is murdered on a Louisiana Army base, and one tenacious investigator must race against his white leadership to unravel the crime before they unravel him. Charles Fuller’s Pulitzer Prize-winning play is directed by Tony winner Kenny Leon.
SEEKING
Equity actors for principal roles (see breakdown)
TECH/SERGEANT VERNON C WATERS – late 50s-early 60s, Black male. A well-built light skinned black man who runs the baseball team. He believes that black people need to cast aside certain behaviors in order to gain more respect from white people. The tension this creates between the men leads to his murder.
CAPTAIN CHARLES TAYLOR – Mid-late 30s, white male. a West Point educated officer who resists Davenport’s rank and assignment to investigate Waters’s murder. He does not believe that a black man can succeed in convicting a white man for the murder of another black man.
PRIVATE FIRST CLASS MELVIN PETERSON – 30s, Black male. a model soldier who repeatedly goes head-to-head with Waters, challenging his every move. He eventually attacks Waters and shoots him twice, leaving him dead.
PRIVATE C.J. MEMPHIS – late 20s to early 30s, Black male. Sings and plays guitar. The star of the baseball team. Young, handsome, and likable but troubled.
PRIVATE TONY SMALLS – Late 30s, Black male. a timid career soldier who is arrested for going AWOL the night of Waters’s murder. He eventually admits to witnessing Waters’ death.
CORPORAL ELLIS – 30s, Black male. A spit and polish soldier who is assigned to be Davenport’s assistant during the investigation.
CORPORAL LOUIS HENSON – late 20s to early 30s, Black male. The pitcher of the baseball team, he is often crude and outspoken.
CORPORAL BERNARD COBB – mid-late 20s, Black male. one of CJ’s closest friends, he reveals to Davenport what happened between CJ and Waters before their deaths.
PRIVATE JAMES WILKIE – early 40s, Black male. a career soldier from Detroit who helps Waters run the baseball team. He has his stripes removed by Waters for drinking on guard duty. He is arrested by Davenport for putting the murder weapon under CJs bunk.
LIEUTENANT BYRD – 20s, white male. A by the books soldier who beats Waters up the night of his murder.
CAPTAIN WILCOX – 30 to 40 years old, white male. A medial officer who prevents Byrd from killing Waters the night of his murder.
CAPTAIN RICHARD DAVENPORT – ROLE CAST. SEEKING UNDERSTUDY. Black male, 35-50. A lawyer and military officer who investigates the murder of Waters.
Dates & Locations
- 1st Rehearsal in NY: late October 2022
- Closing: late June 2023
* All dates are subject to change.
Instructions
Please slate with your name and height.
Please prepare the side at https://www.dropbox.com/sh/50i… that corresponds with the role you wish to audition for. If a reader is not accessible to you, you may prepare a monologue in the style of the show. Email your headshot/resume and video submission. Deadline: August 10, 2022 at 10AM ET.
Salary
LORT Non-Rep Salary pending
Notes
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Visit the show page to view the current tour route.
Posted: July 22, 2022
Expires: August 1, 2022
Equity National Tour
- Producer: Cameron Mackintosh
- Directors: James Powell & Laurence Connor
- Music: Claude-Michel Schönberg
- Lyrics: Alain Boublil and Herbert Kretzmer
- Book: Alain Boublil and Claude-Michel Schönberg
- Musical Supervisor: Stephen Brooker
- US Musical Supervisor: James Moore
- Casting: Tara Rubin Casting/ Felicia Rudolph, CSA, casting director (viewing auditions)
Production Description
Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, Les Misérables, direct from its acclaimed Broadway return.
SEEKING
Equity actors for principal roles (see breakdown)
JEAN VALJEAN – 35-40s. Sings to B (high lyric baritone or tenor with both strong low notes and a strong falsetto). A poor man who rises to affluence, he has great natural nobility and dignity. A powerful figure, a physically and morally large man with a character of operatic size and passion. The voice has a pop/rock sound or a classical sound of extraordinary textual clarity. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
JAVERT – 35-40s. Baritone, sings to G. Policeman who relentlessly hunts Valjean. An imposing character. The ultimate “law and order” figure. Obsessed, to the point of irrationality, with a rigid and merciless moral code. He too is a character of operatic size and passion. Both belt voice and classical can suit this role. Has a natural gravitas and a darker vocal quality than Jean Valjean. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
THENARDIER – Late 30s-40s. Strong comic character role. A dishonest innkeeper, later a petty, amoral thief. Greedy, irreverent, selfish, boorish, vulgar. Baritone, sings to F sharp. Has a strong handle on using text in song. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
MARIUS – Late teens to early 20s. High baritone (sings to A) with a strong bottom (to A). A member of the aristocracy who joins the revolutionary student movement. Romantic but in a sensitive, 19th century “byronic” way. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
ENJOLRAS – 20s-early 30s. High baritone (to G sharp/B flat) very strong singer. Charismatic political figure. Leader of the revolutionary movement. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
FANTINE – Early 20s – early 30s. Belt up to C, sings to E flat. Dignified and elegant factory worker, struggling to support her fatherless daughter. Later is a pauper, a prostitute, a consumptive and a ghost. Earthy and poignant. Although finally defeated by circumstances she should appear to be strong and a survivor. She puts up a valiant fight against the horrors of her life. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
COSETTE – Late teens to early 20s. Fantine’s daughter (first seen as and played by a child). Delicate, elegant, and vulnerable. Cosette is also loyal, confident, intelligent and has a curiosity and spirit that pushes her to strive for a life of her own beyond the comfortable but sheltered life she was brought up in. Falls in love with and later marries Marius. Soprano (to high C) but a light, young “floating” sound, without heavy vibrato. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
EPONINE – Late teens to 20s. An enormous and beautiful belt voice, with a contemporary edge. Belts to C sharp (sings to E flat). Daughter of the Thénardiers but in no way behaves like them. Fired by an unrequited love for Marius. Gamine, forlorn. Hasn’t learned to disguise her emotions; wears her heart on her sleeve. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
MADAME THENARDIER – 30s-early 40s. Tough, sharp, coarse, boorish, vulgar. Strong character comedienne role. Belter. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
GAVROCHE – Boy, age 7 – 11. 52” tall or less. Spunky street urchin. Lots of personality. Sings very well. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
LITTLE COSETTE AND LITTLE EPONINE – Girls, age 7 – 11. 50” tall or less. Sweet innocent waifs. Pretty soprano voice. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.
Dates & Locations
- 1st Rehearsal in NY: August 22, 2022
- 1st Performance: On or about October 7, 2022
* All dates are subject to change.
Instructions
Please slate with your name and height.
Please prepare a video of you singing ONE of the provided Principal show material cuts from this link: https://tinyurl.com/LesMisTour… . (For Gavroche, please prepare both cuts.) No songs of your own and please only submit once.
Please only submit a Dropbox or Google Drive Link. Video submissions must be submitted no later than AUGUST 1, 2022 at 6:00pm ET. Any videos submitted after the deadline will not be viewed.
Salary
- Short Engagement Touring $859 weekly minimum (Category 3)
Notes
THE PRODUCERS, CREATIVE TEAM AND CASTING TEAM ARE COMMITTED TO AN EQUITABLE, INCLUSIVE, AND ACCESSIBLE CASTING PROCESS FOR LES MISERABLES. WE ARE ACTIVELY SEEKING PERFORMERS OF ALL RACES, ETHNICITIES, CULTURAL BACKGROUNDS, ABILITIES, GENDER IDENTITIES, AND BODY TYPES TO AUDITION.
All touring employees must adhere to strict protocols and guidelines and will be required to be fully vaccinated for COVID-19, administered at least two weeks prior to any on-site work for production (including any in- person callbacks)
Visit the show page to view the current tour route.
Posted: June 14, 2022
Expires: June 21, 2022
Non-Equity North American Tour
- Producer: TROIKA Entertainment
- Executive Producer: Kori Prior
- Original Direction: Bartlett Sher
- Music: Frederick Loewe
- Book & Lyrics: Alan Jay Lerner
- Original Choreography: Christopher Gattelli
- Casting: Binder Casting
Production Description
My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady.” But who is really being transformed?
Seeking
Non-AEA actors for principal and supporting roles in Lerner and Loewe’s MY FAIR LADY (see roles below). Originally produced by Lincoln Center Theatre and directed by Bartlett Sher. This open call is not for the ensemble.
[ELIZA DOOLITTLE] Female Identifying, late 20s-30s, any ethnicity. A poor girl who dreams of working in a flower shop while she sells flowers in England’s Covent Garden. She employs Henry Higgins to help her with her speech and begins to transform herself into a regal figure fit to consort with nobility. In the end, she not only passes for a duchess, but becomes an independent woman. Character speaks in a Cockney dialect until she learns to speak “proper” English. Legit soprano: A3-G5. LEAD[HENRY HIGGINS] Male Identifying, 40s-early 50s, any ethnicity. A middle-aged, confirmed bachelor, a professor of phonetics and an expert elocutionist. He is an unconventional man who goes in the opposite direction from the rest of society in most matters. He is impatient with high society, forgetful in his public graces, and inconsiderate of normal social niceties. He has no desire to have romance of any kind in his life. Character speaks in RP or Standard British. Baritone: B2-E4. LEAD[COLONAL PICKERING] Male Identifying, 40s-60s any ethnicity. A kindly, middle-aged man who shares Higgins’ passion for phonetics. Pickering is always considerate and a genuine gentleman who helps in the Eliza experiment by making a wager of it, saying he will cover the costs if Higgins does indeed make a convincing duchess of Eliza. It is Pickering’s thoughtful treatment towards Eliza that teaches her to respect herself. Character speaks in RP or Standard British. Baritone: C3-D4. PRINCIPAL[ALFRED DOOLITTLE] Male Identifying, 50s-60s, any ethnicity. Eliza’s father. A dustman, or trash collector, who has a unique ‘morality’, in that he is very happy to be a freeloader. When he learns that his daughter has entered the home of Henry Higgins, he quickly follows to see if he can get some money out of the circumstance. His unique brand of rhetoric, unembarrassed, non-hypocritical advocacy of drink and pleasure (at other people’s expense), is amusing to Higgins. This character speaks in a Cockney dialect. Baritone: G3-E4. PRINCIPAL[FREDDY EYNSFORD-HILL] Male Identifying, mid 20s-early 30s, any ethnicity. An aristocrat, although he has no income of his own. He becomes lovesick for Eliza, and courts her with letters. A romantic. Character speaks in RP or Standard British. Baritenor: C3-F4. PRINCIPAL[MRS. HIGGINS] Female Identifying, 60s-70s, any ethnicity. Professor Higgins’ mother; a very refined lady of the upper-middle class. She sees the Eliza Doolittle experiment as idiocy and is the character to have the most qualms about the whole affair. She is very tough on her son. She is very smart. She dresses impeccably. She is a gracious hostess and politely proper. She grows very fond of Eliza over the course of the play. Character speaks in RP or Standard British. Alto/Mezzo Soprano. PRINCIPAL[MRS. PEARCE] Female, 50s, any ethnicity. Higgins’ housekeeper who helps to care for the well-being of Eliza Doolittle. She is an observer of this experiment and watches to make sure that Eliza is kept safe. Mrs. Pearce runs the house with strength and precision. Character speaks in a Scottish dialect. Alto/Mezzo Soprano. PRINCIPAL[PROFESSOR ZOLTAN KARPATHY] Male Identifying, 30s-40s, any ethnicity. A Hungarian phonetician and a former student of Higgins. He is also a rival phonetics expert, in his own mind if not in Higgins’, and quite proud of his linguistic accomplishments. He hires out his services to the queen of Transylvania. He looks and acts important. Loves to talk and gossip. He is a threat to Eliza in the truth about her background. Character speaks in a Hungarian dialect. Baritone. FEATURED ENSEMBLEAll touring employees will be required to adhere to strict COVID-19 protocols and guidelines when traveling with the tour. The Producer’s protocols will be in addition to any local city, or state guidelines that are in place.
Rehearsal and Production Dates & Locations
- 1st Rehearsal: o/a September 9, 2022
- Cast on Stage: o/a October 4, 2022
- First Public Performance: o/a October 13, 2022
- End of Contract: o/a May 29, 2023
* All dates are subject to change.
Compensation & Union Contract Details
Rehearsals:
- Flat. $600 p/w
Performances:
- Min. $750 p/w – Lead
- Max. $750 p/w – Principals
- Flat. $600 p/w – Ensemble
+0.2% of Producers share of overages following the first week post recoupment.
Producers will provide Actors with travel & double occupancy housing in addition to full health insurance coverage. Plus, weekly per-diem of $280 upon the first night spent in Producer provided housing.
The Producers have elected to rehearse the production in Paducah, KY. Transportation and housing will be provided during rehearsals.
Instructions
Prepare the sides packet for the role that you want to be considered for. If the role has multiple scenes and songs, for this initial round, please only prepare the materials labeled “Initial Audition.”
Please include a slate at the start of your video with your name and a full body pan or zoom (head to toe).
Audition materials can be accessed here:
https://www.dropbox.com/sh/tgc66x843plvqc9/AACeSqORvqilbSpjWSFwZPyAa?dl=0
Taped submissions need to be uploaded here:
https://airtable.com/shrKk6p4lmREbR6a1
Deadline to submit a tape: 6/21/22
Visit the show page to view the current tour route.
Posted: May 25, 2022
Expires: June 6, 2022
Non-Equity North American Tour
- Producer: TROIKA Entertainment
- Executive Producer: Kori Prior
- Director: Dave Solomon
- Music & Lyrics: David Yazbek
- Book: Robert Horn
- Choreography: Denis Jones
- Casting: Binder Casting
Production Description
This new comedy musical is the story of a talented, but difficult-to-work-with actor who will do anything to land the role of a lifetime—including adopting a new persona as Dorothy Michaels.
SEEKING
Submissions for select open roles, and future replacements.
[MICHAEL DORSEY/DOROTHY MICHAELS] Male Identifying, Any Ethnicity, 30s-early 40s. MICHAEL DORSEY is an actor’s actor. A focused perfectionist, outspoken, stubborn, abrasive and at 40 – frustrated at where his career hasn’t taken him. He’s myopic when it comes to his work, non-committal and flirtatious when it comes to women and exasperating to all when it comes to something he wants. Highly intelligent and desperate to do the one thing he loves more than life itself… act. When Michael realizes that he can no longer book work after an audition goes poorly, he reinvents himself as actress, Dorothy Michaels, and wins the part. DOROTHY MICHAELS is strong willed, understanding, humorous, playful, and always speaks her mind. She can talk to people in a way Michael can’t. She’s slightly coy, slightly vain, and completely lovable. She’s Michaels better half, and sometimes, his better whole. Strong comic chops are needed. Baritenor (A2-G4/Bb4) with either a very strong high falsetto/mix or a high tenor belt. LEAD
[JULIE NICHOLS] Female Identifying, Any Ethnicity, 30s. An actor at a crossroad in her life. Focused, self-aware, and self-assured. She has an organic beauty and heartfelt humor – which she uses to avoid what she’s really feeling. She masks her pain and longs to connect. Kindhearted and modest, she gets the joke, is grateful for what she’s been given, but is not ready to demand what will make her happy. She won’t give her heart easily, but when she does, it’s completely. Mezzo with a strong mix/belt. PRINCIPAL
[SANDY LESTER] Female Identifying, Any Ethnicity, mid-late 30s. She’s neurotic, pessimistic, self-deprecating, childish, and easily flummoxed. She is her own worst enemy – second-guesses her third guesses, can’t let anything go and literally created a yoga position called ‘The Downward Spiral.’ She thinks the world is out to get her, wallows in self-pity. She makes her anxieties known incredibly loudly and really just wants to be happy. She’s got a big heart, which always gets broken. Any voice part, mix or belt up to C5, highest note is E5. PRINCIPAL
[JEFF SLATER] Male Identifying, Any Ethnicity, 30s-40s. A sardonic realist who lacks the ambition and drive to live up to his potential. The voice of reason that swirls just outside the eye of Michaels chaos. Jeff sees the humor of situations and has no reluctance to point out people’s flaws – even his own. His self-awareness and observations make him Michaels sounding board and conscience, as well as best friend. A lethargic ball of moderate enthusiasm, Jeff has a motto: “Seize the day!” – He sees the day, then goes back to bed. Baritone/baritenor with falsetto. PRINCIPAL
[MAX VAN HORN] Male Identifying, Any Ethnicity, late 20s-30s. Self-obsessed, with a limited wit. A firm believer in his own hype, he’s a ‘personality’ who measures his appeal through artificial adulation… and can’t imagine anyone not being attracted to him. Welcoming any opportunity to take off his shirt, he thinks the world revolves around him. He never gets the joke and is sure he’s deeper than he is. Tangled earbuds are his Rubik’s Cube. This role will be performed shirtless. Baritone/baritenor (C3 to G4). PRINCIPAL
[RON CARLISLE] Male Identifying, Any Ethnicity, 40s-50s. An incredibly successful director – just ask him. He demands respect and is often disrespectful in return. His ‘creative well’ does not go that deep, but he knows what sells. He has little patience, and even less vision. Loves an argument as long as he wins it and manages to work his accomplishments into EVERY conversation. He’s the first to tell you that he’s damn good at being humble. Baritone, but material is in a comfortable mid-range for most voices. PRINCIPAL
[RITA MARSHALL] Female Identifying, Any Ethnicity, 50s-60s. Levelheaded, experienced and the voice of sanity and reason in a swirling pool of crazy. She is always a beat ahead of everyone and is very New York. Alto/mezzo, but material is in a comfortable low range for most voices. PRINCIPAL
[STAN FIELDS] Male Identifying, Any Ethnicity, 50s. Michael’s overworked agent. Always to the point, he plays the game, but hates it. He knows how to talk around any subject. He’s put upon, exasperated and has been around the block… more than once. Perhaps it’s because he refuses to pay for parking. This role does not sing. PRINCIPAL
[ENSEMBLE – DANCERS WHO SING] All genders and identities, all ethnicities, late 20s–late 30s. Seeking excellent dancers who are strong singers. Looking for charismatic performers who have a great sense of humor. Partnering is a plus. Ensemble will understudy lead/principal roles.
