Jobs

Performers

No current openings.

Posted: November 20, 2021
Expires: November 30, 2021

Equity North American Tour

  • Directors: Lucy Moss and Jamie Armitage
  • Music and Lyrics: Toby Marlow, Lucy Moss
  • Book: Toby Marlow, Lucy Moss
  • Choreography: Carrie-Anne Ingrouille
  • Casting: Tara Rubin Casting

Production Description 

From Tudor Queens to Pop Princesses, the six wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power!


SEEKING

Future replacements in Six the Musical tour. 

Triple-threat performers 18 and up to portray the six wives of Henry VII as they reunite to tell their stories via a pop concert. Must have incredible pop voices, strong dance skills, great comedic instincts, and the ability to interact with an audience well


Dates & Locations

  • Audition:
  • Rehearsal Date: TBA
  • First Performance: TBA
  • Closing Date(s): TBD

* All dates are subject to change.


Instructions

Please sign up for a time slot via the following link:

https://www.signupgenius.com/go/10c0d48acab2ca6f4c52-sixthe

Sign-ups will open at 10 AM PST on Tuesday, November 23. If all slots are filled, and Alternate List will be available at the studio beginning at 9 AM the morning of the audition. We will audition performers from the Alternate List as time permits, but we cannot guarantee you’ll be seen. Access to the building will not be open until 9 AM.

Please bring a hardcopy picture and resume, stapled together.

Prepare a brief contemporary pop song and bring sheet music and your book.


Callbacks

You may be asked to return for a dance callback in the afternoon. If asked to dance, wear comfortable clothing and a light soled boot with a thick or chunky heel (LaDuca boots work fine). Please avoid painted shoes and a platformed sandal, pumps, or stilettos.

Further callbacks in Los Angeles may occur on Thursday, December 2.


Note

All performers must be fully vaccinated to attend this call with no exceptions, meaning you received your 2nd dose in a 2-dose series or your single-dose vaccine no later than Monday, November 15. You must bring proof of vaccination to the audition – this can be the hard copy card, or a digital pass, and complete a health screening form upon arrival. A COVID Safety Manager will be present at the audition.


Please send any questions to the following email:

sixmusicalcasting@gmail.com

Video submissions will not be accepted. No phone calls, please.


Visit the show page to view the current tour route.

Musicians

No current openings.

Posted: August 29, 2021

NETworks Presentations LLC


SEEKING

NETworks Presentations, LLC  is seeking a Reed 1(flute/piccolo/clarinet/alto sax) replacement for the Charlie and the Chocolate Factory Bus & Truck National Tour. Competitive salary, plus double occupancy housing, daily expense allowance, and company provided transportation.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: on or about October 7, 2021
  • Opening Date: TBA
  • Closing Date: June 26, 2022

* All dates are subject to change.


Compensation & Union Contract Details

  • $600.00-700.00

Competitive salary based on experience, plus weekly expense allowance and company provided transportation.


Instructions

To be considered you must submit the following materials: a resume and video samples (overtures, dance music, pop musical theatre repertoire, etc.) of your playing.

Send materials to John Mezzio at:

NETworksMusicDept@gmail.com


NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Visit the show page to view the current tour route.

Management and Production

No current openings.

Posted: January 12, 2022

SEEKING

AEA Stage Managers

Disney Theatrical Group is seeking resumes to fill positions for Production Stage Manager (PSM) and Assistant Stage Managers (ASM) on a new touring production of Aladdin in the fall of 2022. 

Responsibilities

PSM responsibilities include but are not limited to: facilitating studio and technical rehearsals, supervising the running of each performance, maintaining direction of the show, creating and maintaining production calendar, creating daily rehearsal and show reports, and running understudy and put-in rehearsals for replacements. The PSM should have the ability to communicate extremely well with both technicians and actors. The PSM will lead a team of ASMs, as well as Production Assistants, during studio rehearsals.

ASM positions will support the PSM and the touring company with the above responsibilities.

Additionally, all stage managers will attend and participate in equity, diversity & inclusion, sexual harassment, and any other anti-bias training and workshops as scheduled by the Producer. They will model and support the mission and values of The Walt Disney Company and Disney Theatrical Group by demonstrating inclusive behavior, maintaining a safe and professional working environment free from any aggressions, and recognizing micro-aggressions and interrupting behaviors that hinder Disney Theatrical Group’s diversity and inclusion efforts.


Basic Qualifications:

  • Experience in professional Stage Management, with touring experience preferred
  • Be a forward-thinking person who can work independently as well as part of a team
  • Have excellent verbal and written communication and leadership skills

Salary:

  • This production will be an Actors’ Equity Association Tier C Production contract. (Current salaries per the AEA Tier C contract are listed as $2162.00 for PSM, $1710.00 for 1st ASM, and $1491.00 for 2nd ASM)

Apply Online:

https://jobs.disneycareers.com/job/new-york/aea-stage-managers/391/21739439872


Visit the show page to view the current tour route.


DTG is committed to providing the highest quality opportunities for the widest, most diverse group of talented professionals throughout their career trajectory. We encourage applications from individuals whose backgrounds are currently underrepresented in the field of theater, inclusive of race, ethnicity, class, gender identity or expression, disability status, and sexual orientation.

Technical

No current openings.

Posted: October 6, 2021


Seeking:

Touring Assistant Hair for Ain’t Too Proud – The Life and Times of the Temptations First National Tour. We are looking for Union candidates for consideration.

Please submit your current resume including full contact information and work/educational history. Professional references required.


BIPOC candidates are strongly encouraged to apply.

Please send all inquiries to:

mfoster@wlpshows.com

No phone calls, please.


DURATION
November 15, 2021 – December 31, 2022


SALARY
$1200 per week


Visit the show page to view the current tour route.

Posted: September 2, 2021

Rudolph The Red-Nosed Reindeer is staffing various technical positions for it’s 2021 Winter Tour Season! This show is produced and generally managed by Right Angle Entertainment, and will be launching in Downey, California (roughly 25 minutes from Los Angeles, CA) on November 2nd, 2021. 

SEEKING

Head Electrician (LX1) 

Head Electrician will be responsible for leading and partaking in shop prep, overseeing the shows LX load in / load out, focus, and troubleshooting of the LX system from venue to venue. Head Electrician will also be responsible for overseeing the tours video elements from venue to venue. The tour travels a comprehensive LX rig, with little use of house inventory from venue to venue. The tour also travels a projector and video playback system, with the set being the primary projection surface. 
This role will have an assistant. This role is a department head, however will report to the tours Head Carpenter and Producing Production Manager. Pre Production is scheduled to start around October 17th, 2021. 

Head Wardrobe

Head Wardrobe will be responsible for overseeing the costumes while on tour. This includes but is not limited to leading wardrobe load in / load out, participating in and directing the performances costume track including quick changes, laundry, proper costume maintenance, repairs, and more. This role is a department head, however will report to the tours Head Carpenter and Producing Production Manager. Pre Production is scheduled to start around October 24th, 2021.

Assistant Electric (LX2)

Assistant Electrician will work alongside the Head Electrician to ensure the smooth setup and installation of the tour LX and Video package from venue to venue. The assistant will report directly to the Head Electrician, and may have duties including leading lighting focus, troubleshooting of LX and Video equipment while on the road, setting up video, running follow spot during performances, and other duties as assigned by the Head Electrician. Pre Production is scheduled to start around October 24th, 2021.

Assistant Audio / A2

Assistant Audio / A2 will work alongside the Head Audio to ensure smooth setup and installation of the tour Sound Package from venue to venue on tour. The assistant will report directly to the Head Audio, and will have duties including but not limited to running the A2 track during performances, assisting with load in / load out of audio equipment, troubleshooting of audio equipment while on the road, and other duties as assigned by the Head Audio. 

Assistant Stage Manager

Assistant Stage Manager is responsible for running all scene shifts (charts provided), is on stage (in costume, all white with Heely Shoes) to help with scene shifts, sets stage for top of Act 1 and Act 2, works along side Props Department during the show, assists PSM during load in / load out, and helps maintain the call board on tour. Must be available for all of the rehearsal period in La Mirada, CA, starting October 24th, 2021. 

Assistant Carpenter

Assistant Carpenter will work alongside the Head Carpenter to ensure the smooth setup and installation of the tour scenic package from venue to venue. The assistant will report directly to the Head Carpenter, and may have duties including scenic maintenance and repairs, show scenic track, use of a fly system, assisting and leading parts of load in and load out, and other duties as assigned by the Head Carpenter. Pre Production is scheduled to start October 24th, 2021.

Key Dates:

The rehearsal schedule is October 24th – November 2nd. Rehearsals will take place in La Mirada, CA.

Tech Venue is the Downey Theater in Downey, CA (roughly 25 minutes outside of Los Angeles) so applicants local to the Los Angeles area will be given preference.

Pre Production Start Date for Department Heads: Around October 17th or 24th.

Pre Production Start Date for Department Assistants- October 24th or November 2nd.

Tech Period- November 2nd-November 6th in Downey, CA.

Tour End Date- December 24th, 2021. 


Salary:

  • $1000+/week

Apply Online:

To be considered, please email your resume to- Matthew@RightAngleEnt.com with the subject line stating: RUDOLPH/ Position you are applying for /and your name.

In the body of your email, please include whether you are local to Los Angeles, or where your locality is. Applicants with locality near Los Angeles will be given preference, however this is not a deal breaker. 


Visit the show page to view the current tour route.

Submit a job

Individual or Organization Posting a Job or Casting Notice to ToursToYou.com Agrees to the Following:

ToursToYou.com Reserves the Right to:

– Post, edit and/or remove any job or casting notice at its own discretion

Individual or Organization is not misrepresenting its identity or credentials.

All job and casting notices will remain pending until reviewed. Submitted notices will be posted within 3 business days.

Job notices that will not be accepted:

– Unrelated submissions

– Any notices where we are unable contact the poster via email or phone

– Incomplete submissions

By submitting information, you represent, acknowledge, and warrant (a) that you have the right to do so or that you have obtained any necessary third party consents (e.g., under privacy or intellectual property laws), (b) that the submission does not infringe on the copyrights, trademarks, moral rights, rights of privacy or publicity, or the intellectual property rights of any person or entity, and (c) that no other party has any right, title, claim, or interest in the submission that would be infringed upon as a result of uploading the submission. If you submit a job to ToursToYou.org on behalf of a group, organization or business entity, you represent that you have the right to do so and that you have obtained any consents from the group, organization or business.

All postings to the Jobs page of the site are at Tours To You’s discretion and may be removed at any time.

Performers

Posted: November 20, 2021
Expires: November 30, 2021

Equity North American Tour

  • Directors: Lucy Moss and Jamie Armitage
  • Music and Lyrics: Toby Marlow, Lucy Moss
  • Book: Toby Marlow, Lucy Moss
  • Choreography: Carrie-Anne Ingrouille
  • Casting: Tara Rubin Casting

Production Description 

From Tudor Queens to Pop Princesses, the six wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power!


SEEKING

Future replacements in Six the Musical tour. 

Triple-threat performers 18 and up to portray the six wives of Henry VII as they reunite to tell their stories via a pop concert. Must have incredible pop voices, strong dance skills, great comedic instincts, and the ability to interact with an audience well


Dates & Locations

  • Audition:
  • Rehearsal Date: TBA
  • First Performance: TBA
  • Closing Date(s): TBD

* All dates are subject to change.


Instructions

Please sign up for a time slot via the following link:

https://www.signupgenius.com/go/10c0d48acab2ca6f4c52-sixthe

Sign-ups will open at 10 AM PST on Tuesday, November 23. If all slots are filled, and Alternate List will be available at the studio beginning at 9 AM the morning of the audition. We will audition performers from the Alternate List as time permits, but we cannot guarantee you’ll be seen. Access to the building will not be open until 9 AM.

Please bring a hardcopy picture and resume, stapled together.

Prepare a brief contemporary pop song and bring sheet music and your book.


Callbacks

You may be asked to return for a dance callback in the afternoon. If asked to dance, wear comfortable clothing and a light soled boot with a thick or chunky heel (LaDuca boots work fine). Please avoid painted shoes and a platformed sandal, pumps, or stilettos.

Further callbacks in Los Angeles may occur on Thursday, December 2.


Note

All performers must be fully vaccinated to attend this call with no exceptions, meaning you received your 2nd dose in a 2-dose series or your single-dose vaccine no later than Monday, November 15. You must bring proof of vaccination to the audition – this can be the hard copy card, or a digital pass, and complete a health screening form upon arrival. A COVID Safety Manager will be present at the audition.


Please send any questions to the following email:

sixmusicalcasting@gmail.com

Video submissions will not be accepted. No phone calls, please.


Visit the show page to view the current tour route.

  • Posted: September 10, 2021

    Non-Equity North American Tour 2021

    • Producer: Gershwin Entertainment
    • General Manager: Evan Bernardin Productions
    • Director: Robert Coulson
    • Casting: Wojcik / Seay Casting

    Production Description

    A Charlie Brown Christmas is the classic Christmas Cartoon TV special reimagined live on stage. This production will maintain the nostalgic, childlike feeling of the original cartoon but accurately represent the playground of today in its diversity and charm. We are especially seeking a diverse and inclusive cast of comedic actors, singer/movers and musicians with engaging personalities and fun special skills that are on a professional level. Special skills featured in this show could include instruments, singing, tumbling, dance, circus skills and any unique silly tricks. We are excited to build a showcase for the individual talents of our cast. Though we are seeking strong dynamic singers for some roles, this is not a traditional book musical.


    NOTE: Some tracks in this cast will make up a jazz trio that will play the timeless music of Vince Guaraldi live during the show. If you are an advanced jazz musician playing piano, double-bass or drums, please submit as a possible Schroeder/MD, Frieda/Musician, Violet/Patty- Musician, Pig Pen/Musician or Franklin/Musician. These characters have limited lines and may become the musician tracks for this show.


    SEEKING

    SEEKING MEN AND WOMEN 18-30 ALL ETHNICITES, GENDER IDENTITIES AND ABILITIES FOR THE FOLLOWING ROLES:

    [CHARLIE BROWN] (Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair short to resemble Charlie Brown. Charlie Brown is gentle, insecure and lovable. He possesses significant determination and hope, but frequently fails because of his insecurities, outside interference or plain bad luck. Melancholic, sweet and determined. Strong Singing –Baritone or Tenor, Strong Mover.

    [LINUS} Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair for character. Linus is Charlie Brown’s best friend. He is wise. He always means well and tries to smooth over any storms that arise amongst the gang. Actor must have a strong sense of honesty and vulnerability. Strong Singing – Baritone or Tenor, Strong Mover

    [SNOOPY – DANCER/PHYSICAL COMEDIAN] Height 5’0 – 5’6 – All Gender Identities, All Ethnicities. Seeking a strong dancer with comedic instinct. Physical Comedian who can adapt to comedic physical routines. Snoopy is bittersweet. He is an independent character. He can win, lose, be a disaster, a hero or anything and yet it all works out. Actor should be an inventive free spirit with a repertoire of skills, Especially seeking a performer with special skills – Gymnastics, acrobatic, juggling, balancing etc… Strong Dancer. Non-singing track.

    [LUCY] Height – 5’4 – 6’0, All Ethnicities –Lucy is the older sister of Linus. She is bossy, crabby but with her Psychiatrist booth comes up with solutions. She pushes other characters to listen to her. Strong Singing – Soprano, Mezzo Soprano, Mover

    [SALLY] Height 5’0 – 5’6 , All Ethnicities– Sally is Charlie Brown’s little sister. She is sweet but obsessed with getting presents. She is materialistic and doesn’t see why that’s a problem. She is sweetly in love with Linus. Vocal ability to sing in a character voice like Sally, Strong Soprano Singer, Mover.

    [FRIEDA – DANCER] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. Strong dancer. Instrument a plus, Singing is a plus, but not required.

    [VIOLET/PATTY – DANCER] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, Strong Dancer. Singing is a plus, but not required.

    [PIG PEN – DANCER] Height 5’4 – 6’0, All Ethnicities. Dancer with Personality. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. Singing is a plus, but not required.

    [FRANKLIN / SHERMY – DANCER] Height 5’4 – 6’0 – Black – Dancer with personality. Singing is a plus, but not required.

    [FEMALE PRESENTING SWING] All Ethnicities. Must be a versatile Musician & Actress. Would cover all the female roles. Soprano, Mezzo. Character voices to portray the various Characters

    [MALE PRESENTING SWING] All Ethnicities. Must be a Versatile Musician and Comedic Actor with physical comedy chops. Would cover all male roles. Baritone, Tenor, Character voices to portray the various Characters

    POTENTIAL MUSICIAN TRACKS:

    [PIG PEN – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.

    [FRANKLIN / SHERMY/ MUSICIAN] Height 5’4 – 6’0 – Black – Musician, This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.

    [VIOLET/PATTY – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, This track could be a member of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.

    [SCHROEDER/TOURING MD] Height 5’4 – 6’0, All Ethnicities. Touring MD, Must play advanced jazz piano in the style of the TV special and classical at level to play Fur Elise. Sings with group. No solo singing required. Respects Charlie Brown who is a friend. Must play piano in a jazz style – specifically the score of the TV special by Vince Guaraldi. Singing is a plus, but not required, as advanced piano skills and acting are more important to this track.

    [FRIEDA – MUSICIAN] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. This track could be part of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.


    Rehearsal and Production Dates & Locations

    • Rehearsal Date: November 1, 2021
    • Opening Date: November 19, 2021
    • Closing Date: December 22, 2021

    * All dates are subject to change.


    Compensation & Union Contract Details

    • Rehearsal Salary: $525/week
    • Performance Salary: $625/week + $35/day per diem
    • Accommodations on entertainer sleeper coach.

    Instructions

    To be considered for a self-tape request, please e-mail a headshot and resume, along with any relevant demo clips that show us your special skills or musical instrument abilities to charliebrownxmastour@gmail.com

    Visit the show page to view the current tour route.


    STRICT COVID PROTOCOLS AND GUIDELINES WILL BE FOLLOWED FOR AUDITION/ REHEARSAL PROCESS AND TOURING. EVAN BERNARDIN PRODUCTIONS IS PROMOTING A FULLY VACCINATED ENVIRONMENT FOR THE CAST AND CREATIVE TEAM OF THIS TOUR.

    WE WILL BE ACCEPTING TAPED SUBMISSIONS FOR OUR INITIAL APPOINTMENTS. CALLBACKS MAY BE LIVE IN A SOCIALLY DISTANCED ENVIRONMENT OR VIA ZOOM AS NEEDED.

    Evan Bernadin Productions and Gershwin Entertainment in partnership with W/S Casting is committed to creating an atmosphere that engages and promotes diversity and inclusion in all areas. We strongly encourage performers of all ethnicities, races, gender identities, ages, body types and abilities to submit for this project. We are actively seeking a cast which is inclusive and strive to promote a process and production that expresses the multidimensional society in which we live.

Posted: October 6, 2021
Expires: October 12, 2021

Equity North American Tour 2021-2022

  • Producer: Kevin McCollum, J.J. Abrams, Kenny Wax, Mark Bentley & Catherine Schreiber, Producers
  • Authors: Henry Lewis, Jonathan Sayer, Henry Shields
  • Off-Broadway Production Directed by Matt DiCarlo
  • Original Direction by Mark Bell
  • Casting: Stephen Kopel / C12

Production Description

Cornley Polytechnic Dramatic Society presents ‘Murder At Haversham Manor’, and everything that could go wrong, does. We are looking for truthful, funny, physically adept performers who can commit to the style of the play and fully inhabit the characters. It is vital to believe in the characters who are performing the play within the play, as that is where the heartbreaking comedy comes from. With that in mind, we are looking for actors with a keen ability and understanding of comedy but are able to play the truth of the scenes.


SEEKING

CHRIS (Male, 25 – 35, any ethnicity) High status clown. Rigid, uptight, everything really matters. He is the director of the show and this is the biggest day of his life. Everything is riding on this. It is a nerve wracking and exciting night. His pain is evident and every time someone laughs the pain deepens. He has equal amounts of contempt for his fellow actors & the audience watching the play. RP ACCENT.

ROBERT (Male, 25 – 35, any ethnicity) Wants to be Richard Burton, as evidenced by his declamatory style. He is, however, not a parody of a bad actor. He is unaware of others around him. He does not feel badly when things go wrong and never learns from his mistakes. There is a power struggle between Robert and Chris to be president of the Cornley Poly Drama Society (a position that matters a great deal to Robert). Has real vocal power. RP ACCENT.

MAX (Male, 25 – 35, any ethnicity) He has never been on stage before. He learned his lines and does exactly what he’s told to do. He has zero connection with any of the other actors, but when he gets a laugh he breaks the 4th wall and engages with the audience. Childlike and naïve. His mistakes are fundamental. He doesn’t think anything through, just looks for approval. RP ACCENT.

DENNIS (Male, 25 – 35, any ethnicity) He has no real desire to be involved in the theatre, he just wants to make friends (of which he has none). He believes if he does well in the show, he will be more successful socially. Laughter from the audience is agony for him. He may be slightly oblivious, but understands when he gets things wrong. The laughter is a personal tragedy/failure. RP ACCENT.

TREVOR (Male, 25 – 35, any ethnicity) The play’s lighting and sound operator. He simply wants to get on with the show. Curmudgeonly and doesn’t care for actors. He is easily distracted and does many things he shouldn’t, including engaging with the audience. When things go really sideways, he is forced to act in the play. He hates acting. STANDARD AMERICAN ACCENT.

JONATHAN (Male, 25 – 35, any ethnicity) A bit bland, but sees himself as a James Bond type. Excited and having fun, but not naïve. He technically has to drive the show. He cares about the play, but not to the same extent as the others. Very physical. RP ACCENT.

SANDRA (Female, 25 – 35, any ethnicity) She is vain and possess a huge ego. Wants to be loved. Has ambitions to go to Hollywood and will hurt anyone standing in the way of what she wants, but is smart enough to stay on the good side of someone who can help her (like the director). You know the type. The stakes are high for her. Very physical. RP ACCENT.

ANNIE (Female, 25 – 35, any ethnicity) The stage manager. She has the biggest journey of any of the characters. When Sandra is indisposed Annie, who cannot bear to be on stage, must step in. Initially terrified by acting, she is willing to kill for it by the end of the play. Her initial terror turns to joy, and then to fury. She starts small, but grows and grows. STANDARD AMERICAN ACCENT.


Rehearsal and Production Dates & Locations

  • Point of Origin: Chicago
  • Rehearsals: NYC and Chicago.
  • Travel, housing and perdiem included for rehearsals in NYC.
  • 1st Rehearsal/Meet and Greet: 11/15/21, New World Stages, NYC.
  • Cast Travel/Crew Load-In Day 1: 12/6/21, Chicago.
  • 1st Performance:12/14/21, Broadway Playhouse, Chicago.
  • Press Night/Opening: 12/17/21, Broadway Playhouse, Chicago.
  • Performances: 12/14/21 to 4/3/22

* All dates are subject to change.


PREPARATION INSTRUCTIONS

Please prepare one side from the Dropbox below for the role you feel best suited for. Those interested in the role of JONATHAN should read the CHRIS side. Alternatively, you may prepare a short comedic monologue.

Audition material:

https://www.dropbox.com/s/xfvbdw9fdmleiq8/TPTGW%20EPA%20sides%20%28002%29.pdf?dl=0


INSTRUCTIONS

All audition videos must be sent as a streaming link (YouTube, Vimeo etc.). No downloads please. Please include your full name, and the role you are submitting for in the subject line. Please email your submission by Tuesday, October 12th at 5:00pm CDT.


SUBMIT TO
TPTGWcasting@gmail.com


CONTRACT

  • CAT Rehearsals : $978 weekly minimum (CAT 6)
  • Performances : $1182 weekly minimum (CAT 6)

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

  • Posted: September 10, 2021

    Non-Equity North American Tour 2021

    • Producer: Gershwin Entertainment
    • General Manager: Evan Bernardin Productions
    • Director: Robert Coulson
    • Casting: Wojcik / Seay Casting

    Production Description

    A Charlie Brown Christmas is the classic Christmas Cartoon TV special reimagined live on stage. This production will maintain the nostalgic, childlike feeling of the original cartoon but accurately represent the playground of today in its diversity and charm. We are especially seeking a diverse and inclusive cast of comedic actors, singer/movers and musicians with engaging personalities and fun special skills that are on a professional level. Special skills featured in this show could include instruments, singing, tumbling, dance, circus skills and any unique silly tricks. We are excited to build a showcase for the individual talents of our cast. Though we are seeking strong dynamic singers for some roles, this is not a traditional book musical.


    NOTE: Some tracks in this cast will make up a jazz trio that will play the timeless music of Vince Guaraldi live during the show. If you are an advanced jazz musician playing piano, double-bass or drums, please submit as a possible Schroeder/MD, Frieda/Musician, Violet/Patty- Musician, Pig Pen/Musician or Franklin/Musician. These characters have limited lines and may become the musician tracks for this show.


    SEEKING

    SEEKING MEN AND WOMEN 18-30 ALL ETHNICITES, GENDER IDENTITIES AND ABILITIES FOR THE FOLLOWING ROLES:

    [CHARLIE BROWN] (Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair short to resemble Charlie Brown. Charlie Brown is gentle, insecure and lovable. He possesses significant determination and hope, but frequently fails because of his insecurities, outside interference or plain bad luck. Melancholic, sweet and determined. Strong Singing –Baritone or Tenor, Strong Mover.

    [LINUS} Height 5’4 – 6’0, All Ethnicities – Vocal Characterization must evoke, resemble the iconic cartoon. Must be willing to cut hair for character. Linus is Charlie Brown’s best friend. He is wise. He always means well and tries to smooth over any storms that arise amongst the gang. Actor must have a strong sense of honesty and vulnerability. Strong Singing – Baritone or Tenor, Strong Mover

    [SNOOPY – DANCER/PHYSICAL COMEDIAN] Height 5’0 – 5’6 – All Gender Identities, All Ethnicities. Seeking a strong dancer with comedic instinct. Physical Comedian who can adapt to comedic physical routines. Snoopy is bittersweet. He is an independent character. He can win, lose, be a disaster, a hero or anything and yet it all works out. Actor should be an inventive free spirit with a repertoire of skills, Especially seeking a performer with special skills – Gymnastics, acrobatic, juggling, balancing etc… Strong Dancer. Non-singing track.

    [LUCY] Height – 5’4 – 6’0, All Ethnicities –Lucy is the older sister of Linus. She is bossy, crabby but with her Psychiatrist booth comes up with solutions. She pushes other characters to listen to her. Strong Singing – Soprano, Mezzo Soprano, Mover

    [SALLY] Height 5’0 – 5’6 , All Ethnicities– Sally is Charlie Brown’s little sister. She is sweet but obsessed with getting presents. She is materialistic and doesn’t see why that’s a problem. She is sweetly in love with Linus. Vocal ability to sing in a character voice like Sally, Strong Soprano Singer, Mover.

    [FRIEDA – DANCER] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. Strong dancer. Instrument a plus, Singing is a plus, but not required.

    [VIOLET/PATTY – DANCER] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, Strong Dancer. Singing is a plus, but not required.

    [PIG PEN – DANCER] Height 5’4 – 6’0, All Ethnicities. Dancer with Personality. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. Singing is a plus, but not required.