[ENSEMBLE – SINGERS WHO MOVE] All genders and identities, all ethnicities, late 20s–late 30s. Seeking excellent singers who move well. Looking for charismatic performers who have a great sense of humor. Partnering is a plus. Ensemble will understudy lead/principal roles.
Rehearsal and Production Dates & Locations
Travel to Rehearsal: on or about August 31, 2022.
1st Rehearsal: on or about September 1, 2022
Travel to Tech: on or about September 13, 2022
Press Opening: on or about October 21, 2022
End of Contract: on or about June 26, 2023
* All dates are subject to change.
Compensation & Union Contract Details
Rehearsals: Flat. $600 p/w
Performances:
Min. $850 p/w – Lead
Max. $750 p/w – Principals
Flat. $600 p/w – Featured Ens./Ens.
+0.2% of Producers share of overages following the first week post recoupment.
Producers will provide Actors with travel & double occupancy housing in addition to full health insurance coverage. Plus, weekly per-diem of $280 upon the first night spent in Producer provided housing.
Instructions
Prepare the sides packet for the role that you want to be considered for. If the role has multiple scenes and songs, for this initial round, please only pick one scene and song – your choice.
If you wish to be considered for the ensemble, please tape the provided dance combo. In addition, include 16-bars of a musical theatre song that shows vocal range.
Please include a slate at the start of your video with your name and a full body zoom (head to toe).
Audition materials can be accessed here: https://www.dropbox.com/sh/cnlm9btwvve0czh/AAAM9h-0B8YYCASIQiXsEuaea?dl=0
Submit materials at:
https://airtable.com/shradl8iOpag0hntB
Visit the show page to view the current tour route.
Posted: May 25, 2022
Expires: June 6, 2022
Non-Equity North American Tour
- Producer: Maple Tree Entertainment, Quatro
- Entertainment, Inc, Right Angle Entertainment
- General Manager: Ralph Schmidtke
- Music Director: Dean Elliott
- Company Manager: Brian Richard
- Casting Director: Alison Franck
SEEKING
[ART GARFUNKEL] 21 to 30 years old, male. Male singer with a stunning breathy voice. Must have an excellent ear for harmony. Not below 5’10”
[PAUL SIMON] 21 to 30 years old. Male singer frontman with great guitar finger picking skills. Must have an excellent voice and not above 5’10″.
This job has been going on for years, so once people are hired they will have ongoing gigs with this production. We have a few casts who rotate.
This job is ongoing and we are constantly looking for new people. We will be asking for ECO-CAST prescreens prior to appointments in NYC.
Rehearsal and Production Dates & Locations
- Audition Date(s): ASAP via Self-Tape
- Callback Date(s): June 11-13, 2022
- Rehearsal Date(s): January 1, 2023
- Opening Date(s): January 2023
- Closing Date(s): o/a March 31, 2022
- Extension Date(s): additional dates in fall 2023
* All dates are subject to change.
Compensation & Union Contract Details
- Rate of Pay: $2000/Week (pro-rated on partial weeks)
The cast gets paid half-rate plus per diems for rehearsals and then go to full weekly rate starting with the first performance.
Instructions
Please send photo and resume and/or demo clips to:
simonandgarfunkelstorycasting@gmail.com
I will be inviting those who seem right to self-tape ASAP.
PLEASE ONLY SUBMIT FOR PAUL IF YOU PLAY THE GUITAR AND SING AND ONLY SUBMIT FOR ART IF YOU SING LIKE HIM.
Visit the show page to view the current tour route.
Posted: May 2, 2022
Expires: May 11, 2022
Non-Union National Tour
- Producer: Big League Productions
- Executive Producer: Daniel Sher
- Director: Jeffrey B Moss
- Music & Lyrics: Laurence O’Keefe And Nell Benjamin
- Book: Heather Hach
- Choreographer: Bon Richard
- Casting Director: Alison Franck
Production Description
Based on the beloved movie, Legally Blonde follows the transformation of Elle Woods as she tackles stereotypes, sexism, snobbery and scandal in pursuit of her dreams, and proves that you can be BOTH legally blonde AND the smartest person in the room.
SEEKING
[EMMETT FORREST] 22 to 28 years old, all ethnicities male. (B2-A4 Tenor) – Emmett is a smart, quirky, sensitive and personable law student. Must be comfortable with dogs. A strong singer/actor. LEADING ROLE[PAULETTE BUONOFUONTE] 28 to 40 years old, all ethnicities male or female. (A3-A5 Belt) – Brash, caring and optimistic. Must be comfortable with dogs. A strong singer with a powerful belt match their personality. LEADING ROLE[WARNER HUNTINGTON] 22 to 26 years old, all ethnicities male. (Eb3-Ab4 Tenor) Warner is attractive and charming but very self-absorbed.LEADING ROLE[VIVIENNE KENSINGTON] 22 to 27 years old, all ethnicities female. A3-F5 HUGE Belt) – Vivienne is an overachieving, stuck-up, wealthy, smart and savvy law student who is intellectually driven. SUPPORTING ROLE[MARGOT] 22 to 26 years old, all ethnicities male or female. (G#3-F5 Belt) is seemingly dim-witted, boy-crazy sorority sister. Margot, Serena, & Pilar are Elle’s entourage who follow her through the story acting as her “Greek Chorus”. Strong singers and dancers with good comic timing and youthful energy! SUPPORTING ROLE[SERNEA] 22 to 26 years old, all ethnicities male or female. (G#3-F5 Belt) is the energetic cheerleader, from Jewish heritage, sorority sister. Margot, Serena, & Pilar are Elle’s entourage who follow her through the story acting as her “Greek Chorus”. Strong singers and dancers with good comic timing and youthful energy! SUPPORTING ROLE[PILAR] 22 to 26 years old, all ethnicities male or female. (G#3-F5 Belt) is the sassy and sensible sorority sister. Margot, Serena, & Pilar are Elle’s entourage who follow her through the story acting as her “Greek Chorus”. Strong singers and dancers with good comic timing and youthful energy! SUPPORTING ROLE[BROOKE WYNDHAM] 25 to 35 years old, all ethnicities female. (A3-G5 Alto or Soprano) – Brooke is an exercise video star and former Delta Nu sorority girl who was accused of murder. Being physically fit is a must for this role SUPPORTING ROLE (will also double as ensemble in Act One, often as Elle’s mother and others)[FEMALE ENSEMBLE] 22 to 35 years old, all ethnicities female. All must be excellent singers and dancers and funny versatile actors. Some will also play many supporting roles including: UCSD students / Delta Nu Sisters/Prisoners/ Dancers at Boston’s Women’s Correctional Facility/ Harvard Law students/Elle’s Mom/Harvard Law officers/ Courtroom characters/ Enid Hoops and/or Chutney. Must Jump Rope and acro/tumbling a plus. ENSEMBLE[MALE ENSEMBLE] 22 to 35 years old, all ethnicities male. All must be excellent singers and dancers and funny versatile actors. Some will also play many supporting roles including UCSD students / Frat boys/ Facility/ Harvard Law students/ Kyle/UPS Deliveryman/Elle’s Dad /Harvard Law officers and various Courtroom characters All must be excellent singers and dancers and funny versatile actors. Must Jump Rope and acro/tumbling a plus. ENSEMBLE.Dates & Locations
- Audition: May 3-10, 2922 Self-Tape prescreens
- Callback: May 12, 13, 16, & 17, 2022
- Rehearsal Date(s): on/about 09/20/2022 in NYC
- Opening Date(s): October 14, 2022
- Closing Date(s): on/about April 2023
* All dates are subject to change.
Instructions
Email photo and resume to blpcasting22@gmail.com ASAP as Self-Tapes will be due by May 10th at the very latest *preferably by May 7/8th!! SUBJECT: Legally Blonde
Salary
- RATES: weekly salary for up to 6 shows/$600 weekly performance salary for weeks with more than 6 shows; plus per diem once on tour. $600. Rehearsal.
Notes
- The roles of Elle Woods and Professor Callahan are cast.
Visit the show page to view the current tour route.
Posted: April 29, 2022
Expires: May 6, 2022
Equity National Tour
- Producers: Warner Bros., NETworks Presentations
- General Manager: Gentry & Associates, Gregory Vander Ploeg
- Director: Alex Timbers
- Music and Lyrics: Eddie Perfect
- Book: Anthony King & Scott Brown
- Choreography: Carrie-Anne Ingrouille
- Casting: The Telsey Office
Production Description
Based on Tim Burton’s dearly beloved film, this hilarious new musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.
SEEKING
[ENSEMBLE DANCERS] Fantastic dancers/singers of all shape/sizes/genders/types. Various characters and residents of the Netherworld. All have fantastic jazz skills; some tracks will tumble and do tricks. Great singing voices and comedy skills are a plus.
[MISS ARGENTINA/ENSEMBLE] – A deceased beauty queen who took her own life in the wake of her triumph as Miss Argentina. Now she is the friendly face of the Netherworld, welcoming the recently deceased to a purgatory of nothingness. She would do anything for another chance at life; to embrace it for all of its highs and lows. Miss Argentina has a healthy sense of ego and vanity. Fabulous dancer and high belt/mix voice. ENSEMBLE.
[ENSEMBLE SINGERS] Fantastic singers/dancers of all shape/sizes/genders/types. Various characters and residents of the Netherworld. All have fantastic singing voices and comedic skills.
[OTHO/ENSEMBLE] 30-50, A professional guru with an untraceable accent, Otho speaks hypnotically in self-help koans and future-forward Silicon Valley jargon. He is grandiose, theatrical and promises what hucksters have always promised: Happiness, with no strings attached. Any ethnicity. Great singer. ENSEMBLE
[JUNO/MAXINE DEAN/ ENSEMBLE] Ancient, grouchy, and an unrepentant chain smoker, Juno is the great-great-grandmother of all demonic bureaucrats. She’s chief gatekeeper of the Netherworld, the supremely underwhelming afterlife that awaits us all, and she takes that job very seriously. She’s got ice water and red tape running through her veins (the ones that haven’t varicosed), and deeply enjoys the strict rules that she has imposed. Efficiency and organization mean she doesn’t have to work any harder than necessary, and so she runs a tight ship. Juno processes one hundred and sixty thousand people a day into the Netherworld, and has seen it all…except for a living person. Also MAXINE, the recent trophy wife of Maxie who enjoys being the eye candy. She knows the honeymoon phase won’t last forever, and hopes she is of interest long enough to inherit Maxie’s estate. Slightly out of her element but eager to be in the room where the most exclusive, exciting thing is happening. Sings very well. ENSEMBLE.
[GIRL SCOUT/ENSEMBLE] – An adorable, sunny, optimistic pre-teen who is determined to make her first cookie sale. She lives with congenital heart disease and just one shock could kill her, but she’s not going to let that get in the way of her mission. High belt voice. ENSEMBLE
[MAXIE DEAN/ENSEMBLE] – 40s/50s, A boisterous self-made entrepreneur who loves to laugh. He’s used to being the alpha in the room, has money coming in from all sorts of places, and never leaves home without his legal team. Maxie approaches his personal life like business, always looking for the next best endeavor, and is deeply infatuated with his current wife Maxine. Good singer. ENSEMBLE
Dates & Locations
- First Rehearsal: On/About October 24th, 2022
- First Performance: On/About December 7th, 2022
- Closing Date(s): TBD
* All dates are subject to change.
Instructions
- DANCERS: Please prepare the dance combination in the URL below
- SINGERS: Please prepare a short cut (about a minute) of a pop/rock or contemporary musical theatre song of your choosing. You may also use the accompaniment at:
https://tinyurl.com/BeetlejuiceTourEPA
Salary
- Short Engagement Touring $930 weekly minimum (Category 2)
Notes
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
All touring employees must adhere to strict protocols and guidelines and will be required to be fully vaccinated for COVID-19 prior to any on-site work for production (including any in-person callbacks).
Beetlejuice First National Tour LLC is committed to diverse, inclusive casting. Submissions for non-descript roles will be accepted for all performers, regardless of age, sex, ethnicity, disability, race, color, national origin, sexual orientation or gender identity.
Beetlejuice First National Tour LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.
Visit the show page to view the current tour route.
Posted: November 20, 2021
Expires: November 30, 2021
Equity North American Tour
- Directors: Lucy Moss and Jamie Armitage
- Music and Lyrics: Toby Marlow, Lucy Moss
- Book: Toby Marlow, Lucy Moss
- Choreography: Carrie-Anne Ingrouille
- Casting: Tara Rubin Casting
Production Description
From Tudor Queens to Pop Princesses, the six wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power!
SEEKING
Future replacements in Six the Musical tour.
Triple-threat performers 18 and up to portray the six wives of Henry VII as they reunite to tell their stories via a pop concert. Must have incredible pop voices, strong dance skills, great comedic instincts, and the ability to interact with an audience well
Dates & Locations
- Audition:
- Tuesday, November 30, 2021
- West Coast Dance Theatre
11486 Hart St., North Hollywood, CA 91605
- Rehearsal Date: TBA
- First Performance: TBA
- Closing Date(s): TBD
* All dates are subject to change.
Instructions
Please sign up for a time slot via the following link:
https://www.signupgenius.com/go/10c0d48acab2ca6f4c52-sixthe
Sign-ups will open at 10 AM PST on Tuesday, November 23. If all slots are filled, and Alternate List will be available at the studio beginning at 9 AM the morning of the audition. We will audition performers from the Alternate List as time permits, but we cannot guarantee you’ll be seen. Access to the building will not be open until 9 AM.
Please bring a hardcopy picture and resume, stapled together.
Prepare a brief contemporary pop song and bring sheet music and your book.
Callbacks
You may be asked to return for a dance callback in the afternoon. If asked to dance, wear comfortable clothing and a light soled boot with a thick or chunky heel (LaDuca boots work fine). Please avoid painted shoes and a platformed sandal, pumps, or stilettos.
Further callbacks in Los Angeles may occur on Thursday, December 2.
Note
All performers must be fully vaccinated to attend this call with no exceptions, meaning you received your 2nd dose in a 2-dose series or your single-dose vaccine no later than Monday, November 15. You must bring proof of vaccination to the audition – this can be the hard copy card, or a digital pass, and complete a health screening form upon arrival. A COVID Safety Manager will be present at the audition.
Please send any questions to the following email:
Video submissions will not be accepted. No phone calls, please.
Visit the show page to view the current tour route.
Posted: January 9, 2023
Auditions: January 28, 2023
Equity North American Tour
- Directors: Lucy Moss and Jamie Armitage
- Music and Lyrics: Toby Marlow, Lucy Moss
- Book: Toby Marlow, Lucy Moss
- Choreography: Carrie-Anne Ingrouille
- Casting: Tara Rubin Casting
Production Description
From Tudor Queens to Pop Princesses, the six wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power!
SEEKING
Future replacements in Six the Musical tour.
Triple-threat performers 18 and up to portray the six wives of Henry VII as they reunite to tell their stories via a pop concert. Must have incredible pop voices, strong dance skills, great comedic instincts, and the ability to interact well with an audience.
Dates & Locations
- Audition:
- Saturday, January 28, 2023
- The Huntington Theatre
264 Huntington Ave, Boston, MA 02115
- Sign-in begins at 9 AM and ends promptly at 12 PM
- Auditions commence at 10 AM
- You may be asked to attend a dance callback the next day on Sunday, January 29.
- If asked to dance, wear comfortable clothing and a light soled boot with a thick or chunky heel. Further callbacks to sing a song of your choice from the show may be scheduled in the afternoon after dancing. If you’d like to familiarize yourself with the material visit this link: www.tinyurl.com/SIXMaterial
Instructions
- Prepare 16-32 bars of a contemporary pop song and bring sheet music and your book
- Bring a hardcopy picture and resume, stapled together
- Bring proof of COVID vaccination
COVID Safety Policy:
All performers must be fully vaccinated against COVID-19 to attend this call with no exceptions, meaning you received at least your 2nd dose in a 2-dose series or a single-dose vaccine.
- Questions? sixmusicalcasting@gmail.com
- Video submissions will not be accepted.
- No phone calls please.
Visit the show page to view the current tour routes.
Posted: September 10, 2021
Non-Equity North American Tour 2021
- Producer: Gershwin Entertainment
- General Manager: Evan Bernardin Productions
- Director: Robert Coulson
- Casting: Wojcik / Seay Casting
Production Description
A Charlie Brown Christmas is the classic Christmas Cartoon TV special reimagined live on stage. This production will maintain the nostalgic, childlike feeling of the original cartoon but accurately represent the playground of today in its diversity and charm. We are especially seeking a diverse and inclusive cast of comedic actors, singer/movers and musicians with engaging personalities and fun special skills that are on a professional level. Special skills featured in this show could include instruments, singing, tumbling, dance, circus skills and any unique silly tricks. We are excited to build a showcase for the individual talents of our cast. Though we are seeking strong dynamic singers for some roles, this is not a traditional book musical.
NOTE: Some tracks in this cast will make up a jazz trio that will play the timeless music of Vince Guaraldi live during the show. If you are an advanced jazz musician playing piano, double-bass or drums, please submit as a possible Schroeder/MD, Frieda/Musician, Violet/Patty- Musician, Pig Pen/Musician or Franklin/Musician. These characters have limited lines and may become the musician tracks for this show.
SEEKING
SEEKING MEN AND WOMEN 18-30 ALL ETHNICITES, GENDER IDENTITIES AND ABILITIES FOR THE FOLLOWING ROLES:
[CHARLIE BROWN] (Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair short to resemble Charlie Brown. Charlie Brown is gentle, insecure and lovable. He possesses significant determination and hope, but frequently fails because of his insecurities, outside interference or plain bad luck. Melancholic, sweet and determined. Strong Singing –Baritone or Tenor, Strong Mover.[LINUS} Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair for character. Linus is Charlie Brown’s best friend. He is wise. He always means well and tries to smooth over any storms that arise amongst the gang. Actor must have a strong sense of honesty and vulnerability. Strong Singing – Baritone or Tenor, Strong Mover[SNOOPY – DANCER/PHYSICAL COMEDIAN] Height 5’0 – 5’6 – All Gender Identities, All Ethnicities. Seeking a strong dancer with comedic instinct. Physical Comedian who can adapt to comedic physical routines. Snoopy is bittersweet. He is an independent character. He can win, lose, be a disaster, a hero or anything and yet it all works out. Actor should be an inventive free spirit with a repertoire of skills, Especially seeking a performer with special skills – Gymnastics, acrobatic, juggling, balancing etc… Strong Dancer. Non-singing track.[LUCY] Height – 5’4 – 6’0, All Ethnicities –Lucy is the older sister of Linus. She is bossy, crabby but with her Psychiatrist booth comes up with solutions. She pushes other characters to listen to her. Strong Singing – Soprano, Mezzo Soprano, Mover[SALLY] Height 5’0 – 5’6 , All Ethnicities– Sally is Charlie Brown’s little sister. She is sweet but obsessed with getting presents. She is materialistic and doesn’t see why that’s a problem. She is sweetly in love with Linus. Vocal ability to sing in a character voice like Sally, Strong Soprano Singer, Mover.[FRIEDA – DANCER] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. Strong dancer. Instrument a plus, Singing is a plus, but not required.[VIOLET/PATTY – DANCER] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, Strong Dancer. Singing is a plus, but not required.[PIG PEN – DANCER] Height 5’4 – 6’0, All Ethnicities. Dancer with Personality. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. Singing is a plus, but not required.[FRANKLIN / SHERMY – DANCER] Height 5’4 – 6’0 – Black – Dancer with personality. Singing is a plus, but not required.[FEMALE PRESENTING SWING] All Ethnicities. Must be a versatile Musician & Actress. Would cover all the female roles. Soprano, Mezzo. Character voices to portray the various Characters[MALE PRESENTING SWING] All Ethnicities. Must be a Versatile Musician and Comedic Actor with physical comedy chops. Would cover all male roles. Baritone, Tenor, Character voices to portray the various CharactersPOTENTIAL MUSICIAN TRACKS:
[PIG PEN – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.[FRANKLIN / SHERMY/ MUSICIAN] Height 5’4 – 6’0 – Black – Musician, This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.[VIOLET/PATTY – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, This track could be a member of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.[SCHROEDER/TOURING MD] Height 5’4 – 6’0, All Ethnicities. Touring MD, Must play advanced jazz piano in the style of the TV special and classical at level to play Fur Elise. Sings with group. No solo singing required. Respects Charlie Brown who is a friend. Must play piano in a jazz style – specifically the score of the TV special by Vince Guaraldi. Singing is a plus, but not required, as advanced piano skills and acting are more important to this track.[FRIEDA – MUSICIAN] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. This track could be part of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.Rehearsal and Production Dates & Locations
- Rehearsal Date: November 1, 2021
- Opening Date: November 19, 2021
- Closing Date: December 22, 2021
* All dates are subject to change.
Compensation & Union Contract Details
- Rehearsal Salary: $525/week
- Performance Salary: $625/week + $35/day per diem
- Accommodations on entertainer sleeper coach.
Instructions
To be considered for a self-tape request, please e-mail a headshot and resume, along with any relevant demo clips that show us your special skills or musical instrument abilities to charliebrownxmastour@gmail.com
Visit the show page to view the current tour route.
STRICT COVID PROTOCOLS AND GUIDELINES WILL BE FOLLOWED FOR AUDITION/ REHEARSAL PROCESS AND TOURING. EVAN BERNARDIN PRODUCTIONS IS PROMOTING A FULLY VACCINATED ENVIRONMENT FOR THE CAST AND CREATIVE TEAM OF THIS TOUR.
WE WILL BE ACCEPTING TAPED SUBMISSIONS FOR OUR INITIAL APPOINTMENTS. CALLBACKS MAY BE LIVE IN A SOCIALLY DISTANCED ENVIRONMENT OR VIA ZOOM AS NEEDED.
Evan Bernadin Productions and Gershwin Entertainment in partnership with W/S Casting is committed to creating an atmosphere that engages and promotes diversity and inclusion in all areas. We strongly encourage performers of all ethnicities, races, gender identities, ages, body types and abilities to submit for this project. We are actively seeking a cast which is inclusive and strive to promote a process and production that expresses the multidimensional society in which we live.
Posted: October 6, 2021
Expires: October 12, 2021
Equity North American Tour 2021-2022
- Producer: Kevin McCollum, J.J. Abrams, Kenny Wax, Mark Bentley & Catherine Schreiber, Producers
- Authors: Henry Lewis, Jonathan Sayer, Henry Shields
- Off-Broadway Production Directed by Matt DiCarlo
- Original Direction by Mark Bell
- Casting: Stephen Kopel / C12
Production Description
Cornley Polytechnic Dramatic Society presents ‘Murder At Haversham Manor’, and everything that could go wrong, does. We are looking for truthful, funny, physically adept performers who can commit to the style of the play and fully inhabit the characters. It is vital to believe in the characters who are performing the play within the play, as that is where the heartbreaking comedy comes from. With that in mind, we are looking for actors with a keen ability and understanding of comedy but are able to play the truth of the scenes.
SEEKING
CHRIS (Male, 25 – 35, any ethnicity) High status clown. Rigid, uptight, everything really matters. He is the director of the show and this is the biggest day of his life. Everything is riding on this. It is a nerve wracking and exciting night. His pain is evident and every time someone laughs the pain deepens. He has equal amounts of contempt for his fellow actors & the audience watching the play. RP ACCENT.
ROBERT (Male, 25 – 35, any ethnicity) Wants to be Richard Burton, as evidenced by his declamatory style. He is, however, not a parody of a bad actor. He is unaware of others around him. He does not feel badly when things go wrong and never learns from his mistakes. There is a power struggle between Robert and Chris to be president of the Cornley Poly Drama Society (a position that matters a great deal to Robert). Has real vocal power. RP ACCENT.
MAX (Male, 25 – 35, any ethnicity) He has never been on stage before. He learned his lines and does exactly what he’s told to do. He has zero connection with any of the other actors, but when he gets a laugh he breaks the 4th wall and engages with the audience. Childlike and naïve. His mistakes are fundamental. He doesn’t think anything through, just looks for approval. RP ACCENT.
DENNIS (Male, 25 – 35, any ethnicity) He has no real desire to be involved in the theatre, he just wants to make friends (of which he has none). He believes if he does well in the show, he will be more successful socially. Laughter from the audience is agony for him. He may be slightly oblivious, but understands when he gets things wrong. The laughter is a personal tragedy/failure. RP ACCENT.
TREVOR (Male, 25 – 35, any ethnicity) The play’s lighting and sound operator. He simply wants to get on with the show. Curmudgeonly and doesn’t care for actors. He is easily distracted and does many things he shouldn’t, including engaging with the audience. When things go really sideways, he is forced to act in the play. He hates acting. STANDARD AMERICAN ACCENT.
JONATHAN (Male, 25 – 35, any ethnicity) A bit bland, but sees himself as a James Bond type. Excited and having fun, but not naïve. He technically has to drive the show. He cares about the play, but not to the same extent as the others. Very physical. RP ACCENT.
SANDRA (Female, 25 – 35, any ethnicity) She is vain and possess a huge ego. Wants to be loved. Has ambitions to go to Hollywood and will hurt anyone standing in the way of what she wants, but is smart enough to stay on the good side of someone who can help her (like the director). You know the type. The stakes are high for her. Very physical. RP ACCENT.
ANNIE (Female, 25 – 35, any ethnicity) The stage manager. She has the biggest journey of any of the characters. When Sandra is indisposed Annie, who cannot bear to be on stage, must step in. Initially terrified by acting, she is willing to kill for it by the end of the play. Her initial terror turns to joy, and then to fury. She starts small, but grows and grows. STANDARD AMERICAN ACCENT.
Rehearsal and Production Dates & Locations
- Point of Origin: Chicago
- Rehearsals: NYC and Chicago.
- Travel, housing and perdiem included for rehearsals in NYC.
- 1st Rehearsal/Meet and Greet: 11/15/21, New World Stages, NYC.
- Cast Travel/Crew Load-In Day 1: 12/6/21, Chicago.
- 1st Performance:12/14/21, Broadway Playhouse, Chicago.
- Press Night/Opening: 12/17/21, Broadway Playhouse, Chicago.
- Performances: 12/14/21 to 4/3/22
* All dates are subject to change.
PREPARATION INSTRUCTIONS
Please prepare one side from the Dropbox below for the role you feel best suited for. Those interested in the role of JONATHAN should read the CHRIS side. Alternatively, you may prepare a short comedic monologue.
Audition material:
https://www.dropbox.com/s/xfvbdw9fdmleiq8/TPTGW%20EPA%20sides%20%28002%29.pdf?dl=0
INSTRUCTIONS
All audition videos must be sent as a streaming link (YouTube, Vimeo etc.). No downloads please. Please include your full name, and the role you are submitting for in the subject line. Please email your submission by Tuesday, October 12th at 5:00pm CDT.
SUBMIT TO
TPTGWcasting@gmail.com
CONTRACT
- CAT Rehearsals : $978 weekly minimum (CAT 6)
- Performances : $1182 weekly minimum (CAT 6)
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: September 10, 2021
Non-Equity North American Tour 2021
- Producer: Gershwin Entertainment
- General Manager: Evan Bernardin Productions
- Director: Robert Coulson
- Casting: Wojcik / Seay Casting
Production Description
A Charlie Brown Christmas is the classic Christmas Cartoon TV special reimagined live on stage. This production will maintain the nostalgic, childlike feeling of the original cartoon but accurately represent the playground of today in its diversity and charm. We are especially seeking a diverse and inclusive cast of comedic actors, singer/movers and musicians with engaging personalities and fun special skills that are on a professional level. Special skills featured in this show could include instruments, singing, tumbling, dance, circus skills and any unique silly tricks. We are excited to build a showcase for the individual talents of our cast. Though we are seeking strong dynamic singers for some roles, this is not a traditional book musical.
NOTE: Some tracks in this cast will make up a jazz trio that will play the timeless music of Vince Guaraldi live during the show. If you are an advanced jazz musician playing piano, double-bass or drums, please submit as a possible Schroeder/MD, Frieda/Musician, Violet/Patty- Musician, Pig Pen/Musician or Franklin/Musician. These characters have limited lines and may become the musician tracks for this show.
SEEKING
SEEKING MEN AND WOMEN 18-30 ALL ETHNICITES, GENDER IDENTITIES AND ABILITIES FOR THE FOLLOWING ROLES:
[CHARLIE BROWN] (Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair short to resemble Charlie Brown. Charlie Brown is gentle, insecure and lovable. He possesses significant determination and hope, but frequently fails because of his insecurities, outside interference or plain bad luck. Melancholic, sweet and determined. Strong Singing –Baritone or Tenor, Strong Mover.[LINUS} Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair for character. Linus is Charlie Brown’s best friend. He is wise. He always means well and tries to smooth over any storms that arise amongst the gang. Actor must have a strong sense of honesty and vulnerability. Strong Singing – Baritone or Tenor, Strong Mover[SNOOPY – DANCER/PHYSICAL COMEDIAN] Height 5’0 – 5’6 – All Gender Identities, All Ethnicities. Seeking a strong dancer with comedic instinct. Physical Comedian who can adapt to comedic physical routines. Snoopy is bittersweet. He is an independent character. He can win, lose, be a disaster, a hero or anything and yet it all works out. Actor should be an inventive free spirit with a repertoire of skills, Especially seeking a performer with special skills – Gymnastics, acrobatic, juggling, balancing etc… Strong Dancer. Non-singing track.[LUCY] Height – 5’4 – 6’0, All Ethnicities –Lucy is the older sister of Linus. She is bossy, crabby but with her Psychiatrist booth comes up with solutions. She pushes other characters to listen to her. Strong Singing – Soprano, Mezzo Soprano, Mover[SALLY] Height 5’0 – 5’6 , All Ethnicities– Sally is Charlie Brown’s little sister. She is sweet but obsessed with getting presents. She is materialistic and doesn’t see why that’s a problem. She is sweetly in love with Linus. Vocal ability to sing in a character voice like Sally, Strong Soprano Singer, Mover.[FRIEDA – DANCER] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. Strong dancer. Instrument a plus, Singing is a plus, but not required.[VIOLET/PATTY – DANCER] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, Strong Dancer. Singing is a plus, but not required.[PIG PEN – DANCER] Height 5’4 – 6’0, All Ethnicities. Dancer with Personality. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. Singing is a plus, but not required.[FRANKLIN / SHERMY – DANCER] Height 5’4 – 6’0 – Black – Dancer with personality. Singing is a plus, but not required.[FEMALE PRESENTING SWING] All Ethnicities. Must be a versatile Musician & Actress. Would cover all the female roles. Soprano, Mezzo. Character voices to portray the various Characters[MALE PRESENTING SWING] All Ethnicities. Must be a Versatile Musician and Comedic Actor with physical comedy chops. Would cover all male roles. Baritone, Tenor, Character voices to portray the various CharactersPOTENTIAL MUSICIAN TRACKS:
[PIG PEN – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.[FRANKLIN / SHERMY/ MUSICIAN] Height 5’4 – 6’0 – Black – Musician, This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.[VIOLET/PATTY – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, This track could be a member of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.[SCHROEDER/TOURING MD] Height 5’4 – 6’0, All Ethnicities. Touring MD, Must play advanced jazz piano in the style of the TV special and classical at level to play Fur Elise. Sings with group. No solo singing required. Respects Charlie Brown who is a friend. Must play piano in a jazz style – specifically the score of the TV special by Vince Guaraldi. Singing is a plus, but not required, as advanced piano skills and acting are more important to this track.[FRIEDA – MUSICIAN] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. This track could be part of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.Rehearsal and Production Dates & Locations
- Rehearsal Date: November 1, 2021
- Opening Date: November 19, 2021
- Closing Date: December 22, 2021
* All dates are subject to change.