    [FRANKLIN / SHERMY – DANCER] Height 5’4 – 6’0 – Black – Dancer with personality. Singing is a plus, but not required.

    [FEMALE PRESENTING SWING] All Ethnicities. Must be a versatile Musician & Actress. Would cover all the female roles. Soprano, Mezzo. Character voices to portray the various Characters

    [MALE PRESENTING SWING] All Ethnicities. Must be a Versatile Musician and Comedic Actor with physical comedy chops. Would cover all male roles. Baritone, Tenor, Character voices to portray the various Characters

    POTENTIAL MUSICIAN TRACKS:

    [PIG PEN – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Pig Pen is known for being constantly dirty, insulted constantly by everybody. He is very cool and accepts himself regardless. This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.

    [FRANKLIN / SHERMY/ MUSICIAN] Height 5’4 – 6’0 – Black – Musician, This is a musician track – MUST play either advanced Double bass or drums in a jazz style. Singing is a plus, but not required.

    [VIOLET/PATTY – MUSICIAN] Height 5’4 – 6’0, All Ethnicities. Dark Hair, Violet is not very nice. She thinks Charlie Brown is a walking disaster. Sings a solo in the concert. (Not Peppermint) Patty is Violet’s best friend who talks about how much they don’t like Charlie Brown. Dark Hair, This track could be a member of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.

    [SCHROEDER/TOURING MD] Height 5’4 – 6’0, All Ethnicities. Touring MD, Must play advanced jazz piano in the style of the TV special and classical at level to play Fur Elise. Sings with group. No solo singing required. Respects Charlie Brown who is a friend. Must play piano in a jazz style – specifically the score of the TV special by Vince Guaraldi. Singing is a plus, but not required, as advanced piano skills and acting are more important to this track.

    [FRIEDA – MUSICIAN] Height 5’4 – 6’0, Singing a plus. Frieda is vain and girly and talks about her Naturally Curly Red hair. Has Naturally Curly Red Hair. This track could be part of the jazz trio playing advanced drums or double bass. Singing is a plus, but not required.


    Rehearsal and Production Dates & Locations

    • Rehearsal Date: November 1, 2021
    • Opening Date: November 19, 2021
    • Closing Date: December 22, 2021

    * All dates are subject to change.


    Compensation & Union Contract Details

    • Rehearsal Salary: $525/week
    • Performance Salary: $625/week + $35/day per diem
    • Accommodations on entertainer sleeper coach.

    Instructions

    To be considered for a self-tape request, please e-mail a headshot and resume, along with any relevant demo clips that show us your special skills or musical instrument abilities to charliebrownxmastour@gmail.com

    Visit the show page to view the current tour route.


    STRICT COVID PROTOCOLS AND GUIDELINES WILL BE FOLLOWED FOR AUDITION/ REHEARSAL PROCESS AND TOURING. EVAN BERNARDIN PRODUCTIONS IS PROMOTING A FULLY VACCINATED ENVIRONMENT FOR THE CAST AND CREATIVE TEAM OF THIS TOUR.

    WE WILL BE ACCEPTING TAPED SUBMISSIONS FOR OUR INITIAL APPOINTMENTS. CALLBACKS MAY BE LIVE IN A SOCIALLY DISTANCED ENVIRONMENT OR VIA ZOOM AS NEEDED.

    Evan Bernadin Productions and Gershwin Entertainment in partnership with W/S Casting is committed to creating an atmosphere that engages and promotes diversity and inclusion in all areas. We strongly encourage performers of all ethnicities, races, gender identities, ages, body types and abilities to submit for this project. We are actively seeking a cast which is inclusive and strive to promote a process and production that expresses the multidimensional society in which we live.

Posted: September 10, 2021
Expires: September 16, 2021

Non-Equity North American Tour 2021

  • Executive Producers: Big League Productions Inc, Daniel Sher
  • An American in Paris Music: George Gershwin
  • An American in Paris Lyrics: Ira Gershwin
  • An American in Paris Book: Craig Lucas
  • South Pacific Music: Richard Rodgers
  • South Pacific Lyrics: Oscar Hammerstein II
  • South Pacific Book: Oscar Hammerstein II Joshua Logan
  • Director for Both Shows: Jeffrey B Moss
  • Choreographer for Both Shows: Bob Richard
  • Musical Supervisor for Both Shows: Matthew Lowy
  • Casting Director: Alison Franck
  • Audition Date(s): seeking Self-Tapes for callbacks

Production Descriptions 

An American in Paris: An American GI’s chance encounter with a beautiful young dancer leads Paris to become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war.

Rodgers and Hammerstein’s South Pacific: Set against the dramatic background of an idyllic South Pacific island during WWII, South Pacific intertwines the themes of romance, duty, and prejudice to create a story that is all at once hilarious, heartbreaking, and thought-provoking. Based on the anecdotes of a real-life U.S. Navy commander who was stationed on an island, the musical follows two intercultural love stories: Nellie, a spunky nurse from Arkansas, falls in love with Emile, a French plantation owner on the island who has two children from his late Polynesian wife; at the same time, U.S. Lieutenant Cable falls for a beautiful island native named Liat. Both Americans find themselves struggling to reconcile their own cultural prejudices with their amorous feelings, all the while under the dark cloud of a war that is coming ever closer to their island paradise.


NOTE: With the exception of a few roles in South Pacific, Big League Productions, Inc. will present these two shows with the same company of performers. This will be a unique challenge for the entire traveling company and the selection process will be rigorous.

We are searching for a brilliant ballet dancer who can play Lise and also one who is willing to be in the ensemble and cover Lise. PLEASE FEEL FREE TO SUBMIT FOR BOTH. But if you only will accept the role of Lise, please only submit there. 

SEEKING

LISE DASSIN – 18 to 27 years old, all ethnicities female. 18 to 27 years old, all ethnicities female. Superb dancer. Good singer. A young French dancer. Sweet – but determined to find her place in her world. Must be from the Ballet world. Must do pointe work and partnering. Will also be in the ensemble of South Pacific. Pay is $1000/week plus bonus.

FEMALE ENSEMBLE/ us LISE -18 to 27 years old, all ethnicities female. Superb dancer. Good singer. A young French dancer. Sweet – but determined to find her place in her world. Will be in the ensemble of both SOUTH PACIFIC and AN AMERICAN IN PARIS and will cover Lise. Must be from the Ballet World. Must do pointe work and partnering Pay, $500 a week minimum, plus Bonus and per diem


Rehearsal and Production Dates & Locations

  • Rehearsal Date: Dec 13, 2021 in New York City
  • Opening Date: Jan 21, 2022
  • Closing Date: May 22, 2022

* All dates are subject to change.


Compensation & Union Contract Details

  • Rate: different salaries listed in each role. All performers who are hired to perform in both shows will receive a $1000 pre-opening bonus and a $1000 closing bonus as remuneration for maintaining tracks in both shows.
  • In addition to the salaries listed, a weekly per diem of $210 will be paid.
  • Housing and Transportation included once on the road.

Instructions

To apply send photo and resume and any dance reels (if you have any) ASAP to: blp2021auditions@gmail.com

We will send self-tape instructions to those who fit the job and will. need by September 16 to be considered for in person callbacks September 22-25.  In the subject write Lise in An American in Paris and/or Lise understudy if you also wish to be considered for ensemble and her cover. (you can only want to be considered for Ensemble as well)

Visit the show pages to view the current tour routes:

Posted: September 20, 2021
Expires: September 30, 2021

Equity North American Tour 2021-2022

  • Director: Des McAnuff
  • Book: Marshall Brickman and Rick Elice
  • Music: Bob Gaudio
  • Lyrics: Bob Crewe
  • Music Director : Ron Melrose
  • Choreographer : Sergio Trujillo
  • Casting: Tara Rubin Casting/Merri Sugarman, C.S.A. (Viewing Auditions)

Production Descriptions 

From the mean streets of Jersey to American Bandstand, this is the thrilling story of how a group of blue-collar boys from the wrong side of the tracks became the biggest doo-wop sensation of all time: The Four Seasons. Using their legendary music, two-time Tony Award winner Des McAnuff brings to life the exciting early days of rock-and-roll, and the price of fame for four guys who had nothing – and everything – to lose.


SEEKING

MALE-IDENTIFYING ENSEMBLE #1: 20s to 30s. (5’10 or shorter) Strong actor/singer to play various roles including Joey Pesci: Young, energetic. WILL UNDERSTUDY THE PRINCIPAL ROLE OF FRANKIE VALLI.

MALE-IDENTIFYING ENSEMBLE #2: 20s – 30s. Strong actor/singer to play various roles including Bob Crewe: Intelligent and flamboyant- genius music producer and lyricist. An integral part of creating the magic of the Four seasons. WILL UNDERSTUDY THE PRINCIPAL ROLE OF BOB GAUDIO.

MALE-IDENTIFYING ENSEMBLE #3: 20s- 30s. Strong actor/singer to play various roles including Norm Waxman and Hank Majewski. WILL UNDERSTUDY THE PRINCIPAL ROLE OF TOMMY DEVITO.

MALE-IDENTIFYING ENSEMBLE #4: 20s- 30s. Strong actor/singer to play various roles including Gyp DeCarlo: Tough, Mafioso type. WILL UNDERSTUDY THE PRINCIPAL ROLE OF NICK MASSI.

MALE-IDENTIFYING ENSEMBLE #5: [BARRY BELSON] 20s-40s. THIS CHARACTER IS NON-CAUCASIAN; Strong actor/singer to play various roles (friends, producers, etc.). Strong tenor to high C, with a strong falsetto to G-above-high-C, and the ability to riff in rhythm-and-blues style. Featured ensemble role.

FEMALE-IDENTIFYING ENSEMBLE /MARY: 20s-30s. Frankie’s wife; Tough, ‘Seen it All’, Italian, Jersey girl. She’s got a killer sense of humor. Actor also plays a variety of other roles, including member of a 60s style girl group. Strong belt useful. High straight tone soprano also useful but not required. Good Dancer.

FEMALE-IDENTIFYING ENSEMBLE/LORRAINE: 20’s-30s, all ethnicities. Frankie’s girlfriend; Educated, NOT from Jersey, a real career girl – young Diane Sawyer; Actor also plays a variety of other roles, including member of a 60s style girl group and tough-as-nails Jersey Girl. Strong high belt useful, belt to high F EXTREMELY useful. High, straight tone soprano also useful but not required. Good Dancer.

FEMALE-IDENTIFYING ENSEMBLE/FRANCINE: 20s-30s. Frankie’s daughter; Named for, doted on and deeply loved by Frankie. She’s a Jersey girl – vulnerable, lost and acts out to make up for lack of attention from her Dad. Actor also plays a variety of other roles including member of a 60s style girl group and a tough-as-nails Jersey Girl. Strong, high belt useful. Belt to high F EXTREMELY useful, high straight tone soprano also useful but not required. Good Dancer.

FEMALE-IDENTIFYING SWING: 20s-30s. Fabulous, versatile actress/singer/dancer with flexible vocal registers to play a variety of roles (the many girlfriends of the Four Seasons, etc). WILL UNDERSTUDY THE ROLE(S) OF MARY, LORRAINE AND FRANCINE.

3 MALE-IDENTIFYING SWINGS: [20s-40s] Strong actor/singer to play various roles (friends, producers, etc.) Will cover Ensemble features and potentially cover Principal roles. One will cover Frankie Valli. Must be very comfortable with four-part harmonies. Good dancers.


Rehearsal and Production Dates & Locations

  • In-Person Auditions: Early October 2021
  • First Rehearsal: November 8th, 2021
  • Opening Date: December 12th, 2021
  • Closing Date: TBA

* All dates are subject to change.


Compensation & Union Contract Details

  • Short Engagement Touring $793 weekly minimum (SETA 4)

Instructions

DANCERS:

Please prepare either the Male-Identifying or Female-Identifying Dance Combination included in this link:
https://www.dropbox.com/sh/0je1iu4kj952wlf/AAAJIlXnH1yIorT6qen2V14Ha?dl=0

Please include a full-body slate at the beginning of your video, and please submit an unlisted YouTube (Not Private), Vimeo, Dropbox, or Google Drive Link. Please use this form to submit your audition video and headshot/resume:
https://docs.google.com/forms/d/e/1FAIpQLSdckqHR2RE3lNqQWqwkH8uVJ8s52tfyih5kELIXnV7tR9RvqA/viewform

Please only submit a Dance Video in this link. If you would like to submit a Singing Video, please send a separate submission using the Chorus Singers Link.

SINGERS :

Please prepare a sixteen-bar-cut of a “rock n’ roll” song from any era of your choice OR either “Cry For Me” or “Walk Like A Man” for Male-Identifying Actors, and “My Boyfriend’s Back” for Female-Identifying Actors — all songs are included in this link here: https://www.dropbox.com/sh/0je1iu4kj952wlf/AAAJIlXnH1yIorT6qen2V14Ha?dl=0

Please include a full-body slate at the beginning of your video, and please submit an unlisted YouTube (Not Private), Vimeo, Dropbox, or Google Drive Link. Please use this form to submit your audition video and headshot/resume:
https://docs.google.com/forms/d/e/1FAIpQLSeZHwnExMC9rXoYO0o1jXUIGVox5rVHn5_Css3pFX0EUREqSg/viewform

Please only submit a Singing Video in this link. If you would like to submit a Dance Video, please send a separate submission using the Chorus Dancers Link


Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.

Visit the show page to view the current tour route.