Compensation & Union Contract Details
- Rehearsal Salary: $525/week
- Performance Salary: $625/week + $35/day per diem
- Accommodations on entertainer sleeper coach.
Instructions
To be considered for a self-tape request, please e-mail a headshot and resume, along with any relevant demo clips that show us your special skills or musical instrument abilities to charliebrownxmastour@gmail.com
Visit the show page to view the current tour route.
STRICT COVID PROTOCOLS AND GUIDELINES WILL BE FOLLOWED FOR AUDITION/ REHEARSAL PROCESS AND TOURING. EVAN BERNARDIN PRODUCTIONS IS PROMOTING A FULLY VACCINATED ENVIRONMENT FOR THE CAST AND CREATIVE TEAM OF THIS TOUR.
WE WILL BE ACCEPTING TAPED SUBMISSIONS FOR OUR INITIAL APPOINTMENTS. CALLBACKS MAY BE LIVE IN A SOCIALLY DISTANCED ENVIRONMENT OR VIA ZOOM AS NEEDED.
Evan Bernadin Productions and Gershwin Entertainment in partnership with W/S Casting is committed to creating an atmosphere that engages and promotes diversity and inclusion in all areas. We strongly encourage performers of all ethnicities, races, gender identities, ages, body types and abilities to submit for this project. We are actively seeking a cast which is inclusive and strive to promote a process and production that expresses the multidimensional society in which we live.
Posted: September 10, 2021
Expires: September 16, 2021
Non-Equity North American Tour 2021
- Executive Producers: Big League Productions Inc, Daniel Sher
- An American in Paris Music: George Gershwin
- An American in Paris Lyrics: Ira Gershwin
- An American in Paris Book: Craig Lucas
- South Pacific Music: Richard Rodgers
- South Pacific Lyrics: Oscar Hammerstein II
- South Pacific Book: Oscar Hammerstein II Joshua Logan
- Director for Both Shows: Jeffrey B Moss
- Choreographer for Both Shows: Bob Richard
- Musical Supervisor for Both Shows: Matthew Lowy
- Casting Director: Alison Franck
- Audition Date(s): seeking Self-Tapes for callbacks
Production Descriptions
An American in Paris: An American GI’s chance encounter with a beautiful young dancer leads Paris to become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war.
Rodgers and Hammerstein’s South Pacific: Set against the dramatic background of an idyllic South Pacific island during WWII, South Pacific intertwines the themes of romance, duty, and prejudice to create a story that is all at once hilarious, heartbreaking, and thought-provoking. Based on the anecdotes of a real-life U.S. Navy commander who was stationed on an island, the musical follows two intercultural love stories: Nellie, a spunky nurse from Arkansas, falls in love with Emile, a French plantation owner on the island who has two children from his late Polynesian wife; at the same time, U.S. Lieutenant Cable falls for a beautiful island native named Liat. Both Americans find themselves struggling to reconcile their own cultural prejudices with their amorous feelings, all the while under the dark cloud of a war that is coming ever closer to their island paradise.
NOTE: With the exception of a few roles in South Pacific, Big League Productions, Inc. will present these two shows with the same company of performers. This will be a unique challenge for the entire traveling company and the selection process will be rigorous.
We are searching for a brilliant ballet dancer who can play Lise and also one who is willing to be in the ensemble and cover Lise. PLEASE FEEL FREE TO SUBMIT FOR BOTH. But if you only will accept the role of Lise, please only submit there.
SEEKING
LISE DASSIN – 18 to 27 years old, all ethnicities female. 18 to 27 years old, all ethnicities female. Superb dancer. Good singer. A young French dancer. Sweet – but determined to find her place in her world. Must be from the Ballet world. Must do pointe work and partnering. Will also be in the ensemble of South Pacific. Pay is $1000/week plus bonus.
FEMALE ENSEMBLE/ us LISE -18 to 27 years old, all ethnicities female. Superb dancer. Good singer. A young French dancer. Sweet – but determined to find her place in her world. Will be in the ensemble of both SOUTH PACIFIC and AN AMERICAN IN PARIS and will cover Lise. Must be from the Ballet World. Must do pointe work and partnering Pay, $500 a week minimum, plus Bonus and per diem
Rehearsal and Production Dates & Locations
- Rehearsal Date: Dec 13, 2021 in New York City
- Opening Date: Jan 21, 2022
- Closing Date: May 22, 2022
* All dates are subject to change.
Compensation & Union Contract Details
- Rate: different salaries listed in each role. All performers who are hired to perform in both shows will receive a $1000 pre-opening bonus and a $1000 closing bonus as remuneration for maintaining tracks in both shows.
- In addition to the salaries listed, a weekly per diem of $210 will be paid.
- Housing and Transportation included once on the road.
Instructions
To apply send photo and resume and any dance reels (if you have any) ASAP to: blp2021auditions@gmail.com
We will send self-tape instructions to those who fit the job and will. need by September 16 to be considered for in person callbacks September 22-25. In the subject write Lise in An American in Paris and/or Lise understudy if you also wish to be considered for ensemble and her cover. (you can only want to be considered for Ensemble as well)
Visit the show pages to view the current tour routes:
Posted: September 20, 2021
Expires: September 30, 2021
Equity North American Tour 2021-2022
- Director: Des McAnuff
- Book: Marshall Brickman and Rick Elice
- Music: Bob Gaudio
- Lyrics: Bob Crewe
- Music Director : Ron Melrose
- Choreographer : Sergio Trujillo
- Casting: Tara Rubin Casting/Merri Sugarman, C.S.A. (Viewing Auditions)
Production Descriptions
From the mean streets of Jersey to American Bandstand, this is the thrilling story of how a group of blue-collar boys from the wrong side of the tracks became the biggest doo-wop sensation of all time: The Four Seasons. Using their legendary music, two-time Tony Award winner Des McAnuff brings to life the exciting early days of rock-and-roll, and the price of fame for four guys who had nothing – and everything – to lose.
SEEKING
MALE-IDENTIFYING ENSEMBLE #1: 20s to 30s. (5’10 or shorter) Strong actor/singer to play various roles including Joey Pesci: Young, energetic. WILL UNDERSTUDY THE PRINCIPAL ROLE OF FRANKIE VALLI.
MALE-IDENTIFYING ENSEMBLE #2: 20s – 30s. Strong actor/singer to play various roles including Bob Crewe: Intelligent and flamboyant- genius music producer and lyricist. An integral part of creating the magic of the Four seasons. WILL UNDERSTUDY THE PRINCIPAL ROLE OF BOB GAUDIO.
MALE-IDENTIFYING ENSEMBLE #3: 20s- 30s. Strong actor/singer to play various roles including Norm Waxman and Hank Majewski. WILL UNDERSTUDY THE PRINCIPAL ROLE OF TOMMY DEVITO.
MALE-IDENTIFYING ENSEMBLE #4: 20s- 30s. Strong actor/singer to play various roles including Gyp DeCarlo: Tough, Mafioso type. WILL UNDERSTUDY THE PRINCIPAL ROLE OF NICK MASSI.
MALE-IDENTIFYING ENSEMBLE #5: [BARRY BELSON] 20s-40s. THIS CHARACTER IS NON-CAUCASIAN; Strong actor/singer to play various roles (friends, producers, etc.). Strong tenor to high C, with a strong falsetto to G-above-high-C, and the ability to riff in rhythm-and-blues style. Featured ensemble role.
FEMALE-IDENTIFYING ENSEMBLE /MARY: 20s-30s. Frankie’s wife; Tough, ‘Seen it All’, Italian, Jersey girl. She’s got a killer sense of humor. Actor also plays a variety of other roles, including member of a 60s style girl group. Strong belt useful. High straight tone soprano also useful but not required. Good Dancer.
FEMALE-IDENTIFYING ENSEMBLE/LORRAINE: 20’s-30s, all ethnicities. Frankie’s girlfriend; Educated, NOT from Jersey, a real career girl – young Diane Sawyer; Actor also plays a variety of other roles, including member of a 60s style girl group and tough-as-nails Jersey Girl. Strong high belt useful, belt to high F EXTREMELY useful. High, straight tone soprano also useful but not required. Good Dancer.
FEMALE-IDENTIFYING ENSEMBLE/FRANCINE: 20s-30s. Frankie’s daughter; Named for, doted on and deeply loved by Frankie. She’s a Jersey girl – vulnerable, lost and acts out to make up for lack of attention from her Dad. Actor also plays a variety of other roles including member of a 60s style girl group and a tough-as-nails Jersey Girl. Strong, high belt useful. Belt to high F EXTREMELY useful, high straight tone soprano also useful but not required. Good Dancer.
FEMALE-IDENTIFYING SWING: 20s-30s. Fabulous, versatile actress/singer/dancer with flexible vocal registers to play a variety of roles (the many girlfriends of the Four Seasons, etc). WILL UNDERSTUDY THE ROLE(S) OF MARY, LORRAINE AND FRANCINE.
3 MALE-IDENTIFYING SWINGS: [20s-40s] Strong actor/singer to play various roles (friends, producers, etc.) Will cover Ensemble features and potentially cover Principal roles. One will cover Frankie Valli. Must be very comfortable with four-part harmonies. Good dancers.
Rehearsal and Production Dates & Locations
- In-Person Auditions: Early October 2021
- First Rehearsal: November 8th, 2021
- Opening Date: December 12th, 2021
- Closing Date: TBA
* All dates are subject to change.
Compensation & Union Contract Details
- Short Engagement Touring $793 weekly minimum (SETA 4)
Instructions
DANCERS:
Please prepare either the Male-Identifying or Female-Identifying Dance Combination included in this link:
https://www.dropbox.com/sh/0je1iu4kj952wlf/AAAJIlXnH1yIorT6qen2V14Ha?dl=0
Please include a full-body slate at the beginning of your video, and please submit an unlisted YouTube (Not Private), Vimeo, Dropbox, or Google Drive Link. Please use this form to submit your audition video and headshot/resume:
https://docs.google.com/forms/d/e/1FAIpQLSdckqHR2RE3lNqQWqwkH8uVJ8s52tfyih5kELIXnV7tR9RvqA/viewform
Please only submit a Dance Video in this link. If you would like to submit a Singing Video, please send a separate submission using the Chorus Singers Link.
SINGERS :
Please prepare a sixteen-bar-cut of a “rock n’ roll” song from any era of your choice OR either “Cry For Me” or “Walk Like A Man” for Male-Identifying Actors, and “My Boyfriend’s Back” for Female-Identifying Actors — all songs are included in this link here: https://www.dropbox.com/sh/0je1iu4kj952wlf/AAAJIlXnH1yIorT6qen2V14Ha?dl=0
Please include a full-body slate at the beginning of your video, and please submit an unlisted YouTube (Not Private), Vimeo, Dropbox, or Google Drive Link. Please use this form to submit your audition video and headshot/resume:
https://docs.google.com/forms/d/e/1FAIpQLSeZHwnExMC9rXoYO0o1jXUIGVox5rVHn5_Css3pFX0EUREqSg/viewform
Please only submit a Singing Video in this link. If you would like to submit a Dance Video, please send a separate submission using the Chorus Dancers Link
Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.
Visit the show page to view the current tour route.
Posted: September 20, 2021
Expires: September 30, 2021
Equity North American Tour 2021-2022
- Director: Des McAnuff
- Book: Marshall Brickman and Rick Elice
- Music: Bob Gaudio
- Lyrics: Bob Crewe
- Music Director : Ron Melrose
- Choreographer : Sergio Trujillo
- Casting: Tara Rubin Casting/Merri Sugarman, C.S.A. (Viewing Auditions)
Production Descriptions
From the mean streets of Jersey to American Bandstand, this is the thrilling story of how a group of blue-collar boys from the wrong side of the tracks became the biggest doo-wop sensation of all time: The Four Seasons. Using their legendary music, two-time Tony Award winner Des McAnuff brings to life the exciting early days of rock-and-roll, and the price of fame for four guys who had nothing – and everything – to lose.
SEEKING
FRANKIE: 20s-early 30s. 5’9” or shorter. A strong tenor with sweet and strong falsetto, able to sing in the style of Frankie Valli. Strong tenor to high A or Bb plus strong falsetto up to treble G. Charismatic and charming. Comfortable with narrative text and has a gritty side as well as a polished veneer. Very comfortable with traditional four-part harmonies. Leading role.
BOB: 20s-early 30s. Preferably tall. Strong tenor/baritenor voice, needs strong high G. Very comfortable with traditional four-part harmonies. Comfortable with narrative text. An intelligent, sensitive, and introspective musical prodigy. Leading role.
TOMMY: 20s-30s. Strong tenor/baritenor voice. Very comfortable with traditional four-part harmonies. Comfortable with narrative text. A natural-born leader with an appealing, bad-boy quality. Leading role.
NICK: 20s-30s. Strong bass/baritone voice, low E would be an asset. Very comfortable with traditional four-part harmonies. Comfortable with narrative text. A quiet dreamer who longs for life after The Four Seasons. Leading role.
Rehearsal and Production Dates & Locations
- In-Person Auditions: Early October 2021
- First Rehearsal: November 8th, 2021
- Opening Date: December 12th, 2021
- Closing Date: TBA
* All dates are subject to change.
Compensation & Union Contract Details
- Short Engagement Touring $793 weekly minimum (SETA 4)
Instructions
Please prepare a thirty-two-bar cut of a “rock n’ roll” song from any era of your choice OR either “Cry For Me” or “Walk Like A Man” included in this link here:
https://www.dropbox.com/sh/0je1iu4kj952wlf/AAAJIlXnH1yIorT6qen2V14Ha?dl=0
Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.
Visit the show page to view the current tour route.
Posted: September 21, 2021
Equity North American Tour 2021-2022
- Producers: Tom Smedes Productions, Nathan Gehan, Jamison Scott
- Director: Matthew Warchus
- Playwright: Jack Thorne
- Original Story: Charles Dickens
- Composer/Orchestrator: Christopher Nightingale
- General Manager: Showtown Theatricals
- Casting: Jim Carnahan Casting
Production Description
Two visionary Tony Award® winners — playwright Jack Thorne (HARRY POTTER AND THE CURSED CHILD), director Matthew Warchus (MATILDA) — offer a magical new interpretation of Charles Dickens’ timeless story.
Nominated for five Tony Awards, this New York Times Critic’s Pick welcomes theatergoers of all ages into an immersive experience that is brimming with Christmas spirit. Featuring dazzling staging, moving storytelling, and 12 cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear,” it is “so infectious you’ll leave the theater with a heart full of joy and light” (Entertainment Weekly).
SEEKING
Child performers with mobility and physical disabilities to play Tiny Tim in San Francisco and Los Angeles.
TINY TIM: Male or Female, 8-12 years old. No prior experience required.
NOTE: All roles require an English accent. All roles (with the exception of Scrooge) will be asked to sing Christmas carols a cappella. Some roles will also play instruments including cello, mandolin, tin whistle, and accordion. Seeking all ethnicities for all roles.
Rehearsal and Production Dates & Locations
- Rehearsal Date: October 18, 2021
- First Performance: November 26, 2021
- Opening: November 30, 2021
- Closing: December 26, 2021 (possible extension to January 2, 2022)
- Venue: Golden Gate Theatre, San Francisco, CA (Indoors)
* All dates are subject to change.
Auditions will be held virtually in September 2021.
To submit, please send an email with the child’s full name, date-of-birth, where you are based, and a recent picture and resume or bio to: tinytimcasting@gmail.com
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: July 19, 2021
Expires: August 14, 2021
Non-Equity North American Tour 2021-2022
- Executive Producer: Daniel Sher
- Original Tour Director: Matt Lenz
- Music and Lyrics: Benj Pasek and Justin Paul
- Musical Supervisor: Andrew Smithson
- Book: Joseph Robinette
- Choreography: Warren Carlyle
- Casting: Alison Franck / Franck Casting
Production Description
Ralphie has to convince his parents, his teacher, and Santa, that a Red Ryder B.B. gun really is the perfect gift. A musical version of the classic movie.
SEEKING
[THE OLD MAN] 30s-40s.Male. Genius comic actor who sings. Uptight, fuss-budget, flawed. Humorously “terrifying” dad with a heart somewhere. Range is high baritone. LEADING ROLE.[MISS SHIELDS/FEMALE ENSEMBLE] 30s-40s. Female. MISS SHIELDS. School teacher. Not a stick-in-the-mud, she’s sassy. Funny musical comedy belter who taps. Also will be in the female ensemble when not Miss Shields. MUST SING EXTREMELY WELL(belt) and TAP DANCE EXTREMELY WELL.[MALE ENSEMBLE/WAITER] late 20s-30s. Asian. Interesting, off-beat, singer-dancer-actors with bright contemporary voices to play a multitude of roles, some to play featured roles, and some to cover the principals. Roles in the ensemble: Fathers, Neighbors, Delivery People, Elves, etc. Seeking warm and interesting types. Vocal ranges include tenors to high A and high baritones to F[MALE ENSEMBLE] All ethnicities male. Interesting, off-beat, singer-dancer-actors with bright contemporary voices to play a multitude of roles, some to play featured roles, and some to cover the principals. Roles in the ensemble: Fathers, Neighbors, Delivery People, Elves, etc. Seeking warm and interesting types. Vocal ranges include tenors to high A and high baritones to F[RALPHIE] Principal. Age: 12 to play 9-10. MALE. Under 5 feet tall. A regular boy. Appealing but not necessarily a handsome boy. Can have some extra weight on him. Strong presence, honest actor. Not “show-bizzy.” Experienced on stage and a great strong singing voice, high belter voice must be UNCHANGED. Must be a clear singer with a great range. Range is low f# to high D. Huge lead role. Will be casting 2 boys to play Ralphie.[RANDY] Principal. 12 to play about 7-8. Must be smaller than RALPHIE. MALE. CUTE and FUNNY little boy. FUNNY in the sense that he is awkward and off-beat. Must be physically comfortable onstage and have a lot of strong concentration….but, like Ralphie, not show-bizzy. Vocally, voice is unchanged and height belter low F# to high C#.[SCUT FARKUS/ENSEMBLE] MALE. At least 12. Taller than the other kids. The bully. Must be able to tap.[FLICK/ENSEMBLE] MALE. 12 to play 9-10. He will sing a song with his tongue “stuck” to a flag pole. Must be funny and natural. Strong singer. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’11” or shorter.[SCHWARTZ/ENSEMBLE] MALE. 12 to play 9/10. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’11” or shorter.[DILL/ENSEMBLE] MALE. 12 to play 9/10. Farkus’s sidekick. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’10” or shorter.[FEMALE CHILDREN ENSEMBLE] FEMALE. 12 to play 9/10. Children’s chorus. Must be high belters. Sings from a low B to high D#. Must be a strong/engaging performers. Must be able to tap. Must be 4’11” or shorter.[TAP DANCE SPECIALTY/ENSEMBLE] MALE. 12 to play 9/10. EXCELLENT TAP DANCER. Singing a plus.Rehearsal and Production Dates & Locations
- Duration: October 28, 2021 – January 3, 2022
- First Performance: December 3, 2021 (Boston, MA)
- Closing Date: January 3, 2022
* All dates are subject to change.
Compensation & Union Contract Details
- Rate for Adult Ensemble: $500 min, week, housing, travel and per diem ($280/wk)
- Rate for The Old Man: $1300 min, week, housing travel and per diem ($280/wk)
- Principal Kids: (Ralphie and Randy) $600 week Salary.
- Ensemble Kids – $400 a week salary.
- All Kids – $280 week per diem
Instructions
NOTE: please email blp2021auditions@gmail.com with photo and resume and for those who seem right for the project, instructions for SELF-TAPING will follow. please write A CHRISTMAS STORY SUBMISSION in the subject line, you can also include what role interests you.
Visit the show page to view the current tour route.
All Adults Must be vaccinated. All Kids 12 and older to play 12 and under. Must be vaccinated
Posted: August 5, 2021
Expires: August 11, 2021
Equity North American Tour 2021-2022
- Producer: Buena Vista Theatrical Group
- Director: Julie Taymor
- Songs by: Elton John/Tim Rice
- Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
- Book: Irene Mecchi/Roger Allers
- Choreography: Garth Fagan
- Casting: Mark Brandon, CSA/Binder Casting
Production Description
Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.
SEEKING
Required auditions for possible replacements.
Strong singers with great range who move very well. Late Teens – Mid 40’s. Any Ethnicity.
Strong dancers with a modern/ballet dance background—Late Teens to Early 30’s. Any Ethnicity.
NOTE: We will definitely be hiring replacements for all North American companies from these auditions.
Rehearsal and Production Dates & Locations
- Rehearsal Date: August 10, 2021 in New York City
- First Performance: October 1, 2021 in Cleveland, OH
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- Production (Disney) $2323 weekly minimum
Instructions
SINGERS: Please prepare either a brief, classic R&B, pop or rock and roll song of your choosing that showcases your voice and range OR pick one of the songs provided at: https://www.dropbox.com/sh/qt5dqqqbulccqjw/AAB_YQpYeSjFzdpdwmTzSJgEa?dl=0 – “Greatest Love of All” (Soprano or Alto Keys) or “Overjoyed” (Tenor or Bass Keys).
When recording your video, please use the accompaniment-only track (without melody). If you chose to sing your own material, please sing along with an accompaniment-only track. Please do not sing material from The Lion King or any standard Broadway theatre music.
When taping, you must film horizontally with good lighting and clear sound. At the beginning of your video, please include a slate with your name and height. Also, attach your picture and resumé to your submission.
Submit here: https://airtable.com/shrV4d9YDjEXdu58u
DANCERS: Please learn the dance combination at https://www.dropbox.com/sh/7rsbudbdazqj5lg/AADiYYmzZ4pcadPcN2dP-LIsa?dl=0.
There are two videos – one with counts and one with music. Also provided is a track with the music: use this track when taping the combination. Please dance in flat jazz shoes or bare feet. Some male dancers require strong acrobatic abilities. If you have strong acro skills, please show your best pass in your video submission.
When taping, you must film horizontally with good lighting and clear sound. At the beginning of your video, please include a slate with your name and height. Also, attach your picture and resumé to your submission.
Submit here: https://airtable.com/shraedjEd62v1Rzzn.
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: July 24, 2021
Expires: August 2, 2021
- Producers: Mean Girls Musical Productions, LLC
- Director: Casey Nicholaw
- Music: Jeff Richmond
- Lyrics: Nell Benjamin
- Book: Tina Fey
- Musical Director: Mary-Mitchell Campbell
- Choreography: Casey Nicholaw
- Casting: The Telsey Office/Bethany Knox, CSA
Production Description
Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina reign, she learns the hard way that you can’t cross a Queen Bee without getting stung.
SEEKING
Equity actors for Regina George and Mrs. Heron/Ms. Norbury/Mrs. George (see breakdown).
REGINA GEORGE – Female, any ethnicity, 18+ to play 17. Regina is the Queen Bee of the Plastics. When she shines her light on you, you feel like the most important person in the world. When that light goes cold, you want to die. She is regal, still, and “hot”, but at her most vulnerable moments, she is just a kid in over her head. Broadway rock with an exceptional range.
MRS. HERON/MS. NORBURY/ MRS. GEORGE –
Female, any ethnicity, 30-50. One actor to play all three roles. MRS. HERON is Cady’s crunchy, intellectual mom who can’t understand why her daughter is devolving before her eyes. MS. NORBURY is Cady’s brittle, world-weary Calculus teacher who pushes Cady to be her smartest self. MRS. GEORGE is Regina’s “cool mom.” She’s desperate to look young and feel like one of the teens. She’s also desperate for Regina not to repeat her mistakes. Looking for a great comic actress and singer to distinctly define these three characters. Eclectic Broadway vocal mix.
Instructions
Please prepare a brief pop-rock song. If you do not have access to accompaniment, please feel free to prepare the provided song. Sheet music and accompaniment MP3 are available at the following link: https://tinyurl.com/MeanGirlsEPA.
If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height.
Please send the video, along with your photo/resume, in a downloadable format (Google Drive, Dropbox, etc.). In the subject line, please type: [Your full name] – EPA Submission.
Please send submission to the following email address:
Compensation & Union Contract Details
- Production (League) $2323 weekly minimum
Rehearsal and Production Dates & Locations
- First Rehearsal: on/about October 11, 2021 (New York City, NY)
- First Performance: on/about November 2, 2021 (Tempe, AZ)
- Ending Date: TBA
* All dates are subject to change.
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: July 19, 2021
Expires: July 27, 2021
- Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
- Director: Thomas Kail
- Music and Lyrics: Lin-Manuel Miranda
- Musical Director: Alex Lacamoire
- Choreography: Andy Blankenbuehler
- Casting: The Telsey Office
Production Description
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.
SEEKING
Dancers with extensive training in all areas of dance and who sing very well for future replacements.
Instructions
Please email Casting@HamiltonBroadway.com with a picture/resume and a video via unlisted YouTube link that includes a brief (under 1 minute) video of your style of dance.
Visit the show page to view the current tour route.
Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.
Posted: July 19, 2021
Expires: July 27, 2021
- Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
- Director: Thomas Kail
- Music and Lyrics: Lin-Manuel Miranda
- Musical Director: Alex Lacamoire
- Choreography: Andy Blankenbuehler
- Casting: The Telsey Office
Production Description
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.
SEEKING
Exceptional Singers /Rappers
Instructions
Please email Casting@HamiltonBroadway.com with a picture/resume and a video via unlisted YouTube link that includes a brief (under 1 minute) pop/rock song that shows your vocal range.
Visit the show page to view the current tour route.
Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.
Posted: July 1, 2021
Expires: July 15, 2021
Equity North American Tour 2021-2022
- Director: Alex Timbers
- Music Director: Cian McCarthy
- Musical Supervisor: Justin Levine
- Book: John Logan
- Choreography: Sonya Tayeh
- Casting: Jim Carnahan, Stephen Kopel
Production Description
Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® nominee Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of truth, beauty, freedom, and — above all — love. With a book by Tony winner John Logan, music supervision, orchestrations and arrangements by Justin Levine, and choreography by Emmy® nominee Sonya Tayeh, Moulin Rouge! is more than a musical; it is a state of mind.
SEEKING
Equity singers and dancers for the tour production of MOULIN ROUGE! THE MUSICAL.
All singers must be incredible Pop/Rock/Soul singers and incredible dancers.
All dancers must be incredible dancers and incredible Pop/Rock/Soul singers.
MALE AND FEMALE ENSEMBLE: 20s to 30s. Extremely interested in performers of all ethnicities and genders. Must be an amazing, athletic dancer with expertise in multiple dance styles and be a strong pop/rock/soul singer to cover ensemble who play various roles, including patrons and performers at the Moulin Rouge & the denizens of Montmartre.
Rehearsal and Production Dates & Locations
- Rehearsal Date: TBA
- First Performance: TBA
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- Production (League) $2323 weekly minimum
Instructions
SINGERS:
Please record a 1 minute video submission either from:
1) A pop/rock/soul song of your choice
OR
2) A song from Moulin Rouge in this Dropbox:
https://www.dropbox.com/sh/vx6kpogkk21g 87d/AAB7_FrydxmB-3bPjg4GQ6D6a?dl=0
DANCERS:
Please send a video submission of either:
1) A dance reel
OR
2) Tape material from the show per the instruction video in this Dropbox:
https://www.dropbox.com/sh/k86z9662ljvb yrl/AAASjaIcrMHE_nx1ppOeGg7Pa?dl=0
Please send your audition video in a format that we can view without having to download. Send to:
Submissions will be reviewed by:
- Cian McCarthy (Music Director) – singers
- Nancy Braun (Associate Choreographer) – dancers
- Jim Carnahan (Casting Director)
- Stephen Kopel (Casting Director)
- Alexandre Bleau (Casting Associate)
- Hillary Dominguez (Casting Assistant)
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 10, 2021
Expires: June 21, 2021
Equity North American Tour 2021-2022
- Producer: Paul Blake & Sony/ATV Music Publishing
- Director: Marc Bruni
- Music & Lyrics: Carole King & Gerry Goffin and Barry Mann & Cynthia Weil
- Musical Supervisor: Jason Howland
- Book: Douglas McGrath
- Choreography: Josh Prince
- Casting: Stephen Kopel, Casting
Production Description
Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.
Beautiful has a book by Tony Award® nominee and Academy Award®–nominated writer Douglas McGrath, direction by Marc Bruni, choreography by Josh Prince, and took home two 2014 Tony Awards® and the 2015 Grammy® for Best Musical Theater Album.
SEEKING
SHIRELLE (African American Woman): Please prepare ONE of the following songs: Locomotion, Will You Still Love Me, Uptown, or One Fine Day
For the role of DRIFTER (African American Man): Please prepare ONE of the following songs: Up on the Roof, Some Kind of Wonderful, On Broadway-low version, or On Broadway-high tenor version
For the role of NICK/LOW RIGHTEOUS BROTHER (Caucasian Man): Please prepare the baritone version of Lovin’ Feeling
For the role of LOU/HIGH RIGHTEOUS BROTHER
(Caucasian Man): Please prepare the high version of Lovin’ Feeling
For the role of BETTY/MARILYN (Caucasian Woman): Please prepare Beautiful
Rehearsal and Production Dates & Locations
- Rehearsal Date: late September/early October
- First Performance: November 2, 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- Short Engagement Touring $928 weekly minimum (Category 4)
Instructions
Please prepare a short pop/rock song of your choice, in the style of the show. If you would prefer to sing from the show, see above. Accompaniment available at:
www.dropbox.com/sh/debbsp4598mzunq/AAB587I3Pt1hNbJ0baO0AGara?dl=0
All audition videos must be sent as a streaming link (YouTube, Vimeo, etc.). No downloads, please. Email your audition to:
Please include your full name, and the role you are submitting for in the subject line.
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 9, 2021
Expires: June 23, 2021
Equity North American Tour 2021-2022
- Producer: Dori Berinstein, Bill Damaschke, Jack Lane and NETworks
- Director: Casey Nicholaw
- Music: Matthew Sklar
- Lyrics: Chad Beguelin
- Musical Director: Mary-Mitchell Campbell
- Book: Bob Martin and Chad Beguelin
- Choreography: Casey Nicholaw
- Associate Choreographer: John Macinnis (viewing auditions)
- Casting: The Telsey Office/ Bethany Knox (viewing auditions)
Production Description
Down-on-their-luck Broadway stars shake up a small Indiana town as they rally behind a teen who wants to go to the prom with her girlfriend.
SEEKING
BARRY GLICKMAN: Any ethnicity, 30’s – 50’s, High Baritone/Low Tenor. A very gay Broadway star. Completely politically incorrect and doesn’t know it. Impulsive and loves to make a scene everywhere he goes. Strong singer. Big, Broadway belter..