Posted: September 20, 2021
Expires: September 30, 2021

Equity North American Tour 2021-2022

  • Director: Des McAnuff
  • Book: Marshall Brickman and Rick Elice
  • Music: Bob Gaudio
  • Lyrics: Bob Crewe
  • Music Director : Ron Melrose
  • Choreographer : Sergio Trujillo
  • Casting: Tara Rubin Casting/Merri Sugarman, C.S.A. (Viewing Auditions)

Production Descriptions 

From the mean streets of Jersey to American Bandstand, this is the thrilling story of how a group of blue-collar boys from the wrong side of the tracks became the biggest doo-wop sensation of all time: The Four Seasons. Using their legendary music, two-time Tony Award winner Des McAnuff brings to life the exciting early days of rock-and-roll, and the price of fame for four guys who had nothing – and everything – to lose.


SEEKING

FRANKIE: 20s-early 30s. 5’9” or shorter. A strong tenor with sweet and strong falsetto, able to sing in the style of Frankie Valli. Strong tenor to high A or Bb plus strong falsetto up to treble G. Charismatic and charming. Comfortable with narrative text and has a gritty side as well as a polished veneer. Very comfortable with traditional four-part harmonies. Leading role.

BOB: 20s-early 30s. Preferably tall. Strong tenor/baritenor voice, needs strong high G. Very comfortable with traditional four-part harmonies. Comfortable with narrative text. An intelligent, sensitive, and introspective musical prodigy. Leading role.

TOMMY: 20s-30s. Strong tenor/baritenor voice. Very comfortable with traditional four-part harmonies. Comfortable with narrative text. A natural-born leader with an appealing, bad-boy quality. Leading role.

NICK: 20s-30s. Strong bass/baritone voice, low E would be an asset. Very comfortable with traditional four-part harmonies. Comfortable with narrative text. A quiet dreamer who longs for life after The Four Seasons. Leading role.


Rehearsal and Production Dates & Locations

  • In-Person Auditions: Early October 2021
  • First Rehearsal: November 8th, 2021
  • Opening Date: December 12th, 2021
  • Closing Date: TBA

* All dates are subject to change.


Compensation & Union Contract Details

  • Short Engagement Touring $793 weekly minimum (SETA 4)

Instructions

Please prepare a thirty-two-bar cut of a “rock n’ roll” song from any era of your choice OR either “Cry For Me” or “Walk Like A Man” included in this link here:
https://www.dropbox.com/sh/0je1iu4kj952wlf/AAAJIlXnH1yIorT6qen2V14Ha?dl=0

Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.

Visit the show page to view the current tour route.

Posted: September 21, 2021

Equity North American Tour 2021-2022

  • Producers: Tom Smedes Productions, Nathan Gehan, Jamison Scott
  • Director: Matthew Warchus
  • Playwright: Jack Thorne
  • Original Story: Charles Dickens
  • Composer/Orchestrator: Christopher Nightingale
  • General Manager: Showtown Theatricals
  • Casting: Jim Carnahan Casting

Production Description

Two visionary Tony Award® winners — playwright Jack Thorne (HARRY POTTER AND THE CURSED CHILD), director Matthew Warchus (MATILDA) — offer a magical new interpretation of Charles Dickens’ timeless story.

Nominated for five Tony Awards, this New York Times Critic’s Pick welcomes theatergoers of all ages into an immersive experience that is brimming with Christmas spirit. Featuring dazzling staging, moving storytelling, and 12 cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear,” it is “so infectious you’ll leave the theater with a heart full of joy and light” (Entertainment Weekly).


SEEKING

Child performers with mobility and physical disabilities to play Tiny Tim in San Francisco and Los Angeles.

TINY TIM:  Male or Female, 8-12 years old.  No prior experience required.

NOTE: All roles require an English accent. All roles (with the exception of Scrooge) will be asked to sing Christmas carols a cappella. Some roles will also play instruments including cello, mandolin, tin whistle, and accordion. Seeking all ethnicities for all roles.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: October 18, 2021
  • First Performance: November 26, 2021
  • Opening: November 30, 2021
  • Closing: December 26, 2021 (possible extension to January 2, 2022)
  • Venue: Golden Gate Theatre, San Francisco, CA (Indoors)

* All dates are subject to change.


Auditions will be held virtually in September 2021.

To submit, please send an email with the child’s full name, date-of-birth, where you are based, and a recent picture and resume or bio to: tinytimcasting@gmail.com


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: July 19, 2021
Expires: August 14, 2021

Non-Equity North American Tour 2021-2022

  • Executive Producer: Daniel Sher
  • Original Tour Director: Matt Lenz
  • Music and Lyrics: Benj Pasek and Justin Paul
  • Musical Supervisor: Andrew Smithson
  • Book: Joseph Robinette
  • Choreography: Warren Carlyle
  • Casting: Alison Franck / Franck Casting

Production Description 

Ralphie has to convince his parents, his teacher, and Santa, that a Red Ryder B.B. gun really is the perfect gift. A musical version of the classic movie.


SEEKING

[THE OLD MAN] 30s-40s.Male. Genius comic actor who sings. Uptight, fuss-budget, flawed. Humorously “terrifying” dad with a heart somewhere. Range is high baritone. LEADING ROLE.

[MISS SHIELDS/FEMALE ENSEMBLE] 30s-40s. Female. MISS SHIELDS. School teacher. Not a stick-in-the-mud, she’s sassy. Funny musical comedy belter who taps. Also will be in the female ensemble when not Miss Shields. MUST SING EXTREMELY WELL(belt) and TAP DANCE EXTREMELY WELL.

[MALE ENSEMBLE/WAITER] late 20s-30s. Asian. Interesting, off-beat, singer-dancer-actors with bright contemporary voices to play a multitude of roles, some to play featured roles, and some to cover the principals. Roles in the ensemble: Fathers, Neighbors, Delivery People, Elves, etc. Seeking warm and interesting types. Vocal ranges include tenors to high A and high baritones to F

[MALE ENSEMBLE] All ethnicities male. Interesting, off-beat, singer-dancer-actors with bright contemporary voices to play a multitude of roles, some to play featured roles, and some to cover the principals. Roles in the ensemble: Fathers, Neighbors, Delivery People, Elves, etc. Seeking warm and interesting types. Vocal ranges include tenors to high A and high baritones to F

[RALPHIE] Principal. Age: 12 to play 9-10. MALE. Under 5 feet tall. A regular boy. Appealing but not necessarily a handsome boy. Can have some extra weight on him. Strong presence, honest actor. Not “show-bizzy.” Experienced on stage and a great strong singing voice, high belter voice must be UNCHANGED. Must be a clear singer with a great range. Range is low f# to high D. Huge lead role. Will be casting 2 boys to play Ralphie.

[RANDY] Principal. 12 to play about 7-8. Must be smaller than RALPHIE. MALE. CUTE and FUNNY little boy. FUNNY in the sense that he is awkward and off-beat. Must be physically comfortable onstage and have a lot of strong concentration….but, like Ralphie, not show-bizzy. Vocally, voice is unchanged and height belter low F# to high C#.

[SCUT FARKUS/ENSEMBLE] MALE. At least 12. Taller than the other kids. The bully. Must be able to tap.

[FLICK/ENSEMBLE] MALE. 12 to play 9-10. He will sing a song with his tongue “stuck” to a flag pole. Must be funny and natural. Strong singer. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’11” or shorter.

[SCHWARTZ/ENSEMBLE] MALE. 12 to play 9/10. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’11” or shorter.

[DILL/ENSEMBLE] MALE. 12 to play 9/10. Farkus’s sidekick. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’10” or shorter.

[FEMALE CHILDREN ENSEMBLE] FEMALE. 12 to play 9/10. Children’s chorus. Must be high belters. Sings from a low B to high D#. Must be a strong/engaging performers. Must be able to tap. Must be 4’11” or shorter.

[TAP DANCE SPECIALTY/ENSEMBLE] MALE. 12 to play 9/10. EXCELLENT TAP DANCER. Singing a plus.


Rehearsal and Production Dates & Locations

  • Duration: October 28, 2021 – January 3, 2022
  • First Performance: December 3, 2021 (Boston, MA)
  • Closing Date: January 3, 2022

* All dates are subject to change.


Compensation & Union Contract Details

  • Rate for Adult Ensemble: $500 min, week, housing, travel and per diem ($280/wk)
  • Rate for The Old Man: $1300 min, week, housing travel and per diem ($280/wk)
  • Principal Kids: (Ralphie and Randy) $600 week Salary.
  • Ensemble Kids – $400 a week salary.
  • All Kids – $280 week per diem

Instructions

NOTE: please email blp2021auditions@gmail.com with photo and resume and for those who seem right for the project, instructions for SELF-TAPING will follow. please write A CHRISTMAS STORY SUBMISSION in the subject line, you can also include what role interests you.

Visit the show page to view the current tour route.


All Adults Must be vaccinated. All Kids 12 and older to play 12 and under. Must be vaccinated

Posted: August 5, 2021
Expires: August 11, 2021

Equity North American Tour 2021-2022

  • Producer: Buena Vista Theatrical Group
  • Director: Julie Taymor
  • Songs by: Elton John/Tim Rice
  • Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
  • Book: Irene Mecchi/Roger Allers
  • Choreography: Garth Fagan
  • Casting: Mark Brandon, CSA/Binder Casting

Production Description 

Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.


SEEKING

Required auditions for possible replacements.

Strong singers with great range who move very well. Late Teens – Mid 40’s. Any Ethnicity.

Strong dancers with a modern/ballet dance background—Late Teens to Early 30’s. Any Ethnicity.

NOTE: We will definitely be hiring replacements for all North American companies from these auditions.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: August 10, 2021 in New York City
  • First Performance: October 1, 2021 in Cleveland, OH
  • Closing Date(s): TBD

* All dates are subject to change.


Compensation & Union Contract Details

  • Production (Disney) $2323 weekly minimum

Instructions

SINGERS: Please prepare either a brief, classic R&B, pop or rock and roll song of your choosing that showcases your voice and range OR pick one of the songs provided at: https://www.dropbox.com/sh/qt5dqqqbulccqjw/AAB_YQpYeSjFzdpdwmTzSJgEa?dl=0 – “Greatest Love of All” (Soprano or Alto Keys) or “Overjoyed” (Tenor or Bass Keys).

When recording your video, please use the accompaniment-only track (without melody). If you chose to sing your own material, please sing along with an accompaniment-only track. Please do not sing material from The Lion King or any standard Broadway theatre music.

When taping, you must film horizontally with good lighting and clear sound. At the beginning of your video, please include a slate with your name and height. Also, attach your picture and resumé to your submission.

Submit here: https://airtable.com/shrV4d9YDjEXdu58u

DANCERS: Please learn the dance combination at https://www.dropbox.com/sh/7rsbudbdazqj5lg/AADiYYmzZ4pcadPcN2dP-LIsa?dl=0.

There are two videos – one with counts and one with music. Also provided is a track with the music: use this track when taping the combination. Please dance in flat jazz shoes or bare feet. Some male dancers require strong acrobatic abilities. If you have strong acro skills, please show your best pass in your video submission.

When taping, you must film horizontally with good lighting and clear sound. At the beginning of your video, please include a slate with your name and height. Also, attach your picture and resumé to your submission.

Submit here: https://airtable.com/shraedjEd62v1Rzzn.


Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: July 24, 2021
Expires: August 2, 2021

  • Producers: Mean Girls Musical Productions, LLC
  • Director: Casey Nicholaw
  • Music: Jeff Richmond
  • Lyrics: Nell Benjamin
  • Book: Tina Fey
  • Musical Director: Mary-Mitchell Campbell
  • Choreography: Casey Nicholaw
  • Casting: The Telsey Office/Bethany Knox, CSA

Production Description 

Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois.  Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George.  But when Cady devises a plan to end Regina reign, she learns the hard way that you can’t cross a Queen Bee without getting stung.


SEEKING

Equity actors for Regina George and Mrs. Heron/Ms. Norbury/Mrs. George (see breakdown).

REGINA GEORGE – Female, any ethnicity, 18+ to play 17. Regina is the Queen Bee of the Plastics. When she shines her light on you, you feel like the most important person in the world. When that light goes cold, you want to die. She is regal, still, and “hot”, but at her most vulnerable moments, she is just a kid in over her head. Broadway rock with an exceptional range.

MRS. HERON/MS. NORBURY/ MRS. GEORGE –
Female, any ethnicity, 30-50. One actor to play all three roles. MRS. HERON is Cady’s crunchy, intellectual mom who can’t understand why her daughter is devolving before her eyes. MS. NORBURY is Cady’s brittle, world-weary Calculus teacher who pushes Cady to be her smartest self. MRS. GEORGE is Regina’s “cool mom.” She’s desperate to look young and feel like one of the teens. She’s also desperate for Regina not to repeat her mistakes. Looking for a great comic actress and singer to distinctly define these three characters. Eclectic Broadway vocal mix.


Instructions

Please prepare a brief pop-rock song. If you do not have access to accompaniment, please feel free to prepare the provided song. Sheet music and accompaniment MP3 are available at the following link: https://tinyurl.com/MeanGirlsEPA.

If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height.

Please send the video, along with your photo/resume, in a downloadable format (Google Drive, Dropbox, etc.). In the subject line, please type: [Your full name] – EPA Submission.

Please send submission to the following email address:

MeanGirlsCasting@gmail.com


Compensation & Union Contract Details

  • Production (League) $2323 weekly minimum

Rehearsal and Production Dates & Locations

  • First Rehearsal: on/about October 11, 2021 (New York City, NY)
  • First Performance: on/about November 2, 2021 (Tempe, AZ)
  • Ending Date: TBA

* All dates are subject to change.

Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: July 19, 2021
Expires: July 27, 2021

  • Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
  • Director: Thomas Kail
  • Music and Lyrics: Lin-Manuel Miranda
  • Musical Director: Alex Lacamoire
  • Choreography: Andy Blankenbuehler
  • Casting: The Telsey Office

Production Description 

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.


SEEKING

Dancers with extensive training in all areas of dance and who sing very well for future replacements.


Instructions

Please email Casting@HamiltonBroadway.com with a picture/resume and a video via unlisted YouTube link that includes a brief (under 1 minute) video of your style of dance.