DEE DEE ALLEN: Any ethnicity, 30’s – 50’s, Alto. A current Broadway diva. A huge ego to match her huge talent. No filter. Hilariously self-involved, but yearns to do something good for someone other than herself. Strong Singer. Big, Broadway belter.
TRENT OLIVER: Any ethnicity,30’s – 40’s, Baritone. A pretentious Broadway star who is probably better known for TV infomercials. Loves the sound of his own voice. Strong singer, pop and legit.
EMMA: Any ethnicity, 18+ to play a high school senior. Mix/belt up to a C#. Forced into the spotlight because she asked her girlfriend to the prom. A reluctant poster child for gay / lesbian youth. Very smart, but doesn’t need to be classically beautiful. A bit of a tomboy quality. Sweet pop voice. Strong singer.
ALYSSA: Any ethnicity, 18+ to play a high school senior, Mix/belt up to a D. Tries desperately to fit in. A cheerleader. Secretly Emma’s girlfriend, but afraid to come out. Can be classically pretty. Afraid to stand up to her mother. Pop voice. Strong singer.
MR. HAWKINS: Any ethnicity, 30’s – 50’s, High Baritone. A small town principal. Easily flustered. Straight-laced. A Broadway enthusiast. Good singer.
ANGIE: Any ethnicity, 30’s – 40’s, Alto with a belt. An ensemble member in the Broadway production of “Chicago”. Jaded Fosse girl with a heart of gold. Strong Singer.
MRS. GREENE: Any ethnicity, 30’s – 40’s, Alto. Alyssa’s Mother and the school board president. Very strong, controlling and intimidating. Loves her daughter very much but has a very specific view of what is “right” and “wrong” for her daughter and the school. Strong Singer.
SHELDON SAPERSTEIN: Any ethnicity, 30’s – 40’s, Baritone. A charismatic press agent. Traditional musical theatre sound.
Rehearsal and Production Dates & Locations
- Rehearsal Date: September 27, 2021
- First Preview: October 30, 2021
- First Performance: November 2, 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
Short Engagement Touring $859 weekly minimum (Category 3)
Please prepare a brief contemporary musical theatre song that shows your style and vocal range. If you do not have access to accompaniment, you may sing your song of choice a cappella. If you are not able to sing a song of your choosing, please feel free to prepare the provided song. Sheet music and MP3s are available at:
https://tinyurl.com/28fxj5p4
If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name, and height.
Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) to the following email address:
In the subject line, please type: [Your full name] – [The role for which you’d like to be considered]
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 9, 2021
Expires: June 23, 2021
Equity North American Tour 2021-2022
- Producer: Dori Berinstein, Bill Damaschke, Jack Lane and NETworks
- Director: Casey Nicholaw
- Music: Matthew Sklar
- Lyrics: Chad Beguelin
- Musical Director: Mary-Mitchell Campbell
- Book: Bob Martin and Chad Beguelin
- Choreography: Casey Nicholaw
- Associate Choreographer: John Macinnis (viewing auditions)
- Casting: The Telsey Office/ Bethany Knox (viewing auditions)
Production Description
Down-on-their-luck Broadway stars shake up a small Indiana town as they rally behind a teen who wants to go to the prom with her girlfriend.
SEEKING
ENSEMBLE SINGERS WHO DANCE WELL: Male and female, age 30s to 50, all ethnicities, all shapes and sizes, to portray various characters in the ensemble. Must dance well, sing well and have amazing comic timing.
Rehearsal and Production Dates & Locations
- Rehearsal Date: September 27, 2021
- First Preview: October 30, 2021
- First Performance: November 2, 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
Short Engagement Touring $859 weekly minimum (Category 3)
Please prepare 16-32 bars of a contemporary musical theatre song that shows your style and vocal range. If you do not have access to accompaniment, you may sing your song of choice a cappella. If you are not able to sing a song of your choosing, please feel free to prepare the provided song. Sheet music and MP3s are available at:
https://tinyurl.com/28fxj5p4.
If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name, and height. Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) to the following email address:
In the subject line, please type: [Your full name] – [CHORUS].
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 8, 2021
Expires: June 21, 2021
Equity North American Tour 2021-2022
- Producer: Paul Blake & Sony/ATV Music Publishing
- Director: Marc Bruni
- Music & Lyrics: Carole King & Gerry Goffin and Barry Mann & Cynthia Weil
- Musical Supervisor: Jason Howland
- Book: Douglas McGrath
- Choreography: Josh Prince
- Casting: Stephen Kopel, Casting
Production Description
Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.
Beautiful has a book by Tony Award® nominee and Academy Award®–nominated writer Douglas McGrath, direction by Marc Bruni, choreography by Josh Prince, and took home two 2014 Tony Awards® and the 2015 Grammy® for Best Musical Theater Album.
SEEKING
CAROLE KING: (18+ to play ages 16-29) An aspiring singer/songwriter. A unique, appealing, funny and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music. Seeking an exceptional actress with a powerful, distinctive voice.
GERRY GOFFIN: (18+ to play late teens-late 20’s) Carole’s boyfriend, songwriting partner and eventual husband. He is smoldering, dark & handsome with a rebel vibe. Although sexy, he is innately sympathetic, wounded and tortured. An ambitious artist always striving for more. Seeking a strong actor who sings well. Baritone/tenor.
CYNTHIA WEIL: (18+ to play late teens-late 20’s) A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self- confident and sarcastic, she is also extremely likeable. Seeking an actress with strong comic timing who sings extremely well. Belt.
BARRY MANN: (18+ to play late teens-late 20’s) A songwriter who becomes romantically involved with Cynthia. He is good natured, appealing & neurotic. Ambitious, but likeable. Seeking a strong comedic actor with a great voice. Must be a strong high tenor comfortable with pop & rock style singing.
DON KIRSCHNER: (M30’s-L40’s) An influential music publisher and producer. He is a fast talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker. Seeking a strong actor.
GENIE: (40’s-50’s) Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. Seeking a strong actress.
Rehearsal and Production Dates & Locations
- Rehearsal Date: late September/early October
- First Performance: November 2, 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- Short Engagement Touring $928 weekly minimum (Category 4)
Instructions
Audition materials available at:
https://www.dropbox.com/sh/yy2l9luyqj4edjx/AAD2kyelu4LQpzEHQoy2HCxAa?dl=0
For the roles of CAROLE, GERRY, BARRY and CYNTHIA, please sing a short pop/rock song in the style of the show of your choice. If you prefer to sing from the show, prepare the song provided at the link above that corresponds with the role you are interested in.
No singing required for the roles of DON and GENIE. Please prepare the scene provided at the link above. If you prefer, you may prepare a short monologue of your choice instead.
All audition videos must be sent as a streaming link (YouTube, Vimeo, etc.). No downloads, please. Email your audition to:
Please include your full name, and the role you are submitting for in the subject line.
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 6, 2021
Expires: June 18, 2021
Equity North American Tour 2021-2022
- Producer: Dori Berinstein, Bill Damaschke, Jack Lane and NETworks
- Director: Casey Nicholaw
- Music: Matthew Sklar
- Lyrics: Chad Beguelin
- Musical Director: Mary-Mitchell Campbell
- Book: Bob Martin and Chad Beguelin
- Choreography: Casey Nicholaw
- Associate Choreographer: John Macinnis (viewing auditions)
- Casting: The Telsey Office/ Bethany Knox (viewing auditions)
Production Description
Down-on-their-luck Broadway stars shake up a small Indiana town as they rally behind a teen who wants to go to the prom with her girlfriend.
SEEKING
ENSEMBLE DANCERS WHO SING WELL: Male and female, 18+ to play high school students, all ethnicities. Amazing dancers trained in various forms of dance, especially hip hop. Must sing VERY well and be able to portray various characters in the ensemble.
Rehearsal and Production Dates & Locations
- Rehearsal Date: September 27, 2021
- First Preview: October 30, 2021
- First Performance: November 2, 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- Short Engagement Touring $859 weekly minimum (Category 3)
Please record yourself performing the dance combination viewable at this link:
TAPING INSTRUCTIONS: If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height. Record your dance using the full tempo version provided.
Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) to the following email address: thepromvideos@gmail.com. In the subject line, please type:
[Your full name] – [DANCE ENSEMBLE].Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 6, 2021
Expires: June 17, 2021
Equity North American Tour 2021-2022
- Producer: Buena Vista Theatrical Group
- Director: Julie Taymor
- Songs by: Elton John/Tim Rice
- Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
- Book: Irene Mecchi/Roger Allers
- Choreography: Garth Fagan
- Casting: Mark Brandon, CSA/Binder Casting
Production Description
Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.
SEEKING
YOUNG SIMBA: (For Broadway and National Tour) He/Him. 9 – 12 years old. An African lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. A natural talent with charm and charisma that moves well and able to hold the stage on his own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.
YOUNG NALA: (For Broadway and National Tour) She/Her. 9 – 12 years old. An African lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Looking for a young actor/singer with natural talent, charm and charisma. Actor must move well and hold the stage on her own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.
ADULT SIMBA: (For National Tour) He/Him. Late teens – Late 20’s. An African lion. On his journey to find his purpose and ultimately face his destiny to be King. Must have sex appeal, charm as well as a strong pop/rock singing voice. Should be a high baritone with a sustained “A4”. Must be in excellent physical condition as well as be able to dance and/or move very well. Should be 5’8” – 6’2”.
Rehearsal and Production Dates & Locations
- Rehearsal Date: August 10, 2021 in New York City
- First Performance: October 1, 2021 in Cleveland, OH
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- $2244 weekly minimum
All audition sheet music and MP3’s for Young Simba, Young Nala and Adult Simba can be accessed here:
https://www.dropbox.com/sh/kmlmlvek4aunxjh/AABs99VGvFq2grmr3ZfO5u99a?dl=0
YOUNG SIMBA AND YOUNG NALA: Please prepare the last part of “I Just Can’t Wait to be King” See link below. Please slate with current height (measured in flat feel against a wall with heels touching the wall).
ADULT SIMBA: Please prepare a brief standard R&B song that shows off voice and range with accompaniment track or the song “Overjoyed”. See link below for “Overjoyed”. Please do not sing music from THE LION KING.
Submit via form here:
https://airtable.com/shrjg9omFqdJmLlUA
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 6, 2021
When: Wednesday, June 23, 2021 – sign up 9 AM – 12 PM
Where: The Orpheum Theatre at 126 Second Ave (between E 7th St & St. Marks Place) map
Non-Equity North American Tour 2021-2022
Production Description
Matchboxes, brooms, garbage cans, Zippo lighters and more fill the stage with energizing beats at STOMP, the inventive and invigorating stage show that’s dance, music and theatrical performance blended together in one electrifying rhythm.
SEEKING
Performers
Who you might be:
- A drummer who moves well
- A dancer who can drum
- An athletic individual with a great sense of rhythm
- Acting ability is strongly preferred
Rehearsal and Production Dates & Locations
- Rehearsal Date: June 28, 2021 in New York City
- If you are offered a role, you will need to start immediately.
* All dates are subject to change.
Compensation & Union Contract Details
- Rehearsal: $600/week
- Performances: $800/week
IMPORTANT: You must provide proof of having completed the COVID-19 vaccination series at least 14 days prior to the June 23rd audition date. Accepted forms of proof are limited to the NYS voluntary Excelsior Pass, or by presenting a vaccination card and photo ID. All auditionees must wear a mask at all times while in building.
What you need to know:
- Wear loose, comfortable clothes and boots/shoes with a hard sole
- No heels, sneakers, or taps
- Be prepared to move
- You do not need to have any material prepared
- Please be prepared to stay in the New York City area at your own expense through June 26 for callbacks
STOMP is a non-union production – Equity and other union members not excluded.
Visit the show page to view the current tour route.
Posted: June 3, 2021
Expires: June 16, 2021
Equity North American Tour 2021-2022
- Producers: Tom Smedes Productions, Nathan Gehan, Jamison Scott
- Director: Matthew Warchus
- Playwright: Jack Thorne
- Original Story: Charles Dickens
- Composer/Orchestrator: Christopher Nightingale
- General Manager: Showtown Theatricals
- Casting: Jim Carnahan Casting
Production Description
Two visionary Tony Award® winners — playwright Jack Thorne (HARRY POTTER AND THE CURSED CHILD), director Matthew Warchus (MATILDA) — offer a magical new interpretation of Charles Dickens’ timeless story.
Nominated for five Tony Awards, this New York Times Critic’s Pick welcomes theatergoers of all ages into an immersive experience that is brimming with Christmas spirit. Featuring dazzling staging, moving storytelling, and 12 cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear,” it is “so infectious you’ll leave the theater with a heart full of joy and light” (Entertainment Weekly).
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
SEEKING
SCROOGE [CAST]: Male, 40-65 Grouchy old miser with a cold-hearted approach to life. His kindness and goodwill are restored after a visit from some wise ghosts. Standard English accent.
BOB CRATCHITT: Male, 35-45 An affable man stuck in an ineffable job. He loves his family, he tries to love his boss, he believes if you project happiness in the world you will get happiness back – he’s wrong.
MRS CRATCHITT: Female, 30-45 Bob Cratchitt’s wife and mother to Tiny Tim. Kind, loving woman, focused on her family and providing what she can considering their poverty. Not a fan of Scrooge. She knows how to cook a goose.
NEWPHEW/FRED: Male, 25-35 A quick witted man who enjoys being fun and playful. He likes a game, he likes a chat, he doesn’t do a great deal with his time but lives life lovingly.
LITTLE FAN: Female, 18-28 Soft and sweet and clever, Little Fan is the Jimminy Cricket we all wished we had as a relative. Scrooge’s sister and the Ghost of Christmas future. Scrooge is very fond of Fan.
FATHER/MARLEY: Male, 35-55 Marley – Scrooge’s former business partner. A bitter man who bitterly regrets his bitterness. Father – Scrooge and Little Fan’s Father. Alcoholic. Commanding, pathetic, pathetically commanding.
BELLE: Female, 25-40 Cunning, beguiling, both extraordinary and ordinary. Scrooge meets Belle when they are young and falls in love with her. Leaves her behind with promise to return as a rich man and to marry her. Belle grows as Scrooge does, but in an entirely different way.
FEZZIWIG: Male, 40-60 The most joyous undertaker you’ll ever meet. Father of Belle. Warm, welcoming man – his house is full of Christmas cheer. Offers the young Scrooge work with the intention of making him an associate and business partner. Scrooge rejects this in his mission to provide more for Belle.
GHOST PAST: Female, 55-75 Sinewy and clever, the first of the ghosts. Takes Scrooge back to his childhood and visits Little Fan, Belle, and Fezziwig through the years. Pensive and cunning but with a sweet Grandma-like appearance.
GHOST PRESENT: Female, 35-45 A giant. With giant ways. She sees the present clearly, mainly because she’s so tall. She thinks he’s funnier than he is. She enjoys life, which is a wonderful skill in a ghost.
NICHOLAS: Male, 30-40 A good and kind husband to Belle. Same age as Belle. Skills on tin whistle and/or accordion a plus.
JESS: Female, 18-30 City type. Young, playful and competitive. A friend of Scrooge’s nephew, Jess is quick witted and a keen game player.
YOUNG EBENEZER: Male, 18-30 The young Scrooge, but not as we know him. Young Ebenezer is playful, bright and energetic despite his sorrow at being left alone at boarding school throughout school holidays. Must play cello.
FERDY/ENSEMBLE: Male, 18-30 City type. Young, playful character.
TINY TIM: (Male or Female, 8-12 A seer who carries a disability. Performers with disabilities encouraged to submit.
NOTE: All roles require an English accent. All roles (with the exception of Scrooge) will be asked to sing Christmas carols a cappella. Some roles will also play instruments including cello, mandolin, tin whistle, and accordion. Seeking all ethnicities for all roles.
Rehearsal and Production Dates & Locations
- Rehearsal Date: October 4, 2021
- First Performance: November 13, 2021
- Opening: November 30, 2021
- Closing: January 2, 2022
- Venue: Ahmanson Theatre, Los Angeles, CA (Indoors)
* All dates are subject to change.
Compensation & Union Contract Details
- Production (League) $2244 weekly minimum
No slate necessary. Please prepare one side provided in the Dropbox: https://www.dropbox.com/sh/agnmo6hw1cgdccx/AABjGgTOvdc2RRyFG7vwTjNWa?dl=0.
If you do not have a reader for your audition, you are welcome to perform a monologue of your choice in the style of the show.
Upload your tape to Vimeo, Dropbox, Google Drive, or WeTransfer (please make sure your video is downloadable) and send to: audition@carnahancasting.com. Include a picture and resume with your submission.
Posted: June 3, 2021
Expires: June 16, 2021
Equity North American Tour 2021-2022
- Producers: Tom Smedes Productions, Nathan Gehan, Jamison Scott
- Director: Matthew Warchus
- Playwright: Jack Thorne
- Original Story: Charles Dickens
- Composer/Orchestrator: Christopher Nightingale
- General Manager: Showtown Theatricals
- Casting: Jim Carnahan Casting
Production Description
Two visionary Tony Award® winners — playwright Jack Thorne (HARRY POTTER AND THE CURSED CHILD), director Matthew Warchus (MATILDA) — offer a magical new interpretation of Charles Dickens’ timeless story.
Nominated for five Tony Awards, this New York Times Critic’s Pick welcomes theatergoers of all ages into an immersive experience that is brimming with Christmas spirit. Featuring dazzling staging, moving storytelling, and 12 cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear,” it is “so infectious you’ll leave the theater with a heart full of joy and light” (Entertainment Weekly).
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
SEEKING
SCROOGE [CAST]: Male, 40-65 Grouchy old miser with a cold-hearted approach to life. His kindness and goodwill are restored after a visit from some wise ghosts. Standard English accent.
BOB CRATCHITT: Male, 35-45 An affable man stuck in an ineffable job. He loves his family, he tries to love his boss, he believes if you project happiness in the world you will get happiness back – he’s wrong.
MRS CRATCHITT: Female, 30-45 Bob Cratchitt’s wife and mother to Tiny Tim. Kind, loving woman, focused on her family and providing what she can considering their poverty. Not a fan of Scrooge. She knows how to cook a goose.
NEWPHEW/FRED: Male, 25-35 A quick witted man who enjoys being fun and playful. He likes a game, he likes a chat, he doesn’t do a great deal with his time but lives life lovingly.
LITTLE FAN: Female, 18-28 Soft and sweet and clever, Little Fan is the Jimminy Cricket we all wished we had as a relative. Scrooge’s sister and the Ghost of Christmas future. Scrooge is very fond of Fan.
FATHER/MARLEY: Male, 35-55 Marley – Scrooge’s former business partner. A bitter man who bitterly regrets his bitterness. Father – Scrooge and Little Fan’s Father. Alcoholic. Commanding, pathetic, pathetically commanding.
BELLE: Female, 25-40 Cunning, beguiling, both extraordinary and ordinary. Scrooge meets Belle when they are young and falls in love with her. Leaves her behind with promise to return as a rich man and to marry her. Belle grows as Scrooge does, but in an entirely different way.
FEZZIWIG: Male, 40-60 The most joyous undertaker you’ll ever meet. Father of Belle. Warm, welcoming man – his house is full of Christmas cheer. Offers the young Scrooge work with the intention of making him an associate and business partner. Scrooge rejects this in his mission to provide more for Belle.
GHOST PAST: Female, 55-75 Sinewy and clever, the first of the ghosts. Takes Scrooge back to his childhood and visits Little Fan, Belle, and Fezziwig through the years. Pensive and cunning but with a sweet Grandma-like appearance.
GHOST PRESENT: Female, 35-45 A giant. With giant ways. She sees the present clearly, mainly because she’s so tall. She thinks he’s funnier than he is. She enjoys life, which is a wonderful skill in a ghost.
NICHOLAS: Male, 30-40 A good and kind husband to Belle. Same age as Belle. Skills on tin whistle and/or accordion a plus.
JESS: Female, 18-30 City type. Young, playful and competitive. A friend of Scrooge’s nephew, Jess is quick witted and a keen game player.
YOUNG EBENEZER: Male, 18-30 The young Scrooge, but not as we know him. Young Ebenezer is playful, bright and energetic despite his sorrow at being left alone at boarding school throughout school holidays. Must play cello.
FERDY/ENSEMBLE: Male, 18-30 City type. Young, playful character.
TINY TIM: (Male or Female, 8-12 A seer who carries a disability. Performers with disabilities encouraged to submit.
NOTE: All roles require an English accent. All roles (with the exception of Scrooge) will be asked to sing Christmas carols a cappella. Some roles will also play instruments including cello, mandolin, tin whistle, and accordion. Seeking all ethnicities for all roles.
Rehearsal and Production Dates & Locations
- Rehearsal Date: October 18, 2021
- First Performance: November 26, 2021
- Opening: November 30, 2021
- Closing: December 26, 2021 (possible extension to January 2, 2022)
- Venue: Golden Gate Theatre, San Francisco, CA (Indoors)
* All dates are subject to change.
Compensation & Union Contract Details
- Production (League) $2323 weekly minimum
No slate necessary. Please prepare one side provided in the Dropbox: https://www.dropbox.com/sh/agnmo6hw1cgdccx/AABjGgTOvdc2RRyFG7vwTjNWa?dl=0.
If you do not have a reader for your audition, you are welcome to perform a monologue of your choice in the style of the show.
Upload your tape to Vimeo, Dropbox, Google Drive, or WeTransfer (please make sure your video is downloadable) and send to: audition@carnahancasting.com. Include a picture and resume with your submission.
Posted: June 3, 2021
Expires: July 9, 2021
Non-Equity North American Tour 2021-2022
- Producers: Prather Productions and APEX Touring
- Director: Lauren Sobon
- Music and Lyrics: Donna Summer, Giorgio Moroder and Paul Jabara
- Book: Colman Domingo, Robert Cary and Des McAnuff
- Casting: Brian Enzman, Apex-Prather Touring
Production Description
She was a girl from Boston with a voice from heaven, who shot through the stars from gospel choir to dance floor diva. But what the world didn’t know was how Donna Summer risked it all to break through barriers, becoming the icon of an era and the inspiration for every music diva who followed. With a score featuring more than 20 of Summer’s classic hits including “Love to Love You Baby,” “Bad Girls” and “Hot Stuff,” this electric experience is a moving tribute to the voice of a generation.
SEEKING
Diva Donna: plays 50-59 (Black-African descent) Donna in her 50’s at the pinnacle of her career. Warm and wise and is the emcee for the show. Also plays Mary Gaines, Donna’s mother.
Disco Donna: plays 18-29 (Black-African descent) Donna in her late teens and 20’s during her rising star career from Boston to Germany and discotheques of L.A. and NYC. She is charismatic and strong as she advances her career. Must be a strong dancer as well.
Duckling Donna:(Must be legal 18+ to play younger. Black-African descent) Donna as a pre-teen, trying to find her voice within a large Boston family. Ambitious yet fragile. Also plays Mimi, Donna’s oldest daughter.
Bruce Sudano: plays 35-45. Bass player for the Brooklyn Dreams and eventually Donna’s husband. Supportive and witty.
Andrew Gaines: plays 40 -49 (Black-African descent) Donna’s father. Ex-military. Has a stern exterior but loves his children more than anything.
Neil/Gunther: plays 30-39. Neil is head of Casablanca records and Donna’s mentor. Works hard and parties harder. Gunther is Donna’s German boyfriend. Handsome and charming, but with a darker edge.
Ensemble Singers/Dancers: (Male and Females. 18-40) Must be Strong singers and dancers. Many women will be playing and dancing Male roles.
Rehearsal and Production Dates & Locations
- Rehearsal Date: October 18, 2021 in Lancaster, PA
- First Performance: November 16, 2021 in Pittsburgh, PA
- Closing Date: June 25, 2022 in Lancaster, PA.
* All dates are subject to change.
Compensation & Union Contract Details
- $680-880/week
- Contracts include housing, Per diem and professional weekly salary.
- Please note that that weekly salary range listed above is the total of the actor’s weekly performance salary and the actor’s weekly per diem amount. All contracts are NON-AEA.
Actor’s should submit 2 contrasting songs, 32 bars each, in the style of the Disco and the 1970’s era. Include your pic/resume, website and any audition reels you have. Especially dance reels for the ensemble roles.
Email submissions to both Brian Enzman (Casting) Brian@Prathertouring.com and Lauren Sobon (Director) Lauren@Prathertouring.com. Actors will be sent sides if chosen to read and come to the call backs in NYC. Callbacks will be July 26-28 by Appointment, at Nex Gen Studios. 519 8th Ave, NYC. (Formally Pearl Studios)
Visit the show page to view the current tour route.
Posted: June 23, 2021
Expires: July 1, 2021
Equity North American Tour 2021-2022
- Producer: Paul Blake & Sony/ATV Music Publishing
- Director: Marc Bruni
- Music & Lyrics: Carole King & Gerry Goffin and Barry Mann & Cynthia Weil
- Musical Supervisor: Jason Howland
- Book: Douglas McGrath
- Choreography: Josh Prince
- Casting: Stephen Kopel, Casting
Production Description
Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.
Beautiful has a book by Tony Award® nominee and Academy Award®–nominated writer Douglas McGrath, direction by Marc Bruni, choreography by Josh Prince, and took home two 2014 Tony Awards® and the 2015 Grammy® for Best Musical Theater Album.
SEEKING
Equity dancers for chorus parts in BEAUTIFUL tour.
SHIRELLE (20’s-30’s, African American Women): Seeking strong dancer/singers.
DRIFTER (20’s-30’s, African American Men): Seeking strong dancer/singers.
Rehearsal and Production Dates & Locations
- Rehearsal Date: late September/early October
- First Performance: November 2, 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
Short Engagement Touring $928 weekly minimum (Category 4)
Instructions
For all roles: Please prepare a short musical theatre dance piece, in the style of the show. If you would prefer to submit a short combination from the show, please prepare the dance combination at:
www.dropbox.com/sh/3jituzz1gopy1cj/AABu5Vu4IsCeaZ86GfIwH68Pa?dl=0
All audition videos must be sent as a streaming link (YouTube, Vimeo, etc.). No downloads, please. Email your audition to:
Please include your full name, and the role you are submitting for in the subject line. All videos must be submitted by July 1, 2021.
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 23, 2021
Expires: July 1, 2021
Equity North American Tour 2021-2022
- Producer: Disney Theatrical Productions
- Director: Michael Grandage
- Music & Lyrics: Kristen Anderson-Lopez and Robert Lopez
- Musical Supervisor: Stephen Oremus
- Book: Jennifer Lee
- Choreography: Rob Ashford
- Casting: The Telsey Office
Production Description
From the producers of The Lion King, Mary Poppins, and Aladdin comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Based on the 2014 animated feature, the new Disney stage musical Frozen features a score by Kristen Anderson-Lopez and Robert Lopez, including their Oscar-winning song, “Let It Go,” and a book by Jennifer Lee, the Oscar-winning film writer and director (with Chris Buck).
SEEKING
MALE ENSEMBLE TENOR/DANCER u/s HANS: 20s, Strong tenor and excellent dancer, must be 6’0” or taller. Will cover the principal role of HANS: The youngest of thirteen brothers, Prince Hans of the Southern Isles is a real charmer – as handsome as handsome gets. Anna falls for his open wittiness on the spot – he gets her.
Rehearsal and Production Dates & Locations
- Rehearsal Date: Early August 2021
- First Performance: Early September 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- Production (Disney) $2323 weekly minimum
Instructions
For material and instructions on how to submit, please visit: https://tinyurl.com/FrozenJune2021
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Posted: June 28, 2021
Expires: July 8, 2021
Equity North American Tour 2021-2022
- Producer: Stacey Mindich Productions
- Director: Michael Greif
- Music & Lyrics: Justin Paul and Benj Pasek
- Musical Supervisor: Alex Lacamoire
- Book: Steven Levenson
- Choreography: Danny Mefford
- Casting: Tara Rubin Casting/Kevin Metzger-Timson, CSA
Production Description
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. Dear Evan Hansen is the deeply personal and profoundly contemporary musical about life and the way we live it.
Dear Evan Hansen has struck a remarkable chord with audiences and critics everywhere, including The Washington Post who says Dear Evan Hansen is “one of the most remarkable shows in musical theatre history.” The New York Times calls it “a gorgeous musical for anyone with a beating heart.” And NBC Nightly News declares the musical “an anthem resonating on Broadway and beyond.”
Dear Evan Hansen features a book by Tony Award- winner Steven Levenson, a score by Grammy, Tony, Olivier and Academy Award-winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award-nominee Michael Greif (Rent, Next to Normal).
SEEKING
SEEKING EQUITY ACTORS FOR BROADWAY AND NATIONAL TOUR FUTURE REPLACEMENTS FOR ALL PRINCIPAL ROLES (see breakdown):
Evan Hansen (17): Strong Pop Vocalist, G2-B4. Smart, sincere, and painfully self-conscious, Evan prefers to hover in the background, a supporting player in his own life, too afraid to step forward into the spotlight and risk ridicule or, what might be worse, no one noticing him at all.
Zoe Murphy (16): Strong Pop Vocalist, F3-E5 (belt). A sensitive, sophisticated high school junior. Cool without realizing it, Zoe could care less about the status games and popularity rites of high school. Funny and bright, she has grown up in the long shadow cast by her volatile older brother, Connor, tyrannized along with the rest of her family by his out-of-control behavior. Few rooms are as familiar to her as the inside of a family therapist’s office. Zoe compensates for her brother’s darkness by striving to be warm, nice to everyone, the kind of person who goes out of her way to learn the names of the kids who sit by themselves at lunch. She feels a terrible ambivalence over her brother’s death, finding it difficult to forgive him for all he did, and at the same time forgive that part of herself that feels nothing but relief in the fact that he’s gone.
Alana Beck (17): Strong Pop Vocalist, F3-E5 (belt). A diligent, conscientious, straight-A high school senior, Alana is a do-gooder and a rule follower. Her acute self-awareness and social anxiety make it difficult to connect with others. Beneath her extroverted demeanor, she is in fact haunted by a terrible and abiding loneliness. Alana seizes the death of a classmate as an opportunity finally to find a sense of belonging. Well-intentioned and self-effacing, Alana is transformed by her fixation on the tragedy.
Connor Murphy (17): Strong Pop Vocalist, G2-G4. An angry, disaffected loner, Connor has been a troubled kid for as long as anyone can remember, an enigma and a source of endless consternation to his long-suffering parents.
Jared Kleinman (17): Strong Pop Vocalist, A2-B4 G4. Droll and sarcastic, Jared carries himself with the kind of practiced swagger only the deeply insecure can truly pull off. He is forced by his parents to hang out with family friend Evan, for whom he claims to have nothing but disdain. Jared masks his self-doubt with braggadocio and a know-it-all arrogance.
Heidi Hansen (40s): Strong Pop Vocalist, F3-Eb5 (belt). Evan’s mother. Overworked and stretched too thin, Heidi loves her son fiercely, but fears they have begun to grow apart. She is prepared to do anything to repair the damage.
Cynthia Murphy (40s): Strong Pop Vocalist, F#3-E5 (belt). Connor and Zoe’s mother. To Evan, she seems to be the perfect mother, nurturing, available, and willing to talk about anything. To her own children, it’s a bit more complicated.
Larry Murphy (40s): Strong Pop Vocalist, F#2-G4. Connor and Zoe’s father. Though often tense and taciturn, Larry shows a different face to the world, representing for Evan the dad he always wished for: strong, confident, and more than anything, reliable, someone to be counted on.
Understudy 1 & 2: Will understudy the roles of Cynthia and Heidi (40’s).
Understudy 3 & 4: Will understudy the roles of Zoe and Alana (17).
Understudy 5: Will understudy the role of Larry (40’s).
Understudy 6 & 7: Will understudy the roles of Evan, Connor and Jared (17).
Understudy 8: Will understudy the roles of Connor and Jared (17).
Rehearsal and Production Dates & Locations
- Rehearsal Date: TBA
- First Performance: Winter 2021
- Closing Date(s): TBD
* All dates are subject to change.
Compensation & Union Contract Details
- Production (League) $2323 weekly minimum
Instructions
To submit, please tape the assigned show material for the role for which you are auditioning OR a brief pop/rock song of your choice. Sheet music, vocal guide tracks, and accompaniment tracks can be downloaded at the following link:
https://tinyurl.com/DEHCasting
Please include a full-body slate at the beginning of your video, and only submit an unlisted YouTube (not private) or Vimeo link. If submitting for an understudy role, you only need to prepare one character’s provided material.
Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.
Please use this form to submit your audition video and headshot/resume:
https://forms.gle/xUouRpZh3NEcpvddA
Visit the show page to view the current tour route.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
We are committed to inclusive and equitable casting for all roles in Dear Evan Hansen and are actively seeking people of all races, cultural backgrounds, abilities, and gender identities to audition. The breakdowns below refer to the characters as they are written in the Dear Evan Hansen script and are not meant to limit the actors we’re looking to cast in the roles. The vocal ranges indicate how the score was written, but should not be considered a limitation when auditioning. We are interested in working with all voices and we welcome actors of all vocal ranges and registers to submit for the roles.
Posted: November 3, 2021
Expires: November 15, 2021
Producers: Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt, and David Stone
Director: Joe Mantello
Choreographer: Wayne Cilento
Music & Lyrics: Stephen Schwartz
Book: Winnie Holzman
Music Supervisor: Stephen Oremus
Music Director: Dan Micciche (viewing auditions)
Associate Director: Lisa Leguillou
Associate Choreographer: Corinne McFadden Herrera (viewing auditions)
General Manager: 321 Theatrical Management
Casting: The Telsey Office/Craig Burns, CSA (viewing auditions)
Production Description
Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good.
SEEKING
[SINGERS WHO MOVE] 20s – 50s, any ethnicity. Fantastic singers with a wide vocal range. Should have movement ability. Various characters in the ensemble. Possible principal understudy assignments. ENSEMBLE[DANCERS WHO SING] 20s – 30s, any ethnicity. Unique, athletic dancers with strong ballet/jazz technique for Wayne Cilento’s edgy, contemporary choreography. Various characters in the ensemble. Possible principal understudy assignments. ENSEMBLEInstructions
If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height.
Singers
Please sing 16 bars of a contemporary musical theater song showing range. Sopranos may sing 16 bars of a traditional legit musical theater song showing range. Please provide your own accompaniment. As an alternative to singing a song of choice, you may sing an excerpt from WICKED. Sheet music, teaching tracks, and accompaniment tracks are accessible at the following link. Please choose Soprano 1, Soprano 2, Alto, Tenor 1, Tenor 2, or Baritone/Bass: https://tinyurl.com/38eaew46
Dancers
Please videorecord yourself dancing the combination located in the link below. There is one teaching track with counts, and one track with music that should also be used for accompaniment. Please wear jazz shoes or sneakers.
The dance videos are accessible here: https://tinyurl.com/26za23uk
Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) and in one file to the email address. In the subject line, please type: [Your full name] – [The role(s) for which you’d like to be considered]
wickedmusicalcasting@gmail.com
Please title your video: FULL NAME – HAMILTON . In the subject line, please type: HAMILTON – EDC – FULL NAME .
CONTRACT
Production (League) $2323 weekly minimum
Visit the show page to view the current tour route.
Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.
Posted: November 3, 2021
Expires: November 19, 2021
- Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
- Director: Thomas Kail
- Music and Lyrics: Lin-Manuel Miranda
- Musical Director: Alex Lacamoire
- Choreography: Andy Blankenbuehler
- Casting: The Telsey Office
Production Description
Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.
SEEKING
ALEXANDER HAMILTON: Male. Non-white, 30s, Tenor-Baritone. An earnest, ambitious hothead, a man possessed. Speaks his mind, no matter the cost. Raps VERY well. Eminem meets Sweeney Todd. PRINCIPAL
ELIZA HAMILTON: Female. Non-white, 20s – 30s, Soprano. Fiercely loyal, self-possessed, proud. Evolves from lovesick, wealthy young woman to the sole keeper of her late husband’s legacy. Alicia Keys meets Elphaba. PRINCIPAL
ANGELICA SCHUYLER: Female. Non-white, 20s-30s, Mezzo – Soprano, Sings and raps well. Fierce, dazzling, brilliant, can read a room and everyone in it instantly. Deeply in love with Hamilton, who is married to her beloved sister Eliza. Nicki Minaj meets Desiree Armfeldt. PRINCIPAL
AARON BURR: Male. Non-white, 20s-30s, Tenor/Baritone, sings and raps in equal measure. Our narrator. A cool, steely reserve. An orphan raised in wealth, plays his cards and opinions close to the vest. Slow to anger, but when he gets there, look out. Javert meets Mos Def. PRINCIPAL
GEORGE WASHINGTON: Male. Non-white, 30s-40s, Tenor/Baritone, sings and raps in equal measure. Authoritative, regal, aloof, aware of his place in history at all times. John Legend meets Mufasa. PRINCIPAL
MARQUIS DE LAFAYETTE/THOMAS JEFFERSON (dual role): Male. Non-white, 20s-30s, Tenor-Bari, Sings and raps well.
LAFAYETTE is an earnest, idealistic Frenchman who reveals himself to be a superb military commander/rapper. Think Lancelot meets Ludacris.
JEFFERSON is relaxed, jazzy, brilliant, whose effortless cool is ruffled ONLY by Hamilton. Harold Hill meets Drake. PRINCIPAL
HERCULES MULLIGAN/JAMES MADISON (dual role): Male. Non-white, 20s-30s, Tenor/baritone, Sings and raps well.
MULLIGAN is the life of the party, dripping with swagger, streetwise and hilarious. Joins the revolution to get out of being a tailor’s apprentice, and befriends Laurens, Hamilton and Lafayette. Busta Rhymes meets Donald O’Connor.
MADISON is incisively intelligent, quiet, professional. A former Hamilton ally, he becomes Jefferson’s detail man concerning all matters—he gets things done. RZA meets Zach from Chorus Line. PRINCIPAL
JOHN LAURENS/PHILIP HAMILTON (dual role): Male. Non-white, late teens 20s, Tenor, sings and raps well.
LAURENS is an ardent young abolitionist and idealist, born into privilege, joining the Revolution. Hamilton’s loyal best friend. Nas meets Elder Price.
PHILIP HAMILTON: Prodigious, full of life, a wordsmith in the mold of his father Alexander. Tupac meets J. Pierrepont Finch. PRINCIPAL
PEGGY SCHUYLER/MARIA REYNOLDS (dual role): Female. Non-white, late teens-20s, Mezzo-Soprano.
PEGGY SCHUYLER: sweet, shy, youngest of the three Schuyler Sisters. The Michelle Williams of Destiny’s Child.
MARIA REYNOLDS: sultry, young, calculating. Affects the role of a damsel in distress to seduce Hamilton. Jasmine Sullivan meets Carla from Nine. PRINCIPAL
KING GEORGE: Male. Caucasian, 30s-40s, Tenor, British accent. The King of England. Entitled, pouty nihilist. Sees the American Colonies as a deluded former lover, who will come crawling back. Rufus Wainwright meets King Herod in JCS. PRINCIPAL
Instructions
Prepare a brief pop/rock song that shows your style and vocal range. If you do not have access to accompaniment, you may sing your song of choice a cappella. If you are not able to sing a song of your choosing, please feel free to prepare the provided song.
Sheet music and accompaniment MP3 are available at the following link: https://www.dropbox.com/sh/zgnhga8gegx6q79/AAAABNXkp6bYkqPe2bwX9R0Ea?dl=0
If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit).
At the top of the video, please slate your name and height.
Please email the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc) to:
Please title your video: FULL NAME – HAMILTON . In the subject line, please type: HAMILTON – EPA – FULL NAME .
CONTRACT
Production (League) $2,323 weekly minimum
Visit the show page to view the current tour route.
Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.
Musicians
Posted: August 29, 2021
NETworks Presentations LLC
SEEKING
NETworks Presentations, LLC is seeking a Reed 1(flute/piccolo/clarinet/alto sax) replacement for the Charlie and the Chocolate Factory Bus & Truck National Tour. Competitive salary, plus double occupancy housing, daily expense allowance, and company provided transportation.
Rehearsal and Production Dates & Locations
- Rehearsal Date: on or about October 7, 2021
- Opening Date: TBA
- Closing Date: June 26, 2022
* All dates are subject to change.
Compensation & Union Contract Details
- $600.00-700.00
Competitive salary based on experience, plus weekly expense allowance and company provided transportation.
Instructions
To be considered you must submit the following materials: a resume and video samples (overtures, dance music, pop musical theatre repertoire, etc.) of your playing.
Send materials to John Mezzio at:
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Visit the show page to view the current tour route.
Posted: August 2, 2021
NETworks Presentations LLC
SEEKING
NETworks Presentations, LLC is seeking a Trumpet in C/Flugelhorn player for the Anastasia Bus & Truck National Tour. This chair should have classical training with a very legit symphonic sound.
Rehearsal and Production Dates & Locations
- Rehearsal Date: on or about October 9, 2021
- Opening Date: TBA
- Closing Date: June 26, 2022
* All dates are subject to change.
Compensation & Union Contract Details
- $600.00-700.00
Competitive salary based on experience, plus weekly expense allowance and company provided transportation.
Instructions
To be considered you must submit: a resume and video samples of your playing.
Send materials to John Mezzio at:
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Visit the show page to view the current tour route.
Posted: August 2, 2021
NETworks Presentations LLC
SEEKING
NETworks Presentations, LLC is seeking a Keyboardist for the Anastasia Bus & Truck National Tour. This second (2nd) keyboard chair utilizes NOTIONTM software. Previous experience with this program is favorable but not necessary.
Rehearsal and Production Dates & Locations
- Rehearsal Date: on or about October 9, 2021
- Opening Date: TBA
- Closing Date: June 26, 2022
* All dates are subject to change.
Compensation & Union Contract Details
- $600.00-700.00
Competitive salary based on experience, plus weekly expense allowance and company provided transportation.
Instructions
To be considered you must submit: a resume and video samples of your playing.
Send materials to John Mezzio at:
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Visit the show page to view the current tour route.
Posted: August 21, 2021
NETworks Presentations LLC
SEEKING
NETworks Presentations, LLC is seeking an Associate Conductor/Keyboard for the Charlie and the Chocolate Factory Bus & Truck National Tour. Excellent keyboard skills as well as extensive keyboard conducting experience. Competitive salary, plus double occupancy housing, daily expense allowance, and company provided transportation.
Rehearsal and Production Dates & Locations
- Rehearsal Date: on or about September 20, 2021
- Opening Date: TBA
- Closing Date: June 26, 2022
* All dates are subject to change.
Compensation & Union Contract Details
- $600.00-700.00
Competitive salary based on experience, plus weekly expense allowance and company provided transportation.
Instructions
To be considered you must submit the following materials: a resume and video samples (overtures, dance music, pop musical theatre repertoire, etc.) of your playing.
Send materials to John Mezzio at:
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Visit the show page to view the current tour route.
Posted: July 1, 2021
NETworks Presentations LLC
SEEKING
NETworks Presentations LLC is seeking musicians for the WAITRESS Bus & Truck National Tour.
NOTES
Open positions include:
- BASS (Acoustic & Electric)
- CELLO (doubling on GUITAR)
Rehearsal and Production Dates & Locations
- Rehearsal Date: on or about September 27, 2021
- Opening Date: TBA
- Closing Date: June 12, 2022
There is a holiday hiatus beginning on December 13, 2021 through January 1, 2022
* All dates are subject to change.
Compensation & Union Contract Details
Competitive weekly salary, company provided double occupancy housing, daily expense allowance, and transportation.
Instructions
To be considered, you must submit the following: a current resume and video samples (pop, musical theatre repertoire, etc.) of your playing. Cello/Guitar candidates need to submit both cello and guitar samples.
Send materials to John Mezzio at:
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Visit the show page to view the current tour route.
Posted: June 19, 2021
TROIKA Entertainment, LLC
SEEKING
TROIKA Entertainment LLC is seeking musicians for the upcoming National Tour of Jimmy Buffett’s ESCAPE TO MARGARITAVILLE.
NOTES
Open positions include:
- Music Director/Keys
- Trumpet (Bb, Flugel, Recorder)
- Guitar 1 (Electric, Acoustic, Ukulele, Banjo, Harmonica, Lap Steel)
- Bass (Electric)
- Drums
Rehearsal and Production Dates & Locations
- Opening Date: August 31, 2021
- Closing Date: November 21, 2021
* All dates are subject to change.
Compensation & Union Contract Details
Competitive salary, per diem, housing and company provided transportation.
To be considered, please submit a current resume and applicable playing samples (preferably videos in web link format). If you have already submitted materials this season, no need to submit full materials again. Further preparation of audition materials may be requested.
Send materials to Talitha Fehr at talitha@tlmusic.ca
TROIKA Entertainment is a theatrical production company producing touring musical theatre productions throughout North America and internationally. We are based in Rockville, MD a suburb of Washington DC. We offer a competitive compensation package commensurate with experience, which includes a comprehensive benefits package.
TROIKA Entertainment LLC is an equal opportunity employer. We will extend equal opportunity to all individuals without regard to race, religion, color, sex (including pregnancy, sexual orientation and gender identity), national origin, disability, age, genetic information, or any other status protected under applicable federal, state, or local laws. Our policy reflects and affirms our Company’s commitment to the principles of fair employment and the elimination of all discriminatory practices.
Visit the show page to view the current tour route.
Posted: May 18, 2021
NETworks Presentations, LLC
SEEKING
NETworks Presentations, LLC is seeking an Accordion player (doubling on Keyboard) for the FIDDLER ON THE ROOF Bus & Truck National Tour.
NOTES
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Rehearsal and Production Dates & Locations
- Rehearsal Date(s): on/about October 4, 2021
- Closing Date: June 26, 2022
* All dates are subject to change.
Compensation & Union Contract Details
Competitive salary, weekly expense allowance, company provided double occupancy housing and transportation.
Extensive keyboard conducting experience is required. To be considered you must submit the following materials: a resume and video samples (overtures, dance music, musical theatre repertoire, etc.) of your accordion and keyboard playing.
Please send materials to John Mezzio: NETworksMusicDept@gmail.com
Visit the show page to view the current tour route.
Posted: May 18, 2021
NETworks Presentations, LLC
SEEKING
NETworks Presentations, LLC is seeking musicians for the 2021-2022 touring season. Shows include: HAIRSPRAY, ANASTASIA, and CHARLIE AND THE CHOCOLATE FACTORY. Open positions include: REEDS (flute/clarinet/oboe/English Horn/bass clarinet/bassoon/saxes), VIOLIN, CELLO, TRUMPET/FLUGELHORN, TROMBONE, and DRUMS/PERCUSSION.
NOTES
NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.
Rehearsal and Production Dates & Locations
- Rehearsal Date(s): on/about October 4, 2021
- Closing Date: June 26, 2022
* All dates are subject to change.
Compensation & Union Contract Details
Competitive salary, weekly expense allowance, company provided double occupancy housing and transportation.
To be considered, you must submit the following: a current resume and video samples (overtures, dance music, musical theatre repertoire, etc.) of your playing.
Please send materials to John Mezzio: NETworksMusicDept@gmail.com
Visit the show pages to view the current tour routes:
Posted: May 17, 2022
Troika Entertainment
SEEKING
Troika Entertainment is hiring musicians for the upcoming National Tour of TOOTSIE.
Open positions include:
Associate Conductor/Keys 1
Reed 1 (Alto Sax, Flute, Piccolo, Soprano, Recorder)
Trumpet/Flugelhorn
Trombone
Guitar (Electric, Acoustic, Mandolin)
Drums
Duration
Fall 2022-Spring 2023
Compensation & Union Contract Details
Competitive salary starting at $750/week plus $280/week per diem. Hotel accommodations, basic health insurance, and transportation are provided.
Instructions
To be considered, please submit a current resume and applicable playing samples (preferably videos in web link format). Further preparation of audition materials may be requested.
Send materials to Talitha Fehr at talitha@tlmusic.ca
TROIKA Entertainment LLC is an equal opportunity employer. We will extend equal opportunity to all individuals without regard to race, religion, color, sex (including pregnancy, sexual orientation and gender identity), national origin, disability, age, genetic information, or any other status protected under applicable federal, state, or local laws. Our policy reflects and affirms our Company’s commitment to the principles of fair employment and the elimination of all discriminatory practices.
Visit the Show Page to view the current tour route.