Visit the show page to view the current tour route.


Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.

Posted: July 19, 2021
Expires: July 27, 2021

  • Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
  • Director: Thomas Kail
  • Music and Lyrics: Lin-Manuel Miranda
  • Musical Director: Alex Lacamoire
  • Choreography: Andy Blankenbuehler
  • Casting: The Telsey Office

Production Description 

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.


SEEKING

Exceptional Singers /Rappers


Instructions

Please email Casting@HamiltonBroadway.com with a picture/resume and a video via unlisted YouTube link that includes a brief (under 1 minute) pop/rock song that shows your vocal range.

Visit the show page to view the current tour route.


Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.

Posted: July 1, 2021
Expires: July 15, 2021

Equity North American Tour 2021-2022

  • Director: Alex Timbers
  • Music Director: Cian McCarthy
  • Musical Supervisor: Justin Levine
  • Book: John Logan
  • Choreography: Sonya Tayeh
  • Casting: Jim Carnahan, Stephen Kopel

Production Description 

Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® nominee Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of truth, beauty, freedom, and — above all — love. With a book by Tony winner John Logan, music supervision, orchestrations and arrangements by Justin Levine, and choreography by Emmy® nominee Sonya Tayeh, Moulin Rouge! is more than a musical; it is a state of mind.


SEEKING

Equity singers and dancers for the tour production of MOULIN ROUGE! THE MUSICAL.

All singers must be incredible Pop/Rock/Soul singers and incredible dancers.

All dancers must be incredible dancers and incredible Pop/Rock/Soul singers.

MALE AND FEMALE ENSEMBLE: 20s to 30s. Extremely interested in performers of all ethnicities and genders. Must be an amazing, athletic dancer with expertise in multiple dance styles and be a strong pop/rock/soul singer to cover ensemble who play various roles, including patrons and performers at the Moulin Rouge & the denizens of Montmartre.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: TBA
  • First Performance: TBA
  • Closing Date(s): TBD

* All dates are subject to change.


Compensation & Union Contract Details

  • Production (League) $2323 weekly minimum

Instructions

SINGERS:

Please record a 1 minute video submission either from:

1) A pop/rock/soul song of your choice
OR
2) A song from Moulin Rouge in this Dropbox: 

https://www.dropbox.com/sh/vx6kpogkk21g 87d/AAB7_FrydxmB-3bPjg4GQ6D6a?dl=0

DANCERS:
Please send a video submission of either:

1) A dance reel
OR
2) Tape material from the show per the instruction video in this Dropbox: 

https://www.dropbox.com/sh/k86z9662ljvb yrl/AAASjaIcrMHE_nx1ppOeGg7Pa?dl=0

Please send your audition video in a format that we can view without having to download. Send to:

Moulinrougecasting@gmail.com

Submissions will be reviewed by:

  • Cian McCarthy (Music Director) – singers
  • Nancy Braun (Associate Choreographer) – dancers
  • Jim Carnahan (Casting Director)
  • Stephen Kopel (Casting Director)
  • Alexandre Bleau (Casting Associate)
  • Hillary Dominguez (Casting Assistant)

Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 10, 2021
Expires: June 21, 2021

Equity North American Tour 2021-2022

  • Producer: Paul Blake & Sony/ATV Music Publishing
  • Director: Marc Bruni
  • Music & Lyrics: Carole King & Gerry Goffin and Barry Mann & Cynthia Weil
  • Musical Supervisor: Jason Howland
  • Book: Douglas McGrath
  • Choreography: Josh Prince
  • Casting: Stephen Kopel, Casting

Production Description 

Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.

Beautiful has a book by Tony Award® nominee and Academy Award®–nominated writer Douglas McGrath, direction by Marc Bruni, choreography by Josh Prince, and took home two 2014 Tony Awards® and the 2015 Grammy® for Best Musical Theater Album.


SEEKING

SHIRELLE (African American Woman): Please prepare ONE of the following songs: Locomotion, Will You Still Love Me, Uptown, or One Fine Day

For the role of DRIFTER (African American Man): Please prepare ONE of the following songs: Up on the Roof, Some Kind of Wonderful, On Broadway-low version, or On Broadway-high tenor version

For the role of NICK/LOW RIGHTEOUS BROTHER (Caucasian Man): Please prepare the baritone version of Lovin’ Feeling

For the role of LOU/HIGH RIGHTEOUS BROTHER
(Caucasian Man): Please prepare the high version of Lovin’ Feeling

For the role of BETTY/MARILYN (Caucasian Woman): Please prepare Beautiful


Rehearsal and Production Dates & Locations

  • Rehearsal Date: late September/early October
  • First Performance: November 2, 2021
  • Closing Date(s): TBD

* All dates are subject to change.


Compensation & Union Contract Details

  • Short Engagement Touring $928 weekly minimum (Category 4)

Instructions

Please prepare a short pop/rock song of your choice, in the style of the show. If you would prefer to sing from the show, see above. Accompaniment available at:

www.dropbox.com/sh/debbsp4598mzunq/AAB587I3Pt1hNbJ0baO0AGara?dl=0

All audition videos must be sent as a streaming link (YouTube, Vimeo, etc.). No downloads, please. Email your audition to:

BfulTourCasting@gmail.com

Please include your full name, and the role you are submitting for in the subject line.

Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 9, 2021
Expires: June 23, 2021

Equity North American Tour 2021-2022

  • Producer: Dori Berinstein, Bill Damaschke, Jack Lane and NETworks
  • Director: Casey Nicholaw
  • Music: Matthew Sklar
  • Lyrics: Chad Beguelin
  • Musical Director: Mary-Mitchell Campbell
  • Book: Bob Martin and Chad Beguelin
  • Choreography: Casey Nicholaw
  • Associate Choreographer: John Macinnis (viewing auditions)
  • Casting: The Telsey Office/ Bethany Knox (viewing auditions)

Production Description 

Down-on-their-luck Broadway stars shake up a small Indiana town as they rally behind a teen who wants to go to the prom with her girlfriend.


SEEKING

BARRY GLICKMAN: Any ethnicity, 30’s – 50’s, High Baritone/Low Tenor. A very gay Broadway star. Completely politically incorrect and doesn’t know it. Impulsive and loves to make a scene everywhere he goes. Strong singer. Big, Broadway belter..

DEE DEE ALLEN: Any ethnicity, 30’s – 50’s, Alto. A current Broadway diva. A huge ego to match her huge talent. No filter. Hilariously self-involved, but yearns to do something good for someone other than herself. Strong Singer. Big, Broadway belter.

TRENT OLIVER: Any ethnicity,30’s – 40’s, Baritone. A pretentious Broadway star who is probably better known for TV infomercials. Loves the sound of his own voice. Strong singer, pop and legit.

EMMA: Any ethnicity, 18+ to play a high school senior. Mix/belt up to a C#. Forced into the spotlight because she asked her girlfriend to the prom. A reluctant poster child for gay / lesbian youth. Very smart, but doesn’t need to be classically beautiful. A bit of a tomboy quality. Sweet pop voice. Strong singer.

ALYSSA: Any ethnicity, 18+ to play a high school senior, Mix/belt up to a D. Tries desperately to fit in. A cheerleader. Secretly Emma’s girlfriend, but afraid to come out. Can be classically pretty. Afraid to stand up to her mother. Pop voice. Strong singer.

MR. HAWKINS: Any ethnicity, 30’s – 50’s, High Baritone. A small town principal. Easily flustered. Straight-laced. A Broadway enthusiast. Good singer.

ANGIE: Any ethnicity, 30’s – 40’s, Alto with a belt. An ensemble member in the Broadway production of “Chicago”. Jaded Fosse girl with a heart of gold. Strong Singer.

MRS. GREENE: Any ethnicity, 30’s – 40’s, Alto. Alyssa’s Mother and the school board president. Very strong, controlling and intimidating. Loves her daughter very much but has a very specific view of what is “right” and “wrong” for her daughter and the school. Strong Singer. 

SHELDON SAPERSTEIN: Any ethnicity, 30’s – 40’s, Baritone. A charismatic press agent. Traditional musical theatre sound.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: September 27, 2021
  • First Preview: October 30, 2021
  • First Performance: November 2, 2021
  • Closing Date(s): TBD

* All dates are subject to change.

Compensation & Union Contract Details

  • Short Engagement Touring $859 weekly minimum (Category 3)

     

Please prepare a brief contemporary musical theatre song that shows your style and vocal range. If you do not have access to accompaniment, you may sing your song of choice a cappella. If you are not able to sing a song of your choosing, please feel free to prepare the provided song. Sheet music and MP3s are available at:

https://tinyurl.com/28fxj5p4

If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name, and height.

Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) to the following email address:

thepromvideos@gmail.com

In the subject line, please type: [Your full name] – [The role for which you’d like to be considered]

Visit the show page to view the current tour route.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 9, 2021
Expires: June 23, 2021

Equity North American Tour 2021-2022

  • Producer: Dori Berinstein, Bill Damaschke, Jack Lane and NETworks
  • Director: Casey Nicholaw
  • Music: Matthew Sklar
  • Lyrics: Chad Beguelin
  • Musical Director: Mary-Mitchell Campbell
  • Book: Bob Martin and Chad Beguelin
  • Choreography: Casey Nicholaw
  • Associate Choreographer: John Macinnis (viewing auditions)
  • Casting: The Telsey Office/ Bethany Knox (viewing auditions)

Production Description 

Down-on-their-luck Broadway stars shake up a small Indiana town as they rally behind a teen who wants to go to the prom with her girlfriend.


SEEKING

ENSEMBLE SINGERS WHO DANCE WELL: Male and female, age 30s to 50, all ethnicities, all shapes and sizes, to portray various characters in the ensemble. Must dance well, sing well and have amazing comic timing.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: September 27, 2021
  • First Preview: October 30, 2021
  • First Performance: November 2, 2021
  • Closing Date(s): TBD

* All dates are subject to change.

Compensation & Union Contract Details

  • Short Engagement Touring $859 weekly minimum (Category 3)

     

Please prepare 16-32 bars of a contemporary musical theatre song that shows your style and vocal range. If you do not have access to accompaniment, you may sing your song of choice a cappella. If you are not able to sing a song of your choosing, please feel free to prepare the provided song. Sheet music and MP3s are available at:

https://tinyurl.com/28fxj5p4.

If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name, and height. Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) to the following email address:

thepromvideos@gmail.com

In the subject line, please type: [Your full name] – [CHORUS].

Visit the show page to view the current tour route.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 8, 2021
Expires: June 21, 2021

Equity North American Tour 2021-2022

  • Producer: Paul Blake & Sony/ATV Music Publishing
  • Director: Marc Bruni
  • Music & Lyrics: Carole King & Gerry Goffin and Barry Mann & Cynthia Weil
  • Musical Supervisor: Jason Howland
  • Book: Douglas McGrath
  • Choreography: Josh Prince
  • Casting: Stephen Kopel, Casting

Production Description 

Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.

Beautiful has a book by Tony Award® nominee and Academy Award®–nominated writer Douglas McGrath, direction by Marc Bruni, choreography by Josh Prince, and took home two 2014 Tony Awards® and the 2015 Grammy® for Best Musical Theater Album.


SEEKING

CAROLE KING: (18+ to play ages 16-29) An aspiring singer/songwriter. A unique, appealing, funny and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music. Seeking an exceptional actress with a powerful, distinctive voice.

GERRY GOFFIN: (18+ to play late teens-late 20’s) Carole’s boyfriend, songwriting partner and eventual husband. He is smoldering, dark & handsome with a rebel vibe. Although sexy, he is innately sympathetic, wounded and tortured. An ambitious artist always striving for more. Seeking a strong actor who sings well. Baritone/tenor.

CYNTHIA WEIL: (18+ to play late teens-late 20’s) A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self- confident and sarcastic, she is also extremely likeable. Seeking an actress with strong comic timing who sings extremely well. Belt.

BARRY MANN: (18+ to play late teens-late 20’s) A songwriter who becomes romantically involved with Cynthia. He is good natured, appealing & neurotic. Ambitious, but likeable. Seeking a strong comedic actor with a great voice. Must be a strong high tenor comfortable with pop & rock style singing.

DON KIRSCHNER: (M30’s-L40’s) An influential music publisher and producer. He is a fast talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker. Seeking a strong actor.

GENIE: (40’s-50’s) Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. Seeking a strong actress.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: late September/early October
  • First Performance: November 2, 2021
  • Closing Date(s): TBD

* All dates are subject to change.


Compensation & Union Contract Details

  • Short Engagement Touring $928 weekly minimum (Category 4)

Instructions

Audition materials available at:

https://www.dropbox.com/sh/yy2l9luyqj4edjx/AAD2kyelu4LQpzEHQoy2HCxAa?dl=0

For the roles of CAROLE, GERRY, BARRY and CYNTHIA, please sing a short pop/rock song in the style of the show of your choice. If you prefer to sing from the show, prepare the song provided at the link above that corresponds with the role you are interested in.

No singing required for the roles of DON and GENIE. Please prepare the scene provided at the link above. If you prefer, you may prepare a short monologue of your choice instead.

All audition videos must be sent as a streaming link (YouTube, Vimeo, etc.). No downloads, please. Email your audition to:

BfulTourCasting@gmail.com

Please include your full name, and the role you are submitting for in the subject line.

Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 6, 2021
Expires: June 18, 2021

Equity North American Tour 2021-2022

  • Producer: Dori Berinstein, Bill Damaschke, Jack Lane and NETworks
  • Director: Casey Nicholaw
  • Music: Matthew Sklar
  • Lyrics: Chad Beguelin
  • Musical Director: Mary-Mitchell Campbell
  • Book: Bob Martin and Chad Beguelin
  • Choreography: Casey Nicholaw
  • Associate Choreographer: John Macinnis (viewing auditions)
  • Casting: The Telsey Office/ Bethany Knox (viewing auditions)

Production Description 

Down-on-their-luck Broadway stars shake up a small Indiana town as they rally behind a teen who wants to go to the prom with her girlfriend.


SEEKING

ENSEMBLE DANCERS WHO SING WELL: Male and female, 18+ to play high school students, all ethnicities. Amazing dancers trained in various forms of dance, especially hip hop. Must sing VERY well and be able to portray various characters in the ensemble.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: September 27, 2021
  • First Preview: October 30, 2021
  • First Performance: November 2, 2021
  • Closing Date(s): TBD

* All dates are subject to change.

Compensation & Union Contract Details

  • Short Engagement Touring $859 weekly minimum (Category 3)

Please record yourself performing the dance combination viewable at this link:

https://tinyurl.com/3buvvjsz

TAPING INSTRUCTIONS: If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height. Record your dance using the full tempo version provided.

Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) to the following email address: thepromvideos@gmail.com. In the subject line, please type:

[Your full name] – [DANCE ENSEMBLE].

Visit the show page to view the current tour route.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 6, 2021
Expires: June 17, 2021

Equity North American Tour 2021-2022

  • Producer: Buena Vista Theatrical Group
  • Director: Julie Taymor
  • Songs by: Elton John/Tim Rice
  • Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
  • Book: Irene Mecchi/Roger Allers
  • Choreography: Garth Fagan
  • Casting: Mark Brandon, CSA/Binder Casting

Production Description 

Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.


SEEKING

YOUNG SIMBA: (For Broadway and National Tour) He/Him. 9 – 12 years old. An African lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. A natural talent with charm and charisma that moves well and able to hold the stage on his own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.

YOUNG NALA: (For Broadway and National Tour) She/Her. 9 – 12 years old. An African lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Looking for a young actor/singer with natural talent, charm and charisma. Actor must move well and hold the stage on her own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.

ADULT SIMBA: (For National Tour) He/Him. Late teens – Late 20’s. An African lion. On his journey to find his purpose and ultimately face his destiny to be King. Must have sex appeal, charm as well as a strong pop/rock singing voice. Should be a high baritone with a sustained “A4”. Must be in excellent physical condition as well as be able to dance and/or move very well. Should be 5’8” – 6’2”.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: August 10, 2021 in New York City
  • First Performance: October 1, 2021 in Cleveland, OH
  • Closing Date(s): TBD

* All dates are subject to change.

Compensation & Union Contract Details

  • $2244 weekly minimum

All audition sheet music and MP3’s for Young Simba, Young Nala and Adult Simba can be accessed here:
https://www.dropbox.com/sh/kmlmlvek4aunxjh/AABs99VGvFq2grmr3ZfO5u99a?dl=0

YOUNG SIMBA AND YOUNG NALA: Please prepare the last part of “I Just Can’t Wait to be King” See link below. Please slate with current height (measured in flat feel against a wall with heels touching the wall).

ADULT SIMBA: Please prepare a brief standard R&B song that shows off voice and range with accompaniment track or the song “Overjoyed”. See link below for “Overjoyed”. Please do not sing music from THE LION KING.

Submit via form here: 

https://airtable.com/shrjg9omFqdJmLlUA

Visit the show page to view the current tour route.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 6, 2021
When: Wednesday, June 23, 2021 – sign up 9 AM – 12 PM
Where: The Orpheum Theatre at 126 Second Ave (between E 7th St & St. Marks Place) map

Non-Equity North American Tour 2021-2022

Production Description 

Matchboxes, brooms, garbage cans, Zippo lighters and more fill the stage with energizing beats at STOMP, the inventive and invigorating stage show that’s dance, music and theatrical performance blended together in one electrifying rhythm.

SEEKING

Performers
Who you might be:

  • A drummer who moves well
  • A dancer who can drum
  • An athletic individual with a great sense of rhythm
  • Acting ability is strongly preferred

Rehearsal and Production Dates & Locations

  • Rehearsal Date: June 28, 2021 in New York City
  • If you are offered a role, you will need to start immediately.

* All dates are subject to change.

Compensation & Union Contract Details

  • Rehearsal: $600/week
  • Performances: $800/week

IMPORTANT: You must provide proof of having completed the COVID-19 vaccination series at least 14 days prior to the June 23rd audition date. Accepted forms of proof are limited to the NYS voluntary Excelsior Pass, or by presenting a vaccination card and photo ID. All auditionees must wear a mask at all times while in building.


What you need to know:

  • Wear loose, comfortable clothes and boots/shoes with a hard sole
  • No heels, sneakers, or taps
  • Be prepared to move
  • You do not need to have any material prepared
  • Please be prepared to stay in the New York City area at your own expense through June 26 for callbacks

STOMP is a non-union production – Equity and other union members not excluded.

Visit the show page to view the current tour route.

Posted: June 3, 2021
Expires: June 16, 2021

Equity North American Tour 2021-2022

  • Producers: Tom Smedes Productions, Nathan Gehan, Jamison Scott
  • Director: Matthew Warchus
  • Playwright: Jack Thorne
  • Original Story: Charles Dickens
  • Composer/Orchestrator: Christopher Nightingale
  • General Manager: Showtown Theatricals
  • Casting: Jim Carnahan Casting

Production Description 

Two visionary Tony Award® winners — playwright Jack Thorne (HARRY POTTER AND THE CURSED CHILD), director Matthew Warchus (MATILDA) — offer a magical new interpretation of Charles Dickens’ timeless story.

Nominated for five Tony Awards, this New York Times Critic’s Pick welcomes theatergoers of all ages into an immersive experience that is brimming with Christmas spirit. Featuring dazzling staging, moving storytelling, and 12 cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear,” it is “so infectious you’ll leave the theater with a heart full of joy and light” (Entertainment Weekly).

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

SEEKING

SCROOGE [CAST]: Male, 40-65 Grouchy old miser with a cold-hearted approach to life. His kindness and goodwill are restored after a visit from some wise ghosts. Standard English accent.

BOB CRATCHITT:  Male, 35-45 An affable man stuck in an ineffable job. He loves his family, he tries to love his boss, he believes if you project happiness in the world you will get happiness back – he’s wrong.

MRS CRATCHITT: Female, 30-45 Bob Cratchitt’s wife and mother to Tiny Tim. Kind, loving woman, focused on her family and providing what she can considering their poverty. Not a fan of Scrooge. She knows how to cook a goose.

NEWPHEW/FRED: Male, 25-35 A quick witted man who enjoys being fun and playful. He likes a game, he likes a chat, he doesn’t do a great deal with his time but lives life lovingly.

LITTLE FAN: Female, 18-28 Soft and sweet and clever, Little Fan is the Jimminy Cricket we all wished we had as a relative. Scrooge’s sister and the Ghost of Christmas future. Scrooge is very fond of Fan.

FATHER/MARLEY: Male, 35-55 Marley – Scrooge’s former business partner. A bitter man who bitterly regrets his bitterness. Father – Scrooge and Little Fan’s Father. Alcoholic. Commanding, pathetic, pathetically commanding.

BELLE: Female, 25-40 Cunning, beguiling, both extraordinary and ordinary. Scrooge meets Belle when they are young and falls in love with her. Leaves her behind with promise to return as a rich man and to marry her. Belle grows as Scrooge does, but in an entirely different way.

FEZZIWIG: Male, 40-60 The most joyous undertaker you’ll ever meet. Father of Belle. Warm, welcoming man – his house is full of Christmas cheer. Offers the young Scrooge work with the intention of making him an associate and business partner. Scrooge rejects this in his mission to provide more for Belle.

GHOST PAST: Female, 55-75 Sinewy and clever, the first of the ghosts. Takes Scrooge back to his childhood and visits Little Fan, Belle, and Fezziwig through the years. Pensive and cunning but with a sweet Grandma-like appearance.

GHOST PRESENT: Female, 35-45 A giant. With giant ways. She sees the present clearly, mainly because she’s so tall. She thinks he’s funnier than he is. She enjoys life, which is a wonderful skill in a ghost.

NICHOLAS: Male, 30-40 A good and kind husband to Belle. Same age as Belle. Skills on tin whistle and/or accordion a plus.

JESS: Female, 18-30 City type. Young, playful and competitive. A friend of Scrooge’s nephew, Jess is quick witted and a keen game player.

YOUNG EBENEZER: Male, 18-30 The young Scrooge, but not as we know him. Young Ebenezer is playful, bright and energetic despite his sorrow at being left alone at boarding school throughout school holidays. Must play cello.

FERDY/ENSEMBLE: Male, 18-30 City type. Young, playful character.

TINY TIM: (Male or Female, 8-12 A seer who carries a disability. Performers with disabilities encouraged to submit.

NOTE: All roles require an English accent. All roles (with the exception of Scrooge) will be asked to sing Christmas carols a cappella. Some roles will also play instruments including cello, mandolin, tin whistle, and accordion. Seeking all ethnicities for all roles.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: October 4, 2021
  • First Performance: November 13, 2021
  • Opening: November 30, 2021
  • Closing: January 2, 2022
  • Venue: Ahmanson Theatre, Los Angeles, CA (Indoors)

* All dates are subject to change.

Compensation & Union Contract Details

  • Production (League) $2244 weekly minimum

No slate necessary. Please prepare one side provided in the Dropbox: https://www.dropbox.com/sh/agnmo6hw1cgdccx/AABjGgTOvdc2RRyFG7vwTjNWa?dl=0.

If you do not have a reader for your audition, you are welcome to perform a monologue of your choice in the style of the show.

Upload your tape to Vimeo, Dropbox, Google Drive, or WeTransfer (please make sure your video is downloadable) and send to: audition@carnahancasting.com. Include a picture and resume with your submission.

Posted: June 3, 2021
Expires: June 16, 2021

Equity North American Tour 2021-2022

  • Producers: Tom Smedes Productions, Nathan Gehan, Jamison Scott
  • Director: Matthew Warchus
  • Playwright: Jack Thorne
  • Original Story: Charles Dickens
  • Composer/Orchestrator: Christopher Nightingale
  • General Manager: Showtown Theatricals
  • Casting: Jim Carnahan Casting

Production Description 

Two visionary Tony Award® winners — playwright Jack Thorne (HARRY POTTER AND THE CURSED CHILD), director Matthew Warchus (MATILDA) — offer a magical new interpretation of Charles Dickens’ timeless story.

Nominated for five Tony Awards, this New York Times Critic’s Pick welcomes theatergoers of all ages into an immersive experience that is brimming with Christmas spirit. Featuring dazzling staging, moving storytelling, and 12 cherished Christmas carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear,” it is “so infectious you’ll leave the theater with a heart full of joy and light” (Entertainment Weekly).

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

SEEKING

SCROOGE [CAST]: Male, 40-65 Grouchy old miser with a cold-hearted approach to life. His kindness and goodwill are restored after a visit from some wise ghosts. Standard English accent.

BOB CRATCHITT:  Male, 35-45 An affable man stuck in an ineffable job. He loves his family, he tries to love his boss, he believes if you project happiness in the world you will get happiness back – he’s wrong.

MRS CRATCHITT: Female, 30-45 Bob Cratchitt’s wife and mother to Tiny Tim. Kind, loving woman, focused on her family and providing what she can considering their poverty. Not a fan of Scrooge. She knows how to cook a goose.

NEWPHEW/FRED: Male, 25-35 A quick witted man who enjoys being fun and playful. He likes a game, he likes a chat, he doesn’t do a great deal with his time but lives life lovingly.

LITTLE FAN: Female, 18-28 Soft and sweet and clever, Little Fan is the Jimminy Cricket we all wished we had as a relative. Scrooge’s sister and the Ghost of Christmas future. Scrooge is very fond of Fan.

FATHER/MARLEY: Male, 35-55 Marley – Scrooge’s former business partner. A bitter man who bitterly regrets his bitterness. Father – Scrooge and Little Fan’s Father. Alcoholic. Commanding, pathetic, pathetically commanding.

BELLE: Female, 25-40 Cunning, beguiling, both extraordinary and ordinary. Scrooge meets Belle when they are young and falls in love with her. Leaves her behind with promise to return as a rich man and to marry her. Belle grows as Scrooge does, but in an entirely different way.

FEZZIWIG: Male, 40-60 The most joyous undertaker you’ll ever meet. Father of Belle. Warm, welcoming man – his house is full of Christmas cheer. Offers the young Scrooge work with the intention of making him an associate and business partner. Scrooge rejects this in his mission to provide more for Belle.

GHOST PAST: Female, 55-75 Sinewy and clever, the first of the ghosts. Takes Scrooge back to his childhood and visits Little Fan, Belle, and Fezziwig through the years. Pensive and cunning but with a sweet Grandma-like appearance.

GHOST PRESENT: Female, 35-45 A giant. With giant ways. She sees the present clearly, mainly because she’s so tall. She thinks he’s funnier than he is. She enjoys life, which is a wonderful skill in a ghost.

NICHOLAS: Male, 30-40 A good and kind husband to Belle. Same age as Belle. Skills on tin whistle and/or accordion a plus.

JESS: Female, 18-30 City type. Young, playful and competitive. A friend of Scrooge’s nephew, Jess is quick witted and a keen game player.

YOUNG EBENEZER: Male, 18-30 The young Scrooge, but not as we know him. Young Ebenezer is playful, bright and energetic despite his sorrow at being left alone at boarding school throughout school holidays. Must play cello.

FERDY/ENSEMBLE: Male, 18-30 City type. Young, playful character.

TINY TIM: (Male or Female, 8-12 A seer who carries a disability. Performers with disabilities encouraged to submit.

NOTE: All roles require an English accent. All roles (with the exception of Scrooge) will be asked to sing Christmas carols a cappella. Some roles will also play instruments including cello, mandolin, tin whistle, and accordion. Seeking all ethnicities for all roles.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: October 18, 2021
  • First Performance: November 26, 2021
  • Opening: November 30, 2021
  • Closing: December 26, 2021 (possible extension to January 2, 2022)
  • Venue: Golden Gate Theatre, San Francisco, CA (Indoors)

* All dates are subject to change.

Compensation & Union Contract Details

  • Production (League) $2323 weekly minimum

No slate necessary. Please prepare one side provided in the Dropbox: https://www.dropbox.com/sh/agnmo6hw1cgdccx/AABjGgTOvdc2RRyFG7vwTjNWa?dl=0.

If you do not have a reader for your audition, you are welcome to perform a monologue of your choice in the style of the show.

Upload your tape to Vimeo, Dropbox, Google Drive, or WeTransfer (please make sure your video is downloadable) and send to: audition@carnahancasting.com. Include a picture and resume with your submission.

Posted: June 3, 2021
Expires: July 9, 2021

Non-Equity North American Tour 2021-2022

  • Producers: Prather Productions and APEX Touring
  • Director: Lauren Sobon
  • Music and Lyrics: Donna Summer, Giorgio Moroder and Paul Jabara
  • Book: Colman Domingo, Robert Cary and Des McAnuff
  • Casting: Brian Enzman, Apex-Prather Touring

Production Description 

She was a girl from Boston with a voice from heaven, who shot through the stars from gospel choir to dance floor diva. But what the world didn’t know was how Donna Summer risked it all to break through barriers, becoming the icon of an era and the inspiration for every music diva who followed. With a score featuring more than 20 of Summer’s classic hits including “Love to Love You Baby,” “Bad Girls” and “Hot Stuff,” this electric experience is a moving tribute to the voice of a generation.

SEEKING

Diva Donna: plays 50-59 (Black-African descent) Donna in her 50’s at the pinnacle of her career. Warm and wise and is the emcee for the show. Also plays Mary Gaines, Donna’s mother.

Disco Donna: plays 18-29 (Black-African descent) Donna in her late teens and 20’s during her rising star career from Boston to Germany and discotheques of L.A. and NYC. She is charismatic and strong as she advances her career. Must be a strong dancer as well.

Duckling Donna:(Must be legal 18+ to play younger. Black-African descent) Donna as a pre-teen, trying to find her voice within a large Boston family. Ambitious yet fragile. Also plays Mimi, Donna’s oldest daughter.

Bruce Sudano: plays 35-45. Bass player for the Brooklyn Dreams and eventually Donna’s husband. Supportive and witty.

Andrew Gaines: plays 40 -49 (Black-African descent) Donna’s father. Ex-military. Has a stern exterior but loves his children more than anything.

Neil/Gunther: plays 30-39. Neil is head of Casablanca records and Donna’s mentor. Works hard and parties harder. Gunther is Donna’s German boyfriend. Handsome and charming, but with a darker edge.

Ensemble Singers/Dancers: (Male and Females. 18-40) Must be Strong singers and dancers. Many women will be playing and dancing Male roles.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: October 18, 2021 in Lancaster, PA
  • First Performance: November 16, 2021 in Pittsburgh, PA
  • Closing Date: June 25, 2022 in Lancaster, PA.

* All dates are subject to change.

Compensation & Union Contract Details

  • $680-880/week
  • Contracts include housing, Per diem and professional weekly salary.
  • Please note that that weekly salary range listed above is the total of the actor’s weekly performance salary and the actor’s weekly per diem amount. All contracts are NON-AEA.

Actor’s should submit 2 contrasting songs, 32 bars each, in the style of the Disco and the 1970’s era. Include your pic/resume, website and any audition reels you have. Especially dance reels for the ensemble roles.

Email submissions to both Brian Enzman (Casting) Brian@Prathertouring.com and Lauren Sobon (Director) Lauren@Prathertouring.com. Actors will be sent sides if chosen to read and come to the call backs in NYC. Callbacks will be July 26-28 by Appointment, at Nex Gen Studios. 519 8th Ave, NYC. (Formally Pearl Studios)

Visit the show page to view the current tour route.

Posted: June 23, 2021
Expires: July 1, 2021

Equity North American Tour 2021-2022

  • Producer: Paul Blake & Sony/ATV Music Publishing
  • Director: Marc Bruni
  • Music & Lyrics: Carole King & Gerry Goffin and Barry Mann & Cynthia Weil
  • Musical Supervisor: Jason Howland
  • Book: Douglas McGrath
  • Choreography: Josh Prince
  • Casting: Stephen Kopel, Casting

Production Description 

Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.

Beautiful has a book by Tony Award® nominee and Academy Award®–nominated writer Douglas McGrath, direction by Marc Bruni, choreography by Josh Prince, and took home two 2014 Tony Awards® and the 2015 Grammy® for Best Musical Theater Album.


SEEKING

Equity dancers for chorus parts in BEAUTIFUL tour.

SHIRELLE (20’s-30’s, African American Women): Seeking strong dancer/singers.

DRIFTER (20’s-30’s, African American Men): Seeking strong dancer/singers.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: late September/early October
  • First Performance: November 2, 2021
  • Closing Date(s): TBD

* All dates are subject to change.


Compensation & Union Contract Details

  • Short Engagement Touring $928 weekly minimum (Category 4)

     

Instructions

For all roles: Please prepare a short musical theatre dance piece, in the style of the show. If you would prefer to submit a short combination from the show, please prepare the dance combination at:

www.dropbox.com/sh/3jituzz1gopy1cj/AABu5Vu4IsCeaZ86GfIwH68Pa?dl=0

All audition videos must be sent as a streaming link (YouTube, Vimeo, etc.). No downloads, please. Email your audition to:

BfulTourCasting@gmail.com

Please include your full name, and the role you are submitting for in the subject line. All videos must be submitted by July 1, 2021.

Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 23, 2021
Expires: July 1, 2021

Equity North American Tour 2021-2022

  • Producer: Disney Theatrical Productions
  • Director: Michael Grandage
  • Music & Lyrics: Kristen Anderson-Lopez and Robert Lopez
  • Musical Supervisor: Stephen Oremus
  • Book: Jennifer Lee
  • Choreography: Rob Ashford
  • Casting: The Telsey Office

Production Description 

From the producers of The Lion King, Mary Poppins, and Aladdin comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Based on the 2014 animated feature, the new Disney stage musical Frozen features a score by Kristen Anderson-Lopez and Robert Lopez, including their Oscar-winning song, “Let It Go,” and a book by Jennifer Lee, the Oscar-winning film writer and director (with Chris Buck).


SEEKING

MALE ENSEMBLE TENOR/DANCER u/s HANS: 20s, Strong tenor and excellent dancer, must be 6’0” or taller. Will cover the principal role of HANS: The youngest of thirteen brothers, Prince Hans of the Southern Isles is a real charmer – as handsome as handsome gets. Anna falls for his open wittiness on the spot – he gets her.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: Early August 2021
  • First Performance: Early September 2021
  • Closing Date(s): TBD

* All dates are subject to change.


Compensation & Union Contract Details

  • Production (Disney) $2323 weekly minimum

Instructions

For material and instructions on how to submit, please visit: https://tinyurl.com/FrozenJune2021

Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Posted: June 28, 2021
Expires: July 8, 2021

Equity North American Tour 2021-2022

  • Producer: Stacey Mindich Productions
  • Director: Michael Greif
  • Music & Lyrics: Justin Paul and Benj Pasek
  • Musical Supervisor: Alex Lacamoire
  • Book: Steven Levenson
  • Choreography: Danny Mefford
  • Casting: Tara Rubin Casting/Kevin Metzger-Timson, CSA

Production Description 

letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. Dear Evan Hansen is the deeply personal and profoundly contemporary musical about life and the way we live it.

Dear Evan Hansen has struck a remarkable chord with audiences and critics everywhere, including The Washington Post who says Dear Evan Hansen is “one of the most remarkable shows in musical theatre history.” The New York Times calls it “a gorgeous musical for anyone with a beating heart.” And NBC Nightly News declares the musical “an anthem resonating on Broadway and beyond.”

Dear Evan Hansen features a book by Tony Award- winner Steven Levenson, a score by Grammy, Tony, Olivier and Academy Award-winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award-nominee Michael Greif (RentNext to Normal).


SEEKING

SEEKING EQUITY ACTORS FOR BROADWAY AND NATIONAL TOUR FUTURE REPLACEMENTS FOR ALL PRINCIPAL ROLES (see breakdown):

Evan Hansen (17): Strong Pop Vocalist, G2-B4. Smart, sincere, and painfully self-conscious, Evan prefers to hover in the background, a supporting player in his own life, too afraid to step forward into the spotlight and risk ridicule or, what might be worse, no one noticing him at all.

Zoe Murphy (16): Strong Pop Vocalist, F3-E5 (belt). A sensitive, sophisticated high school junior. Cool without realizing it, Zoe could care less about the status games and popularity rites of high school. Funny and bright, she has grown up in the long shadow cast by her volatile older brother, Connor, tyrannized along with the rest of her family by his out-of-control behavior. Few rooms are as familiar to her as the inside of a family therapist’s office. Zoe compensates for her brother’s darkness by striving to be warm, nice to everyone, the kind of person who goes out of her way to learn the names of the kids who sit by themselves at lunch. She feels a terrible ambivalence over her brother’s death, finding it difficult to forgive him for all he did, and at the same time forgive that part of herself that feels nothing but relief in the fact that he’s gone.

Alana Beck (17): Strong Pop Vocalist, F3-E5 (belt). A diligent, conscientious, straight-A high school senior, Alana is a do-gooder and a rule follower. Her acute self-awareness and social anxiety make it difficult to connect with others. Beneath her extroverted demeanor, she is in fact haunted by a terrible and abiding loneliness. Alana seizes the death of a classmate as an opportunity finally to find a sense of belonging. Well-intentioned and self-effacing, Alana is transformed by her fixation on the tragedy.

Connor Murphy (17): Strong Pop Vocalist, G2-G4. An angry, disaffected loner, Connor has been a troubled kid for as long as anyone can remember, an enigma and a source of endless consternation to his long-suffering parents.

Jared Kleinman (17): Strong Pop Vocalist, A2-B4 G4. Droll and sarcastic, Jared carries himself with the kind of practiced swagger only the deeply insecure can truly pull off. He is forced by his parents to hang out with family friend Evan, for whom he claims to have nothing but disdain. Jared masks his self-doubt with braggadocio and a know-it-all arrogance.

Heidi Hansen (40s): Strong Pop Vocalist, F3-Eb5 (belt). Evan’s mother. Overworked and stretched too thin, Heidi loves her son fiercely, but fears they have begun to grow apart. She is prepared to do anything to repair the damage.

Cynthia Murphy (40s): Strong Pop Vocalist, F#3-E5 (belt). Connor and Zoe’s mother. To Evan, she seems to be the perfect mother, nurturing, available, and willing to talk about anything. To her own children, it’s a bit more complicated.

Larry Murphy (40s): Strong Pop Vocalist, F#2-G4. Connor and Zoe’s father. Though often tense and taciturn, Larry shows a different face to the world, representing for Evan the dad he always wished for: strong, confident, and more than anything, reliable, someone to be counted on.

Understudy 1 & 2: Will understudy the roles of Cynthia and Heidi (40’s).

Understudy 3 & 4: Will understudy the roles of Zoe and Alana (17).

Understudy 5: Will understudy the role of Larry (40’s).

Understudy 6 & 7: Will understudy the roles of Evan, Connor and Jared (17).

Understudy 8: Will understudy the roles of Connor and Jared (17).


Rehearsal and Production Dates & Locations

  • Rehearsal Date: TBA
  • First Performance: Winter 2021
  • Closing Date(s): TBD

* All dates are subject to change.


Compensation & Union Contract Details

  • Production (League) $2323 weekly minimum

Instructions

To submit, please tape the assigned show material for the role for which you are auditioning OR a brief pop/rock song of your choice. Sheet music, vocal guide tracks, and accompaniment tracks can be downloaded at the following link:

https://tinyurl.com/DEHCasting

Please include a full-body slate at the beginning of your video, and only submit an unlisted YouTube (not private) or Vimeo link. If submitting for an understudy role, you only need to prepare one character’s provided material.

Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.

Please use this form to submit your audition video and headshot/resume:

https://forms.gle/xUouRpZh3NEcpvddA

Visit the show page to view the current tour route.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

We are committed to inclusive and equitable casting for all roles in Dear Evan Hansen and are actively seeking people of all races, cultural backgrounds, abilities, and gender identities to audition. The breakdowns below refer to the characters as they are written in the Dear Evan Hansen script and are not meant to limit the actors we’re looking to cast in the roles. The vocal ranges indicate how the score was written, but should not be considered a limitation when auditioning. We are interested in working with all voices and we welcome actors of all vocal ranges and registers to submit for the roles.

Posted: November 3, 2021
Expires: November 15, 2021

Producers: Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt, and David Stone
Director: Joe Mantello
Choreographer: Wayne Cilento
Music & Lyrics: Stephen Schwartz
Book: Winnie Holzman
Music Supervisor: Stephen Oremus
Music Director: Dan Micciche (viewing auditions)
Associate Director: Lisa Leguillou
Associate Choreographer: Corinne McFadden Herrera (viewing auditions)
General Manager: 321 Theatrical Management
Casting: The Telsey Office/Craig Burns, CSA (viewing auditions)

Production Description

Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good.

SEEKING

[SINGERS WHO MOVE] 20s – 50s, any ethnicity. Fantastic singers with a wide vocal range. Should have movement ability. Various characters in the ensemble. Possible principal understudy assignments. ENSEMBLE

[DANCERS WHO SING] 20s – 30s, any ethnicity. Unique, athletic dancers with strong ballet/jazz technique for Wayne Cilento’s edgy, contemporary choreography. Various characters in the ensemble. Possible principal understudy assignments. ENSEMBLE

Instructions

If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height.

Singers

Please sing 16 bars of a contemporary musical theater song showing range. Sopranos may sing 16 bars of a traditional legit musical theater song showing range. Please provide your own accompaniment. As an alternative to singing a song of choice, you may sing an excerpt from WICKED. Sheet music, teaching tracks, and accompaniment tracks are accessible at the following link. Please choose Soprano 1, Soprano 2, Alto, Tenor 1, Tenor 2, or Baritone/Bass: https://tinyurl.com/38eaew46

Dancers

Please videorecord yourself dancing the combination located in the link below. There is one teaching track with counts, and one track with music that should also be used for accompaniment. Please wear jazz shoes or sneakers.

The dance videos are accessible here: https://tinyurl.com/26za23uk

Please send the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc.) and in one file to the email address. In the subject line, please type: [Your full name] – [The role(s) for which you’d like to be considered]

wickedmusicalcasting@gmail.com

Please title your video: FULL NAME – HAMILTON . In the subject line, please type: HAMILTON – EDC – FULL NAME .

CONTRACT

Production (League) $2323 weekly minimum

 

 


Visit the show page to view the current tour route.

Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.

Posted: November 3, 2021
Expires: November 19, 2021

  • Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
  • Director: Thomas Kail
  • Music and Lyrics: Lin-Manuel Miranda
  • Musical Director: Alex Lacamoire
  • Choreography: Andy Blankenbuehler
  • Casting: The Telsey Office

Production Description

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.


SEEKING

ALEXANDER HAMILTON: Male. Non-white, 30s, Tenor-Baritone. An earnest, ambitious hothead, a man possessed. Speaks his mind, no matter the cost. Raps VERY well. Eminem meets Sweeney Todd. PRINCIPAL

ELIZA HAMILTON: Female. Non-white, 20s – 30s, Soprano. Fiercely loyal, self-possessed, proud. Evolves from lovesick, wealthy young woman to the sole keeper of her late husband’s legacy. Alicia Keys meets Elphaba. PRINCIPAL

ANGELICA SCHUYLER: Female. Non-white, 20s-30s, Mezzo – Soprano, Sings and raps well. Fierce, dazzling, brilliant, can read a room and everyone in it instantly. Deeply in love with Hamilton, who is married to her beloved sister Eliza. Nicki Minaj meets Desiree Armfeldt. PRINCIPAL

AARON BURR: Male. Non-white, 20s-30s, Tenor/Baritone, sings and raps in equal measure. Our narrator. A cool, steely reserve. An orphan raised in wealth, plays his cards and opinions close to the vest. Slow to anger, but when he gets there, look out. Javert meets Mos Def. PRINCIPAL

GEORGE WASHINGTON: Male. Non-white, 30s-40s, Tenor/Baritone, sings and raps in equal measure. Authoritative, regal, aloof, aware of his place in history at all times. John Legend meets Mufasa. PRINCIPAL

MARQUIS DE LAFAYETTE/THOMAS JEFFERSON (dual role): Male. Non-white, 20s-30s, Tenor-Bari, Sings and raps well.

LAFAYETTE is an earnest, idealistic Frenchman who reveals himself to be a superb military commander/rapper. Think Lancelot meets Ludacris.

JEFFERSON is relaxed, jazzy, brilliant, whose effortless cool is ruffled ONLY by Hamilton. Harold Hill meets Drake. PRINCIPAL

HERCULES MULLIGAN/JAMES MADISON (dual role): Male. Non-white, 20s-30s, Tenor/baritone, Sings and raps well.

MULLIGAN is the life of the party, dripping with swagger, streetwise and hilarious. Joins the revolution to get out of being a tailor’s apprentice, and befriends Laurens, Hamilton and Lafayette. Busta Rhymes meets Donald O’Connor.

MADISON is incisively intelligent, quiet, professional. A former Hamilton ally, he becomes Jefferson’s detail man concerning all matters—he gets things done. RZA meets Zach from Chorus Line. PRINCIPAL

JOHN LAURENS/PHILIP HAMILTON (dual role): Male. Non-white, late teens 20s, Tenor, sings and raps well.

LAURENS is an ardent young abolitionist and idealist, born into privilege, joining the Revolution. Hamilton’s loyal best friend. Nas meets Elder Price.

PHILIP HAMILTON: Prodigious, full of life, a wordsmith in the mold of his father Alexander. Tupac meets J. Pierrepont Finch. PRINCIPAL

PEGGY SCHUYLER/MARIA REYNOLDS (dual role): Female. Non-white, late teens-20s, Mezzo-Soprano.

PEGGY SCHUYLER: sweet, shy, youngest of the three Schuyler Sisters. The Michelle Williams of Destiny’s Child.

MARIA REYNOLDS: sultry, young, calculating. Affects the role of a damsel in distress to seduce Hamilton. Jasmine Sullivan meets Carla from Nine. PRINCIPAL

KING GEORGE: Male. Caucasian, 30s-40s, Tenor, British accent. The King of England. Entitled, pouty nihilist. Sees the American Colonies as a deluded former lover, who will come crawling back. Rufus Wainwright meets King Herod in JCS. PRINCIPAL


Instructions

Prepare a brief pop/rock song that shows your style and vocal range. If you do not have access to accompaniment, you may sing your song of choice a cappella. If you are not able to sing a song of your choosing, please feel free to prepare the provided song.

Sheet music and accompaniment MP3 are available at the following link: https://www.dropbox.com/sh/zgnhga8gegx6q79/AAAABNXkp6bYkqPe2bwX9R0Ea?dl=0

If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit).

At the top of the video, please slate your name and height.


Please email the video, along with your photo/resume attached, in a downloadable format (Google Drive, Dropbox, etc) to:

hamiltonbwaycasting@gmail.com

Please title your video: FULL NAME – HAMILTON . In the subject line, please type: HAMILTON – EPA – FULL NAME .


CONTRACT

  • Production (League) $2,323 weekly minimum

     

Visit the show page to view the current tour route.


Equity and non-equity performers age 18+ of all ethnicities, all genders, and all bodes, encouraged to submit.

Musicians

Posted: August 29, 2021

NETworks Presentations LLC


SEEKING

NETworks Presentations, LLC  is seeking a Reed 1(flute/piccolo/clarinet/alto sax) replacement for the Charlie and the Chocolate Factory Bus & Truck National Tour. Competitive salary, plus double occupancy housing, daily expense allowance, and company provided transportation.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: on or about October 7, 2021
  • Opening Date: TBA
  • Closing Date: June 26, 2022

* All dates are subject to change.


Compensation & Union Contract Details

  • $600.00-700.00

Competitive salary based on experience, plus weekly expense allowance and company provided transportation.


Instructions

To be considered you must submit the following materials: a resume and video samples (overtures, dance music, pop musical theatre repertoire, etc.) of your playing.

Send materials to John Mezzio at:

NETworksMusicDept@gmail.com


NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Visit the show page to view the current tour route.

Posted: August 2, 2021

NETworks Presentations LLC


SEEKING

NETworks Presentations, LLC is seeking a Trumpet in C/Flugelhorn player for the Anastasia Bus & Truck National Tour. This chair should have classical training with a very legit symphonic sound. 


Rehearsal and Production Dates & Locations

  • Rehearsal Date: on or about October 9, 2021
  • Opening Date: TBA
  • Closing Date: June 26, 2022

* All dates are subject to change.


Compensation & Union Contract Details

  • $600.00-700.00

Competitive salary based on experience, plus weekly expense allowance and company provided transportation.


Instructions

To be considered you must submit: a resume and video samples of your playing.

Send materials to John Mezzio at:

NETworksMusicDept@gmail.com


NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Visit the show page to view the current tour route.

Posted: August 2, 2021

NETworks Presentations LLC


SEEKING

NETworks Presentations, LLC is seeking a Keyboardist for the Anastasia Bus & Truck National Tour. This second (2nd) keyboard chair utilizes NOTIONTM software. Previous experience with this program is favorable but not necessary.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: on or about October 9, 2021
  • Opening Date: TBA
  • Closing Date: June 26, 2022

* All dates are subject to change.


Compensation & Union Contract Details

  • $600.00-700.00

Competitive salary based on experience, plus weekly expense allowance and company provided transportation.


Instructions

To be considered you must submit: a resume and video samples of your playing.

Send materials to John Mezzio at:

NETworksMusicDept@gmail.com


NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Visit the show page to view the current tour route.

Posted: August 21, 2021

NETworks Presentations LLC


SEEKING

NETworks Presentations, LLC  is seeking an Associate Conductor/Keyboard for the Charlie and the Chocolate Factory Bus & Truck National Tour. Excellent keyboard skills as well as extensive keyboard conducting experience. Competitive salary, plus double occupancy housing, daily expense allowance, and company provided transportation.


Rehearsal and Production Dates & Locations

  • Rehearsal Date: on or about September 20, 2021
  • Opening Date: TBA
  • Closing Date: June 26, 2022

* All dates are subject to change.


Compensation & Union Contract Details

  • $600.00-700.00

Competitive salary based on experience, plus weekly expense allowance and company provided transportation.


Instructions

To be considered you must submit the following materials: a resume and video samples (overtures, dance music, pop musical theatre repertoire, etc.) of your playing.

Send materials to John Mezzio at:

NETworksMusicDept@gmail.com


NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Visit the show page to view the current tour route.

Posted: July 1, 2021

NETworks Presentations LLC


SEEKING

NETworks Presentations LLC is seeking musicians for the WAITRESS Bus & Truck National Tour.


NOTES

Open positions include:

  • BASS (Acoustic & Electric)
  • CELLO (doubling on GUITAR)

Rehearsal and Production Dates & Locations

  • Rehearsal Date: on or about September 27, 2021
  • Opening Date: TBA
  • Closing Date: June 12, 2022

There is a holiday hiatus beginning on December 13, 2021 through January 1, 2022

* All dates are subject to change.


Compensation & Union Contract Details

Competitive weekly salary, company provided double occupancy housing, daily expense allowance, and transportation.


Instructions

To be considered, you must submit the following: a current resume and video samples (pop, musical theatre repertoire, etc.) of your playing. Cello/Guitar candidates need to submit both cello and guitar samples.

Send materials to John Mezzio at:

NETworksMusicDept@gmail.com


NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Visit the show page to view the current tour route.

Posted: June 19, 2021

TROIKA Entertainment, LLC

SEEKING

TROIKA Entertainment LLC is seeking musicians for the upcoming National Tour of Jimmy Buffett’s ESCAPE TO MARGARITAVILLE.

NOTES

Open positions include:

  • Music Director/Keys
  • Trumpet (Bb, Flugel, Recorder)
  • Guitar 1 (Electric, Acoustic, Ukulele, Banjo, Harmonica, Lap Steel)
  • Bass (Electric)
  • Drums

Rehearsal and Production Dates & Locations

  • Opening Date: August 31, 2021
  • Closing Date: November 21, 2021

* All dates are subject to change.

Compensation & Union Contract Details

Competitive salary, per diem, housing and company provided transportation.

To be considered, please submit a current resume and applicable playing samples (preferably videos in web link format).  If you have already submitted materials this season, no need to submit full materials again.  Further preparation of audition materials may be requested.

Send materials to Talitha Fehr at talitha@tlmusic.ca

TROIKA Entertainment is a theatrical production company producing touring musical theatre productions throughout North America and internationally.  We are based in Rockville, MD a suburb of Washington DC. We offer a competitive compensation package commensurate with experience, which includes a comprehensive benefits package.

TROIKA Entertainment LLC is an equal opportunity employer. We will extend equal opportunity to all individuals without regard to race, religion, color, sex (including pregnancy, sexual orientation and gender identity), national origin, disability, age, genetic information, or any other status protected under applicable federal, state, or local laws. Our policy reflects and affirms our Company’s commitment to the principles of fair employment and the elimination of all discriminatory practices.

Visit the show page to view the current tour route.

Posted: May 18, 2021

NETworks Presentations, LLC

SEEKING

NETworks Presentations, LLC is seeking an Accordion player (doubling on Keyboard) for the FIDDLER ON THE ROOF Bus & Truck National Tour.

NOTES

NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Rehearsal and Production Dates & Locations

  • Rehearsal Date(s): on/about October 4, 2021
  • Closing Date: June 26, 2022

* All dates are subject to change.

Compensation & Union Contract Details

Competitive salary, weekly expense allowance, company provided double occupancy housing and transportation.

Extensive keyboard conducting experience is required. To be considered you must submit the following materials: a resume and video samples (overtures, dance music, musical theatre repertoire, etc.) of your accordion and keyboard playing.

Please send materials to John Mezzio: NETworksMusicDept@gmail.com

Visit the show page to view the current tour route.

Posted: May 18, 2021

NETworks Presentations, LLC

SEEKING

NETworks Presentations, LLC is seeking musicians for the 2021-2022 touring season. Shows include: HAIRSPRAY, ANASTASIA, and CHARLIE AND THE CHOCOLATE FACTORY. Open positions include: REEDS (flute/clarinet/oboe/English Horn/bass clarinet/bassoon/saxes), VIOLIN, CELLO, TRUMPET/FLUGELHORN, TROMBONE, and DRUMS/PERCUSSION.

NOTES

NETworks is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity at-will employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.


Rehearsal and Production Dates & Locations

  • Rehearsal Date(s): on/about October 4, 2021
  • Closing Date: June 26, 2022

* All dates are subject to change.

Compensation & Union Contract Details

Competitive salary, weekly expense allowance, company provided double occupancy housing and transportation.

To be considered, you must submit the following: a current resume and video samples (overtures, dance music, musical theatre repertoire, etc.) of your playing.

Please send materials to John Mezzio: NETworksMusicDept@gmail.com

Visit the show pages to view the current tour routes: