Posted: May 15, 2025
Audition: June 2 & 5, 2025

• Produced by The Michael Jackson Estate and Lia Vollack Productions
• Written by Lynn Nottage
• Directed and Choreographed by Christopher Wheeldon
• Music Supervision by David Holcenberg
• Music Direction by Jason Michael Webb
• General Management by Bespoke Theatricals
• Casting by The Telsey Office
• Expected to attend:
  Kali May Grinder and/or Michael Harmon (Dance Captains)
  Lindsay Levine, The Telsey Office (Casting Director)

Production Description 

MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status.

SEEKING

Equity chorus dancers for possible future replacements in the touring production of MJ THE MUSICAL. 

[ENSEMBLE DANCERS] – 20s-30s, fantastic, dynamic dancers; any ethnicity. Singing is a plus.

AUDITION

• Dates:
  > Monday, June 2,  2025 
  > Thursday, June 5, 2025 
• Time:
  > 10:00 AM
  > Lunch: 1:00–2:00 PM
  > Restarts at 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 404

PREPARATION

Please come warmed up and ready to dance. Sneakers or dance sneakers will work best. Bring a headshot and resume stapled together.

SALARY

• Touring Agreement $2599 weekly minimum (Level 1)

DATES

• Currently on tour.

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: January 18, 2024
Audition: January 30, 2024

• Produced by The Michael Jackson Estate and Lia Vollack Productions
• Written by Lynn Nottage
• Directed and Choreographed by Christopher Wheeldon
• Music Supervision by David Holcenberg
• Music Direction by Jason Michael Webb
• General Management by Bespoke Theatricals
• Casting by The Telsey Office

Expected to attend:
Kali May Grinder (Dance Captain) and Michael
Harmon (Dance Captain)
Lindsay Levine, The Telsey Office (Casting Director)

Production Description 

MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status.

SEEKING

[ENSEMBLE DANCERS] – 20s-30s, Dancers who sing. Fantastic, dynamic dancers; any ethnicity. Singing is a plus.

AUDITION

• Date:
  Tuesday, January 30, 2024
  10 AM – 1 PM; 2 PM – TBD
  Lunch 1:00 – 2:00 PM

• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504

PREPARATION

Please come warmed up and ready to dance. Sneakers or dance sneakers will work best, Bring a photo/resume stapled together.

SALARY

• Touring Agreement $2403 weekly minimum (Level 1)

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: March 8, 2025
Expires: March 21, 2025

• Music & Lyrics: Alicia Keys
• Book: Kristoffer Diaz
• Director: Michael Greif
• Choreographer: Camille A. Brown
• Music Supervisor: Adam Blackstone
• Music Consultant: Tom Kitt
• Casting: Heidi Griffiths/Kate Murray
• Casting Associate: Chalin Tulyathan

Production Description 

Ali is a 17-year-old girl full of fire – searching for freedom, passion and her place in the world. How she finds them is a New York City coming-of-age story you’ve never felt before – Hell’s Kitchen, a new musical from 16-time Grammy® Award winner Alicia Keys, whose songs and experiences growing up in NY inspire a story made for Broadway.

SEEKING

Equity actors for roles for the new touring production of HELL’S KITCHEN (See breakdown).

[JERSEY] Character is a White woman in her late 30s-mid 40s. An extraordinary & powerfully-voiced singer with a brassy sound and lots of vocal flexibility. Possesses a strong, HIGH belt and ability to mix. Comfortable with improvisation, R&B/pop/jazz vocals, and harmonies. Vocal range Eb3 — Ab5, but because of the improvisational nature of the music, there is no limit on high belt range. Ali’s mother, raising her as a single mom. Tough, outspoken, not afraid of a fight. What she says, goes.Extremely protective of her daughter, to the degree that strikes fear into the hearts of all Ali’s friends. Distrustful of the outside world, most particularly of the intentions of men, she’ll do anything she can to keep her daughter safe and give her the best shot at life.

[DAVIS] Character is a Black man in his 40s. Tenor, vocal range Eb3 — E5. An exceptional singer who is comfortable with R&B/pop/jazz vocals who can hold down harmonies. Ali’s father. A traveling musician, who has been absent for her entire life. Charming and likable. A true artist. His true love is music, and although he also loves his family, it’s difficult–maybe impossible–for him to make space for both.

[KNUCK] Character is a Black man in his 20s. Muscular Build. Tenor, vocal range B2 — Bb4. An extremely strong soul/R&B singer who is skilled in and comfortable with improv and ad lib. Think the vocal harmonies of 1980’s groups like Boyz II Men, Jodeci, New Edition etc. Experience withdrumming and/or percussion is a big plus. A young man who has grown up holding his own in Ali’s gritty Hell’s Kitchen neighborhood, who Ali falls in love with. He’s a house painter by trade and a dreamer by nature. Knuck finds his joy playing the bucket drums to entertain himself, his friends and his neighbors. Although the world–including Ali’s mother–insists on seeing him as a “thug,” beneath his seemingly tough exterior is a sensitive and soulful young man with a gentle and generous spirit, who is growing increasingly frustrated with a world that insists on stereotyping him and treating him as a threat.

[MISS LIZA JANE] Character is a Black woman in her 50s. Vocal range B2 — D5. An exceptionally strong, powerfully-voiced singer who is comfortable with R&B/pop/jazz vocals and harmonizing. A longtime resident of Ali’s building who becomes Ali’s piano teacher. Outwardly stern and taciturn, with incredible gravitas and presence. Puts tremendous value on discipline and focus, but despite her imposing presence, approaches Ali with patience and empathy, and teaches her about life and adulthood, in addition to music.

[JERSEY STANDBY (OFFSTAGE)] This is an OFFSTAGE ROLE, to standby for JERSEY: Character is a White woman in her late 30s-mid 40s. An extraordinary & powerfully-voiced singer with a brassy sound and lots of vocal flexibility. Possesses a strong, HIGH belt and ability to mix. Comfortable with improvisation, R&B/pop/jazz vocals, and harmonies. Vocal range Eb3 — Ab5, but because of the improvisational nature of the music, there is no limit on high belt range. Ali’s mother, raising her as a single mom. Tough, outspoken, not afraid of a fight. What she says, goes. Extremely protective of her daughter, to the degree that strikes fear into the hearts of all Ali’s friends. Distrustful of the outside world, most particularly of the intentions of men, she’ll do anything she can to keep her daughter safe and give her the best shot at life. This is an OFFSTAGE ROLE.

The following roles are on offer:

[ALI] ROLE IS ON OFFER. Character is a young Black woman. 18+ to play 17. An extraordinary singer who is comfortable with R&B/pop/jazz vocals. Vocal range Eb3 – F5 (G5 head voice). A strong, stubborn girl with a rebellious streak who is trying to carve out her own identity independent of her mother’s overprotective, ever-watchful eye. LEAD role.

AUDITION

The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members’ submissions have been viewed, the employer will notify each member who viewed their audition.

PREPARATION

Please prepare material provided. The Equity video submission deadline is Friday, March 21st, 2025, at 11:59pm ET.

SALARY

• $1077 weekly minimum (Level 5) – Principal salary $2K – 3K/week range

DATES

• 1st Rehearsal: 9/2/25
• 1st Performance: 10/10/25 (Cleveland, OH)

NOTES

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: July 29, 2025
Auditions: see specific dates below

Equity National Tour and Broadway Production

• Producer: Buena Vista Theatrical Group
• Director: Julie Taymor
• Songs by: Elton John/Tim Rice
• Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
• Book: Irene Mecchi/Roger Allers
• Choreography: Garth Fagan

Production Description 

Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.

SEEKING

Equity singers, dancers, and children for roles in the Broadway and national touring productions of THE LION KING (see breakdown).

SINGERS: Seeking strong male-identifying and female-identifying singers who move very well to be in the ensemble and cover principal roles. Be prepared to sing one brief standard R&B, pop or rock-and-roll song that shows off your voice and range. Please do not sing material from THE LION KING. No standard Broadway theatre music. Bring a picture and resume, stapled together. Bring sheet music. A pianist will be provided.

DANCERS: Seeking strong male-identifying and female-identifying dancers with a modern/ballet dance background. Late teens to early 30’s. Some male dancers require strong acrobatic skills..

You must be warmed up and ready by the start time. Bring dance clothes plus flat jazz shoes or bare feet. You may be asked to sing, so please bring a contemporary song that shows off your voice and range. Bring sheet music. Bring a picture and resume, stapled together. A pianist will be provided.

YOUNG SIMBA: 8 – 12 years old. An African lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. Looking for a young actor/singer with natural talent, charm, and charisma. Actor must move well and hold the stage on his own with confidence and truth. ACTOR MUST BE UNDER 56 INCHES.

YOUNG NALA: 8 – 12 years old. 8 – 12 years old. An African lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Looking for a young actor/singer with natural talent, charm, and charisma. Actor must move well and hold the stage on her own with confidence and truth. ACTOR MUST BE UNDER 56 INCHES.

AUDITION #1 (CHILDREN & SINGERS): ATLANTA, GA

• Dates & Times:
  • • Children: Saturday, September 13, 2025
      • • 9AM – Sign-In Begins
        • 10AM – Auditions Begin
        • 11AM – Sign-In Ends
    • Singers: Sunday, September 14, 2025
      • • 9AM – Sign-In Begins
        • 10AM – Auditions Begin
        • 11AM – Sign-In Ends
• Location:
  City Dance & Music
  
  524 Plasters Ave NE
  Atlanta, GA 30324

AUDITION #2 (SINGERS, CHILDREN & DANCERS): CHICAGO, IL

• Dates & Times:
  • • Singers: Friday, October 10, 2025
      • • 9AM – Sign-In Begins
        • 10AM – Auditions Begin
        • 11AM – Sign-In Ends
    • Children: Saturday, October 11, 2025
      • • 9AM – Sign-In Begins
        • 10AM – Auditions Begin
        • 11AM – Sign-In Ends
    • Dancers: Sunday, October 12, 2025
      • • Female-Identifying:
          • • 9AM – Sign-In Begins
            • 10AM – Sign-In Ends
            • 10AM – Auditions Begin
        • Male-Identifying:
          • • 1PM – Sign-In Begins
            • 2PM – Sign-In Ends
            • 2PM – Auditions Begin
• Location:
  Ballet Chicago
  
  17 N State St 19th floor
  Chicago, IL 60602

AUDITION #3 (DANCERS): LAS VEGAS, NV

• Dates & Times:
  • • Saturday, November 15, 2025
      • • Female-Identifying:
          • • 9AM – Sign-In Begins
            • 10AM – Sign-In Ends
            • 10AM – Auditions Begin
        • Male-Identifying:
          • • 1PM – Sign-In Begins
            • 2PM – Sign-In Ends
            • 2PM – Auditions Begin
• Location:
  The Rock Center for Dance
  
  8210 S Maryland Pkwy
  Las Vegas, NV 89123

AUDITION #4 (DANCERS & SINGERS): LOS ANGELES, CA

• Dates & Times:
  • • Dancers: Sunday, November 16, 2025
      • • Female-Identifying:
          • • 9AM – Sign-In Begins
            • 10AM – Sign-In Ends
            • 10AM – Auditions Begin
        • Male-Identifying:
          • • 1PM – Sign-In Begins
            • 2PM – Sign-In Ends
            • 2PM – Auditions Begin
    • Singers: Monday, November 17, 2025
      • • 9AM – Sign-In Begins
        • 10AM – Auditions Begin
        • 11AM – Sign-In Ends
• Location:
  Screenland Studios
  
  10501 Burbank Blvd
  North Hollywood, CA 91601

INSTRUCTIONS

(YOUNG SIMBA & NALA) Be prepared to be taught the last verse of “I Just Can’t Wait to be King.” All children must be accompanied by a parent or guardian. Parents or guardians must remain present at the audition site at all times. Please be prepared to wait

NOTES

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

CONTRACT

Production (Disney) / Touring Agreement

• Minimum weekly Broadway salary is $2,771.98*.

• Minimum weekly Tour salary is $2,499.00*.

*Payments subject to applicable state laws regarding trust funds for minors

Visit the show page to view the current tour route.

Posted: January 30, 2024
Audition: February 7-8, 2024

• Director: Luke Sheppard
• Book: David West Read
• Music: Max Martin
• Music Supervisor: Bill Sherman
• Choreographer: Jennifer Weber
• Producers: Max Martin, Tim Headington, Theresa Steele Page, Martin Dodd, Jenny Petersson, Eva Price
• Casting Directors: Stephen Kopel, Carrie Gardner & Jillian Cimini / C12 Casting
• Casting Associates: Neal Buckley & Sujotta Pace

Expected to attend:
Casting Directors: Stephen Kopel or Carrie Gardner or Jillian Cimini

Production Description 

Created by the Emmy^®-winning writer from “Schitt’s Creek,” this hilarious new musical asks: what would happen if Juliet didn’t end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a second chance at life and love.

SEEKING

Equity actors for roles in the national tour of & JULIET (see breakdown).

JULIET (early 20s, any ethnicity). The overprotected daughter of the Capulets, limited in her experience of love, but also an unfailingly optimistic rebel-in-waiting. Juliet will challenge social conventions of female modesty and decorum — not a docile, obedient girl, but a confident, independent woman — as she learns to own her choices and love herself for who she truly is. Vocal range: G3 – minimum top D5 belt, strong mix to F5.

ANNE/APRIL (30s – mid 40s, any ethnicity) The strong-willed wife of Shakespeare who doubles as Juliet’s best friend. Older than her husband, and in many ways wiser, she is his biggest fan, but also his sharpest critic. Recognizing the parallels between Romeo & Juliet and her own life, Anne’s determination to see Juliet persevere is deeply personal. As she writes herself into the new play as April, we see the fun-loving side of Anne that she hasn’t explored in years. Vocal range: G3 – top D5 full belt.

MAY (20s, any ethnicity) Loving and always supportive of Juliet, May is a young person discovering who they are in the world. An ideal companion for a trip to Paris with Juliet, May sees an opportunity to start fresh, and finds a newfound strength while fighting for a life-changing relationship. Vocal range: G3 – Bb4.

WILLIAM SHAKESPEARE (30s – mid 40s, any ethnicity) Handsome, famous, and endlessly aware of his own wit, William Shakespeare is the jolly leader of his company of Players, until his wife Anne begins to question his authority. William enjoys the spirited competition that ensues, and brings a mischievous spirit to rewriting with Anne, until it becomes clear that much more than the fate of his play is at stake, and he is forced to reexamine his priorities. Vocal range: G3 – A4 (or ideally C5).

ROMEO (20s, any ethnicity) Juliet’s first love is a notorious womanizer, in love with love, and above all, a drama queen, but he is also a true romantic whose feelings for Juliet go beyond anything he has experienced before. As he comes to terms with mistakes of the past, he, too, is longing for a second chance. Vocal range: G3 – A4.

FRANCOIS (20s, any ethnicity) A misunderstood French musician with a playful sense of humour. Like Juliet, Francois is inexperienced in the ways of love, and is dealing with an overly controlling parent. Through Juliet, he develops the courage that will open up a world of possibilities. Vocal range: C#3 – F#4 or G#4.

LANCE (40s – 50s, any ethnicity) Francois’ father, a burly former soldier. As a widowed single parent, Lance only wants a better life for his son, but the weight of his expectations is driving a wedge between them. This changes, however, when an unexpected reunion with an ex-lover restores the twinkle to Lance’s eye, and he is reminded of the complicated nature of finding true love. Vocal range: A2 – Eb4. (lowest notes can be a talk/sing if necessary).

ANGÉLIQUE (NURSE) (40s – 50s, any ethnicity) Juliet’s confidante who has cared for her since she was a baby and is closer to Juliet than her own mother. Boisterous, bawdy, and full of surprising sensuality that has long been repressed for Juliet’s sake. As Ange´lique becomes the unexpected focus of a reignited romance, she struggles, for the first time, to put her own needs first. Vocal range: needs a minimum D5 in full belt (mix to high F#). Lower notes can be character-y, talk/sung.

AUDITION

• Dates:
  Wednesday, February 7, 2024
  10:00 AM – 6:00 PM (E)
  BREAK: 1:30PM – 2:30PM

  Thursday, February 8, 2024
  10:00 AM – 6:00 PM (E)
  BREAK: 12:30PM – 1:30PM

• Location:
  Ripley-Grier Studios (520)
  520 8th Ave
  New York, NY 10018-6507
  Holding Room: Studio 17R; Audition Room: Studio 17S

PREPARATION

Please prepare one song from the Dropbox for the character you wish to be considered for. All audition videos must be sent as a streaming link (youtube, vimeo etc). No downloads please. Alternatively, you may instead sing a song of your choice, in the style of the show (pop music please) DROPBOX: https://www.dropbox.com/scl/fo/3rsk6hrp80ce61ng2uhhz/h?rlkey=7ub2rl0ke1n1z6ysx1zfdjl7f&dl=0

SALARY

• Touring Agreement $1036 weekly minimum (Level 5)

DATES

• First Rehearsal: o/a August 19, 2024
• First Performance: o/a September 21, 2024

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

& JULIET welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender expression, sexual orientation, religion, neurodiversity, body types and artists with disabilities.

Visit the show page to view the current tour route.

Posted: December 22, 2023
Expires: January 9, 2024

• Producer: Ken Davenport and Bob Gaudio
• Executive Producer: Trinity Wheeler
• Director: Michael Mayer
• Book: Anthony McCarten
• Choreographer: Steven Hoggett
• Music Supervisor: Sonny Paladino
• Vocal Designer: AnnMarie Milazzo
• Casting: Jim Carnahan Casting – Jim Carnahan, CSA and Jason Thinger, CSA

Expected to attend:
Jason Thinger (Casting Director)

PRODUCTION DESCRIPTION

The story of the legendary Neil Diamond comes to life on stage in an uplifting new Broadway musical, A Beautiful Noise featuring all his hit songs including “Sweet Caroline,” “America,” and “Cracklin’ Rosie.”

SEEKING

Equity actors for roles in the Touring production of A BEAUTIFUL NOISE (See breakdown).

NEIL NOW – (Male, White, 60s-70s) NEIL DIAMOND is a singer-songwriter/musician. A great singer.

NEIL THEN – (Male, White, 30s-40s) NEIL DIAMOND is a singer-songwriter/musician. A great singer and guitar player.

DOCTOR – (Female, 40s-50s) The DOCTOR is Neil Diamond’s therapist. This role does not sing.

MARCIA MURPHEY – (Female, White, 30s-40s) MARCIA works at the Bitter End and is Neil Diamond’s second wife. She is a slender blonde beauty. A great singer and dancer.

JAYE POSNER – (Female, White, 30s-40s) JAYE is Neil Diamond’s supportive and enthusiastic first wife. A great singer.

BERT BERNS/KIEVE DIAMOND – (Male, White, 60s) BERT BERNS is a record executive. KIEVE DIAMOND is Neil Diamond’s father. A great singer.

TOMMY O’ROURKE/FRED WEINTRAUB – (Male, White, 60s) TOMMY is a mob-boss. FRED is the manager at the Bitter End. A great singer.

ELLIE GREENWICH/ROSE DIAMOND – (Female, White, 30s-40s) ELLIE GREENWICH is a singer, songwriter, and record producer who discovers Neil Diamond. ROSE is Neil Diamond’s mother. A great singer.

AUDITION

Dates & Location

• Dates & Times:
  • Monday, January 8, 2024
    • • 10:00 AM – 6:00 PM
      • Lunch: 1:30–2:30 PM
  • Tuesday, January 9, 2024
    • • 10:00 AM – 6:00 PM
      • Lunch: 1:30–2:30 PM
• Location:
  Ripley-Grier Studios (520)
  520 8th Ave 16th floor
  New York, NY 10018
  Holding room – Studio 17U

PREPARATION

Please prepare a short cut of a Pop/Rock song in the style of the show. No musical theatre. If you would like to be seen for the role of Neil Then, you should accompany yourself on guitar for your audition. If you are being seen for the Doctor, you can prepare a short monologue. If you would like to do material from the show, it can be found at this link: 

https://www.dropbox.com/scl/fo/8ldt8or1v165giyhrr3iu/h?rlkey=rp9oo0ru149rbmyq5ag0n1x49&dl=0

Please also bring your headshot and resume stapled together.

SALARY

Touring Agreement $1036 weekly minimum (Level 5) The minimum base weekly salary for the positions being auditioned for is established by a collective bargaining agreement between The Broadway League Inc., on behalf of the above-named producer, and Actors’ Equity Association.

DATES

First Rehearsal: August 19, 2024
Opening: September 21, 2024

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: May 17, 2025
Expires: May 28, 2025

• Producer/Theatre Company: Xmas Story8 LLC
• Producer: Daniel Sher
• Book: Joseph Robinette
• Music & Lyrics: Benj Pasek and Justin Paul
• Original Broadway Director: John Rando
• Original Broadway Choreographer: Warren Carlyle
• Original Tour Director: Matt Lenz
• Associate Director: Michael Rader
• Associate Choreographer: Brooke Martino
• Musical Director: Andrew Smithson
• Casting Director: Big League Productions Inc.

Production Description 

Based on the perennial holiday movie favorite, A Christmas Story, The Musical chronicles young and bespectacled Ralphie Parker as he schemes his way toward the holiday gift of his dreams, an official Red Ryder® Carbine-Action 200-Shot Range Model Air Rifle (“You’ll shoot your eye out kid!”). An infamous leg lamp, outrageous pink bunny pajamas, a maniacal department store Santa, and a triple-dog-dare to lick a freezing flagpole are just a few of the distractions that stand between Ralphie and his Christmas wish.

SEEKING

[THE OLD MAN (RALPHIE’S FATHER)] 30s-40s. Male. Genius comic actor who sings. Untight, fuss-budget, flawed. Humorously “terrifying” dad with a heart somewhere. Range is high baritone. LEAD. VIRTUAL CALL LINK: https://breakdownservices.com/index.cfm/opencall?oc=394a6

[MOTHER] 20s to 30s, all ethnicities, woman. Pretty, warm, funny, wonderful expressive singer, contemporary mid-range mix-belt, with some soprano. Must be a truly great actress as well as a great singer. Subtle real, genuine, and truthful sense of humor. LEAD. VIRTUAL CALL LINK: https://breakdownservices.com/index.cfm/opencall?oc=4bbze

[MISS SHIELDS/FEMALE ENSEMBLE] 30s-40s. Female. MISS SHIELDS. Schoolteacher. Not a stick-in-the-mud, she’s sassy. Funny musical comedy belter who taps. Also will be in the female ensemble when not Miss Shields. MUST SING EXTREMELY WELL (belt) and TAP DANCE EXTREMELY WELL. VIRTUAL CALL LINK: https://breakdownservices.com/index.cfm/opencall?oc=96c69

[MALE ENSEMBLE/WAITER] Late 20s-30s. Asian. Interesting, off-beat, singer-dancer-actors with bright contemporary voices to play a multitude of roles, some to play featured roles, and some to cover the principals. Roles in the ensemble: Farkus the Bully, Fathers, Neighbors, Delivery People, Elves, etc. This Actor plays a role of a Waiter. VIRTUAL CALL LINK: https://breakdownservices.com/index.cfm/opencall?oc=96c69

[MALE ENSEMBLE] All ethnicities male. 20s-40s. Interesting, off-beat, singer-dancer-actors with bright contemporary voices to play a multitude of roles, some to play featured roles, and some to cover the principals. Roles in ensemble: Farkus the Bully, Fathers, Neighbors, Delivery People, Elves, etc. Seeking warm and interesting types. Vocal ranges include tenors to high A and high baritones to F. VIRTUAL CALL LINK: https://breakdownservices.com/index.cfm/opencall?oc=96c69

[FEMALE ENSEMBLE] 22 to 40, all ethnicities, woman. Interesting off-beat, singer/dancer/actors with bright contemporary voices to play a multitude of roles and some to play featured roles and some to cover the principals. Roles in ensemble and mothers, neighbors, and elves…etc…SEEKING WARM AND INTERESTING TYPES. Vocal Ranges include strong altos, legit sopranos to high A and legit sopranos to high C. Looking for women to cover MOTHER (strong singer/actress roles) and MISS SHIELDS (must tap and belt). VIRTUAL CALL LINK: https://breakdownservices.com/index.cfm/opencall?oc=96c69

[RALPHIE] Boy, 9-13 to play 9-11, all ethnicities. Under 5 feet tall. A regular boy. Appealing presence, an honest actor. Not “show-bizzy”. Experienced on stage and a great strong singing voice, high belter voice must be UNCHANGED. Must be a clear singer with a great range. Range is low f# to high D. Tap dancing is a plus. LEADING ROLE. Virtual Open Call Link: https://breakdownservices.com/index.cfm/opencall?oc=bc4fe

[RANDY] Boy, 9-10 to play about 7 (or even 6), all ethnicities. Must be over 9 years old. Must be smaller than RALPHIE. 4’6” or smaller. CUTE and FUNNY. FUNNY in the sense that he is awkward and off-beat. Must be physically comfortable onstage and have a lot of strong concentration…but, like Ralphie, not showbizzy. Vocally, voice is unchanged and high belter low F# high C#. Tap dancing is a plus. Virtual Open Call Link: https://breakdownservices.com/index.cfm/opencall?oc=e5b4e

[FLICK/ENSEMBLE] 9 to 13 years old, all ethnicities, boy. He will sing a song with his tongue “stuck” to a flag pole. Must be funny and natural. Strong singer. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’11” or shorter. Virtual Open Call Link: https://breakdownservices.com/index.cfm/opencall?oc=z8ss3

[SCHWARTZ/ENSEMBLE] 9 to 13 years old, all ethnicities, boy. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. Must be 4’11” or shorter. Virtual Open Call Link: https://breakdownservices.com/index.cfm/opencall?oc=z8ss3

[DILL/ENSEMBLE] 9 to 13 years old, all ethnicities, boy. Farkus The Bully’s sidekick. Please note Farkus will be portrayed by an Adult. VOICE: Belter (unchanged voice) low B to high C#. Must be able to tap. HEIGHT: would prefer under 4’11”. Virtual Open Call Link: https://breakdownservices.com/index.cfm/opencall?oc=z8ss3

[CHILDREN’S FEMALE ENSEMBLE] Girls, 9 to 13 years old, all ethnicities. Must be high belters. Sings from a low B to high D#. Must be strong/engaging performers. Must be able to tap. Must be 4’11” or shorter. Virtual Open Call Link: https://breakdownservices.com/index.cfm/opencall?oc=f9d34

[FARKUS THE BULLY/MALE ENSEMBLE/CHILDREN ENSEMBLE] Male at least 18 years old to play younger, all ethnicities. The menacing class bully who gets beaten up by Ralphie. Must look very young and be under 5″6. Singer/Dancer. Tap Dancing is a plus. VIRTUAL CALL LINK: https://breakdownservices.com/index.cfm/opencall?oc=a29f4

[TAP DANCE SPECIALTY/ENSEMBLE] 9 to 13 years old, all ethnicities, any gender. Should be 4’9″ or shorter (would love very small). EXCELLENT TAP DANCER. Singing is a plus. (will be cast in one of the listed roles). Virtual Open Call Link: https://breakdownservices.com/index.cfm/opencall?oc=8359f

ALL ROLES WILL BE ASKED TO PREPARE A DANCE VIDEO. SO, MAKE SURE YOU CAN FIND A SPACE TO DO THAT. WE WILL BE SENDING VIDEOS THROUGH ECO CAST TO LEARN THE CHOREOGRAPHY.

The Role of Jean Shepherd is cast.

PREPARATION & AUDITION

See instructions here: 

https://breakdownservices.com/?action=opencall&oc=96c69

https://breakdownservices.com/index.cfm/opencall?oc=z8ss3

SALARY

• $660/week minimum

• No travel, accommodation or meals/per diem provided during rehearsals in NYC.

DATES

• Callback Date(s): June 16-20, 2025
• Rehearsal Start Date(s): October 13, 2025
• Opening Date(s): November 14, 2025
• Closing Date(s): December 21, 2025

NOTES

A Parent or Guardian will be provided with full travel and shared accommodation with their child once on the road.

A Tutor/Child Wrangler will be provided. We work with On Location services for our tutors.

This production is in compliance with all State Child Entertainment Laws.

The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members’ submissions have been viewed, the employer will notify each member who viewed their audition.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: September 9, 2023
Expires: September 20, 2023

Equity Video Submissions

• Produced by Colin Ingram
• Book/Co-Created by Bob Gale
• Co-Created by Robert Zemeckis
• Music and Lyrics by Glen Ballard and Alan Silvestri
• Directed by John Rando
• Choreographed by Chris Bailey

VIEWING SUBMISSIONS:
Claire Burke, CSA (Casting Director)

PRODUCTION DESCRIPTION

When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past and send himself… back to the future.

SEEKING
Equity actors for roles in the BACK TO THE FUTURE National Tour (see breakdown).

The producers and creative team of BACK TO THE FUTURE encourage actors of all races, cultural backgrounds, abilities, and gender identities to audition for all roles.

MARTY MCFLY: 5’4”-5’10”. A teenage hero, he is geeky but charismatic and attractive. Excellent rock tenor (sings a sustained C in chest voice). Great sense of comedy and confident mover.

DOC BROWN: Doc ages from his 40s – 60s. A dreamer, who, as the song says, strives to be a winner, even if he doesn’t quite make it. A friend, mentor, and father/uncle figure to the teenager Marty McFly. A showman with a flair for the unexpected. Eccentric and characterful. Has a great sense of comedy with a strong pop rock voice.

BIFF: 20s, 6’+. A local bully who comes from a long line of bullies in Hill Valley, most of whom harassed members of the McFly family. Strong tenor/high baritone (belts to an A). He has an imposing physicality.

LORRAINE BAINES-MCFLY: 18+ to play older (47) and younger (17). The wife of George McFly and mother of Marty. Unhappy and downtrodden in 1985, she has a spunk and zest for life in 1955. Has strong comedy and a strong musical theatre belt with flexibility across the range, (soprano Belt to Eb).

GEORGE MCFLY: 18+ to play older (47) and younger (17). A geek as a teenager in 1955, he has a penchant for science fiction and writes some of his own but never allows himself to share his stories to anyone due to his fear of rejection. As a middle-aged man, he is of low social status. A very strong physical comedian who can hold a tune. Baritone.

GOLDIE WILSON/MARVIN BERRY: 30s – 50s, these characters are Black. Goldie Wilson is the Mayor of Hill Valley in 1985. Marvin Berry is Chuck Berry’s cousin and the lead singer of the headlining band at the 1955 Enchantment Under the Sea dance. An incredible gospel voice. Skilled in vocal improvisation.

PRINCIPAL STRICKLAND/LOU CARRUTHERS/MAYOR RED THOMAS/SAM BAINES: 30s – 50s. To cover various characters in Marty’s present and past, including STRICKLAND: The uptight authoritarian principal at Marty’s high school. May also cover DOC.

PREPARATION

Please prepare a video of a brief pop or contemporary musical theatre song OR one of selections provided here: https://www.dropbox.com/sh/6g37i0kee2jauga/AACnzhOYSPN7A7k_b7YquKz4a?dl=0 Please include a full-body slate at the beginning of your video. -Send one link as a downloadable video via Vimeo, Google Drive, or Drop Box ONLY. If submitting via Google Drive, please make sure the privacy settings are set so that we do not need to request access to view. -Please film your audition in front of a clean background, with no backlighting. As much as possible, limit ambient noise including air conditioners and other electronics. We recommend you do not use Bluetooth headphones, as it can sometimes cause a delay in the audio. Use a secondary audio source to play the accompaniment music so that it is audible in the tape.

As part of a pilot program created in the Touring agreement: The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members’ submissions have been viewed, the employer will notify each member who viewed their audition.

Submissions will be accepted through September 20th at 6:00PM EST.

SALARY

Touring Agreement $1,056 weekly minimum (level 5)

DATES

First Rehearsal: April 2024
First Performance: June 6, 2024

NOTES

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: October 21, 2023
Expires: November 2, 2023

• Produced by Colin Ingram
• Book/Co-Created by Bob Gale
• Co-Created by Robert Zemeckis
• Music and Lyrics by Glen Ballard and Alan Silvestri
• Directed by John Rando
• Choreographed by Chris Bailey

Expected to attend:
Chris Bailey (Choreographer)
Claire Burke, CSA (Casting Director)
Frankie Ramirez (Casting Associate)

PRODUCTION DESCRIPTION

When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past and send himself… back to the future.

SEEKING

Equity chorus dancers (Male & Female characters) in the Touring production of BACK TO THE FUTURE (See breakdown).

ENSEMBLE: 20s-30s. Seeking excellent, versatile singers capable of singing in both musical theatre and pop styles. Solid experience with harmony work needed. Looking for a range of dance styles from contemporary musical theatre as well as varying 80’s genre and 50’s rock and roll. Partnering skills also will be explored.

AUDITION

Date & Location

• Date & Time: Thursday, November 2, 2023
  • Male Characters: 10:00 AM (E)
  • Female Characters: 2:00 PM (E)
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 314; audition room 315

PREPARATION

Please arrive warmed up and ready to dance.

Please wear form-fitting clothing you can move in. Please bring tennis shoes/sneakers.

You may be asked to demonstrate your skills if you tumble proficiently, so please be warmed up accordingly. Please bring a hardcopy headshot and resume.

SALARY

Touring Agreement $1036 weekly minimum (Level 5)

DATES

First Rehearsal: April 2024
First Performance: June 6, 2024

NOTES

The producers and creative team of BACK TO THE FUTURE are seeking actors of all races, cultural backgrounds, abilities, and gender identities to audition for all roles.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: May 22, 2024
Audition: June 7, 2024

• Director and Choreographer: Matt West
• Music: Alan Menken
• Lyrics: Howard Ashman and Tim Rice
• Book: Linda Woolverton
• Music Supervisor: Michael Kosarin
• Casting: Tara Rubin Casting / Kevin Metzger-Timson, CSA & Peter Van Dam, CSA

Expected to attend:
Jennifer Rias and Erin Moore (Associate Choreographers)
Kevin Metzger-Timson and/or Peter Van Dam (Casting Directors)

Production Description 

A young woman named Belle visits a castle which appears normal on the surface. However, as she steps foot inside, she learns that the castle is under a wicked spell and all the objects are real-life people. Together, Belle and the objects must save themselves before the final rose petal falls and they’re trapped for eternity. At the same time, Belle falls in love with her captor, a ruthless Beast who must learn to be human again.

SEEKING

Equity chorus dancers (Male and Female characters) for the touring production of BEAUTY AND THE BEAST.

[ENSEMBLE DANCERS]: Excellent dancers with strong ballet and tap skills who sing well to comprise the ensemble, play featured roles, and understudy principal roles. Partnering experience and tumbling a plus.

AUDITION

• Date:
  Friday, June 7, 2024
• Time:
  > Males: 10:00 AM
  > Lunch: 1:00PM – 2:00 PM
  > Females: 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 409

PREPARATION

Please wear form-fitting dance attire. Male Characters: Character shoes or sneakers and tap shoes. In case you are asked to sing following the dance call, please prepare a 16-32-bar cut of a traditional music theater song, showing your range, in the style of the show. Please bring a hardcopy headshot & resume and your book should we want to explore further.

SALARY

• Touring Agreement $1467 weekly minimum (Tier 3)

DATES

• 1st Rehearsal: on or about May 15, 2025
• 1st Performance: on or about June 25, 2025

NOTES

The audition process is open to actors of all races and ethnicities, gender identities and ages, as well as performers with disabilities.

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: November 20, 2023
Expires: November 30, 2023

• Producer: Warner Bros., NETworks Presentations
• Director: Alex Timbers
  
• Choreographer: Connor Gallagher
  
• Book: Anthony King and Scott Brown
  
• Music & Lyrics: Eddie Perfect
  
• Music Supervisor: Kris Kukul
  
• General Manager: Gentry Associates, Gregory Vander Ploeg
  
• Casting Director: The Telsey Office
• Expected to attend:
  Casting Directors: Rachel Hoffman or Rashad Naylor

Production Description 

Based on Tim Burton’s dearly beloved film, this hilarious new musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

SEEKING

Equity actors for future replacements in the touring production of BEETLEJUICE (See breakdown).

[BEETLEJUICE] An ageless con-man, somewhere between 12 and 12,000, maturity-wise. Beetlejuice was born dead and is deeply lonely, but his problem is that he’s invisible to living people. He wants nothing more than a chance to experience life, and he has a plan! Beetlejuice is more than a little A.D.D. in his excitement; a motormouth who mimics human emotion and has zero understanding of personal boundaries. Strategic and cagy and wildly dangerous in his pursuit, Beetlejuice meets his match in Lydia. He is relentlessly positive in the face of never-ending obstacles on his journey to becoming alive. Bold, physical, comedic. Excellent singer. Any ethnicity.

[LYDIA] Late teens (18+), Dark, smart and moody, with a jet black sense of humor and a streak of anarchy, Lydia’s a step ahead of almost everyone she meets, living or dead, but she’s at the mercy of a mania, just like Beetlejuice. Lydia wants life to mean something. The world seems small to Lydia since her mother died; she longs for it to reveal itself as something more fantastical than it is. Heart-forward, and on a quest to find a reason to live. Dry & comedic. Great rock belt/mix voice. Any ethnicity.

[ADAM] Mid 30s, Adam is one of those “nice guys” who only have two problems: Can’t seem to get anything started, can’t seem to get anything finished. A putterer-craftsman, Adam adores his wife Barbara and the cozy, cloistered, slightly claustrophobic, conspicuously childless life they’ve built together. What Adam doesn’t realize is: That fastidiously unfinished life of his is nearly finished. Any ethnicity. Great baritenor/tenor.

[BARBARA] Mid 30s, is a mouse that didn’t roar. Which doesn’t mean she can’t. Sweetly neurotic, devoted to her carefully-curated house and her careful curator of a house-husband, Barbara is positive, affirming, and unfailingly kind. She and Adam strenuously protect each other while inadvertently holding each other back. Barbara has a fierce heart and a heroic mother-bear instinct. Deft, subtly comic, and disarmingly honest. Any ethnicity. Great Pop/Musical Theater voice with astrong mix.

[CHARLES] Late 40s/early 50s, is a mini-mogul who needs to control life’s chaos to feel safe. And yet, not far beneath his diamond-hard surface, he feels constantly out of control. In the wake of losing his wife, he refuses to look back as he attempts to rebuild the world for himself and his daughter. Charles is a master-class in blustery overcompensation and strict compartmentalization, but below the surface there is a softness and vulnerability he is afraid to let out. Any ethnicity. Should sing some.

[DELIA] 30s-40s, ditzy yet ambitious, Delia is unfailingly positive, and always looking for a silver lining, even when nobody’s asking for one. Delia is a searcher, longing for a place to belong, and under her optimistic surface there are demons she keeps at bay (most of the time). She’s never faced anyone as smart and cutting as Lydia before, but sees that Lydia is struggling and feels she has a lot to give. Any ethnicity. Excellent singer with a strong pop/belt/mix.

AUDITION

Date & Location

• Thursday, November 30, 2023
  • 10:00 AM – 6:00 PM (E)
  • Lunch 1:30 PM – 2:30 PM

Location:

Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Holding room Studio 312

INSTRUCTIONS

Please prepare a brief pop/rock or contemporary musical theater song in the style of the show. Please bring sheet music for the piano accompanist provided. Please bring a headshot and resume stapled together.

SALARY

• Touring Agreement $1165 weekly minimum (Level 5)

NOTES

BEETLEJUICE First National Tour LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour routes.

Posted: March 7, 2026
Audition: March 16, 2026

• Producer: NETworks
• Originally Directed and Choreographed by Jerry Mitchell
• Tour Director: DB Bonds
• Tour Choreographer: Rachelle Rak
• Book: Bob Martin
• Music: David Foster
• Lyrics: Susan Birkenhead
• Music Supervision: Daryl Waters
• Casting: The TRC Company / Kevin Metzger-Timson, CSA & Olivia Paige West, CSA
• General Management: Gentry & Associates

Production Description 

Based on the iconic characters created by Max Fleischer. Betty’s dream of an ordinary day off from her black-and-white world leads to an adventure of color, music, and love in New York City.

SEEKING

Singers in the non-union Touring production of BOOP! THE MUSICAL.

AUDITION
By Appointment Only

• Date: Monday, March 16, 2026
• Location:
  Pearl Studios (500)
  500 8th Ave
  3rd Floor
  New York, NY 10018-6504

To Sign Up for an Appointment Time, please visit: 

https://tinyurl.com/BOOPDANCEROPENCALL2026

If sign-ups fill up for the Open Call, an in-person Alternate List will be started in the holding room. Unofficial alternate lists will not be accepted. Please do not arrive more than 15 minutes before your appointment time.

PREPARATION

32 bars or 60 seconds of a brief song in the style of the show that shows range.

Please bring a picture and resume stapled together back-to-back.

Please bring sheet music, double-sided and in a binder. An accompanist will be provided. Please do not accompany yourself on the guitar or another instrument.

DATES

• First Rehearsal (NYC): August 31, 2026

SALARY

Rate of Pay: Compensation Package: Rehearsals: salary of $700/week. Performance salary: Ensemble: $700/week and Principals: $900/week. Cast also receives a percentage of the Producers share of overage, per diem of $315/week, and health plan. Producer provided transportation and single occupancy housing beginning with Technical Rehearsal period. No housing, or per diem provided during the pre-technical rehearsal period.

NOTES

To be considered for hire, you must be over 18 by the time of 1st Rehearsal: August 31st, 2026.

We will not be accepting an unofficial sign-up list.

Boop! The Musical is committed to an equitable, inclusive, and accessible casting process and encourages gender diverse and color conscious casting. Performers of all ethnic and cultural backgrounds, gender identities and abilities are encouraged to apply.

NETworks Presentations is committed to building and retaining an inclusive and diverse staff across all projects. As an equal opportunity employer, we strive to create working environments that are welcoming, inclusive, and equitable. We do not discriminate against any employee or applicant for employment because of age, race, religion, color, disability, sex, gender identity/expression, sexual orientation, or national origin.

Visit the show page to view the current tour route.

Posted: January 31, 2026
Audition: February 11, 2026

Equity National Tour and Broadway Production

• Producer: Orin Wolf, John Styles, Barbara Broccoli, NetWorks Productions
• Director & Developer: Saheem Ali
• Associate Director: Moses Garcia
• Book: Marco Ramirez
• Music: Buena Vista Social Club™
• Music Supervisor: Dean Sharenow
• Music Director: Marco Paguia
• Casting Director: The TRC Company / Xavier
  Rubiano, CSA, Tara Rubin, CSA, & Frankie Ramirez, CSA

EXPECTED TO ATTEND

Xavier Rubiano: Casting Director

Production Description 

Inspired by the Grammy Award-winning 1997 self-titled album and group of the same name. This new musical tells the story of the legendary artists who recorded the soul-stirring, foot-tapping music of Cuba’s golden age. A tale of big dreams, second chances, and the power of art to help us survive.

SEEKING

Equity actors for roles in the current Broadway and the new Touring productions of BUENA VISTA SOCIAL CLUB (See breakdown).

[OMARA] 50+. Female-presenting. Singer. Mixed, Latino or Black. A powerhouse singer and presence in any room she occupies—and she knows it. She is cuttingly funny and intelligent but carries the weight of her past, despite her commercial success in music.

[IBRAHIM] 50+. Male-presenting. Strong vocalist. Black. He is a man with a sweet singing voice and a deeply spiritual presence. His life has been very difficult, and his wariness shows.

[COMPAY] 50+. Male-presenting. Singer. Mixed, Latino or Black. A troubadour musician with “oldworld” charm. While he can be a bit flirtatious, he’s a sensitive man who has lived several deep disappointments in his lifetime.

[RUBÉN] 50+. Male-presenting. Strong vocalist. Mixed, Latino or Black. The older version of Young Rubén who comes to listen to the music being recorded in the Egrem Studios. He is still, quiet, and trapped in his own mind until he hears a recording from his youth. Will understudy the role of IBRAHIM.

[YOUNG OMARA] 20s. Female-presenting. Singer. Mixed, Latino or Black. A wealthy young woman dreaming of a world full of music and harmony. She’s free in spirit and strong in her convictions, but she gives in under pressure to obtain her goals.

[YOUNG HAYDÉE] 20s. Female-presenting. Singer. Mixed, Latino or Black. Older sister to Young Omara and the driving engine behind the duo’s early success as performers. She’s logical, nononsense, and down-to earth. Not one for sentiment, she faces reality head-on.

[YOUNG IBRAHIM] 20s. Male-presenting. Singer/Dancer. Black. A dark-skinned young singer who has relocated from a difficult life in the country to the big city. He relies on busking to make his living and faces prejudicial hurdles on the journey to musical success.

[YOUNG COMPAY] 20s. Male-presenting. Singer. Mixed, Latino or Black. A stylish, brave, and charming young guitar player and singer. Though he’s a bit of a risk-taker, he’s a dedicated person—to his friends, his music, and the Buena Vista Social Club alike.

[YOUNG RUBÉN] 20s. Male-presenting. Musician (Piano). Mixed, Latino or Black. An energetic, careful, eager, and hopeful pianist. He came from a humble background and dreams of playing on the best instruments with the best musicians. His mind stays focused on two things: safety and music. Piano proficiency required; knowledge of Afro-Cuban styles a plus.

[JUAN/MAN IN SUIT] 20s/30s. Male-presenting. Non-singer. Mixed, Latino or Black. JUAN: A young music producer whose main focus is business success. He is intelligent, motivated, and a self-starter who isn’t afraid to take chances for his dreams. MAN IN SUIT: A former employee of Capitol Records who approaches Young Omara in the Buena Vista Social Club to attract her to his new record label. Young Omara’s hesitation is no match for his foresight and persuasion.

[ELIADES] 20s-40s. Male-presenting. Musician (Guitar/Tres). Mixed, Latino or Black. A leader of the House Band, he’s a great friend of the producer Juan De Marcos. He plays the tres with great pizzazz and has a bit of a country streak in him. Guitar proficiency required; knowledge of Afro-Cuban styles a plus.

AUDITION

• Date:
  > Wednesday, February 11, 2026
• Times:
  > 10:00 AM – 6:00 PM
  > Lunch 1:30 PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 408

PREPARATION

Please prepare a Latin jazz or pop song in Spanish or English. Bring sheet music and your book of music with you. An accompanist will be provided. For the role of JUAN and other non-singing roles, Sides will be provided. You may find the Side at the link below:

https://www.dropbox.com/scl/fi/q8onm76go36em14tdj0n3/BVSC-Acting-Side.pdf?rlkey=21bc3css499m3q1kk87fvx87k&e=2&st=6i1vojam&dl=0

Hardcopies will be available at the audition. Bring a headshot and resume stapled together.

SALARY

Production (League) / Touring Agreement $2717 weekly minimum – Broadway $995 weekly minimum (Level 6) – Touring

DATES

• 1st Rehearsal: August 10th, 2026
• 1st Performance: September 12th, 2026
• Opening Night: September 15th, 2026

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: January 31, 2026
Audition: February 12, 2026

Equity National Tour and Broadway Production

• Producer: Orin Wolf, John Styles, Barbara Broccoli, NetWorks Productions
• Director & Developer: Saheem Ali
• Associate Director: Moses Garcia
• Book: Marco Ramirez
• Music: Buena Vista Social Club™
• Music Supervisor: Dean Sharenow
• Music Director: Marco Paguia
• Casting Director: The TRC Company / Xavier
  Rubiano, CSA, Tara Rubin, CSA, & Frankie Ramirez, CSA

EXPECTED TO ATTEND
Patricia Delgado & Justin Peck: Choreographers
Marielys Molina & Hector Juan Maisonet: Dance Captain
Xavier Rubiano: Casting Director

Production Description 

Inspired by the Grammy Award-winning 1997 self-titled album and group of the same name. This new musical tells the story of the legendary artists who recorded the soul-stirring, foot-tapping music of Cuba’s golden age. A tale of big dreams, second chances, and the power of art to help us survive.

SEEKING

Equity chorus singers for the current Broadway and the new Touring productions of BUENA VISTA SOCIAL CLUB (See breakdown).

DANCE ENSEMBLE: Latin American/Hispanic dancers (3 male-presenting and 3 female-presenting, all ages) to inhabit a world mostly focused on 1950s Cuba. Backgrounds and abilities in Latinpartnering, Latin dance (mambo, salsa, bolero), contemporary dance, and ballet. Strong musicality and storytelling-through-movement abilities. Must have strong partnering skills. Black or Mixed, Afro-Cuban, Afro-Latino or Afro-Caribbean dancers encouraged to attend.

OFF-STAGE SWINGS (2 DANCERS & 3 SINGERS): The Off-Stage Swings will understudy a combination of the following roles (including Dance Ensemble) and will not be required to play any instruments:

[OMARA] 50+. Female-presenting. Singer. Mixed, Latino or Black. A powerhouse singer and presence in any room she occupies—and she knows it. She is cuttingly funny and intelligent but carries the weight of her past, despite her commercial success in music.

[IBRAHIM] 50+. Male-presenting. Strong vocalist. Black. He is a man with a sweet singing voice and a deeply spiritual presence. His life has been very difficult, and his wariness shows.

[COMPAY] 50+. Male-presenting. Singer. Mixed, Latino or Black. A troubadour musician with “oldworld” charm. While he can be a bit flirtatious, he’s a sensitive man who has lived several deep disappointments in his lifetime.

[RUBÉN] 50+. Male-presenting. Strong vocalist. Mixed, Latino or Black. The older version of Young Rubén who comes to listen to the music being recorded in the Egrem Studios. He is still, quiet, and trapped in his own mind until he hears a recording from his youth. Will understudy the role of IBRAHIM.

[YOUNG OMARA] 20s. Female-presenting. Singer. Mixed, Latino or Black. A wealthy young woman dreaming of a world full of music and harmony. She’s free in spirit and strong in her convictions, but she gives in under pressure to obtain her goals.

[YOUNG HAYDÉE] 20s. Female-presenting. Singer. Mixed, Latino or Black. Older sister to Young Omara and the driving engine behind the duo’s early success as performers. She’s logical, nononsense, and down-to earth. Not one for sentiment, she faces reality head-on.

[YOUNG IBRAHIM] 20s. Male-presenting. Singer/Dancer. Black. A dark-skinned young singer who has relocated from a difficult life in the country to the big city. He relies on busking to make his living and faces prejudicial hurdles on the journey to musical success.

[YOUNG COMPAY] 20s. Male-presenting. Singer. Mixed, Latino or Black. A stylish, brave, and charming young guitar player and singer. Though he’s a bit of a risk-taker, he’s a dedicated person—to his friends, his music, and the Buena Vista Social Club alike.

[YOUNG RUBÉN] 20s. Male-presenting. Musician (Piano). Mixed, Latino or Black. An energetic, careful, eager, and hopeful pianist. He came from a humble background and dreams of playing on the best instruments with the best musicians. His mind stays focused on two things: safety and music. Piano proficiency required; knowledge of Afro-Cuban styles a plus.

[JUAN/MAN IN SUIT] 20s/30s. Male-presenting. Non-singer. Mixed, Latino or Black. JUAN: A young music producer whose main focus is business success. He is intelligent, motivated, and a self-starter who isn’t afraid to take chances for his dreams. MAN IN SUIT: A former employee of Capitol Records who approaches Young Omara in the Buena Vista Social Club to attract her to his new record label. Young Omara’s hesitation is no match for his foresight and persuasion.

[ELIADES] 20s-40s. Male-presenting. Musician (Guitar/Tres). Mixed, Latino or Black. A leader of the House Band, he’s a great friend of the producer Juan De Marcos. He plays the tres with great pizzazz and has a bit of a country streak in him. Guitar proficiency required; knowledge of Afro-Cuban styles a plus.

AUDITION

• Date:
  > Thursday, February 12, 2026
• Times:
  > 10:00 AM
  > 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 406

PREPARATION

Please prepare a Latin jazz or pop song in Spanish or English. Bring sheet music and your book of music with you. An accompanist will be provided. Bring a headshot and resume stapled together.

SALARY

Production (League) / Touring Agreement $2717 weekly minimum – Broadway $995 weekly minimum (Level 6) – Touring

DATES

• 1st Rehearsal: August 10th, 2026
• 1st Performance: September 12th, 2026
• Opening Night: September 15th, 2026

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: December 8, 2023
Audition: December 18-19, 2023

• Producer: The Araca Group, Work Light
  Productions, and Lively McCabe Entertainment
  
• General Management: Matt Kunkel – Work Light Productions
  
• Director: Casey Hushion
  
• Writer: Sandy Rustin
  
• Based on the screenplay by Jonathan Lynn
  
• Pearson Casting

Expected to attend:
Casting Director: James Pearson

PRODUCTION DESCRIPTION

Based on the iconic 1985 Paramount movie which was inspired by the classic Hasbro board game, Clue is a hilarious farce-meets-murder mystery.

SEEKING

Equity actors for roles in the touring production of CLUE (see breakdown).

Looking for fearless actors who truly love to make people laugh. A spirit of mischief and madness welcome. A generous ensemble of unique actors with a collective “yes and” vibe. Truth is essential to the comedy – these characters are literally in life and death circumstances.

[WADSWORTH] 30 to 60 years old, any ethnicity, man. A traditional British butler in every sense: uptight, formal and “by the book.” He is the driving force in the play.

[YVETTE] 20 to 35 years old, any ethnicity, woman. A loyal and sexy French maid.

[MISS SCARLET] 25 to 45 years old, any ethnicity, woman. A dry, sardonic D.C. madam, more interested in secrets than sex.

[MRS PEACOCK] 40 to 55 years old, any ethnicity, woman. The wealthy wife of a senator. A bit batty, neurotic, and quick to hysteria.

[MRS WHITE] 45 to 60 years old, any ethnicity, woman. A pale, morbid, and tragic woman. Mrs. White may or may not be the murderer of her five ex-husbands.

[COLONEL MUSTARD] 40 to 55 years old, any ethnicity, man. A puffy, pompous, dense, blowhard of a military man.

[PROFESSOR PLUM] 45 to 60 years old, any ethnicity, man. An arrogant academic, easily impressed by himself.

[MR GREEN] 30 to 40 years old, any ethnicity, man. A timid yet officious rule follower. He’s awfully anxious.

[FEMALE 1] 25 to 40 years old, any ethnicity, woman. Will double a number of smaller parts and may cover Principal roles. Including:
THE COOK, a gruff woman with a threatening presence. (Alive and Dead.)
SINGING TELEGRAM GIRL, a tap dancer with a heart of gold. (Alive and Dead.)
AUXILIARY SCARLET, the back of Miss Scarlet during a scene of theatrical trickery.
BACKUP COP, backup for the Chief in the very final Cop entrance.

[MALE 1] 25 to 40 years old, any ethnicity, man. Will double a number of smaller parts and may cover Principal roles. Including:
MR. BODDY, a slick, Frank Sinatra, film noir-esque type fella. (Alive and Dead.)
THE MOTORIST, a professional driver. (Alive and Dead.)
CHIEF OF POLICE, a cop who helps to save the day.

[MALE 2] 25 to 40 years old, any ethnicity, man. 25 to 40 years old. Will double a number of smaller parts and may cover Principal roles. Including:
THE UNEXPECTED COP, a regular Joe. (Alive and Dead.)
BACKUP COP, backup for the Chief.
AUXILIARY MUSTARD, the back of Colonel Mustard during a scene of theatrical trickery.

AUDITION #1

Date & Location

• Date: Monday, December 18, 2023
• Time: 10:00 AM – 6:00 PM
  • Break: 1:00 – 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 302; audition room 315

AUDITION #2

Date & Location

• Date: Tuesday, December 19, 2023
• Time: 9:30 AM – 5:30 PM
  • Break: 1:00 – 2:00 PM
• Location:
  Actors’ Equity New York Audition Center
  165 W 46th St
  16th Floor
  New York, NY 10036

PREPARATION

Please prepare a 2-minute comedy monologue. Please bring your headshot and resume stapled together.

SALARY

Touring Agreement $920 weekly minimum (Tier 6)

DATES

Rehearsal: Jan 31, 2024
Preview: Feb 27, 2024
Opening: Feb 29, 2024
Closing: October 2024

NOTES

All stage managerial positions are currently filled.

The CLUE creative team is committed to supporting a cast and crew of diverse theatre workers. This diversity includes, but is not limited to, gender identities, ethnic and racial backgrounds, sexual orientations, body types, ages, and abilities.

EPA Procedures are in effect for this audition.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: December 22, 2025
Audition: January 6, 2026

• Semester LLC
• Based on the Universal Pictures film written by Martin Donovan and David Koepp
• Producers: Universal Theatrical Group – Lowe Cunningham, Creative Producer
• Director/Choreographer: Christopher Gattelli
• Book: Marco Pennette
• Music & Lyrics: Julia Mattison and Noel Carey
• Music Supervisor: Mary-Mitchell Campbell
• General Manager: 321 Theatrical Management
• Casting: The TRC Company

EXPECTED TO ATTEND
* Ben Cohn (Music Director)
* Kevin Metzger-Timson (Casting Director) and/or Frankie Ramirez (Casting Assoc.)

Production Description 

Madeline is the most beautiful actress to grace the screen. Helen is the long-suffering author who lives in her shadow. After one sip of a magic potion, the two women begin a new era of life (and death) with a grudge to last eternity.

SEEKING

Equity Chorus Singers for roles in DEATH BECOMES HER.

ENSEMBLE SINGERS: 20s – 40s. Singers who dance, all vocal types, comfortable in legit Broadway styles. Must be comfortable with contemporary movement styles. May also understudy principal roles.

AUDITION

• Date:
  > Tuesday, January 6, 2026
• Times:
  > 10:00 AM
  > 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Studio 1206 (Holding Room); Studio 1201 (Audition Room)

PREPARATION

Please prepare 16-32 bars of a musical theatre song that you love to sing and shows range. Legit musical theatre songs are preferred over contemporary or pop/rock. Bring a hardcopy headshot and resume and sheet music in the correct key. An accompanist will be provided.

SALARY

Touring Agreement $1077 weekly minimum (level 5)

DATES

• 1st Rehearsal: o/a August 3rd, 2026
• 1st Performance: o/a September 13th, 2026

NOTES

The producers, creative team, and casting team are committed to an equitable, inclusive, and accessible casting process for Death Becomes Her. We are actively seeking performers of all races, ethnicities, cultural backgrounds, abilities, gender identities, and body types to audition.

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: October 23, 2025
Expires: October 31, 2025

• Based on the Universal Pictures film written by Martin Donovan and David Koepp
• Producers: Universal Theatrical Group – Lowe Cunningham, Creative Producer
• Director/Choreographer: Christopher Gattelli
• Book: Marco Pennette
• Music & Lyrics: Julia Mattison and Noel Carey
• Music Supervisor: Mary-Mitchell Campbell
• General Manager: 321 Theatrical Management
• Casting: The TRC Company

Production Description 

Madeline is the most beautiful actress to grace the screen. Helen is the long-suffering author who lives in her shadow. After one sip of a magic potion, the two women begin a new era of life (and death) with a grudge to last eternity.

SEEKING

[GYMNASTS, ACROBATS, AERIALISTS, and TUMBLERS] 20’s – 40’s. Seeking gymnasts, acrobats, aerialists, and tumblers who dance. Advanced parallel bar experience a huge plus. Tumbling skills include a Cartwheel Back Handspring Step Out (either side) and a Side Aerial (either side). May be asked to perform some strength exercises, including a Straddle Press to Handstand and Unassisted Handstand Push-up.

PREPARATION

Please submit links to gymnastics/acrobatics/tumbling reels or a video demonstrating the skills listed above.

At the beginning of your video, please also include a slate that includes your Name, Height, and where you are currently based.

SUBMISSION

Please visit this link to submit your materials: tinyurl.com/dbhbroadwayopencall

NOTES

Audition is for both the Broadway production and the upcoming National Tour.

Visit the show page to view the current tour route.

Posted: April 13, 2024
Expires: April 19, 2024

Non-Union National Tour

• Tour Director: Danny Sharron
• Tour Choreographer: Mark Myars
• Tour Music Director: Ben Cohn
• Music Supervisor: Alex Lacamoire
• General Management: Crossroads Live North America
• Music and Lyrics: Benj Pasek and Justin Paul
• Book: Steven Levenson
• Original Direction: Michael Greif
• Original Choreography: Danny Mefford
• Casting Director: Murnane Casting

Production Description 

A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. Dear Evan Hansen is the deeply personal and profoundly contemporary musical about life and the way we live it.

SEEKING

[ EVAN HANSEN ] Male identifying character, 18+ to play 17. Smart, sincere, and painfully self- conscious, Evan prefers to hover in the background, a supporting player in his own life, too afraid to step forward into the spotlight and risk ridicule or, what might be worse, no one noticing him at all. Strong Pop Vocalist, G2-B4.

[ ZOE MURPHY ] Female identifying character, 18+ to play 16. A sensitive and bright high school junior, Zoe is unaffected by the status games of high school. She grew up in the shadow of her volatile older brother, Connor, and is deeply affected by his out-of-control behavior. Zoe strives to be warm and kind to everyone, often reaching out to those who sit alone at lunch. However, she struggles with conflicting emotions over her brother’s death, finding it hard to forgive him for his actions while also feeling relief that he’s gone. Strong Pop Vocalist, F3-E5 (belt).

[ ALANA BECK ] Female identifying character, 18+ to play 17. A diligent, conscientious, straight-A high school senior, Alana is a do-gooder and a rule follower. Her acute self-awareness and social anxiety make it difficult to connect with others. Beneath her extroverted demeanor, she is in fact haunted by a terrible and abiding loneliness. Alana seizes the death of a classmate as an opportunity finally to find a sense of belonging. Strong Pop Vocalist, F3-E5 (belt).

[ CONNOR MURPHY ] Male identifying character, 18+ to play 17. An angry, disaffected loner, Connor has been a troubled kid for as long as anyone can remember, an enigma and a source of endless consternation to his long-suffering parents. Strong Pop Vocalist, G2-G4.

[ JARED KLEINMAN ] Male identifying character, 18+ to play 17. Droll and sarcastic, Jared carries himself with the kind of practiced swagger only the deeply insecure can truly pull off. He is forced by his parents to hang out with family friend Evan, for whom he claims to have nothing but disdain. Jared masks his self-doubt with braggadocio and a know-it-all arrogance. Strong Pop Vocalist, A2-B4.

[ HEIDI HANSEN ] Female identifying character, 40s. Evan’s mother. Overworked and stretched too thin, Heidi loves her son fiercely, but fears they have begun to grow apart. She is prepared to do anything to repair the damage. Strong Pop Vocalist, F3-Eb5 (belt).

[ CYNTHIA MURPHY ] Female identifying character, 40s. Connor and Zoe’s mother. To Evan, she seems to be the perfect mother, nurturing, available, and willing to talk about anything. To her own children, it’s a bit more complicated. Strong Pop Vocalist, F#3-E5 (belt).

[ LARRY MURPHY ] Male identifying character, 40s. Connor and Zoe’s father. Though often tense and uncommunicative, Larry shows a different face to the world, representing for Evan the dad he always wished for: strong, confident, and more than anything, reliable, someone to be counted on. Strong Pop Vocalist, F#2-G4.

INSTRUCTIONS

Submit via the following link:

https://breakdownservices.com/index.cfm/opencall?oc=aezs8

DATES

• First Rehearsal in NY: o/a August 5, 2024
• Open: Sep 10, 2024
• Close: April 27, 2025
• Auditions: via tape
• Callbacks in NY: June 4 – 5, 2024
• Final Callback in NY: June 26, 2024

SALARY

• Rehearsals: $650/week
• Performances: Min. $700/week

Travel and housing will be provided in addition to full health insurance coverage while on tour. Plus, a weekly expense reimbursement of $280/week with the election of single occupancy housing; $420/week with the election of double occupancy housing; & a range between $756 – $1036/week with the election of no producer provided housing.

NOTES

Rehearsals will be held in New York City. No housing or travel will be provided during rehearsals.

Must be able to work in the US and have a current passport by the first day of rehearsal.

Crossroads Live is a global theatre producer. Through our production offices in North America, the UK and Australia and our network of producing partnerships in Asia and Europe, we work with the foremost creative talent and rightsholders, to present the best-loved titles from Broadway and the West End to audiences around the world.

Visit the show page to view the current tour routes.

Posted: January 6, 2026
Audition: January 14 & 15, 2026

• Producer: Path Entertainment Group and Lionsgate Global Products & Experiences
• Director: Lonny Price
• Associate Director: Matt Cowart
• Original Screenplay & Book: Eleanor Bergstein
• Choreographer: Darrell Grand Moultrie
• Music Supervision & Arrangements: Joseph Joubert
• Casting: The TRC Company, Claire Burke, CSA & Peter Van Dam, CSA
• General Management: Alchemy Production Group

Expected to attend:
Casting Director(s): Claire Burke, CSA or Peter Van Dam, CSA

Production Description 

Based on the film and featuring “Hungry Eyes,” “(I’ve Had) The Time of My Life,” and more. Spending the summer at a Catskills resort with her family, Frances “Baby” Houseman falls in love with the resort’s dance instructor, Johnny Castle.

SEEKING

Equity actors for roles in the touring production of DIRTY DANCING (See breakdown).

BABY – Female Presenting, 20s. Smart, eager, appetitive for knowledge, passionately fair minded. Her mind and determination make her life happen. She doesn’t have a mirror in her bedroom. A “fight harder” girl. We’re first aware of her spirit, rather than her appearance. In the course of our story, she finds her sensuality — and before our eyes becomes as beautiful as Penny. We don’t wonder that Johnny falls in love with her. A very strong dancer.

JOHNNY – Male Presenting, 20s. Young, charismatic, brilliant dancer, guarded quality. (Not a “love me” boy like John Travolta’s Tony Manero) Adored by women, charming when required, whip smart but keeps his thoughts to himself, except for Penny, whom he protects.

JAKE – Male Presenting, Mid 40s – 50s. A masculine and charismatic doctor whom everyone looks up to, from his family to his patients, to Johnny. Only later do we learn (and recognize) that he grew up a “street kid” like Johnny and they are, in many ways, alike. (Jerry Orbach in movie a good model).

PENNY – Female Presenting, 20s. Tall blonde, beautiful, brilliant dancer. A working-class princess. Trusting, kind, and vulnerable — but with a wry understanding of the way the real world works.

ELIZABETH – Female Presenting, 20s. Black. Beautiful, young singer, invites everyone into the world of the show at the top. Caught between two worlds — collecting money from guests giving money for Freedom Riders, and dirty dancing in the staff room with her white boyfriend. Her parents want her away from the new winds of radical thought and to become a children’s librarian.

BILLY – Male Presenting, 20s. Johnny’s cousin. Wants more than anything else to be Johnny, tries to walk like him, talk like him. Never quite works. Eager to protect Johnny and Penny who are his family. Throughout the show he tries to win the affection of the beautiful young singer Elizabeth. They sing together and he finally wins her at the finale.

TITO – Male Presenting, 40s – 60s. Black. Suave talented bandleader, everyone’s moral compass. A second father to Neil, best friend to Max. Wants Neil to stay safe, not go freedom riding down South. Though a gifted tap dancer and splendid musician, he never left the protected space of Kellermans to test himself in the world of say, Duke Ellington. Doesn’t want young brilliantly talented Johnny to make the same mistake out of fear. Strong mover.

MARJORIE – Female Presenting, Mid 40s – 50s. Lovely and smart. Trying to keep the family together despite Baby’s disregard for her. She and Jake are a great couple, still in love, still sexually present. (Kelly Bishop in movie a good model).

MAX – Male Presenting, 50s – 60s. King of the Catskills. He is not only the BOSS, but the HOST to Presidents and movie stars and Ambassadors and Leaders of the UN. The local postage stamp says “Kellermans’s New York.” He hugely admires Jake, his doctor, is secretly fond of Johnny’s defiantly independent spirit (to whom he gives his own cabin), is devastated when he needs to fire Johnny. Tito is his closest friend – they were boys together at Kellermans when Tito wandered up as a kid from the South.

NEIL – Male Presenting, 20s. Max’s grandson. Orphaned young boy brought up at Kellermans’s by Max and Tito. In a hard place. Wants to become the boss like his admired Grandfather (can’t get the “benevolent boss” tone right), wants to be “one of the guys” but the staff boys mock him, wants to go Freedom Marching down South. He can’t do them all. Baby seems his kind of girl, but when he tries to woo her in the gazebo “I love to watch your hair blowing in the breeze” – she has short hair and there’s no breeze. When he senses her with Johnny and is horrified, he loses control of his tone and his dignity. A nice boy having a terrible summer.

AUDITION #1

• Date: Wednesday, January 14, 2026
• Time: 10:00 AM – 6 PM
  Lunch: 1:30–2:30 PM
• Location:
  Ripley-Grier Studios (520)
  520 8th Ave
  New York, NY 10018-6507
  Holding room – Studio 17R

AUDITION #2

• Date: Thursday, January 15, 2026
• Time: 10:00 AM – 6 PM
  Lunch: 1:30–2:30 PM
• Location:
  Ripley-Grier Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 414

PREPARATION

Please prepare a short song of your choice and bring your picture and resume stapled together.

SALARY

$995 weekly minimum (Level 6)

DATES

• 1st Rehearsal: on or about 6/30/26
• 1st Performance: on or about 8/7/26

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: January 6, 2026
Audition: January 16, 2026

• Producer: Path Entertainment Group and Lionsgate Global Products & Experiences
• Director: Lonny Price
• Associate Director: Matt Cowart
• Original Screenplay & Book: Eleanor Bergstein
• Choreographer: Darrell Grand Moultrie
• Music Supervision & Arrangements: Joseph Joubert
• Casting: The TRC Company, Claire Burke, CSA & Peter Van Dam, CSA
• General Management: Alchemy Production Group

Expected to attend:
Choreographer: Darrell Grand Moultrie
Casting Director(s): Claire Burke, CSA or Peter Van Dam, CSA

Production Description 

Based on the film and featuring “Hungry Eyes,” “(I’ve Had) The Time of My Life,” and more. Spending the summer at a Catskills resort with her family, Frances “Baby” Houseman falls in love with the resort’s dance instructor, Johnny Castle.

SEEKING

Equity chorus dancers for the touring production of DIRTY DANCING.

FEMALE PRESENTING ENSEMBLE: 20s – 30s. To play the guests and staff at Kellerman’s resort in the Catskills. May cover principal roles. Seeking excellent dancers.

MALE PRESENTING ENSEMBLE: 20s – 50s. To play the guests and staff at Kellerman’s resort in the Catskills. May cover principal roles. Seeking excellent dancers.

AUDITION

• Date:
  > Friday, January 16, 2026
• Times:
  > 10:00 AM
  > 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 409

PREPARATION

Male presenting dancers please bring jazz sneakers or character shoes. Female presenting dancers please bring character heels. All please bring your picture and resume stapled together.

SALARY

$995 weekly minimum (Level 6)

DATES

• 1st Rehearsal: on or about 6/30/26
• 1st Performance: on or about 8/7/26

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: March 18, 2024
Expires: March 31, 2024

• Producers: NETworks Presentations
• Executive Producer: Trinity Wheeler
• General Manager: Steven Varon-Moore
• Director: Sam Scalamoni
• Associate Director: Drew King
• Musical Supervisor: Nate Patten
• Choreographer: Connor Gallagher
• Associate Choreographer: Elyse Niederee
• Score: Matthew Sklar & Chad Beguelin
• Book adaptation from the film: Bob Martin & Thomas Meehan
• Casting: Wojcik Casting TeamMike Bosner

Production Description 

ELF The Musical is returning to the road this Winter season to tell the hilarious tale of Buddy, a young orphan child who mistakenly crawls into Santa’s bag of gifts and is transported back to the North Pole. Unaware that he is actually human, Buddy’s enormous size and poor toy-making abilities cause him to face the truth. With Santa’s permission, Buddy embarks on a journey to New York City to find his birth father, discover his true identity, and help New York remember the true meaning of Christmas. This modern-day Christmas classic is sure to make everyone embrace their inner ELF.

SEEKING

[BUDDY] (Male-identifying, all ethnicities, mid 20s-early 30s) Funny, warm and honest, with an infectious personality. He has been raised as one of Santa’s elves and has the innocence of a child but is not childlike. He has outrageous enthusiasm for everything he sees and does. Seeking a comic actor with great timing and a strong singing voice up to a G. Must be a very strong mover with a great sense of physical comedy. Principal role.

[JOVIE] (Female-identifying, all ethnicities, mid 20s-early 30s) Comedic, appealing, guarded and relatable. A New Yorker that doesn’t have much Christmas spirit until meeting Buddy. Has a hidden vulnerability. Must have an amazing singing voice with a strong belt up to a D flat. Principal role.

[WALTER] (Male-identifying, all ethnicities, Late 40s – early 50s) He is a successful businessman who has become cold and distant with his family until Buddy enters their life. He is a workaholic with little time left for enjoying life or appreciating simple things. Must have a good singing voice. Principal role.

[EMILY] (Female-identifying, all ethnicities, 40s) Walter’s wife and Michael’s mother, she is at first overwhelmed by Buddy, but soon embraces him as part of the family. An Upper West Side Mom, warm with a great wit. An amazing singing voice with a strong belt up to a C. Principal role.

[MICHAEL] (Male-identifying, all ethnicities, 12yrs) Funny and smart, raised in New York City, he quickly bonds with Buddy and is determined to share a great Christmas with his entire family. Amazing singing voice up to an E. Principal role. SEEKING ROLE AND STANDBY.

[SANTA] (Male-Identifying, all ethnicities, 50s – 60s) Jolly, warm, funny, good singing voice. Down to earth, a beer and pizza kind of Santa. Principal role.

[DEB] (Female-identifying, all ethnicities, 30s – 40s) A funny secretary at Walter’s office, full of character and sharp wit. Must be a very strong character singer with an excellent belt. Strong mover. Principal role.

[GREENWAY/STORE MANAGER] (All gender identities, all ethnicities, 40s-50s) Greenway is a shrewd businessman, must have great comic timing and should sing well. Store Manager is full of character, lots of attitude, sassy and spirited. Must be able to sing well and have great comic timing. Principal role.

[FEMALE-IDENTIFYING SINGER ENSEMBLE] (All ethnicities, 20s – early 30s) Funny, magnetic, smart, must be very strong singers and movers, and be able to deliver various comedic bit parts throughout the show. Will cover principal roles.

[MALE-IDENTIFYING SINGER ENSEMBLE] (All ethnicities, 20s – late 40s) Funny, magnetic, smart, must be very strong singers and movers, and be able to deliver various comedic bit parts throughout the show. Will cover principal roles.

[FEMALE-IDENTIFYING DANCER ENSEMBLE] (All ethnicities, 20s – early 30s) Funny, magnetic, smart, must be strong jazz dancers with great musicality and very strong voices. Tumbling is a plus. Possibility of covering principal roles.

[MALE-IDENTIFYING DANCER ENSEMBLE] (All ethnicities, 20s – late 40s) Funny, magnetic, smart, must be strong jazz dancers with great musicality and very strong voices. Tumbling is a plus. Possibility of covering principal roles.

AUDITION

Please submit via Actors Access. If you do not have an Actors Access Profile, you can email your submission of headshot/resume to elftourcasting@gmail.com for consideration.

SALARY

• Rehearsal salary of $600/week.

• Performance salaries: Ensemble at $600/week and Principals starting at $700/week. Cast also receives a percentage of Producer’s share of overage and participation in Producer-paid Health Plan.

• Producer provided transportation, housing and weekly expense allowance beginning with Technical Rehearsals. No housing or per diem provided during the New York rehearsal period.

DATES

• Rehearsal Start Date: (NYC) October 14, 2024
• Tech: (Richmond, KY) October 26, 2024
• Opening Night: (Knoxville, TN) November 4, 2024
• Tour currently booked through: December 29, 2024
• Auditions: Initial Self-tape for Principals, In person for Ensemble 4/2/24
• Callbacks: In Person on 4/29, 4/30 & 5/1 in NYC

NOTES

Non-Union Only.

MUST BE AVAILABLE FOR FULL CONTRACT – PLEASE CHECK THE DATES BEFORE SUBMITTING!

Visit the show page to view the current tour route.

Posted: May 11, 2023
Expires: May 24, 2024

• Producer: Disney Theatrical Productions
• Director: Michael Grandage
• Music & Lyrics: Kristen Anderson-Lopez and Robert Lopez
• Musical Supervisor: Stephen Oremus
• Book: Jennifer Lee
• Choreography: Rob Ashford
• Casting: The Telsey Office
• Expected to attend: Casting Directors Rachel Hoffman and/or Jimmy Larkin

Production Description 

From the producers of The Lion King, Mary Poppins, and Aladdin comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Based on the 2014 animated feature, the new Disney stage musical Frozen features a score by Kristen Anderson-Lopez and Robert Lopez, including their Oscar-winning song, “Let It Go,” and a book by Jennifer Lee, the Oscar-winning film writer and director (with Chris Buck).

SEEKING

Equity actors for future replacement principal roles in the touring production of FROZEN (see breakdown).

ELSA – 20s – Reserved and hesitant, yet inherently regal, Elsa makes a stunning new Queen of Arendelle. However, she has been trained for over a decade to fear and hide her magical powers. Strong belter.

ANNA – late teens/20s – Optimistic, enthusiastic, and slightly disheveled Princess of Arendelle. Naturally funny and courageously fearless, her greatest flaw – and her greatest strength – is her faith in love. Strong belter with soprano/mix.

HANS – 20s – The youngest of thirteen brothers, Prince Hans of the Southern Isles is a real charmer– as handsome as handsome gets. Anna falls for his open wittiness on the spot – he gets her. Tenor.

OLAF – 20s – A big-voiced snowman created by Elsa’s magic, Olaf is pure innocence, completely content to be anywhere, doing anything. Great singer.

KRISTOFF – 20s – A human orphan raised by Hidden Folk in the forest, Kristoff is a self-reliant ice-seller & Mountain Man whose best friend is a reindeer, for whom he provides a voice so they can have conversations. Kristoff is naturally warm with a good heart, although he’s circumspect about Anna and her mountaintop mission. Baritone.

WESELTON – 50s – A chauvinistic, intolerant diplomat, the Duke of Weselton seeks any opportunity to get ahead. He seizes on Elsa’s “accident” to spread fear and discredit the entire royal family of Arendelle. Short (under 5’7”) Baritone.

SVEN – The lovable reindeer & sidekick to Kristoff. Funny, inquisitive and intuitive. Dancers/Acrobats with strong upper body and core strength and stamina to operate a full body puppet. Height minimum 5’10” max 6’2”.

YOUNG ELSA – 11 years old – Bright, poised, elder princess of Arendelle who adores her younger sister. She aims to be a perfect daughter, but wrestles with a dangerous talent. Soprano.

YOUNG ANNA – 8 years old –- Energetic, free-spirited younger princess of Arendelle who dotes on every word and movement of Elsa. She is heartbroken when she is isolated from Elsa by their parents. Soprano.

DURATION

• Currently touring

AUDITION

Date:
Wednesday, May 24, 2023
9:30 AM – 5:30 PM (E)
Break: 1:00-2:00pm

Location:
Actors’ Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
Studio A

PREPARATION

Please prepare a cut of a contemporary musical theatre song. Those interested in the role of SVEN are invited to come in and have a conversation about your puppetry experience or you may visit the link provided for information on submitting virtually. You may find materials and more information at https://tinyurl.com/FrozenMay2023Auditions

NOTES

WE STRONGLY ENCOURAGE ACTORS OF ALL CULTURAL BACKGROUNDS TO ATTEND.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

SALARY

• Touring Agreement $2,403 weekly minimum (Level 1)

Visit the show page to view the current tour route.

Posted: September 18, 2023
Audition: October 13, 2023

• Producers: Dale Franzen, Mara Isaacs, Hunter Arnold, Tom Kirdahy
• Book, Music, and Lyrics: Anais Mitchell
• Director: Rachel Chavkin
• Choreographer: David Neumann
• Music Director: Liam Robinson
• Associate Casting Director: Micah Johnson-Levy
• General Manager: RCI Theatricals

Expected to attend:
Associate Casting Director: Micah Johnson Levy
Associate Choreographer and Associate
Director: T. Oliver Reid

Production Description 

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love.

SEEKING

Equity chorus dancers for possible future replacements in the currently running production of HADESTOWN (Tour) (See breakdown).

All the Equity stage managerial positions are currently filled.

WORKER 1: Soprano. (F#3 – E5). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.

WORKER 2: Low alto. (E3 – C#5). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.

WORKER 3: Tenor. (B2 – B4). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.

WORKER 4: Tenor/baritone. (G2 – G4). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.

WORKER 5: Bass/baritone. (C2 – G4). Any age, all gender identities, any ethnicity. The workers chorus populates the world above and below ground, representing the spirit of both labor and community. They should be physically strong and great dancers.

AUDITION

• Friday, October 13, 2023
  10:00 AM, 2:30 PM
  Lunch 1:30 PM – 2:30 PM

Location

• Pearl Studios (500)
  500 8th Ave
  New York, NY 10018
• Holding Room 309

Instructions

Please dress in clothing you are able to dance in and bring tennis/gym shoes. Also, please bring a picture and resume, stapled together.

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

NOTE FROM CREATIVE: We welcome performers of all ethnicities, gender identities, and body types. We are seeking actors with unique, vibrant singing skills. Certain roles will also require strong instrumental abilities. Actors of diverse cultural and racial backgrounds are encouraged to apply. In general, we are not looking for conventional “music-theatre style”/vibrato singers. We are seeking singers capable of pure tones and/or vibrato that feels informed by jazz/rock/gospel.

CONTRACT

• Touring Agreement $1344 weekly minimum (Level 4)

Visit the show page to view the current tour route.

Posted: July 11, 2025
Expires: August 13, 2025

• Producers: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theatre
• Director: Thomas Kail
• Music and Lyrics: Lin-Manuel Miranda
• Musical Director: Alex Lacamoire
• Choreography: Andy Blankenbuehler
• Casting: The Telsey Office
• Expected to attend:
  Bethany Knox (Casting Director)

Production Description 

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education.

SEEKING

Equity actors for roles in the touring production of HAMILTON (Tour – Angelica) (See breakdown).

ALEXANDER HAMILTON: Male. Non-white, 30s, Tenor-Baritone. An earnest, ambitious hothead, a man possessed. Speaks his mind, no matter the cost. Able to rap VERY well. Eminem meets Sweeney Todd.

ELIZA HAMILTON: Female. Non-white, 20s–30s, Soprano. Fiercely loyal, self-possessed, proud. Evolves from lovesick, wealthy young woman to the sole keeper of her late husband’s legacy. Alicia Keys meets Elphaba.

ANGELICA SCHUYLER: Female. Non-white, 20s-30s, Mezzo – Soprano, Able to sing and rap well. Fierce, dazzling, brilliant, can read a room and everyone in it instantly. Deeply in love with Hamilton, who is married to her beloved sister Eliza. Nicki Minaj meets Desiree Armfeldt.

AARON BURR: Male. Non-white, 20s-30s, Tenor/Baritone, sings and raps in equal measure. Our narrator. A cool, steely reserve. An orphan raised in wealth, plays his cards and opinions close to the vest. Slow to anger, but when he gets there, look out. Javert meets Mos Def.

GEORGE WASHINGTON: Male. Non-white, 30s-40s, Tenor/Baritone, sings and raps in equal measure. Authoritative, regal, aloof, aware of his place in history at all times. John Legend meets Mufasa.

MARQUIS DE LAFAYETTE/THOMAS JEFFERSON (dual role): Male. Non-white, 20s-30s, Tenor-Bari, Able to sing and rap well. LAFAYETTE is an earnest, idealistic Frenchman who reveals himself to be a superb military commander/rapper. Think Lancelot meets Ludacris. JEFFERSON is relaxed, jazzy, brilliant, whose effortless cool is ruffled ONLY by Hamilton. Harold Hill meets Drake.

HERCULES MULLIGAN/JAMES MADISON (dual role): Male. Non-white, 20s-30s, Tenor/baritone, Able to sing and rap well. MULLIGAN is the life of the party, dripping with swagger, streetwise and hilarious. Joins the revolution to get out of being a tailor’s apprentice, and befriends Laurens, Hamilton, and Lafayette. Busta Rhymes meets Donald O’Connor. MADISON is incisively intelligent, quiet, professional. A former Hamilton ally, he becomes Jefferson’s detail man concerning all matters—he gets things done. RZA meets Zach from Chorus Line.

JOHN LAURENS/PHILIP HAMILTON (dual role): Male. Non-white, late teens-20s, Tenor, Able to sing and rap well. LAURENS is an ardent young abolitionist and idealist, born into privilege, joining the Revolution. Hamilton’s loyal best friend. Nas meets Elder Price. PHILIP HAMILTON. Prodigious, full of life, a wordsmith in the mold of his father Alexander. Tupac meets J. Pierrepont Finch.

PEGGY SCHUYLER/MARIA REYNOLDS (dual role): Female. Non-white, late teens-20s, Mezzo-Soprano. PEGGY SCHUYLER: sweet, shy, youngest of the three Schuyler Sisters. The Michelle Williams of Destiny’s Child. MARIA REYNOLDS: sultry, young, calculating. Affects the role of a damsel in distress to seduce Hamilton. Jasmine Sullivan meets Carla from Nine.

KING GEORGE: Male. Caucasian, 30s-40s, Tenor, British accent. The King of England. Entitled, pouty nihilist. Sees the American Colonies as a deluded former lover, who will come crawling back. Rufus Wainwright meets King Herod in JCS.

AUDITION

Date & Location

• Wednesday, August 13, 2025
  • 10:00 AM – 6:00 PM (E)
  • Lunch 1:00 PM – 2:00 PM

Location:

Pearl Studios (500)
500 8th Ave
New York, NY 10018
Holding room Studio 412

INSTRUCTIONS

Prepare a short cut of a pop/rock song that shows your style and vocal range. Bring sheet music and your headshot and resume stapled together. An accompanist will be provided.

SALARY

• Touring Agreement $2599 weekly minimum (Level 1)

NOTES

There are no Equity stage managerial positions currently available.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour routes.

Posted: October 18, 2023
Audition: October 30-31, 2023

• Producers: Sonia Friedman Productions, Colin Callender, Harry Potter Theatrical Productions
• Original Story by: J.K. Rowling, Jack Thorne and John Tiffany
• Playwright: Jack Thorne
• Director: John Tiffany
• Movement Director: Steven Hoggett
• Casting: Jim Carnahan, Casting Director

Expected to attend:
Alexandre Bleau, Casting Director

Production Description 

When Harry Potter’s head-strong son Albus befriends the son of his fiercest rival, Draco Malfoy, it sparks an unbelievable new journey for them all—with the power to change the past and future forever.

SEEKING

Equity actors for roles in HARRY POTTER AND THE CURSED CHILD (TOUR) (See breakdown).

Harry Potter: Male, 37-40. Height of approximately 5 feet 10 inches. Father of James, Albus and Lily. Married to Ginny. Head of Magical Law Enforcement at the Ministry of Magic.

Ron Weasley: Male, 37-40. Father of Rose. Married to Hermione. Runs Weasleys’ Wizard Wheezes. Comedy chops.

Hermione Granger: Female, 37-40. Mother of Rose. Married to Ron. Minister of Magic. Strong willed. The brightest witch of her age.

Ginny Potter: Female, 37-40. Mother of James, Albus and Lily. Married to Harry. Senior Quidditch correspondent for the Daily Prophet newspaper.

Draco Malfoy: Male, 37-40. Father of Scorpius. Independently wealthy. Natural authority.

Amos Diggory: Male, 60s. Cedric Diggory’s father.

Albus Dumbledore: Male, 60s. Past Headmaster of Hogwarts.

Hogwarts Professor: Male, 60s. Defense Against Dark Arts Professor.

Sorting Hat: Male, 30s. Magic hat which sorts students into their houses at Hogwarts.

Professor McGonagall: Female, mid 40s-mid 50s. Scottish. Headmistress of Hogwarts.

Trolley Witch: Female, mid 40s-mid 50s. Works on the Hogwarts Express.

Albus Potter: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Son of Harry and Ginny. Student at Hogwarts.

Scorpius Malfoy: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Son of Draco. Student at Hogwarts.

James Potter Jr.: 18+ to play 16. Must be 5 feet 7 inches or shorter. Son of Harry and Ginny. Brother of Albus and Lily.

Yann Fredericks: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Student at Hogwarts.

Karl Jenkins: Male, 18+ to play 14-16. Must be 5 feet 7 inches or shorter. Student at Hogwarts.

Craig Bowker Jr.: Male, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Student at Hogwarts.

Delphi Diggory: Female, mid-20s. Must be 5 feet 7 inches or shorter. Niece of Amos Diggory. Works at St. Oswald’s Home for Old Witches and Wizards.

Rose Granger-Weasley: Female, 18+ to play 14/15. Must be 5 feet 7 inches or shorter. Daughter of Ron and Hermione. Student at Hogwarts.

Moaning Myrtle: Female. 18+. Must be 5 feet 7 inches or shorter. Ghost of Myrtle who died at Hogwarts.

Polly Chapman: Female. 18+. Must be 5 feet 7 inches or shorter. Student at Hogwarts.

AUDITION

• Monday, October 30, 2023
  10:00 AM – 6:00 PM
  Lunch 2:00 PM – 3:00 PM
• Tuesday, October 31, 2023
  10:00 AM – 6:00 PM
  Lunch 2:00 PM – 3:00 PM

Location

• Pearl Studios (500)
  500 8th Ave
  New York, NY 10018
• Holding Room: Studio 412

Instructions

Please prepare the sides for the roles you wish to be considered for. Sides will be provided day of the audition up to 30 minutes prior to your audition time. Sides are all in this Dropbox: 

https://www.dropbox.com/scl/fo/p2zerkcn5ps1rxnfyvw59/h?rlkey=i43l9lwgud1rh3u63xeyxwcl8&dl=0 .

Please read the EPA Sides Breakdown for which side to read for roles where sides don’t exist. Also, please bring your headshot and resume stapled together.

DATES

• First Rehearsal: Summer 2024
• First Performance: Fall 2024

NOTES

We will also be seeking various on and offstage understudy positions for the above roles.

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

CONTRACT

• The minimum base weekly salary for the positions being auditioned for is established by a collective bargaining agreement between The Broadway League Inc., on behalf of the above-named producer, and Actors’ Equity Association. It is anticipated that the base weekly salary for each of the above-listed roles will range between a minimum of $2,499.0 per week (which equals an annualized base salary of $129,948) and a maximum of $4,000 per week (which equals an annualized base salary of $208,000).

Visit the show page to view the current tour route.

Posted: February 6, 2025
Audition: February 18, 2025

• Music & Lyrics: Alicia Keys
• Book: Kristoffer Diaz
• Director: Michael Greif
• Choreographer: Camille A. Brown
• Music Supervisor: Adam Blackstone
• Music Consultant: Tom Kitt
• Casting: Heidi Griffiths/Kate Murray
• Casting Associate: Chalin Tulyathan

Expected to attend:

• Heidi Griffiths, Kate Murray (Casting Directors)
• Chalin Tulyathan (Casting Associate)
• Rickey Tripp (Associate Choreographer)
• Nice DeJesus & William Roberson (Dance Captains)

Production Description 

Ali is a 17-year-old girl full of fire – searching for freedom, passion and her place in the world. How she finds them is a New York City coming-of-age story you’ve never felt before – Hell’s Kitchen, a new musical from 16-time Grammy® Award winner Alicia Keys, whose songs and experiences growing up in NY inspire a story made for Broadway.

SEEKING

Equity chorus dancers (Male and Female characters) for the new Touring production of HELL’S KITCHEN (See breakdown).

JESSICA: Character is a BIPOC woman, 18+ to play late teens/early 20s. A STRONG singer/dancer who is comfortable with R&B/pop/jazz vocals and harmonizing. A friend of Ali’s from her Hell’s Kitchen neighborhood. A New Yorker through and through. Street smart, funny, silly and flirty.

TINY: Character is a Black woman, 18+ to play late teens/early 20s. A STRONG singer/dancer who is comfortable with rap/spoken word, R&B/pop/jazz vocals and harmonizing. A friend of Ali’s from her Hell’s Kitchen neighborhood. A New Yorker through and through. Street smart with a sense of humor. Cool, and more level headed than Ali & Jessica.

RIQ/UNDERSTUDY KNUCK: Character is a Black man in his 20s. Tenor. An extremely strong soul/R&B singer who is skilled in and comfortable with improv and ad lib. Think the vocal harmonies of 1980’s groups like Boyz II Men, Jodeci, New Edition etc. Experience with drumming and/or percussion is a big plus (please note on submission). A friend of Knuck’s, who grew up in Hell’s Kitchen and can hold his own in the neighborhood. Smooth and street-smart. Enjoys playing the bucket drums with Knuck and Q, and flirting with Jessica. Will understudy the role of KNUCK: (LEAD). A young man who has grown up holding his own in Ali’s gritty Hell’s Kitchen neighborhood, who Ali falls in love with.

Q: Character is a BIPOC man in his 20s. Baritone. A STRONG singer/mover who is comfortable with R&B/pop/jazz vocals. Experience with drumming and/or percussion is a big plus (please note on submission). A friend of Knuck’s, who grew up in Hell’s Kitchen and can hold his own in the neighborhood. Earnest and straightforward, at times a bit goofy. Enjoys playing the bucket drums with Knuck and Riq, and flirting with Tiny.

CRYSTAL/UNDERSTUDY MISS LIZA JANE: Character is a Black woman in her 40s. An exceptionally strong, powerfully-voiced singer who is comfortable with R&B/pop/jazz vocals and harmonizing. Ali’s neighbor who has known Ali for her entire life. Warm, with a witty sense of humor. Will understudy MISS LIZA JANE: A longtime resident of Ali’s building who becomes Ali’s piano teacher. Outwardly stern and taciturn, with incredible gravitas and presence. Puts tremendous value on discipline and focus, but despite her imposing presence, approaches Ali with patience and empathy, and teaches her about life and adulthood, in addition to music.

MILLIE/UNDERSTUDY JERSEY: Character is a Hispanic woman in her 40s. An extraordinary & powerfully-voiced singer with a brassy sound and lots of vocal flexibility. Possesses a strong, HIGH belt and ability to mix. Comfortable with improvisation, R&B/pop/jazz vocals, and harmonies. Because of the improvisational nature of the music, there is no limit on high belt range. Ali’s neighbor who has known Ali for her entire life. Comfortable speaking lines in Spanish. Will understudy JERSEY: Ali’s mother, raising her as a single mom. Tough, outspoken, not afraid of a fight. What she says, goes. Extremely protective of her daughter, to the degree that strikes fear into the hearts of all Ali’s friends. Distrustful of the outside world, most particularly of the intentions of men, she’ll do anything she can to keep her daughter safe and give her the best shot at life.

RAY/UNDERSTUDY DAVIS: Character is a Black man in his late 30s-early 40s. Tenor. An exceptional singer who is comfortable with R&B/pop/jazz vocals. Ali’s doorman. A large, physically imposing presence, but a kind heart. He looks out for Ali and all the residents of Manhattan Plaza. Will understudy DAVIS: Ali’s father. A traveling musician, who has been absent for her entire life. Charming and likable. A true artist. His true love is music, and although he also loves his family, it’s difficult–maybe impossible–for him to make space for both.

DANCE ENSEMBLE: All genders and ethnicities. A group of EXCEPTIONAL, highly skilled, athletic dancers who can learn quickly, and possess unique looks and energies that feel authentic to NYC in the 1990’s. Able to tell a story through movement, possess a high degree of personal artistry, and bring their own individuality, personality, and point of view to the choreography. Styles of dance we are seeking: HIP HOP, RHYTHMIC, AND CONTEMPORARY DANCE. A strong knowledge of and ability to move between all dance styles, as well as a strong sense of rhythmic ability are essential.

OFFSTAGE SWING – U/S ALI/JESSICA/TINY: Character is a young Black woman. 18+ to play 17. LEAD role. An extraordinary singer who is comfortable with R&B/pop/jazz vocals as well as rap/spoken word. To understudy ALI: A strong, stubborn girl with a rebellious streak who is trying to carve out her own identity independent of her mother’s overprotective, ever-watchful eye. Will also understudy JESSICA & TINY: friends of Ali’s from her Hell’s Kitchen neighborhood. THIS IS AN OFFSTAGE ROLE.

OFFSTAGE SWING – U/S DAVIS/RAY: Character is a Black man in his 40s. An exceptional singer who is comfortable with R&B/pop/jazz vocals who can hold down harmonies. Will understudy DAVIS: Ali’s father. A traveling musician, who has been absent for her entire life. Charming and likable. A true artist. His true love is music, and although he also loves his family, it’s difficult–maybe impossible–for him to make space for both. Will also understudy RAY: Ali’s doorman. A large, physically imposing presence, but a kind heart. Feels like a real person, not an actor. He looks out for Ali and all the residents of Manhattan Plaza. THIS IS AN OFFSTAGE ROLE.

OFFSTAGE SWING – U/S KNUCK/RIQ/Q/RAY: Character is a Black man in his 20s. Tenor. An extremely strong soul/R&B singer who is skilled in and comfortable with improv and ad lib. Think the vocal harmonies of 1980’s groups like Boyz II Men, Jodeci, New Edition etc. Experience with drumming and/or percussion is a big plus (please note on submission). To understudy KNUCK: (LEAD) A young man who has grown up holding his own in Ali’s gritty Hell’s Kitchen neighborhood, who Ali falls in love with. Although the world–including Ali’s mother–insists on seeing him as a “thug,” beneath his seemingly tough exterior is a sensitive and soulful young man with a gentle and generous spirit, who is growing increasingly frustrated with a world that insists on stereotyping him and treating him as a threat. Will also understudy RIQ & Q: Friends of Knuck’s, who grew up in Hell’s Kitchen and can hold their own in the neighborhood, and RAY: Ali’s doorman. A physically imposing presence, but a kind heart. THIS IS AN OFFSTAGE ROLE.

OFFSTAGE SWING: U/S MISS LIZA JANE/CRYSTAL/MILLIE: Character is a Black woman in her late 40s. An exceptionally strong, powerfully-voiced singer who is comfortable with R&B/pop/jazz vocals and harmonizing. To understudy MISS LIZA JANE: A longtime resident of Ali’s building who becomes Ali’s piano teacher. Outwardly stern and taciturn, with incredible gravitas and presence. Puts tremendous value on discipline and focus, but despite her imposing presence, approaches Ali with patience and empathy, and teaches her about life and adulthood, in addition to music. Will also understudy CRYSTAL & MILLIE: Ali’s neighbors who have known Ali for her entire life. Comfortable speaking lines in Spanish. THIS IS AN OFFSTAGE ROLE.

OFFSTAGE SWING: U/S MILLIE/CRYSTAL: Character is Black, Latina, or Afro-Latina, in her 40s. A STRONG, powerfully-voiced singer who is comfortable with R&B/pop/jazz vocals and harmonizing. Will understudy CRYSTAL & MILLIE: Ali’s neighbors who have known Ali for her entire life. Comfortable speaking lines in Spanish. THIS IS AN OFFSTAGE ROLE.

OFFSTAGE MALE & FEMALE ENSEMBLE SWINGS: BIPOC Men & Women, 20s-30s. To cover from 4 – 8 ensemble dancers, and potentially other ensemble roles (see character descriptions above).

AUDITION

• Date:
  Tuesday, February 18, 2025
• Time:
  > Females: 9:30 AM
  > Lunch: 1:00PM – 2:00 PM
  > Males: 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Studios 408 (holding) & 414 (audition)

PREPARATION

Wear sneakers and clothes that are comfortable to dance in. Bring kneepads. Please bring a picture and resume. Be prepared to dance at 9:30 AM sharp.

SALARY

• $995 weekly minimum (Level 6) – Touring

DATES

• 1st Rehearsal: 9/2/25
• 1st Performance: 10/10/25 (Cleveland, OH)

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: July 10, 2023
Expires: August 7, 2023

Non-Equity National Tour

• Director: Matt August
• Book and Lyrics: Timothy Mason
• Music: Mel Marvin
• Choreographer: Bob Richard
• Music Supervisor: Peter Leigh-Nilsen
• General Management: Crossroads Live North America
• Casting: Murnane Casting

Production Description 

The Grinch discovers there’s more to Christmas than he bargained for in this heart-warming holiday classic. Max the Dog narrates as the sour and scheming Grinch, whose heart is “two sizes too small”, decides to steal Christmas away from the holiday loving Whos.

SEEKING

[THE GRINCH] Male identifying character, 35+ to play 56 years old. Should be 6’0” or taller. Our main protagonist. He has spent years living in seclusion. He is fed-up with Christmas and ingeniously decides to steal it. A beastly, charming, often silly curmudgeon. He is hilariously scary but with a softy’s heart underneath — think more Wile E. Coyote than Voldemort. He fancies himself a Vaudeville superstar with “champion-stock” DNA and has a personality that outsizes everybody else in Whoville. The Grinch is a real triple threat. Baritone (A2-D4) with strong falsetto. LEAD

[OLD MAX] Male Identifying, character 45+ to visibly be the oldest soul on stage. Our storyteller who unexpectedly has a final memory that inspires him to celebrate the night of the Grinch’s transformation with the audience. A wise and somewhat weary old soul on the last legs of a spectacular life. He is trustworthy and charming and can “spin a yarn” like the best of them. Sings You’re a Mean One. Bass-baritone (G2-E4). PRINCIPAL

[CINDY-LOU WHO] Female identifying character, 6-10 years old to play younger. Should be 4’2” or under and visibly the smallest person on stage. She is the youngest child of the central Who family. She is the one person with a genuine heart of gold that can find and express love to the Grinch. She is still young enough to be guided by her sense of wonder and empathy and believes in the possibility for goodness in the Grinch. Soprano (A3-F5). PRINCIPAL

[GRANDPA WHO] Male Identifying character, 55 years old. The eldest of the central Who family. He is gruff, comically grumpy, and enjoys antagonizing Mama Who and trying to scare the children with ghost stories. He loves Christmas and his grandchildren but is driven batty by both. Baritone (Bb2-E4). FEATURED ENSEMBLE

[GRANDMA WHO] Female Identifying character, 55 years old. The matriarch of the central Who family who can solve any problem, a peacemaker. She is loving and warm. The children respect and listen to her, and she has the patience to calm both them and Mama Who. Mezzo Soprano (C4-E5). FEATURED ENSEMBLE

Instructions

Sign up online for an audition:

https://www.signupgenius.com/go/10C084FADA72DA0FDCE9-howthe

NOTES

Whoville is made up of individuals that are all different from one another and get much joy in celebrating the holiday, the community, and their differences. We are actively assembling a cast that represents different ethnicities, races, gender identities, religions, levels of ableness, sexualities, and political parties. It is meant to be a metaphor for the rich and diverse cultural tapestry that makes up our melting-pot nation.

Salary

• Performance weeks may have up to 12 performances in a given week. The Production runs approximately 85 minutes.

• Rehearsals: $600 flat p/w
• Performances:
  • • $1,500 p/w – Lead
    • $750 p/w – Principals
    • $650 p/w – Featured Ensemble
    • $600 p/w – Ensemble

Travel, housing, and per-diem will be provided by the company.

Visit the show page to view the current tour route.

Posted: July 22, 2022
Expires: August 1, 2022

Equity National Tour

• Producer: Cameron Mackintosh
• Directors: James Powell & Laurence Connor
• Music: Claude-Michel Schönberg
• Lyrics: Alain Boublil and Herbert Kretzmer
• Book: Alain Boublil and Claude-Michel Schönberg
• Musical Supervisor: Stephen Brooker
• US Musical Supervisor: James Moore
• Casting: Tara Rubin Casting/ Felicia Rudolph, CSA, casting director (viewing auditions)

Production Description 

Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, Les Misérables, direct from its acclaimed Broadway return.

SEEKING

Equity actors for principal roles (see breakdown)

JEAN VALJEAN – 35-40s. Sings to B (high lyric baritone or tenor with both strong low notes and a strong falsetto). A poor man who rises to affluence, he has great natural nobility and dignity. A powerful figure, a physically and morally large man with a character of operatic size and passion. The voice has a pop/rock sound or a classical sound of extraordinary textual clarity. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

JAVERT – 35-40s. Baritone, sings to G. Policeman who relentlessly hunts Valjean. An imposing character. The ultimate “law and order” figure. Obsessed, to the point of irrationality, with a rigid and merciless moral code. He too is a character of operatic size and passion. Both belt voice and classical can suit this role. Has a natural gravitas and a darker vocal quality than Jean Valjean. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

THENARDIER – Late 30s-40s. Strong comic character role. A dishonest innkeeper, later a petty, amoral thief. Greedy, irreverent, selfish, boorish, vulgar. Baritone, sings to F sharp. Has a strong handle on using text in song. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

MARIUS – Late teens to early 20s. High baritone (sings to A) with a strong bottom (to A). A member of the aristocracy who joins the revolutionary student movement. Romantic but in a sensitive, 19th century “byronic” way. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

ENJOLRAS – 20s-early 30s. High baritone (to G sharp/B flat) very strong singer. Charismatic political figure. Leader of the revolutionary movement. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

FANTINE – Early 20s – early 30s. Belt up to C, sings to E flat. Dignified and elegant factory worker, struggling to support her fatherless daughter. Later is a pauper, a prostitute, a consumptive and a ghost. Earthy and poignant. Although finally defeated by circumstances she should appear to be strong and a survivor. She puts up a valiant fight against the horrors of her life. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

COSETTE – Late teens to early 20s. Fantine’s daughter (first seen as and played by a child). Delicate, elegant, and vulnerable. Cosette is also loyal, confident, intelligent and has a curiosity and spirit that pushes her to strive for a life of her own beyond the comfortable but sheltered life she was brought up in. Falls in love with and later marries Marius. Soprano (to high C) but a light, young “floating” sound, without heavy vibrato. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

EPONINE – Late teens to 20s. An enormous and beautiful belt voice, with a contemporary edge. Belts to C sharp (sings to E flat). Daughter of the Thénardiers but in no way behaves like them. Fired by an unrequited love for Marius. Gamine, forlorn. Hasn’t learned to disguise her emotions; wears her heart on her sleeve. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

MADAME THENARDIER – 30s-early 40s. Tough, sharp, coarse, boorish, vulgar. Strong character comedienne role. Belter. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

GAVROCHE – Boy, age 7 – 11. 52” tall or less. Spunky street urchin. Lots of personality. Sings very well. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

LITTLE COSETTE AND LITTLE EPONINE – Girls, age 7 – 11. 50” tall or less. Sweet innocent waifs. Pretty soprano voice. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White. ROLE ON OFFER.

Dates & Locations

• 1st Rehearsal in NY: August 22, 2022
• 1st Performance: On or about October 7, 2022

* All dates are subject to change.

Instructions

Please slate with your name and height.

Please prepare a video of you singing ONE of the provided Principal show material cuts from this link: https://tinyurl.com/LesMisTour… . (For Gavroche, please prepare both cuts.) No songs of your own and please only submit once.

Please only submit a Dropbox or Google Drive Link. Video submissions must be submitted no later than AUGUST 1, 2022 at 6:00pm ET. Any videos submitted after the deadline will not be viewed.

Salary

• Short Engagement Touring $859 weekly minimum (Category 3)

Notes

THE PRODUCERS, CREATIVE TEAM AND CASTING TEAM ARE COMMITTED TO AN EQUITABLE, INCLUSIVE, AND ACCESSIBLE CASTING PROCESS FOR LES MISERABLES. WE ARE ACTIVELY SEEKING PERFORMERS OF ALL RACES, ETHNICITIES, CULTURAL BACKGROUNDS, ABILITIES, GENDER IDENTITIES, AND BODY TYPES TO AUDITION.

All touring employees must adhere to strict protocols and guidelines and will be required to be fully vaccinated for COVID-19, administered at least two weeks prior to any on-site work for production (including any in- person callbacks)

Visit the show page to view the current tour route.

Posted: September 18, 2023
Audition : October 4, 2023

Equity National Tour

• Producer: Cameron Mackintosh
• Directors: James Powell & Laurence Connor
• Music: Claude-Michel Schönberg
• Lyrics: Alain Boublil and Herbert Kretzmer
• Book: Alain Boublil and Claude-Michel Schönberg
• Musical Supervisor: Stephen Brooker
• US Musical Supervisor: James Moore
• Casting: Tara Rubin Casting

Expected to attend:

Casting Directors: Merri Sugarman, CSA and/or Claire Burke CSA

Production Description 

Cameron Mackintosh presents the new production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, Les Misérables, direct from its acclaimed Broadway return.

SEEKING

Equity actors for future replacements for roles in LES MISERABLES (see breakdown)

JEAN VALJEAN – 35-40s. Sings to B (high lyric baritone or tenor with both strong low notes and a strong falsetto). A poor man who rises to affluence, he has great natural nobility and dignity. A powerful figure, a physically and morally large man with a character of operatic size and passion. The voice has a pop/rock sound or a classical sound of extraordinary textual clarity. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

JAVERT – 35-40s. Baritone, sings to G. Policeman who relentlessly hunts Valjean. An imposing character. The ultimate “law and order” figure. Obsessed, to the point of irrationality, with a rigid and merciless moral code. He too is a character of operatic size and passion. Both belt voice and classical can suit this role. Has a natural gravitas and a darker vocal quality than Jean Valjean. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

THENARDIER – Late 30s-40s. Strong comic character role. A dishonest innkeeper, later a petty, amoral thief. Greedy, irreverent, selfish, boorish, vulgar. Baritone, sings to F sharp. Has a strong handle on using text in song. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

MARIUS – Late teens to early 20s. High baritone (sings to A) with a strong bottom (to A). A member of the aristocracy who joins the revolutionary student movement. Romantic but in a sensitive, 19th century “byronic” way. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

ENJOLRAS – 20s-early 30s. High baritone (to G sharp/B flat) very strong singer. Charismatic political figure. Leader of the revolutionary movement. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

FANTINE – Early 20s – early 30s. Belt up to C, sings to E flat. Dignified and elegant factory worker, struggling to support her fatherless daughter. Later is a pauper, a prostitute, a consumptive and a ghost. Earthy and poignant. Although finally defeated by circumstances she should appear to be strong and a survivor. She puts up a valiant fight against the horrors of her life. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

COSETTE – Late teens to early 20s. Fantine’s daughter (first seen as and played by a child). Delicate, elegant, and vulnerable. Cosette is also loyal, confident, intelligent and has a curiosity and spirit that pushes her to strive for a life of her own beyond the comfortable but sheltered life she was brought up in. Falls in love with and later marries Marius. Soprano (to high C) but a light, young “floating” sound, without heavy vibrato. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

EPONINE – Late teens to 20s. An enormous and beautiful belt voice, with a contemporary edge. Belts to C sharp (sings to E flat). Daughter of the Thénardiers but in no way behaves like them. Fired by an unrequited love for Marius. Gamine, forlorn. Hasn’t learned to disguise her emotions; wears her heart on her sleeve. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

MADAME THENARDIER – 30s-early 40s. Tough, sharp, coarse, boorish, vulgar. Strong character comedienne role. Belter. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

GAVROCHE – Boy, age 7 – 11. 52” tall or less. Spunky street urchin. Lots of personality. Sings very well. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

LITTLE COSETTE AND LITTLE EPONINE – Girls, age 7 – 11. 50” tall or less. Sweet innocent waifs. Pretty soprano voice. This character can be Black, Indigenous, API, Latine, MENASA, Mixed or White.

AUDITION

• Wednesday, October 4, 2023
  10:00 AM–6:00 PM
  Lunch 1:00 PM – 2:00 PM

Location

• Pearl Studios (500)
  500 8th Ave
  New York, NY 10018
• Holding Room: Studio 402

INSTRUCTIONS

Please prepare a short, legit musical theatre song to sing. Opera, Jazz, Rhythm and Blues and Rock ‘n’ Roll are not appropriate styles for this production. Please bring sheet music and a stapled together headshot and resume.

SALARY

• Touring Agreement – $920 weekly minimum (Level 6)

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

THE PRODUCERS, CREATIVE TEAM AND CASTING TEAM ARE COMMITTED TO AN EQUITABLE, INCLUSIVE, AND ACCESSIBLE CASTING PROCESS FOR LES MISERABLES. WE ARE ACTIVELY SEEKING PERFORMERS OF ALL RACES, ETHNICITIES, CULTURAL BACKGROUNDS, ABILITIES, GENDER IDENTITIES, AND BODY TYPES TO AUDITION.

There are no Equity stage managerial positions currently available.

Visit the show page to view the current tour route.

Posted: March 9, 2024
Audition: March 18-20, 2024

• Producer: Simon Friend, Daryl Roth, NETworks
• Director: Max Webster
• Tour Director: Ashley Brooke Monroe
• Playwright: Lolita Chakrabarti
• Scenic and Costume Design: Tim Hatley
• Puppetry and Movement Director: Finn Caldwell
• UK Associate Puppetry and Movement Director: Scarlet Wilderink
• US Associate Puppetry and Movement Director: Jon Hoche
• Puppetry Design: Nick Barnes, Finn Caldwell
• Lighting Design: Tim Lutkin, Tim Deiling
• Video Design: Andrzej Goulding
• Sound Design: Carolyn Downing
• Original Composition: Andrew T Mackay
• Dramaturgy: Jack Bradley
• General Manager: Gentry & Associates, Gregory Vander Ploeg
• Casting Director: Duncan Stewart CSA and Patrick Maravilla of ARC
• Casting Associate: Jarret Reiche of ARC
• Casting Assistant: Devi Peot of ARC

Production Description 

After a cargo ship sinks in the middle of the Pacific Ocean, a sixteen-year-old boy named Pi is left stranded on a lifeboat with the most unlikely of companions: a Royal Bengal tiger. With time and nature against them, the two must learn to trust one another if they are to survive.

SEEKING

Equity actors for roles in the touring production of LIFE OF PI (see breakdown).

[PISCINE MOLITOR PATEL] known as Pi, male- or female-identifying, South Asian, 17. Character has no specific accent. He grew up in Pondicherry in India and is emigrating to Canada with his family and the animals from his father’s zoo. He is a dedicated Hindu, a clever and curious boy, asking questions of the world around him and the rules it lives by. He is honest, empathic, open, innocent and full of wonder. As he navigates being alone at sea and surviving, he finds strength, tenacity, and unexpected friendship. He is also in deep exploration of his faith and unable to choose between different religions. He likes them all. Pi is remarkable because even after he survives the most terrible shipwreck and loss, he remains open to the possibilities of the world. NOTE: A physically demanding role. Due to the nature of the production and safety of the lifts, we are seeking actors 5’8 and under.

[LULU CHEN / MRS BIOLOGY KUMAR / ZAIDA KHAN] – female-identifying, East Asian, late 20s – 40s. Characters have no specific accent.
LULU is a Canadian official in the embassy in Mexico. She has travelled from Mexico City and is charged with managing the humorless Mr. Okamoto. She is young and ambitious. She is official but
warm, empathic, and open to having her opinion changed. She starts to like Pi and sympathizes with him more and more.
MRS B-K – a warm and independent woman of science. A teacher who loves the natural world. She is married to Mamaji. She is a strong voice with clear political opinions and compares the animal world to the human one. She loves Rani because of her natural ability in science and maths. She sees her as a similar soul.
ZAIDA KHAN is a dedicated Muslim. She is clear minded about her own beliefs and judgmental of others.

[MR OKAMOTO / CAPTAIN] – male-identifying, Japanese, 50.
MR OKAMOTO. Character has no specific accent. He is a senior member of a Japanese shipping corporation insurance team come to investigate the sinking of a Japanese ship. He is in Mexico having travelled from Tokyo. He is a serious, practical, company man, not warm or empathic. He wants to get the job done and go home. He has no children. His wife was once very sick, but she is better now. He does not believe in god and is convinced of that truth.
CAPTAIN. East/Southeast Asian, and speaks his native language. He runs the Tsimtsum which will sink. He is in charge.

[FATHER] – male-identifying, South Asian, 40s, character has no specific accent. Father is from Pondicherry and dreamed of being a circus ringmaster but has happily settled for owning a zoo. He is instinctive, passionate, secular. He has absolutely no time for religion. He loves the animals and worries for their welfare. The political situation in India aggravates him as he can no longer ensure his family’s safety. The decision to leave is his. He does not want to go but for safety decides to emigrate with all animals to Canada. They are not wealthy and travel on a cargo ship. He is a strong, caring, thoughtful, good father.

[NURSE / AMMA / ORANGE JUICE] – female-identifying, South Asian, 40s.
NURSE is a Spanish speaker in Mexico. A firm but empathic mother figure to the traumatized Pi. She is kind, warm and capable.
AMMA is Pi’s mother. Character has no specific accent. She is Indian, devoted to her Hinduism and from Pondicherry. She has two children whom she adores but also keeps in check. She is a caregiver, a loving mother, concerned about the needs of her family. She is equal to her husband; their skills are complimentary, and their relationship is strong.
ORANGE JUICE is an orangutan puppet operated by 3 actors. Will work with two experienced puppeteers to realize OJ.

[RANI, w/ PI Cover] – female-identifying, South Asian, 20s. Characters have no specific accent.
RANI is Pi’s sister. She is 19 and very clever, a complete genius at Maths. She is sharp, funny, witty and keeps her brother in check. She knows he is the favorite and that’s to be expected given that he’s a boy! She is a fierce young woman who if she had survived would have done great things.
NOTE: When playing PI the character will be female.

[MAMAJI / PANDIT-JI / w/ FATHER Cover] – male-identifying, South Asian, 40s. Characters have no specific accent.
MAMAJI is uncle to Pi. Affectionate, loving, a bit of a joker. He is married to Mrs Biology Kumar. A Hindu who conducts puja, a fantastic swimmer who runs clubs for swimming. He lived in France for two years and has happy associations with that country. He is a loving, solid presence in pi’s life.
PANDIT-JI is a Hindu priest who lives and breathes his vocation. He is trying to persuade Pi to be more Hindu. He does not take kindly to other religions intruding on his territory.

[ADMIRAL JACKSON / RUSSIAN SAILOR] – male-identifying, Any Ethnicity, 40s
ADMIRAL JACKSON – Character has no specific accent. He will be renamed to be an American Navy Officer from the 1940’s. He is precise, definitive, no nonsense and does not listen. He instructs Pi and says the unthinkable.
RUSSIAN SAILOR – Speaks Russian only. Befriends Pi on the ship and survives on the lifeboat with a broken leg. Some puppetry also.

[FATHER MARTIN / COOK / VOICE OF RICHARD PARKER] – male-identifying, 30-40. Any ethnicity.
COOK – French accent. A looming presence, angry, unhappy, quick to react against people, threatening. He works on the Tsimtsum but believes he is better than that. He is determined to survive the shipwreck and do anything that requires. He is ruthless.
FATHER MARTIN. Character has no specific accent. A Christian priest who is certain of his faith and trying to persuade Pi to join his church. He is benign.
When RICHARD PARKER speaks this actor also manipulates the puppet with three puppeteer actors. This will be a puppeteering track. NOTE: Experience in partner lifting and/or movement would be a plus.

[FEMALE-IDENTIFYING SWING 1] South Asian, 17 PI alternate, and Rani cover

[FEMALE-IDENTIFYING SWING 2] South Asian, 30s Will cover Lulu Chen, Rani, Mrs Biology Kumar, Zaida Khan, Mamiji for Mamaji, Mrs Okamoto for Mr O, Amma, Nurse

[MALE-IDENTIFYING SWING 1] East Asian, 30s to 40s Will cover Mr Okamoto, Mamaji, Panditji, Cook, Richard Parker, Commander Grant Jones, Father Martin, Russian Sailor, Lulu Chen as Leonard. NOTE: Experience in partner lifting and/or movement would be a plus.

[MALE IDENTIFYING SWING 2] South Asian, Late 20s to 40s Will cover Mamaji, Pandit-ji, Father, Mr Biology-Kumar for Mrs BK, Mr Khan for Zaida K, Ravi for Rani, Cook, Richard Parker. NOTE: Experience in partner lifting and/or movement would be a plus.

AUDITION

• Dates:
  Monday, March 18, 2024
  10:00 AM – 6:00 PM (E)

  BREAK: 1:00PM – 2:00PM
  Holding room: Studio 404; Audition room: Studio 406

  Tuesday, March 19, 2024
  10:00 AM – 6:00 PM (E)
  BREAK: 1:00PM – 2:00PM
  Holding room: Studio 414; Audition room: Studio 406

  Wednesday, March 20, 2024
  10:00 AM – 6:00 PM (E)
  BREAK: 1:00PM – 2:00PM
  Holding room: Studio 414; Audition room: Studio 406

• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018

PREPARATION

Please bring a brief monologue of choice. Please bring a headshot and resume, stapled together.

SALARY

• Touring Agreement $1036 weekly minimum (level 5)

DATES

• Rehearsal Date(s): October 14th – Nov. 26th, 2024
• Technical Rehearsals Cast-on-Stage: November 29th – December 8th, 2024
• Opening Performance: December 10th, 2024 in Baltimore, MD

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: October 5, 2024
Audition: October 23, 2024

• Producers: Judy Craymer, Richard East, And Bjorn Ulvaeus For Littlestar In Association With Universal
• Music and Lyrics: Benny Andersson & Bjorn Ulvaeus
• Book: Catherine Johnson
• Director: Phyllida Lloyd
• Associate Director: Martha Banta
• Choreographer: Anthony Van Laast
• Associate Choreographer: Janet Rothermel
• Associate Musical Supervisor: David Holcenberg
• General Management: Work Light Productions
• Casting: Tara Rubin Casting / Kevin Metzger-Timson, CSA

Production Description 

ABBA’s greatest hits are woven into a sunny tale set on a Greek island. On the eve of her wedding, a bride’s quest to discover her father’s identity brings three men from her mother’s past back to the place they last visited 20 years ago.

SEEKING

SEEKING: Future replacements for the following roles.

DONNA (Late 30s-Early 40s) The mother of a 20-year-old daughter. Attractive and free-spirited. A former lead singer in a group called “Donna and the Dynamos” who now owns and runs a hotel/casino on a Greek island. A strong feminist who also has a zany and vulnerable side. Strong rock belt with a great low range and terrific high belt to C#.

TANYA (Late 30s-Early 40s) A former singer in the “Dynamos.” Rich, sophisticated, acerbic, funny, and witty.

ROSIE (Late 30s-Early 40s) A former singer in the “Dynamos” who now writes for and runs a feminist press. She’s confident, strong, and funny on the outside but shy underneath. Kooky and fun, good comic actor, bit of a clown.

SOPHIE (18-25) A very special young woman who is determined to find the romance and happiness she feels eluded her mother. Has a wild, zany spirit even though she pursues a conventional marriage. Pop soprano.

SAM May be Sophie’s father. Left Donna 20 years ago because he was engaged to another woman. Charming, successful architect. High rock baritone to A-flat.

HARRY (Late 30s-Early 40s) May be Sophie’s father. British financier, wealthy, buttoned-up, and conservative, but trying to reconnect with his freer, youthful self. Must be able to do a very convincing English accent. High baritone.

BILL (Late 30s-Early 40s) May be Sophie’s father. A travel writer with no possessions or strings. Good-natured, always ready for adventure. Funny, preferably a big or imposing man. Sings well.

SKY (Mid-Late 20s) Sophie’s fiancé. Athletic. He has given up his life as a successful young businessman in order to make over Donna’s Taverna and marry Sophie. Tenor to A-flat.

AUDITION

• Date:
  Wednesday, October 23, 2024
  10:00 AM – 6:00 PM (E)
  Break: 1:30 PM – 2:30 PM
• Location:
  Pearl Studios (519)
  519 8th Ave
  New York, NY 10018-6504
  Studio G (Holding Room); H (Audition Room)

PREPARATION

Prepare a brief contemporary pop song. Please no musical theatre. Bring a hardcopy headshot and resume, and sheet music in the correct key. An accompanist will be provided.

SALARY

• Touring Agreement $996 weekly minimum (tier 5)

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

We Are Committed To Inclusive And Equitable Casting For All Roles In Mamma Mia! And Are Actively Seeking People Of All Races, Cultural Backgrounds, Abilities, And Gender Identities To Audition. The Breakdown Below Refers To The Characters As They Are Written In The Mamma Mia! Script And Are Not Meant To Limit The Actors We Are Looking To Cast In The Roles.

All Stage Managerial positions are currently filled.

Visit the show page to view the current tour route.

Posted: March 7, 2026
Audition: March 17 & 19, 2026

• Producers: Jeffrey Richards, Hunter Arnold, Allan Williams
• Director: Michael Arden
• Book and Lyrics: Will Aronson and Hue Park
• Music: Will Aronson
• Musical Supervisor: Deborah Abramson General
• Manager: Foresight Theatrical; Andrew Joy, Nick Ginsberg
• Casting: The Telsey Office

Expected to attend:
Casting Directors: Craig Burns, Jimmy Larkin of The Telsey Office

Production Description 

Seoul, Korea, 2064. Oliver and Claire are Helperbots, high-end robots that are nearly identical to humans, designed to alleviate the social isolation of their wealthy owners. Already obsolete, Oliver and Claire now live across the hall from each other in an apartment complex for discarded Helperbots. When a broken charger unexpectedly brings them together, they embark on a journey that challenges what they believe is possible for themselves, relationships, and love.

SEEKING

Equity actors for roles in the Touring production of MAYBE HAPPY ENDING (See breakdown).

[OLIVER] Character is male (cis, transgender or non-binary), 20s—30s, any ethnicity. Boyish and innocent appearance. A robot, specifically an obsolete Helperbot 3. Despite appearing very human, his emotional levels and physical movements are a bit less gradated than the Helperbot 5. He loves other forms of outdated technology, like LP players and paper maps and books. Optimistic by design, Oliver has always believed his former owner is eventually going to come pick him up from the discarded Helperbot apartment complex. Baritenor who can sing with clarity and simplicity from A2 up to a strong F#4 and extend to G#4 using mix or belt. Facility with straight tone is welcomed, as well as comfort with light mix. Remaining close to written notes and rhythms is highly valued. Great physical control and movement, as well as comic ability.

[CLAIRE] Character is female (cis, transgender or non-binary), 20s—30s, any ethnicity. Girlish and innocent appearance. A robot, specifically a Helperbot 5. As a model 5, she is capable of slightly more nuanced emotional shadings than the 3. Somewhat impatient with less advanced models. Claire has also forsworn any kind of long-term emotional bond, having observed at close range the broken relationship of the couple that owned her. A voice with clarity down to Ab3 and a clean belt or strong mix to Eb5. Control of mix/head voice up through D5 is essential, and facility with straight tone is welcomed. Remaining close to written notes and rhythms is highly valued. Great physical control and movement, as well as comic ability.

[GIL BRENTLEY] Character is male (cis, transgender or non-binary), 20s—50s, any ethnicity. A popular American big band leader from the mid 20th century, now remembered by a select few. Gil Brentley was James’ favorite jazz musician and therefore is Oliver’s as well. Everything Oliver knows about human relationships he learned from Gil’s songs. Sings/croons in the style of a singer of the 1940s—50s (like Frank Sinatra or Nat King Cole). A2 to F#4.

[JAMES/JUNSEO] Character is male (cis, transgender or nonbinary), 30s–50s, Korean. James is Oliver’s former owner. James was in his late 30s when Oliver began working for him, and in his 40s when Oliver last saw him. Oliver probably remembers him on the younger side. James loves jazz and all sorts of outdated fashions and technology, passions that he has passed on to Oliver. Throughout the show, will double as various humans that Oliver and Claire encounter in the world. He also doubles as James’s estranged adult son, Junseo. Bari-tenor who can sing with clarity and simplicity from B2-F4. Piano skills are a plus.

AUDITION

• Dates & Time:
  Tuesday, March 17, 2026
  Thursday, March 19, 2026
  10:00 AM – 6:00 PM (E)
  Break: 1:30 – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 1212

PREPARATION

Please prepare a brief contemporary musical theatre song that shows your style and vocal range. Please bring a headshot and resume stapled together.

DATES

• First Rehearsal (NYC): August 10, 2026
• First Performance: September 13, 2026

SALARY

Touring Agreement $1077 weekly minimum (Level 5)

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: July 29, 2025

• Producers: Premier Theater Productions
• Executive Producer: Jim Vollertsen
• Director/Choreographer: Antoinette DiPietropolo
• Musical Supervisor: Andrew Haile Austin
• Music & Lyrics: Meredith Wilson
• Book adaptation from the film: Meredith Wilson
• Casting: Holly Buczek, HDB Casting

Production Description 

A timeless holiday favorite from the creator of The Music Man, Miracle on 34th Street is a charming musical based on the beloved film. It follows Doris Walker, a practical single mother determined to keep her six-year-old daughter Susan grounded in reality, but when their neighbor Fred Gailey tries to win Doris’s heart by taking Susan to meet Santa at Macy’s—where Doris works—everything begins to change. Susan is enchanted, Doris remains skeptical, and then the impossible happens: Santa might just be the real Kris Kringle. As belief spreads, hearts across New York begin to open. Featuring delightful humor, the magic of the Macy’s Thanksgiving Day Parade, and classic songs like “It’s Beginning to Look a Lot Like Christmas,” this uplifting musical is the perfect way to start the holiday season with the whole family.

SEEKING

[KRIS KRINGLE] (Male, mid 40s-mid 60s) Warm, whimsical, and wise. The real Santa Claus — must be endearing and command quiet authority. Singing is secondary for this role. Principal role.

[DORIS WALKER] (Female, 30s- 40s) Smart, practical, emotionally guarded single mother. Strong and likable. Mezzo-Soprano. Principal role.

[FRED GAILEY] (Male, 30s-40s) Idealistic, romantic Lawyer and WWII vet who believes in love and Santa Claus. Charming and charismatic. Tenor/Baritenor. Principal role.

[SUSAN WALKER] (Female, 7-11) Precocious, logical, curious daughter of Doris. Learns to believe. Soprano. Principal role. SEEKING ROLE AND ALTERNATE.
*Please note: Children accepting this contract must be internally homeschooled as there will not be a tutor on the road for this tour.

[SHELLHAMMER] (Male, 30s-50s) Macy’s bumbling but earnest executive. Baritone. This track may cover Fred. Supporting role.

[MR. MACY] (Male, 30s – 50s) Showman CEO of Macy’s. Boisterous and lovable. Baritone. This track may cover Kris Kringle. Supporting role.

[JUDGE MARTIN GROUP/ENSEMBLE] (Male, 30s-50s) Dignified, cautious, sympathetic judge. Baritenor. This track may cover Fred or Kris Kringle.

[SAWYER/ENSEMBLE] (Male, 30s – 40s) Macy’s psychologist. Antagonistic, believes Kris is delusional. Tenor/Baritone. May cover principal roles.

[BALLET DANCER/ENSEMBLE] (Female, 20s-30s) Strong ballet dancer with pointe work to fill various ensemble roles – Shoppers, Clerks, Carolers, Parade Performers, Hospital Staff, Legal Roles. All vocal ranges.

[TAP DANCER/ENSEMBLE] (Male, 20s-30s) Strong tap dancer to fill various ensemble roles – Shoppers, Clerks, Carolers, Parade Performers, Hospital Staff, Legal Roles. All vocal ranges.

[ENSEMBLE & SWINGS] (All gender identities, 20s – late 40s) Shoppers, Clerks, Carolers, Parade Performers, Hospital Staff, Legal Roles. All vocal ranges. Strong Mover/Singers with personality. Especially seeking performers with specialty skills – tap, pointe work, acro, contortion tricks. May cover principal roles.

AUDITION

Please submit via Actors Access. If you do not have an Actors Access Profile, you can email your submission of headshot/resume – please email your submissions to hdbauditions@gmail.com to be considered.

DATES

• Callbacks: In Person on 9/18 & 9/19 in NYC
• Rehearsal Start Date: (NYC) October 20^th, 2025
• Tour currently booked through: January 4^th, 2025

*Note: Cast will have off on Christmas Day, but may have performances on New Years Eve and New Years Day

CONTRACT

• Rehearsal salary of $600/week
• Performance salaries: Ensemble at $600/week and Principals starting at $650/week

NOTES

Seeking Non-Union only

MUST BE AVAILABLE FOR FULL CONTRACT – PLEASE CHECK THE DATES BEFORE SUBMITTING!

Producer provided transportation, shared housing and weekly expense allowance once out of New York City. No housing or per diem provided during the New York City rehearsal period.

Visit the show page to view the current tour route.

Posted: July 12, 2024
Audition: July 23, 2024

• Produced by The Michael Jackson Estate and Lia Vollack Productions
• Written by Lynn Nottage
• Directed and Choreographed by Christopher Wheeldon
• Music Supervision by David Holcenberg
• Music Direction by Jason Michael Webb
• General Management by Bespoke Theatricals
• Casting by The Telsey Office

Production Description 

MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status.

SEEKING

Equity actors for future replacements in the Touring production of MJ THE MUSICAL (See breakdown).

[MJ] – Male, Black, Michael Jackson in his late 20s – early 30s. Fantastic singer (able to sing in a high tenor and falsetto range) and dancer. PRINCIPAL.

[MICHAEL/TOUR SINGER/ISLEY BROTHER] – Male, Black, Michael Jackson in his late teens and early 20s. Excellent singer (able to sing in high tenor and falsetto range) and dancer. Doubles as a Tour Singer and Isley Brother. PRINCIPAL.

[LITTLE MICHAEL] – Male, Black, Michael Jackson at about age 10, a fantastic singer and dancer. Unchanged singing voice. PRINCIPAL.

[LITTLE MARLON] – Male, Black, Marlon Jackson at about age 12, a great dancer and singer. Understudies the role of Little Michael. Unchanged singing voice. PRINCIPAL

[ROB/JOSEPH JACKSON] – Male, Black, 40s-50s. Rob is the director of the Dangerous Tour. Michael is rehearsing, and in flashbacks becomes Joseph Jackson, Michael’s forceful and dominating father. Great singer (baritenor/tenor range). PRINCIPAL.

[RACHEL] – Female, any ethnicity, 20s-30s. Smart, inquisitive, ambitious but warm. Single minded documentary filmmaker and journalist. Singer. PRINCIPAL.

[KATE/KATHERINE JACKSON] – Female, Black, 30s-40s. Kate is a back-up singer for Michael and in flashbacks becomes Katherine Jackson, Michael’s warm and loving mother. Fantastic, soulful singer with extraordinary vocal range. PRINCIPAL.

[TITO JACKSON/QUINCY JONES/TOUR SINGER/JACKIE WILSON] – Male, Black, 30s. Quincy Jones, an iconic record producer/musician. Tito Jackson, Michael’s older brother; fantastic singer (baritone/tenor range) who moves very well. Doubles as a Tour Singer and Jackie Wilson. PRINCIPAL.

[NICK/BERRY GORDY/DON CORNELIUS/DOCTOR] – Male, Black, 40s-50s. Nick is the organized and authoritative stage manager for the Dangerous. In flashbacks, becomes Berry Gordy, the iconic record producer and founder of Motown. Great singer (baritone range). PRINCIPAL.

[DAVE] – Male, 40s-50s. Michael’s fastidious business manager. Singer. PRINCIPAL.

[ALEJANDRO] – Male, 30s. Humorous, fun-loving, fan of MJ, who is good at his job as a documentary camera man. Singer. PRINCIPAL.

AUDITION

• Date:
  >Tuesday, July 23, 2024
• Time:
  10:00 AM – 6:00 PM (E)
  > Lunch: 1:00PM – 2:00 PM
• Location:
  Pearl Studios (519)
  519 8th Ave
  12th Fl
  New York, NY 10018-6504
  Holding room – Studio J

PREPARATION

Please prepare a brief song in the style of the show and bring a headshot and resume. An accompanist would be provided.

SALARY

• $2499 weekly minimum (Level 1)

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: October 23, 2025
Audition: December 3, 2025

• Produced by The Michael Jackson Estate and Lia Vollack Productions
• Written by Lynn Nottage
• Directed and Choreographed by Christopher Wheeldon
• Music Supervision by David Holcenberg
• Music Direction by Jason Michael Webb
• General Management by Bespoke Theatricals
• Casting by The Telsey Office
• Expected to attend:
  Kali May Grinder (Dance Captain)
  Lindsay Levine, The Telsey Office (Casting Director)

Production Description 

MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status.

SEEKING

Equity chorus dancers for possible future replacements in the Broadway and touring production of MJ THE MUSICAL. 

[ENSEMBLE DANCERS] – 20s-30s, fantastic, dynamic dancers; any ethnicity. Singing is a plus.

AUDITION

• Dates:
  > Wednesday, December 3, 2025 
• Time:
  > 10:00 AM
  > Lunch: 1:00–2:00 PM
  > Restarts at 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 1214

PREPARATION

Please come warmed up and ready to dance. Sneakers or dance sneakers will work best Please bring a photo/resume stapled together.

SALARY

• Production (League) / Touring Agreement $2638 weekly minimum – Broadway $2599 weekly minimum (Level 1) – Tour

DATES

• Currently on Broadway and on tour.

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

See image below

Posted: February 9, 2023
Expires: February 22, 2023

Equity North American Tour

• Director: Alex Timbers
• Music Director: Cian McCarthy
• Musical Supervisor: Justin Levine
• Book: John Logan
• Choreography: Sonya Tayeh
• Casting: Jim Carnahan, Stephen Kopel

Production Description 

Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® nominee Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of truth, beauty, freedom, and — above all — love. With a book by Tony winner John Logan, music supervision, orchestrations and arrangements by Justin Levine, and choreography by Emmy® nominee Sonya Tayeh, Moulin Rouge! is more than a musical; it is a state of mind.

SEEKING

Equity actors for future replacements for roles in MOULIN ROUGE tour (see breakdown).

All principals must be incredible Pop/Rock/Soul singers.

Satine: Female, 30s Satine is a star. Beautiful, glamorous, sexy, commanding. Fully aware of her worth. Wicked sense of humor and smart… But beyond this, our heroine has a deep humanity. She has suffered and her wounds are very close to the skin. Heartbreaking. An incredible singer. Belt.

Christian: Male, 20-30s A handsome young American. There ’s a special intensity and drive behind his easy and natural charm. Not an ingénue, not entirely innocent. A man of quick passion, warm humor, and deep secrets. An incredible singer. High tenor.

Henri Toulouse-Lautrec: Male, 30s-40s. The famous French artist. He is a bold visionary and a tough-minded anti-romantic romantic. A doomed genius. Extremely charismatic and fervently eloquent. A strong singer.

Zidler: Males, 40s-60s The M.C. and Impresario of the Moulin Rouge. He seems almost a human caricature – too grand and showy. His manner is sly and insinuating. He’s knowing and wise, crafty and venal. All in all, irresistible. A strong singer.

Duke: Male, 30s-40s A handsome, viral man. Dripping with wealth and power. Old French Aristocracy, modern attitudes and tastes. He carries real class and gravitas. Dangerously sexy. An incredible singer. Tenor.

Santiago: Male, 30s, Latin. Santiago is a comically dashing figure. He’s the greatest tango dancer in Paris – and the greatest gigolo. A ferocious Argentinian swashbuckler, he lives for the extravagant torments of love. He’s wild, dangerous and unpredictable, driven by his passionate emotions. A brilliant dancer. An incredible singer. Tenor.

Nini: Female, 30s. Lead dancer at the Moulin Rouge. Sharp, ambitious, sexy and cunning. Has all the assets of a real star, except for warmth. Hard and gorgeous as a gemstone. Brilliant dancer. A strong singer.

Dates & Locations

• Wednesday, February 22, 2023
  10:00 AM – 6:00 PM
• Notes: Lunch 2:00 – 3:00 PM
• Location:
  • • Ripley-Grier Studios (520)
      520 8th Ave 16th floor
      New York, NY 10018
    • Holding room 17R

• Holding/Audition room information:
  The maximum capacity in the holding room is: 40
  The maximum capacity in the audition room is: 30

• Appointments: Per AEA regulation we will have 126 time slots (18 per hour) available. Times will be given on a first come first serve basis to Equity Members, members of AGMA who have proof of at least one year’s membership and members of Canadian Equity starting no earlier than 9:15 AM the day of the audition.

• Instructions:

  Please prepare a short cut of a pop, rock or soul song. Please, no musical theatre. Please bring sheet music, an accompanist will be provided. Also, please bring your headshot and resume stapled together.

Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.

Salary

• The minimum base weekly salary for the positions being auditioned for is established by a collective bargaining agreement between The Broadway League Inc., on behalf of the above-named producer, and Actors’ Equity Association. It is anticipated that the base weekly salary for each of the above-listed roles will range between a minimum of $2,439.00 per week (which equals an annualized base salary of $126,828) and a maximum of $4,000 per week (which equals an annualized base salary of $208,000).

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: November 6, 2025
Audition: November 25, 2025

• Director: Alex Timbers
• Music Director: Cian McCarthy
• Musical Supervisor: Justin Levine
• Book: John Logan
• Choreography: Sonya Tayeh
• Casting: Jim Carnahan, Stephen Kopel
• Expected to attend: Ted Arthur (Tour Associate Music Supervisor)

Production Description 

Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® nominee Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of truth, beauty, freedom, and — above all — love. With a book by Tony winner John Logan, music supervision, orchestrations and arrangements by Justin Levine, and choreography by Emmy® nominee Sonya Tayeh, Moulin Rouge! is more than a musical; it is a state of mind.

SEEKING

Equity chorus singers for future replacement singers for the National Tour of Moulin Rouge! The Musical.

All singers must be incredible Pop/Rock/Soul singers and incredible dancers.

FLATS AND HEELS ENSEMBLE: 20s to 30s. Performers of all ethnicities and genders encouraged to audition. Strong pop/rock/soul singers and amazing, athletic dancers with expertise in multiple dance styles to cover ensemble who play various roles, including patrons and performers at the Moulin Rouge & the denizens of Montmartre.

AUDITION

Dates & Locations

• Friday, November 21, 2025
  10:00 AM & 1:00 PM
• Notes: Lunch 12:00 – 1:00 PM
• Location:
  • • Ripley-Grier Studios (520)
      520 8th Ave 
      New York, NY 10018
    • Holding room 17X
    • Audition room 17T

PREPARATION

We will have mixed groups of Flats and Heels. There is no material to prepare ahead of time. Please bring your headshot, and resume stapled together.

SALARY

• Touring Agreement $2599 weekly minimum (Level 1)

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: February 25, 2026
Audition: March 5 & 6, 2026

• Producers: Alchemation and Mike & Carlee Productions
• Writer: Cole Escola
• Director: Sam Pinkleton
• General Managers: ShowTown Theatricals
• Casting: Henry Russell Bergstein & Serafina Tiranno-Cimisi (both expected to attend)

Production Description 

A dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in a play that examines the forgotten life of Mrs. Lincoln, through the lens of comedian and playwright Cole Escola.

SEEKING

Equity actors for roles in the touring production of OH, MARY! (see breakdown).

[MARY] Black, Latinx, Asian, Middle Eastern, North African, South Asian, White. Any gender, 30’s-50’s. A frustrated soul.

[MARY’S HUSBAND] Black, Latinx, Asian, Middle Eastern, North African, South Asian, White. Male-Identified or Non-Binary, 30’s-50’s. A vain and tortured man under a great deal of pressure. Obsessed with appearances and order, he also craves peace and quiet, even if he clings to it with a white-knuckle grip. Despite this craving for peace (or maybe because of it), he does have a short fuse and is easily and suddenly angered.

[MARY’S TEACHER] Black, Latinx, Asian, Middle Eastern, North African, South Asian, White. Male-Identified or Non-Binary, 30’s-40’s. A sensitive, self-conscious romantic and a man of many skills. Handsome. Most of the time he is quite shy and unsure of himself, but when it comes to going after the one he loves, something comes over him and he is able to shed his self-doubt and hold passionately to the object of his desire

[MARY’S CHAPERONE/BILL] Latinx, Asian, Middle Eastern, North African, South Asian, White. Female-Identified or Non-Binary, 30’s-50’s. Will double the roles of MARY’S CHAPERONE: is the ideal politician’s wife and she knows it. She reveres power and status. She has the smug poise and charm of someone who knows they’re better than you, however she’s always got an eye out for opportunities to climb even higher up the social ladder. AND BILL, street-wise, no nonsense bartender with a tough exterior but soft and sentimental at heart.

[MARY’S HUSBAND’S ASSISTANT/KYLE] Latinx, Asian, Middle Eastern, North African, South Asian, White. Male-Identified or Non-Binary, 20s-40s. MARY’S HUSBAND’S ASSISTANT: An excellent piano player. Abraham’s right-hand man. Dry. All business. He is the definition of patriotic loyalty. His militaristic stoicism is a facade hiding the fact that he ultimately is not very bright and that he holds a secret devotion. KYLE: A regular at a local Washington, DC saloon. A SKILLED PIANO PLAYER.

[SKIRTS TRACK UNDERSTUDY] – Female-Identified or Non-Binary, Black, Latinx, Asian, Middle Eastern, North African,South Asian, White. Female-Identified or Non-Binary, 30s-50s. Actor will understudy MARY’S CHAPERONE/BILL and MARY.

[PANTS TRACK UNDERSTUDY] – Male-identified or Non-Binary, Black, Latinx, Asian, Middle Eastern, North African, South Asian, White. Male-Identified or Non-Binary, 20s-40s. Will understudy MARY’S HUSBAND, MARY’S TEACHER and MARY’S HUSBAND’S ASSISTANT/KYLE.

[PIANO-PLAYING PANTS TRACK UNDERSTUDY] – Male-identified or Non-Binary, Black, Latinx, Asian, Middle Eastern, North African, South Asian, White. Male-Identified or Non-Binary, 20s-40s. Will understudy MARY’S HUSBAND’S ASSISTANT/KYLE, MARY’S TEACHER, and MARY’S HUSBAND. A SKILLED PIANO PLAYER.

AUDITION

• Dates & Time:
  Thursday, March 5, 2026
  Friday, March 6, 2026
  9:30 AM – 5:30 PM (E)
  Break: 1:00 – 2:00 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room: Studio 412; Audition room: Studio 407

PREPARATION

Please prepare a comedic monologue. Please bring a picture and resume stapled together.

DATES

• First Rehearsal (in New York City): o/a August 24th, 2026
• First Preview (in Hartford, CT): o/a September 19th, 2026
• Tour Closing: Late May 2027

SALARY

Touring Agreement $2599 weekly minimum (level 1)

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: March 7, 2026
Audition: March 19 & 20, 2026

• Producers: Avalon
• Executive Producer: Andrew Fell
• Book, Music & Lyrics by: David Cumming, Felix Hagan, Natasha Hodgson & Zoë Roberts
• Director: Robert Hastie
• Choreographer: Jenny Arnold
• Musical Director: Joe Bunker
• General Management: TT Partners
• Casting: Carrie Gardner, Sujotta Pace (C12 Casting) (both expected to attend)

Production Description 

Equal parts farce, thriller, and spy adventure, this new musical tells the improbable and hilarious true story of the covert operation that turned the tide of WWII.

SEEKING

Principals and Understudies for the following:

EWEN MONTAGU & OTHERS (Female, 25-40) Strong comic ability and singing ability for this exciting multi-role show. Multi-roles across ages and genders and has a natural facility with comedy script. Strong facility with close harmony work is essential, as well as strong movement skills. Proficiency with accents essential. Strong Alto / Mezzo – Vocal range G3 – F5. The ‘host’ of the show (at least in his mind), Montagu is charming, confident and very much used to getting what he wants as a result. A member of the elite upper classes, he’s the definition of privilege and is determined to be having the most fun possible in any situation.

CHARLES CHOLMONDELEY & OTHERS (Male, 25-40, open ethnicity) Great comedy bones and strong singing ability for this exciting multi-role show. Multi-roles across ages and genders and has a natural facility with comedy. Ability to do Spanish accent essential. Vocal Range: G2 – G4 (baritone). The man behind the plan, Charles has most of the advantages Montagu has in life, and yet has never quite managed to fit in. Awkward, cripplingly shy and a slave to perfection, he’d rather be off studying a rare form of newt than be in the spotlight.

JOHNNY BEVAN & OTHERS (Female, 25-40, open ethnicity) Strong comic ability and singing ability for this exciting multi-role show. Multi-roles across ages and genders and has a natural facility with comedy script. Strong facility with close harmony work is essential, as well as strong movement skills. Proficiency with accents essential. Strong Alto – Vocal range G3 – Bb4. Colonel Bevan is the Head of Military Deception. Painfully serious and often despairing at the maniacs he has working for him. He is our reminder of what’s at stake during the operation. Although he and Montagu are often at odds, he’s not an antagonist; he’s a man with a huge weight on his shoulders trying to get the job done.

HESTER LEGGATT & OTHERS (Male, 25-40, open ethnicity) Strong comic ability and singing ability for this exciting multi-role show. Multi-roles across ages and genders and has a natural facility with comedy script. Strong facility with close harmony work is essential, as well as strong movement skills. Vocal Range: C3 – C5 (tenor). Bevan’s incredibly capable and trusted right-hand woman, Hester is reserved and often comes across as severe to her colleagues. However, underneath her stern exterior and strong sense of duty lies a genuine warmth and desire to connect with the people around her in a deeper way.

JEAN LESLIE & OTHERS (Female, 25-40, open ethnicity) A very strong leading singing ability for this exciting multi-role show. Multi-roles across ages and genders and has a natural facility with comedy script. Strong facility with close harmony work is essential, as well as strong movement skills. Vocal Range: B4 – B6 (mezzo-soprano with strong mix). Young, smart, and ambitious, Jean cannot believe the opportunity she’s getting in working at MI-bloody-5! Impatient and outspoken (sometimes to a fault, sometimes to her advantage), she’s constantly pushing against the boundaries of what is expected of her as a young woman in a man’s world.

OFFSTAGE COVER POSITIONS:

[FEMALE OFFSTAGE COVERS] (Female, 25-40, open ethnicity) All three female-identifying tracks are covered by two cover positions. While each performer will have a primary track they cover, they may also be assigned secondary coverage. The roles are as follows: EWEN MONTAGU & OTHERS, JEAN LESLIE & OTHERS, and JOHNNY BEVAN & OTHERS. COVER 1: EWEN MONTAGU & OTHERS + JEAN LESLIE & OTHERS. COVER 2: JOHNNY BEVAN & OTHERS. Please review the character descriptions above.

[MALE OFFSTAGE COVERS] (Male, 25-40, open ethnicity) Both male-identifying tracks are covered by two cover positions. While each performer will have a primary track they cover, they may also be assigned secondary coverage. The roles are as follows: CHARLES CHOLMONDELEY & OTHERS and HESTER LEGGATT & OTHERS. COVER 1: CHARLES CHOLMONDELEY & OTHERS + HESTER LEGGATT & OTHERS. COVER 2: HESTER LEGGATT & OTHERS + CHARLES CHOLMONDELEY & OTHERS. Please review the character descriptions above.

AUDITION

• Dates & Time:
  Thursday, March 19, 2026
  Friday, March 20, 2026
  10:00 AM – 6:00 PM (E)
  Break: 1:30 – 2:30 PM
• Location:
  Ripley-Grier Studios (520)
  520 8th Ave
  New York, NY 10018-6507
  3/19: Holding room – Studio 17Q
  3/20: Holding room – Studio 17U

PREPARATION

Please prepare a song that highlights your voice and personality.

DATES

• First Rehearsal: August 10, 2026
• First Preview: September 20, 2026

SALARY

Touring Agreement $1243 weekly minimum (Level 4)

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: May 2, 2024
Audition: May 10, 2024

• Producers: Seaview, Ambassador Theatre Group Productions
• Music and Lyrics: Jason Robert Brown
• Book: Alfred Uhry
• Co-Conceiver: Harold Prince
• Director: Michael Arden
• Co-Choreographers: Lauren Yalango-Grant and Christopher Cree Grant
• Music Director: Tom Murray (expected to attend)
• General Manager: ShowTown
  Theatricals/Samuel Dallas
• Casting: The Telsey Office/Craig Burns; Alex Cortinas

Production Description 

Leo and Lucille Frank are a newlywed Jewish couple struggling to make a life in the old red hills of Georgia. When Leo is accused of an unspeakable crime, it propels them into an unimaginable test of faith, humanity, justice, and devotion. Riveting and gloriously hopeful, Parade reminds us that to love, we must truly see one another.

SEEKING

Equity singers for chorus in touring production of PARADE (see breakdown).

THE FOLLOWING ROLES ARE AVAILABLE:

[YOUNG SOLDIER & OTHERS] Character is male (cis, transgender, or nonbinary), 18—early 20s, Caucasian. Confederate soldier. Opens the musical with “The Old Red Hills of Home.” Tenor, Low D—High F/High A in falsetto. Possible understudy for principal role of FRANKIE EPPS (Mary Phagan’s devoted teenage friend. Charming, simple, playful, and flirtatious. Tenor, Low B —High Ab). ENSEMBLE

[NEWT LEE] Character is male (cis, transgender, or nonbinary), 30s–40s, Black. Night watchman at the National Pencil Factory who finds Mary Phagan’s body. Bass, Low Bb—C. Possible understudy for ensemble role of RILEY (Governor Slaton’s chauffeur. Tenor or Baritone). ENSEMBLE

[RILEY] Character is male (cis, transgender, or nonbinary), 30s–40s, Black. Governor Slaton’s chauffeur. Tenor or Baritone. Possible understudy for principal role of JIM CONLEY (Janitor who works for Leo Frank at the National Pencil Factory. Secretly, he is a convict on the run. Pompous showman with a strong build. Tenor, Low D—High Bb) and ensemble role of NEWT LEE (Night watchman at the National Pencil Factory who finds Mary Phagan’s body. Bass, Low Bb—C). ENSEMBLE

[ANGELA] Character is female (cis, transgender, or nonbinary), 20s–40s, Black. A staff member of Governor Slaton. Mezzo. Possible understudy for principal role of MINNIE MCKNIGHT (Leo and Lucille Frank’s maid. Mezzo). ENSEMBLE

[LUTHER ROSSER/MR. PEAVY] Characters are male (cis, transgender, or nonbinary), 50s–60s, Caucasian. LUTHER ROTHER is Leo Frank’s lawyer. MR. PEAVY guards Leo Frank’s cell in Milledgeville. Possible understudy for principal roles of OLD SOLDIER/JUDGE ROAN (OLD SOLDIER: The old man who was formerly the young confederate soldier. JUDGE ROAN: Serves as the Judge in the Leo Frank case. Motivated by bigotry and racism, he is dangerously committed to the ideals of the Confederacy. Bari-Tenor, Low C—High G). ENSEMBLE

[MR. TURNER & OTHERS] Character is male (cis, transgender, or nonbinary), 30s, Caucasian. Guard of Leo Frank’s cell in Fulton. Possible understudy for principal role of LEO FRANK (Northern Jewish man who runs the National Pencil Factory and is falsely accused of the rape and murder of Mary Phagan. He is neurotic and a serial pessimist. Though married to Lucille, he is physically and emotionally displaced. Bari-Tenor, Low G—High G) and HUGH DORSEY (Atlanta’s District Attorney. He is a devout Christian, who is brute and manipulative at times. Hungry for political success and recognition. Baritone/Bass). ENSEMBLE

[DETECTIVE STARNES & OTHERS] Character is male (cis, transgender, or nonbinary), 40s–50s, Caucasian. A police officer assigned to the Leo Frank case. Possible understudy for principal roles of GOVERNOR SLATON (As the Governor of Georgia, he is highly concerned with public perception. Flirtatious and fun at times. Strives to maintain his values. Bari-Tenor, Low C—High G) and OLD SOLDIER/JUDGE ROAN (OLD SOLDIER: The old man who was formerly the young confederate soldier. JUDGE ROAN: Serves as the Judge in the Leo Frank case. Motivated by bigotry and racism, he is dangerously committed to the ideals of the Confederacy. Bari-Tenor, Low C—High G). ENSEMBLE

[OFFICER IVEY & OTHERS] Character is male (cis, transgender, or nonbinary), 20s—30s, Caucasian. A police officer assigned to the Leo Frank case. Possible understudy for principal roles of BRITT CRAIG (Down-on-his-luck newspaperman whose career is revived by the Leo Frank trial. Tenor, Low D—High A) and TOM WATSON (Conservative politician and publisher who helps to spur on the witch-hunt for Leo Frank. Baritone/Bass), and ensemble role of YOUNG SOLDIER & OTHERS (Confederate soldier. Opens the musical with “The Old Red Hills of Home.” Tenor, Low D—High F/High A in falsetto). ENSEMBLE

[NURSE & OTHERS] Character is female (cis, transgender, or nonbinary), 20s–30s, Caucasian. Possible understudy for principal role of LUCILLE FRANK (Jewish woman from Georgia who is married to Leo Frank. Gentle and mousy, but resourceful and resilient. Despite her husband’s feelings, she is a true Southerner through and through but can see through the deception. Mezzo, Low A—D). ENSEMBLE

THE FOLLOWING ROLES ARE CAST:

[IOLA STOVER] Character is female (cis, transgender, or nonbinary), 18+, Caucasian. Teenager friend of Mary Phagan and Frankie Epps who testifies against Leo Frank. Soprano, D—F. ENSEMBLE

[MONTEEN & OTHERS] Character is female (cis, transgender, or nonbinary), 18+, Caucasian. Teenager friend of Mary Phagan and Frankie Epps who testifies against Leo Frank. Mezzo, Eb—Eb. ENSEMBLE

[ESSIE & OTHERS] Character is female (cis, transgender, or nonbinary), 18+, Caucasian. Teenager friend of Mary Phagan and Frankie Epps who testifies against Leo Frank. Mezzo, Eb—Eb. ENSEMBLE

[NINA FORMBY & OTHERS] Character is female (cis, transgender, or nonbinary), 30s–40s, Caucasian. A madam who owns a rooming house. Soprano. ENSEMBLE

AUDITION

• Dates:
  Friday, May 10, 2024
  10:00 AM (E)
  Lunch 1:00-2:00 pm
  Resumes at 2:00 pm
• Location:
  Pearl Studios (519)
  519 8th Ave
  12th Fl
  New York, NY 10018
  Studio B – Holding Room

PREPARATION

Please prepare 16 bars of a musical theatre song in the style of Jason Robert Brown, showing range. Please bring sheet music for the piano accompanist provided. Please bring a headshot and resume stapled together.

SALARY

• Touring Agreement $1,036/week + Media Fee (Level 5)

DATES

• Rehearsals: o/a December 14, 2024
• First Performance: January 11, 2024
• Final Performance: September 7, 2025

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: March 9, 2024
Audition: March 20 & 22, 2024

• Producer: Mike Bosner
• Director: Jack O’Brien
• Book: Robert Horn
• Music & Lyrics: Shane McAnally and Brandy Clark
• Music Supervisor: Jason Howland
• Choreographer: Sarah O’Gleby
• Casting Director: Stephen Kopel
• Casting Associate: Neal Buckley

Expected to attend:
Casting Director: Stephen Kopel

Production Description 

Shucked is the hilarious new musical fable about an unlikely hero and an unforgettable battle for the heart and soil of a small town.

For generations, the good people of Cob County have lived in relative obscurity, separated from the outside world by rows and rows of corn and bound together by their love of the land,  each other, and, did we mention, corn?  But when their tightly knit community is threatened with extinction, someone has to step up and step out to save their way of life.

SEEKING

Equity actors for the touring production of SHUCKED (See breakdown).

STORYTELLER 1 (Female identifying. 25-45. Black.) Warm and winning. Has a contemporary vibe, a raconteur with a razor-sharp wit and delivery. They function in the story as one of two closely connected narrators who, through comedy and song, guide the audience’s journey using their own unique brand of humor and by telling us about their own journey. They comment, participate, warn, philosophize, and guide the action from scene to scene, often giving a personal POV that has political and philosophical undertones. This inviting character has a beguiling confidence and a warm yet very cynical twinkle. They are hoping their story and the slightly sarcastic and heartfelt way they reveal it, can help heal the divide that is damaging the spirit of our nation. Through their guidance, perhaps we can start to see those that are different than us . . . differently. Sings well.

STORYTELLER 2 (Male identifying. 25-45. Any ethnicity.) Has a contemporary hipster vibe, a ‘back on their heels’ easiness, but also a razor sharp wit and delivery. They function in the story as one of two closely connected narrators who, through comedy and song, guide the audience’s journey using their own unique brand of humor. Part Yoda, Part Kerouac, Part Nietzsche [if he had a tattoo on his butt that said ‘make good choices’] they comment, participate, warn, philosophize, and guide the action from scene to scene, often giving a personal POV that has political and philosophical undertones. This inviting character has a beguiling confidence and a warm yet cynical twinkle. Believing there is no time like the future, they are hoping their story and the slightly sarcastic and heartfelt way they reveal it, can help heal the divide that is damaging the spirit of our nation. Sings well.

MAIZY (Female identifying. 20s. Any ethnicity) With a confident, proud, farm girl strength and a small town, childlike naivete and innocence, she is the fiery heart of the story. So optimistic she calls it yes-vember, she’s fearless, sees the good in everyone, and often takes things at face value. Yet, at a place of change in her life, she’s starting to question everything, including herself. Unpretentious yet unpredictable, she has a hunger to know more without losing what it is that makes her humble and unique. Much of the comedy exists in MAIZY’S small-world innocence, positivity, honesty and openness. Country belt/mix.

LULU (Female identifying, or non-binary, or gender expansive. 20s-Late 30s. Any ethnicity.) Maizy’s cousin and best friend, she’s an opinionated, self-aware woman who speaks her mind and yours. She’s right, and you’re just saying things. She runs the most successful business in town, and is an immovable force with a self-proclaimed confidence. She has a sensitive side . . . until you push her too far, has an uncanny intuition, and can drink any guy under the table, after she’s done building it. With a romantic edge and a love of family and faith that keeps her grounded, she’s the sister you wish you had, the woman you hope you get, and the friend you can trust with your life. An exceptional vocalist.

BEAU (Male identifying. 20s-Early 30s. Any ethnicity.) He’s a proud and stubborn farm boy who loves his momma, his music, and his moonshine. Basic, broody, big hearted, Beau is the no-nonsense shit kicking boy next door with a quirky joy and a love of his community. High tenor.

GORDY (Male identifying. Late 20s-Late 30s. Any ethnicity.) ROLE IS ON OFFER. As handsome as he is fast talking, he’s a seductive, second-rate Florida con man. A poor man’s politician who can make some people swoon and others suspicious.

PEANUT (Male identifying. 20s-Early 30s. Any ethnicity.) The colorful town prophet that everyone comes to for advice, as they hang on his every word . . . of which there are many. Everyone’s best friend, his insights and wisdoms are a trailer park Ted talk. Though you sometimes need a GPS to get to the end of his stories, the journey is always worth taking. Sings.

AUDITION

• Dates:
  Wednesday, March 20, 2024
  10:00 AM – 6:00 PM (E)
  Lunch 1:30 PM – 2:30 PM

  Friday, March 22, 2024
  10:00 AM – 6:00 PM (E)
  Lunch 1:30 PM – 2:30 PM

• Location:

  Ripley-Grier Studios (520)
  520 8th Ave
  New York, NY 10018-6507

  Holding room – Studio 17N

PREPARATION

Please prepare a short country song of your choice in the style of the show. Bring sheet music for our pianist, and a stapled headshot and resume stapled together.

SALARY

• Touring Agreement $1036 weekly minimum (level 5)

DATES

• First Rehearsal: September 16, 2024
• First Performance: November 5, 2024

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: January 17, 2023
Auditions: February 11, 2023

Equity North American Tour

• Directors: Lucy Moss and Jamie Armitage
• Music and Lyrics: Toby Marlow, Lucy Moss
• Book: Toby Marlow, Lucy Moss
• Choreography: Carrie-Anne Ingrouille
• Casting: Tara Rubin Casting

Production Description 

From Tudor Queens to Pop Princesses, the six wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power!

SEEKING

Future replacements in Six the Musical tour. 

Triple-threat performers 18 and up to portray the six wives of Henry VII as they reunite to tell their stories via a pop concert. Must have incredible pop voices, strong dance skills, great comedic instincts, and the ability to interact well with an audience.

Dates & Locations

• Audition:
  • • Saturday, February 11, 2023
    • TMProductions
      630 Rundle Ave, Nashville, TN 37210
• Sign-in begins at 9 AM and ends promptly at 12 PM
• Auditions commence at 10 AM
• You may be asked to attend a dance callback the next day on Sunday, February 12.
• If asked to dance, wear comfortable clothing and a light soled boot with a thick or chunky heel. Further callbacks to sing a song of your choice from the show may be scheduled in the afternoon after dancing. If you’d like to familiarize yourself with the material visit this link: www.tinyurl.com/SIXMaterial

Instructions

• Prepare 16-32 bars of a contemporary pop song and bring sheet music and your book
• Bring a hardcopy picture and resume, stapled together
• Bring proof of COVID vaccination

COVID Safety Policy:

All performers must be fully vaccinated against COVID-19 to attend this call with no exceptions, meaning you received at least your 2nd dose in a 2-dose series or a single-dose vaccine.

• Audition is also for replacements for Broadway company
• Questions? sixmusicalcasting@gmail.com
• Video submissions will not be accepted.
• No phone calls please.

Visit the show page to view the current tour routes.

Posted: July 29, 2025

• Producers: Right Angle Entertainment
• Director/Choreographer: Antoinette DiPietropolo
• Musical Director: TBD
• Adapted by: David H. Bell, Paul T. Couch, Curt Wollan
• Book: David H. Bell
• Music & Lyrics: Dolly Parton
• Casting Director: Alison Franck

Production Description 

This is an adaptation of Charles Dickens’ A CHRISTMAS CAROL that takes place in the Smoky Mountains with Music and Lyrics by Dolly Parton.

SEEKING

[SCROOGE] Male 40s-60s, a wonderful character actor who sings. This is an American re-telling of A Christmas Carol that takes place in the Smoky Mountains. LEAD only plays this one role.

LINK TO VIRTUAL OPEN CALL: https://breakdownservices.com/index.cfm/opencall?oc=864ed

[TINY TIM & OTHERS] Boy 9-12, Any Ethnicity. Also casting his understudy, who will be in the ensemble and play a small featured role. A Wrangler and Tutor for children will be provided, following all child labor laws.

LINK TO VIRTUAL OPEN CALL: https://breakdownservices.com/index.cfm/opencall?oc=ce95b

[MALE IDENTIFYING ACTOR/SINGERS] (6 different men) Male identifying actors who sing very well and move very well or dance, 22-50. All ethnicities. Like the musical “Come from Away”, all actors will be playing multiple roles, and will have solos as both storytellers and well-known characters in A Christmas Carol. Featured roles will include: Bob Cratchit, Jacob Marley, Fred, Young Scrooge, the Cratchit family, and the Ghost of Christmas Present. Please let us know if you play a musical instrument, not necessary, but it could be helpful.

LINK TO VIRTUAL OPEN CALL: https://breakdownservices.com/index.cfm/opencall?oc=42dfd

[FEMALE INDENTIFYING ACTOR/SINGERS] (5 different women) Female identifying actors who sing very well and move well or dance, 22-50. All ethnicities. Like the musical “Come from Away”, all actors will be playing multiple roles, and will have solos as both storytellers and well-known characters in A Christmas Carol. Featured roles will include: Mrs. Dilber (Scrooge’s housekeeper), The Ghost of Christmas Past, Mrs. Cratchit, Fanny (Scrooge’s Young Sister), Sadie (Scrooge’s young love interest, and members of the Cratchit Family. Please let us know if you play a musical instrument, not necessary, but it could be helpful.

LINK TO VIRTUAL OPEN CALL: https://breakdownservices.com/index.cfm/opencall?oc=e89c6

AUDITION

• Date(s): ASAP via SELF-TAPE VIRTUAL OPEN CALL
• Callback Date(s): Sept 8, 9, 10, 11, 2025, in-person in NYC

PREPARATION

The musical style of the show takes its inspiration from the Appalachian String Band music that was prevalent in the Mountains of East TN and its environs early in the 20th century. Often referred to as “Old Time Music,” the instrumentation is characterized by an all-acoustic band that features the fiddle and banjo. The fiddle style has a distinctive sound that can be heard in the old recordings of Fiddlin’ John Carson. The banjo is played in a style known as frailing or clawhammer-style that was made famous by Uncle Dave Macon. It is important to note that even though the instrumentation is similar, this is not Bluegrass music. Bluegrass Music came into existence during the 1940’s, well after the time in which our tale takes place.

DATES

• Rehearsal Date(s): Oct 20, 2025
• Opening Date(s): Nov 16, 2025
• Closing Date(s): Dec 28, 2025

CONTRACT

$650 Week Min. All travel and accommodations are provided

NOTES

Non-Union Tour

Visit the show page to view the current tour route.

Posted: February 12, 2024
Audition: February 20 & 22, 2024

• Producer: The Shubert Organization and Neil Meron
• Director/Choreographer: Casey Nicholaw
• Book: Matthew López & Amber Ruffin
• Music: Marc Shaiman
• Lyrics: Scott Wittman & Marc Shaiman
• Music Supervisor: Mary-Mitchell Campbell
• General Manager: 101 Productions, Ltd.
• Casting: The Telsey Office/Bethany Knox, CSA, Jimmy Larkin

  Expected to attend:
  Casting Director: Jimmy Larkin

Production Description 

Set in Chicago when Prohibition has everyone thirsty for a little excitement, SOME LIKE IT HOT is the story of two musicians forced to flee the Windy City after witnessing a mob hit. With gangsters hot on their heels, they catch a cross-country train for the life-chasing, life-changing trip of a lifetime.

SEEKING

Equity actors for the Touring production of SOME LIKE IT HOT

JOE/JOSEPHINE – (mid 20s, early 30s, any ethnicity) charming narcissist who never sticks his neck out for anyone; dancer and musician who witnesses a mob hit and goes on the lam. Tap dances. Vocal range (bottom-top): C#3 – G4.

JERRY/DAPHNE – (mid 20s, early 30s, African American) the brains of the duo, Jerry’s ambitions are stymied by Joe’s domineering personality; dancer and musician who witnesses a mob hit and goes on the lam. Tap dances. Vocal range (bottom-top): C#3 – Db5.

SUGAR – (early/mid 20s, African American) nightclub singer who dreams of becoming a Hollywood movie star; pretends to be jaded about the world but is secretly the most vulnerable person in the group. Vocal range (bottom-top): E3 – D5.

SWEET SUE McGINTY – (40s/50s, African American) bandleader, a human bullhorn, a woman with incredible drive and ambition. Vocal range (bottom-top): E3 – C#5.

OSGOOD FIELDING, III – (40s/50s, any ethnicity) a playboy socialite millionaire who is always the life of the party but really just wants to find his soulmate. Vocal range (bottom – top): G#2 – B4.

MULLIGAN – (50s, 60s, any ethnicity) – Federal agent and a street-smart native Chicagoan; an easy, wisecracking disposition conceals his tough, dogged pursuit of justice.

SPATS COLUMBO – (50s, 60s, any ethnicity) Mafia boss and club owner; a dangerous, powerful, sometimes violent man; he rules by quiet intimidation.

AUDITION

• Dates:

  Tuesday, February 20, 2024
  10:00 AM – 6:00 PM
  Lunch: 1:30PM – 2:30PM

  Thursday, February 22, 2024
  10:00 AM – 6:00 PM
  Lunch: 1:30PM – 2:30PM

• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6507
  Holding Room: Studio 314

PREPARATION

Please prepare a brief contemporary musical theatre song that shows your style and vocal range. Also, please bring your headshot and resume stapled together.

SALARY

• Touring Agreement $1036 weekly minimum (Level 5)

DATES

• First Rehearsal Dates: Early August 2024
• First Performance: Mid-September 2024

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

SOME LIKE IT HOT encourages gender diverse and color conscious casting.

Performers of all ethnic and racial backgrounds, gender identities, and abilities are encouraged to audition.

Visit the show page to view the current tour route.

Posted: May 8, 2025
Audition: May 20-21, 2025

• Producer: Jeffrey Finn
• Director/Choreographer: Josh Rhodes
• Music Supervisor: John Bell
• Music and Lyrics by John Du Prez and Eric Idle
• Book by Eric Idle
• General Manager: RCI Theatricals
• Casting: Geoff Josselson, CSA
  Expected to attend:
  Casting Directors: Geoff Josselson or Gemma
  Josephine from Geoff Josselson Casting

Production Description 

Inspired by the classic comedy film Monty Python and the Holy Grail, SPAMALOT tells the tale of King Arthur and his knights’ epic quest for the Holy Grail, and the line of dancing girls, insulting Frenchmen, and killer rabbits they meet along the way.

SEEKING

Equity actors for roles in the Touring production of SPAMALOT (See breakdown). 

[KING ARTHUR] Male, late 40s-60s. The King of England who sets out on a quest to form the Knights of the Roundtable and find the Holy Grail. Noble but not the brightest. Great Humor. Baritone.

[SIR ROBIN] Male, 30s-40s. A Knight of the Roundtable. Ironically called “Sir Robin the Brave,” though he couldn’t be more cowardly. Loves musical theatre and joins the Knights for the singing and dancing most. Sings a patter song, “You Won’t Succeed on Broadway.” Doubles as GUARD 1 and BROTHER MAYNARD, a long-winded monk. Baritone/Baritenor.

[SIR LANCELOT] Male, 30s-40s. A Knight of the Roundtable. He is fearless to a bloody fault but through a twist of fate, does discover his “softer side.” Great with character voices and accents. Doubles as THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman, the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights, and TIM THE ENCHANTER, a ghostly being with a Scottish accent. Baritone or Tenor.

[PATSY] Male, 30s-40s. King Arthur’s horse and servant. Underappreciated but always longing for King Arthur’s approval. Good, funny, physical mover with some tap dancing. Doubles as MAYOR, a jolly red-faced man who advertises the merits of his hometown, and the drunken, useless GUARD 2. Baritone.

[SIR GALAHAD] Male, 30s. A Knight of the Roundtable. Begins as Dennis, a lower class “mud gatherer” who becomes Knighted and transforms into the dashing Sir Galahad. Doubles as PRINCE HERBERT’S FATHER, a wealthy, brutish Yorkshireman man at odds with his sensitive son, THE BLACK KNIGHT who is always ready to duel despite multiple injuries. Strong Broadway baritenor with falsetto.

[SIR BEDEVERE] Male, 20s-40s. A Knight of the Roundtable. An inept scholar with a flatulence problem. Doubles as DENNIS GALAHAD’S MOTHER, a shrill peasant woman, and CONCORDE, Sir Lancelot’s horse. Baritone or tenor.

[THE LADY OF THE LAKE] Female, 30s-40s. A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice, she must be able to sing effortlessly in many styles and vocal registers (ranging from pop, jazz scatting, opera and musical theatre); strong high belter with soprano mix.

[HISTORIAN/NOT DEAD FRED/PRINCE HERBERT] Male, 20s-30s. HISTORIAN: A tweedy academic narrator. NOT DEAD FRED: A sickly little fellow who, despite others’ beliefs, claims he is “not yet dead.” FRENCH GUARD: The condemnatory French sidekick to the French Taunter.

[MINSTREL]: An outspoken singer in Sir Robin’s band.

[PRINCE HERBERT]: The hopeful and frillyprince who loves to sing and pines for his love atop a tower. Strong Tenor singing required. An excellent mover and adept with physical comedy.

AUDITION

• Dates:
  > Tuesday, May 20,  2025 
  > Wednesday, May 21, 2025 
• Time:
  > 10:00 AM–6:00 PM
  > Lunch: 1:30–2:30 PM
• Location:
  Pearl Studios (519)
  519 8th Ave
  12th Fl
  New York, NY 10018
  Holding room – Studio G

PREPARATION

Please prepare a short comedic musical theatre song in a British dialect, that shows off range and personality. Please bring sheet music in the appropriate key and your picture and resume, stapled.

SALARY

• Touring Agreement $1077 weekly minimum (Level 5)

DATES

• 1st Rehearsal in NYC: on or about: October 30, 2025
• Tech in Cleveland: on or about: November 21, 2025
• 1st Performance in Cleveland: on or about: December 1, 2025

NOTES

Seeking comedic musical theatre performers of all races, ethnicities, gender identities, ages, sizes, physicalities and abilities, with excellent British accents and deft wit.

An Equity Monitor will be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: May 8, 2025
Expires: May 20, 2025

• Producer: Jeffrey Finn
• Director/Choreographer: Josh Rhodes
• Music Supervisor: John Bell
• Music and Lyrics by John Du Prez and Eric Idle
• Book by Eric Idle
• General Manager: RCI Theatricals
• Casting: Geoff Josselson, CSA
  Expected to view:
  Casting Directors: Geoff Josselson or Gemma
  Josephine from Geoff Josselson Casting

Production Description 

Inspired by the classic comedy film Monty Python and the Holy Grail, SPAMALOT tells the tale of King Arthur and his knights’ epic quest for the Holy Grail, and the line of dancing girls, insulting Frenchmen, and killer rabbits they meet along the way.

SEEKING

Equity actors for roles in the Touring production of SPAMALOT (See breakdown). 

[KING ARTHUR] Male, late 40s-60s. The King of England who sets out on a quest to form the Knights of the Roundtable and find the Holy Grail. Noble but not the brightest. Great Humor. Baritone.

[SIR ROBIN] Male, 30s-40s. A Knight of the Roundtable. Ironically called “Sir Robin the Brave,” though he couldn’t be more cowardly. Loves musical theatre and joins the Knights for the singing and dancing most. Sings a patter song, “You Won’t Succeed on Broadway.” Doubles as GUARD 1 and BROTHER MAYNARD, a long-winded monk. Baritone/Baritenor.

[SIR LANCELOT] Male, 30s-40s. A Knight of the Roundtable. He is fearless to a bloody fault but through a twist of fate, does discover his “softer side.” Great with character voices and accents. Doubles as THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman, the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights, and TIM THE ENCHANTER, a ghostly being with a Scottish accent. Baritone or Tenor.

[PATSY] Male, 30s-40s. King Arthur’s horse and servant. Underappreciated but always longing for King Arthur’s approval. Good, funny, physical mover with some tap dancing. Doubles as MAYOR, a jolly red-faced man who advertises the merits of his hometown, and the drunken, useless GUARD 2. Baritone.

[SIR GALAHAD] Male, 30s. A Knight of the Roundtable. Begins as Dennis, a lower class “mud gatherer” who becomes Knighted and transforms into the dashing Sir Galahad. Doubles as PRINCE HERBERT’S FATHER, a wealthy, brutish Yorkshireman man at odds with his sensitive son, THE BLACK KNIGHT who is always ready to duel despite multiple injuries. Strong Broadway baritenor with falsetto.

[SIR BEDEVERE] Male, 20s-40s. A Knight of the Roundtable. An inept scholar with a flatulence problem. Doubles as DENNIS GALAHAD’S MOTHER, a shrill peasant woman, and CONCORDE, Sir Lancelot’s horse. Baritone or tenor.

[THE LADY OF THE LAKE] Female, 30s-40s. A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice, she must be able to sing effortlessly in many styles and vocal registers (ranging from pop, jazz scatting, opera and musical theatre); strong high belter with soprano mix.

[HISTORIAN/NOT DEAD FRED/PRINCE HERBERT] Male, 20s-30s. HISTORIAN: A tweedy academic narrator. NOT DEAD FRED: A sickly little fellow who, despite others’ beliefs, claims he is “not yet dead.” FRENCH GUARD: The condemnatory French sidekick to the French Taunter.

[MINSTREL]: An outspoken singer in Sir Robin’s band.

[PRINCE HERBERT]: The hopeful and frillyprince who loves to sing and pines for his love atop a tower. Strong Tenor singing required. An excellent mover and adept with physical comedy.

AUDITION

The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members’ submissions have been viewed, the employer will notify each member who viewed their audition.

PREPARATION

Please prepare EITHER a short comedic musical theatre song in a British dialect, that shows off range and personality OR sing one of the songs with the accompaniment provided in the following link (Bright Side of Life, all male voice parts or Find Your Grail, all voice parts women): https://tinyurl.com/SPAMepa . Equity video submission deadline is Tuesday, May 20th, 2025, at 11:59pm ET.

SALARY

• Touring Agreement $1077 weekly minimum (Level 5)

DATES

• 1st Rehearsal in NYC: on or about: October 30, 2025
• Tech in Cleveland: on or about: November 21, 2025
• 1st Performance in Cleveland: on or about: December 1, 2025

NOTES

Seeking comedic musical theatre performers of all races, ethnicities, gender identities, ages, sizes, physicalities and abilities, with excellent British accents and deft wit.

The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members’ submissions have been viewed, the employer will notify each member who viewed their audition.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: February 28, 2025
Audition: March 10-11, 2025

• Written by David Adjmi
• Directed by Daniel Aukin
• Original Songs: Will Butler
• Music Director: Justin Craig
• Producers: Sue Wagner, John Johnson, Seaview, Sonia Friedman Productions, Linden
  Productions and Ashley Melone and Nick Mills
• General Managers: Wagner Johnson Productions

Expected to attend:

• Casting Directors: Alaine Alldaffer OR Lisa Donadio

Production Description 

1976: an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. The ensuing pressures could spark their breakup – or their breakthrough.

SEEKING

Equity actors for roles in the Touring production of STEREOPHONIC (See breakdown).

There are no Equity stage managerial positions available.

DIANA: American, white, mid-late 20s, she/her. One of the lead singers in the band. Diana has one of those remarkable voices that can break your heart. Plays piano, but not a virtuoso. Can seem like a rock goddess one minute and a CVS cashier the next — she has a genial ordinariness that belies the seismic musical and creative force she in fact is. She can be goofy and silly and fun, but ultimately, she is underestimated and underestimates herself — she doesn’t know how good she is and is locked in a codependent loop with Peter that she can’t seem to break. Until she does.

HOLLY: British, Black, early 30s, she/her. Piano and lead vocals. In the midst of a painful split from Reg and does everything she can to maintain her composure — though he will try her patience. She likes her champagne, chain smokes, and can be very silly and fun — it’s how she survives and endures. But she is fundamentally extremely shy and private for a rock star. Has an elegance, a surface coolness (she can be intimidating) but underneath she’s feeling increasingly lost.

PETER: American, white, mid-late 20s, he/him. Guitar and lead vocals. An innovator, great musician; possesses the raw magnetism of a rock star but is also a bit of a geek. Can come across as cool at times, but it’s a ruse — he’s sitting on an awful lot of unprocessed sadness. That said: he also knows how good he is. He wants more than anything to be appreciated for his contributions to the band – though his obsessive (and sometimes tone deaf) perfectionist salvos start to turn people against him.

SIMON: British, late 20s–early 30s, he/him, any ethnicity. Drums in the band. Proficient on the drums. He’s the dad of the band in a way — he often has to be the diplomat, holds things together. At turns he indulges but also chides the other band members, depending on what’s needed. He’s playful — fun, eccentric and somewhat flamboyant — but always with a dry English reserve. He’s a full on 70s rock star and looks the part but has a surprisingly aristocratic upper-crusty air.

REG: British, late 20s-early 30s, he/him, any ethnicity. Bass guitar in the band. Wounded, lovelorn, a bit childlike in his innocence. His drinking problem, exacerbated by the imminent breakup of his marriage, may threaten his position in the band. He can skew a bit somber and depressive until his spiritual transformation midway through the play. He reads as less aristocratic than the other Brits in
the play.

GROVER: American, white, late 20s, he/him. The engineer who fudged his way into the job, but he’s not untalented. Nerdy, anxious, but determined to present as cool and competent. Desperate to impress Peter, whom he idolizes. A sweet, eager young man who over the course of the play tries to be more hardened and real politik because he thinks it’ll take him further.

CHARLIE: American, 20s, he/him, any ethnicity — assistant engineer. Laidback, good-natured, a little loopy, but incredibly good at his job. Not quite as ambitious as Grover but he’s lucky in life.

AUDITION

• Dates:
  > Monday, March 10,  2025 
  > Tuesday, March 11, 2025 
• Time:
  > 9:30 AM–5:30 PM
  > Lunch: 1:00–2:00 PM
• Location:
  Sunlight Studios
  321 W 44th St
  Ste #202
  New York, NY 10036
  Holding room – Studio D
  PLEASE BRING PHOTO ID

PREPARATION

Please prepare a contemporary monologue under 2-minutes in length and bring your headshot and resume stapled together.

SALARY

• $2599 weekly minimum (Level 1)

DATES

• First Rehearsal in NY: on or about August 25, 2025
• Travel to Palm Desert, CA: on or about September 24, 2025
• First Preview in Palm Desert, CA: on or about October 2, 2025
• Opening in Seattle, WA: on or about October 8, 2025
• End of Tour in Tampa, FL: on or about May 3, 2026
• FYI – in Los Angeles, CA – December 8, 2025, to SAT January 3, 2026

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: July 12, 2024
Expires: July 22, 2024

Production Description 

A high-energy, percussive symphony, coupled with dance, played entirely on unconventional instruments, such as garbage can lids, buckets, brooms, and sticks.

SEEKING

STOMP — The International Sensation is casting athletic individuals with strong percussion skills to fill specific roles for our upcoming 30th Anniversary North American Tour. STOMP is a non-union percussion/movement piece (members of Actors’ Equity and other unions not excluded).

Who you might be:

• A drummer who moves well
• A dancer who can drum
• An athletic individual with a great sense of rhythm

Acting ability is strongly preferred

SUBMISSION

• Interested performers are encouraged to submit via the linked google form. Video submissions will not be considered: https://forms.gle/r3Fo9KMW6JJ246mCA

PREPARATION

Please prepare a brief song in the style of the show and bring a headshot and resume. An accompanist would be provided.

DATES

• August 19, 2024 – June 8, 2025

SALARY

• Rehearsal Salary: $700/week

• Performance Salary: $1,000/week + $399/week per diem

NOTES

Performers should have the appearance of late teens to early 30’s.

Please be prepared to stay in the metro area at your own expense for 2-3 days of in-person auditions in late July/early August. Exact dates TBD.

Performers should have availability for one year or longer. Rehearsals take place in NYC late August through September, prior to the 2024-2025 Tour. Performers are responsible for accommodations during the rehearsal period.

The tour is currently scheduled October 2024 – June 2025.

Performers should be prepared to perform up to a maximum of 8 shows per week for the entire length of contract.

Benefits include competitive pay, per diem, travel, subsidized health insurance, and single occupancy housing.

STOMP is a non-union production – Equity and other union members not excluded.

U.S. CITIZENS MUST HAVE A PASSPORT VALID THROUGH DECEMBER 2025.

IF NOT A U.S. CITIZEN, YOU MUST HAVE PROPER DOCUMENTATION TO COMPLETE I-9 REQUIREMENTS (CURRENTLY HOLD A U.S. WORK VISA WHICH IS VALID THROUGH JUNE 2025 & HAVE A PASSPORT VALID THROUGH DECEMBER 2025)

Visit the show page to view the current tour route.

Posted: March 4, 2025
Audition: March 13, 2025

• Producer: Jill Furman & Rachel Sussman
• Book, Music & Lyrics: Shaina Taub
• Director: Leigh Silverman
• Choreographer: Mayte Natalio
• Music Supervisor: Andrea Grody
• Casting: The Telsey Office
• General Management: 101 Productions, Ltd.

Expected to attend (At least one of the following):

• Casting Directors: Priya Ghosh, Rachel
  Hoffman, Alexis Brown, Jimmy Larkin, Alex
  Cortinas, Charlie Hano, Rashad Naylor

Production Description 

It’s 1913 and the women’s movement is heating up in America, anchored by the suffragists and their relentless pursuit of the right to vote. Reaching across generational, racial, and class divides, these women entertain and inspire with the story of their hard-won victory.

SEEKING

Equity actors for roles in the Touring production of SUFFS (See breakdown).

[ALICE PAUL] 20s – 30s. White. LEAD role. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. A young Suffragist who fervently believes it’s her destiny to “finish the fight” of Women’s Suffrage and will do whatever it takes to bring that about. Dedicated to the point of being a relentless, yet a passionate, unconventional leader.

[CARRIE CHAPMAN CATT] 40s-50s. White. LEAD role. A versatile singer, mix/belt to Eb5. Possesses strong musicianship and confidence navigating complicated harmonies. A respected leader of the Women’s Suffrage movement. Fiercely intelligent, tireless and channels her passion into charm and a polite mask but is a warrior underneath.

[INEZ MILLHOLLAND] 20s – 30s. Any AAPI, First Nations, Indigenous, Latine, MENA, Multiracial, white or Native ethnicity. A versatile singer, mix/belt to Eb5. Possesses strong musicianship and confidence navigating complicated harmonies. A glamorous socialite and lawyer, with an equally dazzling intelligence and intellect. Her effortless charisma leads her to become a public figurehead for the Suffs, and her steadfast friendship makes her an essential anchor for Alice Paul, but her elegant exterior masks her private struggles.

[IDA B. WELLS] 30s-50s. Black. A journalist, activist, and prominent Suffrage leader. Outspoken, radical, brilliant, focused, and dedicated to her cause. Not afraid to speak truth to power. Possesses strong musicianship and confidence navigating complicated harmonies.

[LUCY BURNS] 20s – 30s. Any AAPI, First Nations, Indigenous, Latine, MENA, Multiracial, white or Native ethnicity. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. Alice’s best friend and fellow Suff. Warm, supportive, kind. Has a strong wit and sense of humor that she uses to diffuse prickly situations. An essential member of the team, but content to be behind the scenes and away from the limelight.

[RUZA WENCLAWSKA] 20s – 30s. Any AAPI, First Nations, Indigenous, Latine, MENA, Multiracial, or Native ethnicity. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. A Polish immigrant who came to America at age 7. Speaks with a Polish dialect. A former factory worker turned labor and immigrant’s rights activist, and a dedicated Suff. Resourceful and determined. Brave. Bluntly outspoken, with a frank, dry and straightforward sense of humor.

[DORIS STEVENS] 20s – 30s. Any AAPI, First Nations, Indigenous, Latine, MENA, Multiracial, white or Native ethnicity. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. A student from Nebraska. A bright light, and a true nerd. Her brains and tireless work ethic make her essential to the cause. The youngest of the group, she’s everyone’s little sister. Optimistic, brave, sweet, and kind, but in no way a pushover.

[WOODROW WILSON] 20s – 50s. Any AAPI, First Nations, Indigenous, Latine, MENA, Multiracial, white or Native ethnicity. A versatile singer and Fierce comic. Possesses strong musicianship and confidence navigating complicated harmonies. The president of the United States. Confident, entitled, feels he knows best. Used to being in charge and unquestioned. A brazen showman who loves to be the center of attention

[DUDLEY MALONE] 20s – 30s. Any AAPI, Black, First Nations, Indigenous, Latine, MENA, Multiracial, white or Native ethnicity. A versatile singer and Fierce comic. Possesses strong musicianship and confidence navigating complicated harmonies. Woodrow Wilson’s young protégé and his new Chief of Staff. Genuinely quirky and nerdy. Extremely intelligent, but also endearing and sweet, with an awkward charm and a goofy sense of humor. Dudley transforms over the show into a mature man and Suff.

[ALVA BELMONT/PHOEBE BURN] 40s – 60s. White. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. A dual role, portraying ALVA BELMONT: A millionaire divorcee and New York socialite. Formidable, imperious, and larger than life. Speaks her mind with a frank and upfront sense of humor, and PHOEBE BURN: A rich Southern widow, and mother to Senator Harry Burn. Warm, kind, practical, unadorned.

[MARY CHURCH TERRELL] 30s – 50s. Black. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. A longtime Black Suffragist leader and professor. Her willingness to move within white circles becomes a point of contention between her and Ida B. Wells.

[MOLLIE HAY] 40s-50s. Any AAPI, First Nations, Indigenous, Latine, MENA, Multiracial, Native, or white ethnicity. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. Intelligent. Patient and warm but also extremely passionate and outspoken about her political beliefs and ideals. The romantic partner and professional associate to Carrie Chapman Catt (a major leader in the Women’s Suffrage movement).

[PHYLLIS TERRELL/ROBIN] 20s. Black. A versatile singer. Possesses strong musicianship and confidence navigating complicated harmonies. PHYLLIS TERRELL: Mary Church Terrell’s young daughter. ROBIN: A firebrand young second-wave feminist college student in the 1970’s. Passionate, idealistic, enraged at the status quo. Believes that radical women’s revolution is the only way forward.

AUDITION

• Date:
  > Thursday, March 13, 2025
• Time:
  >10 AM–6 PM
  > Lunch: 1:30–2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 314

PREPARATION

Please prepare to sing a cut of a contemporary musical theater song. Also, please bring your picture and resume stapled together.

SALARY

• $995 weekly minimum (Level 6)

DATES

• 1st Rehearsal: On or about Monday, July 28, 2025
• 1st Performance: On or about Monday, September 8, 2025

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: August 23, 2024
Expires: August 28, 2024

• Producer: Gomez Rocks LLC
  
• Executive Producer: Daniel Sher
  
• Director & Choreographer: Antoinette DiPietropolo
  
• Musical Supervisor: Thomas Fosnocht
  
• Book: Marshall Brickman & Rick Elice
  
• Music & Lyrics: Andrew Lippa
  
• Based on characters created by: Charles Addams
  
• Casting Director: Alison Franck

Production Description 

The Addams Family, a comical feast that embraces the wackiness in every family, features an original story and it’s every father’s nightmare: Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family– a man her parents have never met. And if that wasn’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before– keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.

SEEKING

ENSEMBLE/CONTORTIONIST

[THE ANCESTORS – MALE IDENTIFYING] Male Identifying Actors 22 to 52 years old, all ethnicities. All Vocal Ranges, The Addams ancestors from various eras serve as the chorus for the show and help bring the story to life. They will be featured both singing and dancing throughout the entire show. Seeking actors with both vocal and dancing abilities. Seeking Understudies from these actors to cover the male identifying leads. Pay $600/week min.

[THE ANCESTORS- FEMALE IDENTIFYING ACTORS] Female Identifying Actors 22 to 52 years old, all ethnicities. All Vocal Ranges, The Addams ancestors from various eras serve as the chorus for the show and help bring the story to life. They will be featured both singing and dancing throughout the entire show. Seeking actors with both vocal and dancing abilities. Seeking Understudies from these actors to cover the female identifying leads. Pay $600/week min.

[ANCESTORS/ENSEMBLE-CONTORTIONIST] 18-35, all ethnicities, any gender. Contortionist and Dancer.

DATES

• Audition Date(s): ASAP via Self-Tape
• Callback Date(s): Sep 5, 6, 7 & 9, 2024
• Rehearsal Date(s): Dec 12, 2024
• Opening Date(s): Jan 17, 2025
• Closing Date(s): June 29, 2025

INSTRUCTION

Please send email to franckcasting23@gmail.com and an automated email with self-tape instructions will reply

SALARY

• $600/week plus housing and per diem once on the road.
  
• Rehearsals pay $600/week for all roles. No housing or per diem during rehearsals in NYC.

NOTES

Visit the show page to view the current tour route.

Posted: March 7, 2026
Expires: March 18, 2026

• Producer: Crossroads Live North America
• Screenplay: Lawrence Kasdan
• Director: Samantha Saltzman
• Book: Alexander Dinelaris
• Orchestrations & Additional Music: Chris Egan
• Additional Vocal Arrangements: Richard Beadle
• Choreographer: Jim Cooney
• Music Supervisor: Darryl Archibald
• General Management: Crossroads Live North America
• Casting: ARC

Production Description 

Former Secret Service agent turned bodyguard, Frank Farmer, is hired to protect superstar Rachel Marron from an unknown stalker. Each expects to be in charge – what they don’t expect is to fall in love.

SEEKING

Actors for roles in the Touring production of THE BODYGGUARD (See breakdown).

[RACHEL MARRON] Female Presenting, Late 20s/30s, Black. A world-famous singer/actress. Confident, glamorous, sexy, fiercely driven and deeply protective of her son. Must be an extraordinary vocalist with exceptional power, control and stylistic flexibility – pop/R&B with gospel influence. Strong upper belt with vocal stamina. Range: G3 to F5 (Belt).

[FLETCHER] Male Presenting, Plays 11 years old, Black. Rachel’s son. Bright, charming, confident and sweet with strong musicality. Should sing well and move comfortably with ability to handle emotionally significant scene work. ***NOTE: The youth performer cast in this role will need to be homeschooled for the duration of the production, as a tutor will not be provided. Additionally, a guardian will need to be present and available to wrangle.

[FRANK FARMER] Male Presenting, Late 20s/30s, Any Ethnicity. A former Secret Service agent with sharp instincts and natural authority. Handsome, physically fit and athletic. Calm under pressure and able to command a room without trying. Primarily a non-singing role; character/acting quality prioritized.

[TONY] Male Presenting, 30s/Early 40s, Any Ethnicity. Rachel’s trusted security detail. Strong and physically intimidating, with a loyal, protective nature. Genuine warmth beneath a stoic exterior. Primarily a non-singing role; character/acting quality prioritized.

[NICKI MARRON] Female Presenting, Late 20s/30s, Black. Rachel’s sister and exceptionally gifted vocalist in her own right. A warm and introspective counterbalance to Rachel’s superstar persona. Must be a very strong singer. Range: G below middle C to E at top of staff. This role will understudy [RACHEL MARRON]

[BILL DEVANEY] Male Presenting, 30s/40s, Any Ethnicity. Rachel’s longtime manager and trusted protector — a steady, dependable presence who has guided her career from the early days. Deeply committed to Rachel’s wellbeing, he serves as both advisor and guardian, with longstanding connections to law enforcement and security professionals that make him an invaluable resource as threats escalate. Primarily a non-singing role; character/acting quality prioritized. This role will understudy [FRANK FARMER]

[SY SPECTOR/HEELS ENSEMBLE] Female Presenting, Late 20s/30s, Black. A powerhouse publicist/manager figure in Rachel’s orbit. Sharp, highly competent, persuasive, and unafraid to push hard for what she believes is right for Rachel’s career. This role will partake in the [HEELS ENSEMBLE] and understudy [NICKI MARRON]

[STALKER] Male Presenting, 20s/30s, Any Ethnicity. Intense, and unsettling – a man with military precision and a chilling sense of purpose. Should be physically in excellent shape and capable of conveying danger through stillness, presence and psychological depth. Must sing well and move well. Range: Tenor. This role will understudy [FRANK FARMER] and [BILL DEVANEY/RAY]

[HEELS ENSEMBLE] Female Presenting, 20s/30s, Any Ethnicity. A dynamic group of dancers who sing very well. Athletic dancers with versatile dance proficiency (including contemporary and hip hop). Clean technique, musicality and the ability to handle partnering and lifts. Ensemble and swings will cover principal roles.

[FLATS ENSEMBLE] Male Presenting, 20s/30s, Any Ethnicity. A dynamic group of dancers who sing very well. Athletic dancers with versatile dance proficiency (including contemporary and hip hop). Clean technique, musicality and the ability to handle partnering and lifts. Ensemble and swings will cover principal roles.

INSTRUCTIONS

INSTRUCTIONS & MATERIALS LINK (Sides/Sheet Music/Mp3s/Dance Combo):

https://www.dropbox.com/scl/fo/9jjy290d9o40d52tbssax/AGbQrukPgtGZ77aTXvsovvg?rlkey=klpy2032ogm0ppp9wt1uudt6m&st=921pixmo&dl=0

After reviewing the taping instructions for your respective role (in link above), please combine all audition components into ONE video file.

Email your audition video along with a PDF headshot and resume to:

CASTINGTHEBODYGUARD@GMAIL.COM

Subject Line of email submission should list full name and the character you are submitting for. For example: JOHN SMITH – “FRANK FARMER”

Please share your audition using a Dropbox, Vimeo, or Google Drive link.
Be sure that:

• The link is viewable and downloadable
• The video is NOT password protected

DATES

• Principal Rehearsals: On or about September 13, 2026
• Full Company Rehearsals: On or about September 15, 2026
• First Preview/Opening Night: On or about October 15, 2026
• Closing Night: On or about July 11, 2027

SALARY

• Rehearsal Salary: $680 weekly
• Performance Salary: $700-$1000 weekly
• Lead Salary: Capped at $1200 weekly

Producers will provide Actors with travel and housing while on tour. Optional health insurance coverage starting with the first full month of employment. A weekly expense reimbursement of $300/week with the election of single occupancy housing; $500/week with the election of double occupancy housing; & a range between $800 – $1070/week with the election of no producer provided housing.

NOTES

MUST BE ABLE TO WORK IN THE US, CANADA AND MEXICO.

Email CASTINGTHEBODYGUARD@GMAIL.COM with any questions.

Visit the show page to view the current tour route.

Posted: May 2, 2024

• Producer: NETworks Presentations
• Original Director: Trey Parker, Casey Nicholaw
• Original Choreographer: Casey Nicholaw
• Tour Director and Choreographer: Jennifer Werner
• Music Director: Justin Mendoza
• Book: Trey Parker, Matt Stone, Robert Lopez
• Music: Trey Parker, Matt Stone, Robert Lopez
• Lyrics: Trey Parker, Matt Stone, Robert Lopez
• Casting Director: Carrie Gardner

Production Description 

The Book of Mormon follows two young missionaries who are sent to Uganda to try to convert citizens to the Mormon religion. One missionary, Elder Price, is an enthusiastic go-getter with a strong dedication to his faith, while his partner, Elder Cunningham, is a socially awkward but well meaning nerd whose tendency to embroider the truth soon lands him in trouble. Upon their arrival in Africa, Elders Price and Cunningham learn that in a society plagued by AIDS, poverty and violence, a successful mission may not be as easy as they expected.

SEEKING

[ARNOLD CUNNINGHAM] Early 20’s-Late 20’s to play 18. Male-identifying, Utah-based Mormon. Could be dweeby, dorky, nerdy or all three combined. Arnold is a pathological liar but his heart is in the right place. He is a total screw-up but not for lack of trying, he always wants to do the right thing. Seeking a fantastic comedic actor who sings well. Tenor.

[MORMON MALE ENSEMBLE] Late teens- Late 20’s. The stereotype of a male-identifying, Utah-based Mormon. Always optimistic. Seeking great comedic actors, great singers, and strong tappers.

[FEMALE UGANDAN VILLAGERS (ENSEMBLE)] Early 20’s-Late 30’s. Characters are Black Ugandan Villagers. Seeking great comedic actors, must be great singers.

INSTRUCTIONS

Please email picture and resume as well as any vocal and/or dance reel you may have to bomcasting@gmail.com.

DATES

• Rehearsals: o/a August 5, 2024 in NYC
• Technical Rehearsals: o/a August 29, 2024 in Paducah, KY.
• Official Opening Performance: o/a September 10, 2024 in Chicago, IL.

SALARY

Compensation Package: Rehearsal salary of $600/week. Performance salaries: Ensemble starting at $600/week and Principals starting at $800/week. Cast also receives a percentage of Producer’s share of overage and participation in Producer-paid Health Plan. Producer provided transportation, housing and weekly expense allowance beginning with Technical Rehearsals.

NOTES

THE BOOK OF MORMON is committed to an equitable, inclusive, and accessible casting process and encourages gender-diverse and color-conscious casting. Performers of all ethnic and cultural backgrounds, gender identities, and abilities are encouraged to apply.

Visit the show page to view the current tour routes.

Posted: July 29, 2025
Audition: August 12 & 14, 2025

• Producers: Chunsoo Shin, OD Company
• Director: Marc Bruni
• Book: Kait Kerrigan
• Lyrics: Nathan Tysen
• Music: Jason Howland
• Choreographer: Dominique Kelley
• Music Director: Daniel Edmonds
• Casting: Stephen Kopel & Jillian Cimini/C12 Casting
  Casting Associate: Neal Buckley

Expected to Attend: Stephen Kopel or Jillian Cimini, Casting Directors

Production Description 

This world premiere musical adaptation of the acclaimed novel by F. Scott Fitzgerald tells the impassioned tale of eccentric and mysterious millionaire Jay Gatsby in his tragic pursuit of Daisy Buchanan, the woman he’s loved since his youth.

SEEKING

Equity actors for roles in THE GREAT GATSBY (see breakdown).

JAY GATSBY – early 30s – Dashing and obsessive. Gatsby is “new money.” Having pulled himself up by his bootstraps through shady business dealings that he’ll never admit, he is now the paragon of the American Dream. Vocal range: thrilling and distinctive pop tenor with the ability to navigate multiple genres.

NICK CARRAWAY – 29 – Thoughtful, observant and optimistic on his arrival in New York City, Nick is swept up by the wealth and the glamor he’s surrounded by. Vocal range: pop tenor.

DAISY BUCHANAN – late 20s – Nick’s cousin. Charming, witty, and secretly brilliant. Daisy was once a debutante of the highest order, and now she’s a wife and newly a mother. Her voice is full of money. Her smile could light up the World’s Fair. Vocal range: thrilling and distinctive pop soprano with a high belt to an F, down to an F below middle C. Ability to navigate multiple genres.

TOM BUCHANAN – early-30s – Daisy’s husband. “Old money”, classic boys-will-be-boys “gentleman” who has never had to work a day in his life. He has the caustic dry wit of a blowhard. Vocal range: baritone.

JORDAN BAKER – 20s – Daisy’s best friend. A New Woman. Unmarried. A golfer. Jordan has her finger on the pulse of what makes New York City tick. Always has a wisecrack ready, always wants to have the last word. A strong dancer/mover. Vocal range: strong pop belt; range is flexible.

MYRTLE WILSON – 30s – the life of the party if she weren’t stuck living above a garage in the middle of nowhere. Myrtle is a striver, a flirt, and a loud mouth with a passion for the finer things. Married to George Wilson. Vocal range: strong, character-driven alto.

GEORGE WILSON – 30s – a loner with a penchant for talking to a large billboard that hangs over his garage. He is desperately trying to get out of Queens, and regain the love of his wife Myrtle, who feels like she’s slipping through his fingers. Vocal range: baritone.

WOLFSHEIM – 50s-60s – Wolfsheim is a larger-than-life gangster who is equal parts warm and menacing. A strong mover. Vocal range: strong, character-driven baritone.

AUDITION

Dates:

• Tuesday, August 12, 2025
  • 10:00 AM – 6:00 PM (E)
  • Lunch 1:30 PM – 2:30 PM

• Thursday, August 14, 2025
  • 10:00 AM – 6:00 PM (E)
  • Lunch 1:30 PM – 2:30 PM

Location:

Ripley-Grier Studios (520)
520 8th Ave 16th floor
New York, NY 10018
Holding Room: Studio 17T; Audition Room: Studio 17U

INSTRUCTIONS

Please bring sheet music for a short contemporary pop song or contemporary musical theatre song that shows off your voice. A piano accompanist will be provided. Please also bring a picture and resume stapled together.

SALARY

• Touring Agreement $919 weekly minimum (Level 7) + $18.38 media fee

DATES

• First Rehearsal: December 26, 2025
• First Preview: January 31, 2026
• Opening: February 3, 2026

NOTES

We are committed to anti-racism and anti-oppression practices in all areas, including casting. We acknowledge histories of systemic exclusionary practices and will continue to dismantle barriers to theatre making and to auditioning for actors of all races, ethnicities, national origins, gender identities or expressions, body types, and abilities.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour routes.

Posted: November 15, 2024
Audition: November 26, 2024

Equity National Tour and Broadway Production

• Producer: Buena Vista Theatrical Group
• Director: Julie Taymor
• Songs by: Elton John/Tim Rice
• Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
• Book: Irene Mecchi/Roger Allers
• Choreography: Garth Fagan
• Casting: Mark Brandon, CSA, Jarrett Reiche and Kendra Lucas

Expected to attend:

• Mark Brandon, CSA /ARC (Casting Director)

Production Description 

Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.

SEEKING

Equity actors for roles in the Broadway and national touring productions of THE LION KING (see breakdown).

All Stage managerial positions are currently filled.

SCAR: Late 20s – Early 40s. Any ethnicity. A lion. Mufasa’s brother and Simba’s uncle. Evil and maniacal but still capable of humor and high style. Scar will do anything to be the King of the Pridelands.

MUFASA: Mid 30s – Mid 40s. A lion. The King of the African Pridelands. Simba’s father and Scar’s brother. Regal, omnipotent and powerful. A true leader. Physically strong, with a rich baritone singing and speaking voice.

RAFIKI: Late 20s – Mid 40s. The wise Baboon. A shaman – she guides Simba to the path he was meant to follow. Soulful, but comedic. Sings “The Circle of Life”. Possesses a rich unique South African style belt.

ADULT SIMBA: Late teens – Late 20s. A lion. On his journey to find his purpose and ultimately face his destiny to be King. Must have sex appeal, charm as well as a strong pop/rock singing voice. Should be a high baritone with a sustained “A4”. In excellent physical condition. Should be 5’8” – 6’2”.

ADULT NALA: Late teens – Late 20s. A lion. Best friends with Simba, and later their friendship deepens into love. Tradition dictates that one day she will be Queen. Excellent pop belt with a sustained “E5.” Possesses strength, sex appeal and charm and is in excellent physical condition.

TIMON: Late 20s – Mid 40s. A wise cracking meerkat. Strong New York/Brooklyn dialects. Under 5’8”. NOTE: Performer must be comfortable operating a puppet.

PUMBAA: Late 20s – Mid 40s. Not so bright but loveable warthog. Timon’s sidekick. Sympathetic and warm-hearted. Somewhat larger frame or body type is preferred. Big-hearted distinctive voice.

ZAZU: Early 30s – Mid 40s. A parrot-like bird (or a hornbill). Mufasa’s trusted advisor. A proper and somewhat befuddled, English butler with a cynical outlook on life but completely dedicated to the King. Must possess strong comedic skills. NOTE: Performer must be comfortable operating a puppet.

SHENZI: Mid 20s – Late 30s. Part of the trio of Hyenas. Always on the lookout for someone to taunt, tease or threaten. Street smart and maniacal. Rock and roll singing voice. NOTE: Performer must be comfortable operating a puppet.

BANZAI: Mid 20s – Late 30s. Part of the trio of Hyenas. Always on the lookout for someone to taunt, tease or threaten. Street smart and maniacal. Rock and roll singing voice. NOTE: Performer must be comfortable operating a puppet.

ED: Late 20s – Late 30s. Any ethnicity. Part of the trio of Hyenas. Follows the lead of Shenzi and Banzai with enthusiasm and dedication but can be evil and maniacal. Communicates in complete nonsense language but is still completely understood. Rock and roll singing voice with extended falsetto. NOTE: Performer must be comfortable operating a puppet. ED will also double TIMON and ZAZU.

YOUNG SIMBA: 9 – 12 years old. A lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. Charming and charismatic. Moves well and holds the stage on his own with confidence and truth. Under 58 inches.

YOUNG NALA: 9 – 12 years old. A lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Charming and charismatic. Moves well and holds the stage on her own with confidence and truth. Under 58 inches.

AUDITION

• Date:
  Tuesday, November 26, 2024
  10:00 AM – 6:00 PM (E)
  Break: 1:30 PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  3rd Floor – Studio 314

Instructions

Please prepare a brief standard R&B/rock song that shows off voice and range unless character singer is notated in breakdown, in which case, prepare something appropriate for that character. Bring sheet music, pianist provided. Please do not sing music from THE LION KING. Bring picture and resume stapled together.

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

CONTRACT

Production (Disney) / Touring Agreement

• • • $2638 weekly minimum – Broadway
    • $2499 weekly minimum (level 1) – Tour

Visit the show page to view the current tour route.

Posted: November 15, 2024
Audition: November 26, 2024

Equity National Tour and Broadway Production

• Producer: Buena Vista Theatrical Group
• Director: Julie Taymor
• Songs by: Elton John/Tim Rice
• Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
• Book: Irene Mecchi/Roger Allers
• Choreography: Garth Fagan
• Casting: Mark Brandon, CSA, Jarrett Reiche and Kendra Lucas

Expected to attend:

• Mark Brandon, CSA /ARC (Casting Director)

Production Description 

Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.

SEEKING

Equity actors for roles in the Broadway and national touring productions of THE LION KING (see breakdown).

All Stage managerial positions are currently filled.

SCAR: Late 20s – Early 40s. Any ethnicity. A lion. Mufasa’s brother and Simba’s uncle. Evil and maniacal but still capable of humor and high style. Scar will do anything to be the King of the Pridelands.

MUFASA: Mid 30s – Mid 40s. A lion. The King of the African Pridelands. Simba’s father and Scar’s brother. Regal, omnipotent and powerful. A true leader. Physically strong, with a rich baritone singing and speaking voice.

RAFIKI: Late 20s – Mid 40s. The wise Baboon. A shaman – she guides Simba to the path he was meant to follow. Soulful, but comedic. Sings “The Circle of Life”. Possesses a rich unique South African style belt.

ADULT SIMBA: Late teens – Late 20s. A lion. On his journey to find his purpose and ultimately face his destiny to be King. Must have sex appeal, charm as well as a strong pop/rock singing voice. Should be a high baritone with a sustained “A4”. In excellent physical condition. Should be 5’8” – 6’2”.

ADULT NALA: Late teens – Late 20s. A lion. Best friends with Simba, and later their friendship deepens into love. Tradition dictates that one day she will be Queen. Excellent pop belt with a sustained “E5.” Possesses strength, sex appeal and charm and is in excellent physical condition.

TIMON: Late 20s – Mid 40s. A wise cracking meerkat. Strong New York/Brooklyn dialects. Under 5’8”. NOTE: Performer must be comfortable operating a puppet.

PUMBAA: Late 20s – Mid 40s. Not so bright but loveable warthog. Timon’s sidekick. Sympathetic and warm-hearted. Somewhat larger frame or body type is preferred. Big-hearted distinctive voice.

ZAZU: Early 30s – Mid 40s. A parrot-like bird (or a hornbill). Mufasa’s trusted advisor. A proper and somewhat befuddled, English butler with a cynical outlook on life but completely dedicated to the King. Must possess strong comedic skills. NOTE: Performer must be comfortable operating a puppet.

SHENZI: Mid 20s – Late 30s. Part of the trio of Hyenas. Always on the lookout for someone to taunt, tease or threaten. Street smart and maniacal. Rock and roll singing voice. NOTE: Performer must be comfortable operating a puppet.

BANZAI: Mid 20s – Late 30s. Part of the trio of Hyenas. Always on the lookout for someone to taunt, tease or threaten. Street smart and maniacal. Rock and roll singing voice. NOTE: Performer must be comfortable operating a puppet.

ED: Late 20s – Late 30s. Any ethnicity. Part of the trio of Hyenas. Follows the lead of Shenzi and Banzai with enthusiasm and dedication but can be evil and maniacal. Communicates in complete nonsense language but is still completely understood. Rock and roll singing voice with extended falsetto. NOTE: Performer must be comfortable operating a puppet. ED will also double TIMON and ZAZU.

YOUNG SIMBA: 9 – 12 years old. A lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. Charming and charismatic. Moves well and holds the stage on his own with confidence and truth. Under 58 inches.

YOUNG NALA: 9 – 12 years old. A lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Charming and charismatic. Moves well and holds the stage on her own with confidence and truth. Under 58 inches.

AUDITION

• Date:
  Tuesday, November 26, 2024
  10:00 AM – 6:00 PM (E)
  Break: 1:30 PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  3rd Floor – Studio 314

Instructions

Please prepare a brief standard R&B/rock song that shows off voice and range unless character singer is notated in breakdown, in which case, prepare something appropriate for that character. Bring sheet music, pianist provided. Please do not sing music from THE LION KING. Bring picture and resume stapled together.

NOTES

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

CONTRACT

Production (Disney) / Touring Agreement

• • • $2638 weekly minimum – Broadway
    • $2499 weekly minimum (level 1) – Tour

Visit the show page to view the current tour route.

Posted: August 7 2023
Audition: August 19, 2023

Equity National Tour and Broadway Production

• Producer: Buena Vista Theatrical Group
• Director: Julie Taymor
• Songs by: Elton John/Tim Rice
• Additional Music: Hans Zimmer/Lebo M/ Mark Mancina/Jay Rifkin
• Book: Irene Mecchi/Roger Allers
• Choreography: Garth Fagan
• Casting: Mark Brandon, CSA/Binder Casting

Production Description 

Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. This is Disney’s The Lion King, making its triumphant return! More than 95 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. There is simply nothing else like The Lion King.

SEEKING

Future replacements for Young Simba and Young Nala for Broadway and the North American Tour.

YOUNG SIMBA: 9 – 12 years old. An African lion cub. Mufasa’s son. A lion cub that eventually becomes the King of the Pridelands. Looking for a young actor/singer with natural talent, charm, and charisma. Actor must move well and hold the stage on his own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.

YOUNG NALA: 9 – 12 years old. An African lion cub. She eventually becomes the Queen of the Pridelands. She keeps Simba in his place. Looking for a young actor/singer with natural talent, charm, and charisma. Actor must move well and hold the stage on her own with confidence and truth. ACTOR MUST BE UNDER 58 INCHES.

AUDITION

Saturday, August 19
9 AM – Sign In Begins
10 AM – Auditions Begin
11 AM – Sign In Ends

The Apollo Theater
253 W. 125th Street
New York, NY 10027

INSTRUCTIONS

Be prepared to be taught the last verse of Just Can’t Wait to be King. All children must be accompanied by a parent or guardian. Parents or guardians must remain at the audition site at all times. Please be prepared to wait.

It’s always best to audition in person but if you are unable to attend this call, please click here for instructions on how to submit a video audition.

CONTRACT

• Production (Disney) / Touring Agreement

• Minimum weekly salary is $2,771.98.

Visit the show page to view the current tour route.

Posted: January 23, 2025
Audition: February 4-5, 2025

• Producers: Kevin McCollum and Kurt Deutsch
• Directors: Michael Greif and Schele Williams
• Book: Bekah Brunstetter
• Music and Lyrics: Ingrid Michaelson
• Music Supervisor: Carmel Dean
• Choreographer: Katie Spelman
• Casting: The Telsey Office, Patrick Goodwin, CSA, Alexis Brown
  • • Expected to attend:

      Casting Directors: Patrick Goodwin, Alexis Brown, Priya Ghosh, Alex Cortinas, Rashad Naylor, Jimmy Larkin

Production Description 

The Notebook is a new musical based on the best selling novel that inspired the iconic film. Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart, in a deeply moving portrait of the enduring power of love.

SEEKING

Equity actors for roles in the touring production of THE NOTEBOOK (see breakdown).

YOUNGER ALLIE: Female. Late teens/Early 20s. Any ethnicity. Smart, witty, well-educated and beautiful. A thrilling singer. Strong acting skills.

MIDDLE ALLIE: Female. Late 20s/Early 30s. Any ethnicity. Smart, witty, well-educated and beautiful. Heartbroken. A thrilling singer. Strong acting skills.

OLDER ALLIE: 70s. Female. Any ethnicity. Suffering from dementia in a nursing home. Sometimes the real word peeks through and she is lucid, but mostly it is all confusion. Does not recognize her husband Noah, who comes every day without fail to read to her from the notebook. A very strong singer. Strong acting skills.

YOUNGER NOAH: Male. Late teens/Early 20s. Any Ethnicity. Handsome. Witty. Poor. Slightly mischievous. An excellent singer (Ukulele/Guitar experience a plus). Strong acting skills.

MIDDLE NOAH: Male. Late 20s/Early 30s. Any ethnicity. Handsome and strapping. Hurting and yearning. As in love with Allie as he was when he met her. An army vet. An excellent singer. Strong acting skills.

OLDER NOAH: Male. 70s. Any ethnicity. Frail but has a crystal-clear memory of his life and his relationship with Allie. Seems curmudgeonly at times but has a heart of gold- especially in his dedication to his wife. A strong singer who has access to emotional vulnerability. Strong acting skills.

JOHNNY/FIN: Male, 20s/30s. Any ethnicity. JOHNNY: A physical therapist at Older Allie’s assisted living facility. FIN: Younger Noah’s best friend. Joyous, determined, rarely stops talking. A very strong singer with great comic timing. Will likely understudy the principal role of YOUNGER NOAH. Strong acting skills.

NURSE LORI/MOTHER: 40s-50s. Any ethnicity. NURSE LORI: A family friend of Older Noah’s and a nurse at his (and Older Allie’s) assisted living facility. She is a woman of science, not feelings. MOTHER: Middle Allie’s Mother. Strict and very protective, wants what she believes is best for her daughter. A very strong singer. Strong acting skills.

AUDITION

• Dates:
  > Tuesday, February 4, 2025
  > Wednesday, February 5, 2025
• Time:
  > 10:00 AM–6:00 PM (E)
  > Lunch: 1:30PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 414

PREPARATION

Please come warmed up and ready to sing a short contemporary pop/rock or musical theatre song in the style of Ingrid Michaelson. A piano accompanist will be provided. Also, please bring a picture and resume stapled together.

DATES

• Rehearsals: on or about July 29, 2025
• Previews: on or about September 9, 2025
• Opening (In Cleveland, OH): September 12, 2025

SALARY

• Touring Agreement $1077 weekly minimum (Level 5)

NOTES

All Equity stage managerial positions have been filled.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: December 4, 2024
Audition: January 14, 2025

• Producers: The Araca Group, American Zoetrope, Olympus Theatricals
• General Manager: 321 Theatrical Management
• Book: Adam Rapp with Justin Levine
• Music & Lyrics: Jamestown Revival (Jonathan Clay & Zach Chance) and Justin Levine
• Director: Danya Taymor
• Choreography: Rick Kuperman & Jeff Kuperman
• Music Supervisor, Arranger, Orchestrator: Justin Levine
• Casting by Tara Rubin Casting/Xavier Rubiano, CSA

EXPECTED TO ATTEND:

• Nancy Renee Braun (Choreography Supervisor)
• Tilly Evans-Kreuger (Associate Choreographer/Dance Captain)
• Xavier Rubiano, CSA (Casting Director)
• Louis DiPaolo (Casting Associate)

Production Description 

Based on S.E. Hinton’s 1967 novel and Francis Ford Coppola’s 1983 film. This new musical tells the story of Ponyboy Curtis, Johnny Cade, and their band of greasers as they fight for purpose and survival, featuring an original score by the rock duo Jamestown Revival.

SEEKING

Equity chorus dancers for the Touring production of THE OUTSIDERS (See breakdown).

GREASERS/MALE & FEMALE PRESENTING ENSEMBLE/BOOTH SINGERS & SWINGS – All vocal types, real people with Americana/Rock sound, to play Greasers & other featured parts. Must be able to execute athletic movement and fight choreography. The Greasers can be Black, Indigenous, Latine, API, MENASA or Mixed.

SOCS/ MALE & FEMALE PRESENTING ENSEMBLE/BOOTH SINGERS & SWINGS – All vocal types, real people with Americana/Rock sound, to play Socs & other featured parts. Must be able to execute athletic movement and fight choreography. The Socs can be White.The above may understudy the following principal roles:

PONYBOY CURTIS – 15, A dreamer with a cowboy spirit. Our narrator and a budding writer finding his voice, can be vulnerable when speaking to the audience. The youngest Greaser and youngest brother of three. Curious, introspective, a storyteller. Freshly orphaned and raw from the pain. Idolizes Paul Newman in Cool Hand Luke and his individualism. A natural loner, he finds true friendship with Johnny Cade.

JOHNNY CADE – 16 but looks younger. Black, Indigenous, Latine, API, MENASA or Mixed. Ponyboy’s best friend, the smallest and most vulnerable of the Greasers. Sensitive and loyal, suffers from PTSD from abuse at home and on the streets, he has found family in the Greasers. Has a special connection with Dallas Winston, outsiders among outsiders.

DARREL CURTIS – 20. The oldest Curtis brother. Strong, athletic, intelligent, hardworking, strict. A former golden boy, his future was ripped away from him after his parents were killed in a tragic accident. Works two roofing jobs and has taken on the difficult task of raising and providing for his two younger brothers. Trying his best to keep it together but fraying at the edges under pressure from all sides. Sacrificed his future to give his brothers one. Incredible potential squashed by circumstance. Had to grow up too fast. Suffers no fools.

DALLAS “DALLY” WINSTON – 19, Black, Indigenous, Latine, API, MENASA or Mixed. Wily, rebellious, audacious, impulsive, and reckless. Sensual and single minded. Fiercely loyal, brutally honest. The outlier of the Greasers, originally from New York’s Hell’s Kitchen. Cares deeply for Ponyboy and especially Johnny Cade, sees him as his little brother.

SODAPOP CURTIS – 17, the middle Curtis brother. Charismatic, exceptionally handsome, and a high-school drop-out, he now works at the local gas station. Ponyboy’s security blanket at home. Privately nursing a broken heart but hides it well and deflects so he doesn’t have to take anything too seriously.

SHERRY “CHERRY” VALANCE – 17, white. A dreamer. Confident, privileged, curious, open minded. Has been conditioned to be what society expects her to be: Bob’s Girlfriend and Captain of the Cheerleading team. Experiences an awakening once she meets Ponyboy and the other Greasers. Finds her courage. Displays tremendous compassion for the Greasers and Ponyboy in particular. Breaks the mold.

KEITH “TWO-BIT” MATTHEWS – 18, Black, Indigenous, Latine, API, MENASA or Mixed. Strong Dancer. A natural clown with an infectious sense of humor, extremely loyal to the Greasers and to the Curtis family. One of the best fighters among the greasers.

BOB – 17/18, white, the leader of the Soc’s, Tulsa Society’s golden boy. Cocky, charming, dazzling, a natural leader. Has the whole world by the tail. Cherry’s boyfriend and the captain of the football team. Comes from extreme privilege, he doesn’t take “no” for an answer. Expresses his rage and repressed emotions through violence and bullying.

PAUL – 20, white, physically intimidating, he was the best receiver on his high school football team and went on to play college ball. Bob’s best friend and 2nd in command. Buries his fears and insecurities under a mask of confidence and self-assurance. A one-time football teammate of Darrell, he got to have the future Darrel dreamed of. Quiets his own demons by wailing on Greasers.

AUDITION

• Date:
  > Tuesday, December 17, 2024
• Time:
  > Males: 10:00 AM (E)
  > Lunch: 1:00PM – 2:00 PM
  > Females: 2:00 PM (E)
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding Room  – Studio 304

PREPARATION

Please be warmed up and ready to dance. All dancers should bring flat shoes. Please bring your headshot and resume stapled together.

DATES

• 1st Rehearsal: on or about August 4th, 2025
• 1st Performance: on or about September 19th, 2025, in Buffalo, NY
• Opening: on or about September 30th, 2025, in Tulsa, OK

SALARY

• Touring Agreement $1077 weekly minimum (Level 5)

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: November 2, 2024
Audition: December 4-5, 2024

• Produced By: Cameron Mackintosh, The Really Useful Company, and NETworks Presentations
• Music By: Andrew Lloyd Webber
• Lyrics By: Charles Hart
• Book By: Richard Stilgoe and Andrew Lloyd Webber
• Directed By: Seth Sklar-Heyn
• Original Direction by: Harold Prince
• Adapted Staging and Choreography By: Chrissie Cartwright
• Original Musical Staging and Choreography by: Gillian Lynne
• Musical Supervisor: Kristen Blodgette
• General Manager: Gentry & Associates; Gregory Vander Ploeg
• Casting (expected to attend): Claire Burke, CSA & Peter Van Dam, CSA

Production Description 

The Phantom of the Opera tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerized by the talents and beauty of a young soprano – Christine, The Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine’s love for Raoul, The Phantom’s obsession sets the scene for a dramatic turn of events where jealousy, madness and passions collide.

SEEKING

Equity actors for the touring production of THE PHANTOM OF THE OPERA (see breakdown).

THE PHANTOM: 30s – 40s. Needs a dynamic, bravura, “star” performance, with excellent acting and singing ability. The Phantom is both frightening and irresistible. High baritone or tenor (with a strong low range) with a contemporary sound. Able to sustain from low A flat to high A flat, with ease in full voice and high C# in falsetto.

CHRISTINE DAAE: 18 – mid 20s. A beautiful lyric soprano voice that combines elements of classical and musical theatre singing. Sings G below middle C to high E. Christine is initially a part of the Corps de Ballet at the Opera Populaire within the show. NOTE: some dance training is an advantage but not a requirement.

RAOUL, VICOMTE de CHAGNY: Late 20s – early 30s: dashing, handsome young aristocrat. Contemporary high baritone/tenor (2 octave range from A flat to A flat).

ANDRE & FIRMIN: Late 30s – 50ish. The Managers of the Paris Opera House. Trying to be elegant, they are slightly befuddled. Have good instincts for stylish comedy. Firmin is the hard money man, a boar. Andre is charming with an artistic temperament, a dilettante. Firmin is a baritone and sings to high E/F. Andre is a baritenor with a lyric quality and sings to high G with ease.

CARLOTTA GIUDICELLI: 30s – 40s. The prima donna of The Paris Opera. The archetypal diva in every sense of the word. Strong operatic singer with a good comic sense. Italian coloratura soprano who sings to high E.

MADAME GIRY: Late 30s – early 50s. Ballet Mistress of the Opera Populaire. An enigmatic, stern, forbidding figure. Mezzo soprano to high B flat.

MEG GIRY: Late teens – early 20s. A member of the Corps de Ballet and Madame Giry’s daughter. Has strong classical dance technique and excellent pointe work. Vocally a sweet, light soprano sound with secure mix. The Act One septet requires her to sing to G5.

UBALDO PIANGI: Late 30s – 40s. Archetypal, Italian operatic leading tenor. Companion to Carlotta within the Opera Populaire. Sings to legit high C.

AUDITION

• Dates:
  > Wednesday, December 4, 2024
  > Thursday, December 5, 2024
• Time:
  > 10:00 AM–6:00 PM (E)
  > Lunch: 1:30PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Check In Studio 409

PREPARATION

Please be prepared to sing a brief song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided.

Please bring a current picture and resume, stapled together.

DATES

• First Rehearsal: On/About September 22nd, 2025
• First Performance: On/About November 7th, 2025

SALARY

• Touring Agreement $2599 weekly minimum (Level 1)

NOTES

These characters can be Black, Latine, MENASA, API, Indigenous, Mixed, or White.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: November 15, 2024
Audition: November 26-27, 2024

• Produced by Concord Theatricals, NETworks Presentations

• Directed by Jack O’Brien
• Music Supervision by Andy Einhorn
• Choreography by Danny Mefford
• Music by Richard Rodgers
• Lyrics by Oscar Hammerstein II
• Book by Howard Lindsay and Russel Crouse
• Casting by The Telsey Office

Expected to attend:

• Rashad Naylor and/or Rachel Hoffman (Casting Directors)

Production Description 

The spirited, romantic and beloved musical story of Maria and the von Trapp Family will once again thrill audiences with its Tony®, Grammy® and Academy Award® winning Best Score, including “My Favorite Things,” “Do-Re-Mi,” “Climb Ev’ry Mountain,” “Edelweiss” and the title song.

SEEKING

Equity actors for roles in the touring production of THE SOUND OF MUSIC (see breakdown).

NOTE: This audition is for adult roles in THE SOUND OF MUSIC– auditions for the Von Trapp Children will be held in Spring 2025.

[CAPTAIN VON TRAPP] – Male (cis, transgender, or non-binary), late 30s to 50; commanding presence – retired naval officer and proud Austrian. Highly organized and regimented, efficient and smart. Baritone.

[MARIA RAINER] – Female (cis, transgender, or non-binary), early 20s; spirited, passionate and charming, though occasionally filled with self-doubt. Caring and committed. Chest mix with strong head voice.

[ELSA SCHRAEDER] – Female (cis, transgender, or non-binary), mid 30s – early 40s; a wealthy widow, she is sophisticated, charming and clever. Legit-Mezzo range (A to E below high C).

[MAX DETWEILLER]– Male (cis, transgender, or non-binary), 40s – 50s; witty and clever impresario who can be charmingly pushy when pursuing what he wants. Good sense of comedy, Baritone.

[MOTHER ABBESS] – Female (cis, transgender, or non-binary), 40s – 50s, Wise, kind and strong. Powerful chest and head voice – Mezzo or Soprano (B-A-flat);

[LIESL VON TRAPP] – Female (cis, transgender, or non-binary), 18+ to play 16; a teen on the verge of womanhood. Innocent, naïve, and initially infatuated with Rolf. Chest mix with a head voice (low G to F#) and comfortable with dance.

[ROLF GRUBER] – Male (cis, transgender, or non-binary), 18+ to play 17, epitome of clean cut, athletic German youth; self-important but pleasant, he can be somewhat aggressive. Lyric Baritone; comfortable with dance.

AUDITION

• Dates:
  Tuesday, November 26 & Wednesday, November 27, 2024
  10:00 AM – 6:00 PM (E)
  Break: 1:30 PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding (312); Audition (309)

Instructions

Please prepare a brief traditional musical theatre song in the style of Rodgers & Hammerstein. Bring sheet music and your headshot and resume stapled together. A piano accompanist will be provided.

DATES

• 1st rehearsal: August 4, 2025
• 1st performance: September 5, 2025

NOTES

Drop of Golden Sun, LLC is committed to diverse, inclusive casting. Submissions for non-descript roles will be accepted for all performers, regardless of age, sex, ethnicity, disability, race, color, national origin, sexual orientation, or gender identity.

Drop of Golden Sun, LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

CONTRACT

Touring Agreement $919 weekly minimum (level 7)

Visit the show page to view the current tour route.

Posted: May 17, 2025
Audition: June 3, 2025

• Produced by Concord Theatricals, NETworks Presentations

• Directed by Jack O’Brien
• Music Supervision by Andy Einhorn
• Choreography by Danny Mefford
• Music by Richard Rodgers
• Lyrics by Oscar Hammerstein II
• Book by Howard Lindsay and Russel Crouse
• Casting by The Telsey Office

Expected to attend:

• Casting Director(s): Rashad Naylor, Jimmy Larkin, or Rachel Hoffman

Production Description 

The spirited, romantic and beloved musical story of Maria and the von Trapp Family will once again thrill audiences with its Tony®, Grammy® and Academy Award® winning Best Score, including “My Favorite Things,” “Do-Re-Mi,” “Climb Ev’ry Mountain,” “Edelweiss” and the title song.

SEEKING

Equity actors for Junvenile roles in THE SOUND OF MUSIC (See breakdown).

[FRIEDRICH VON TRAPP] Male, age: 14. Unchanged voice. Trying to be the ‘man’ of the family. Quiet and gentlemanly. Excellent singer.

[LOUISA VON TRAPP] Female, age: 13. Initially mischievous, she eventually softens to Maria. Excellent singer.

[KURT VON TRAPP] Male, age: 11. Unchanged voice. Inquisitive and adorable. He longs for love and attention from his father. Boy Soprano with a high G.

[BRIGITTA VON TRAPP] Female, age: 10. Intelligent, independent, bookish, and thoughtful. She is always honest and is not afraid to speak her mind. Excellent singer.

[MARTA VON TRAPP] Female, age: 7. Sweet and gentle.

[GRETL VON TRAPP] Female, the youngest Von Trapp. Adorable and at first somewhat shy but warms to Maria immediately. (actor must turn 7 by rehearsal start date)

AUDITION

• Dates:
  Tuesday, June 3, 2025
  10:00 AM – 6:00 PM (E)
  Break: 1:30 PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018-6504
  Holding room – Studio 312. Must have ID to enter building.

Instructions

Please prepare a brief traditional musical theatre song in the style of Rodgers & Hammerstein. Bring sheet music and your headshot and resume stapled together. A piano accompanist will be provided.

DATES

• 1st rehearsal: August 4, 2025
• 1st performance: September 5, 2025

NOTES

All juvenile actors should be at least 7 years of age by the rehearsal start date (8/4/25).

Drop of Golden Sun, LLC is committed to diverse, inclusive casting. Submissions for non-descript roles will be accepted for all performers, regardless of age, sex, ethnicity, disability, race, color, national origin, sexual orientation, or gender identity.

Drop of Golden Sun, LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

CONTRACT

Touring Agreement $919 weekly minimum (level 7)

Visit the show page to view the current tour route.

Posted: July 31, 2024
Audition: August 15-16, 2024

• Producer: Kristin Caskey, Mike Isaacson, Brian Anthony Moreland, and Ambassador Theatre Group
• Director: Schele Williams
• Book: William F. Brown
• Music/Lyrics: Charlie Smalls
• Additional Materials for this Production: Amber Ruffin
• Music Supervisor: Joseph Joubert
• Choreographer: JaQuel Knight
• General Manager: Foresight Theatrical
• Casting: Tara Rubin Casting

Expected to attend:
Tara Rubin, CSA, Olivia Paige West, and/or Xavier Rubiano, CSA (Casting Directors)

Production Description 

This beloved Broadway musical sets Dorothy’s adventures in the Land of Oz to a dazzling, lively mixture of rock, gospel and soul music. Dorothy, a restless Kansas farm girl eager to see the world, is transported by a tornado to a magical world of Munchkins, witches and a yellow brick road. On her way to the Emerald City to meet the Wizard of Oz, who she believes can help her get back home to Kansas, she encounters the Scarecrow, Tin Man, and Cowardly Lion — friends who help her battle the Wicked Witch of the West and eventually learn that there is “no place like home.”

SEEKING

Equity actors for principal roles in THE WIZ (see breakdown).

Dorothy: (16-25) teenager that feels like she doesn’t belong. She is a seeker with a big heart and the capacity to be braver than she thinks.

Aunt Em: (35-50) loving soul, determined to ensure Dorothy belongs there.

Addaperle: (35-50) All knowing, clever with a big personality. Brilliant con artist.

Scarecrow: (20-30) big hearted and fiercely protective of his new friend Dorothy. Dances exceptionally well.

Tin Man: (20-30) deeply curious and clever, a real leader in the group. He is seeking a heart but has enormous compassion.

Lion: (20-35) Empathic kind soul who masks his insecurity with bravado. He is seeking the confidence and kindness Dorothy provides.

Evilline: (35-55) Big personality both evil and fierce. Cunning and ruthless but with style. The original Diva.

The Wiz: (40-65) the ultimate con artist. Smooth double talker with incredible charm. Larger than life.

Glinda: (35–50) generous, protective and encouraging soul. Your favorite Auntie.

AUDITION

• Dates: Thursday, August 15, 2024 & Friday, August 16, 2024
• Time: 10:00 AM – 6:00 PM (E)
  >Lunch 1:30 PM – 2:30 PM
• Location:
  Pearl Studios (500)
  500 8th Ave
  New York, NY 10018
  Holding room – Studio 314

INSTRUCTIONS

Please prepare a short song in the style of the show (Pop, Gospel, R&B). Bring a hardcopy headshot & resume and your book should we want to explore further.

DATES

• 1st Rehearsal: on or about January 13th, 2025
• 1st Performance: on or about February 22nd, 2025

SALARY

• Touring Agreement $957 weekly minimum (Level 6)

NOTES

WIZ National Tour LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: July 31, 2024
Expires: August 13, 2024

• Producer: Kristin Caskey, Mike Isaacson, Brian Anthony Moreland, and Ambassador Theatre Group
• Director: Schele Williams
• Book: William F. Brown
• Music/Lyrics: Charlie Smalls
• Additional Materials for this Production: Amber Ruffin
• Music Supervisor: Joseph Joubert
• Choreographer: JaQuel Knight
• General Manager: Foresight Theatrical
• Casting: Tara Rubin Casting

Viewing submissions:
Tara Rubin, CSA, Olivia Paige West, and/or Xavier Rubiano, CSA (Casting Directors)

Production Description 

This beloved Broadway musical sets Dorothy’s adventures in the Land of Oz to a dazzling, lively mixture of rock, gospel and soul music. Dorothy, a restless Kansas farm girl eager to see the world, is transported by a tornado to a magical world of Munchkins, witches and a yellow brick road. On her way to the Emerald City to meet the Wizard of Oz, who she believes can help her get back home to Kansas, she encounters the Scarecrow, Tin Man, and Cowardly Lion — friends who help her battle the Wicked Witch of the West and eventually learn that there is “no place like home.”

SEEKING

Equity actors for principal roles in THE WIZ (see breakdown).

Dorothy: (16-25) teenager that feels like she doesn’t belong. She is a seeker with a big heart and the capacity to be braver than she thinks.

Aunt Em: (35-50) loving soul, determined to ensure Dorothy belongs there.

Addaperle: (35-50) All knowing, clever with a big personality. Brilliant con artist.

Scarecrow: (20-30) big hearted and fiercely protective of his new friend Dorothy. Dances exceptionally well.

Tin Man: (20-30) deeply curious and clever, a real leader in the group. He is seeking a heart but has enormous compassion.

Lion: (20-35) Empathic kind soul who masks his insecurity with bravado. He is seeking the confidence and kindness Dorothy provides.

Evilline: (35-55) Big personality both evil and fierce. Cunning and ruthless but with style. The original Diva.

The Wiz: (40-65) the ultimate con artist. Smooth double talker with incredible charm. Larger than life.

Glinda: (35–50) generous, protective and encouraging soul. Your favorite Auntie.

INSTRUCTIONS

The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members’ submissions have been viewed, the employer will notify each member who viewed their audition.

INSTRUCTIONS

Please prepare a short song in the style of the show (Pop, Gospel, R&B) or you may use the material available at:

https://www.dropbox.com/scl/fo/amskqnrijppyqcf41vy9b/AJxMtCAoKMgnF96rxYincwY?dl=0&rlkey=grjb9m8z2n73mbbzqswuvd2al

DATES

• 1st Rehearsal: on or about January 13th, 2025
• 1st Performance: on or about February 22nd, 2025

SALARY

• Touring Agreement $957 weekly minimum (Level 6)

NOTES

WIZ National Tour LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.

Posted: August 17, 2023
Audition: August 25, 2023

• Producer: Stage Entertainment and The Nederlander Organization
  Director: Phyllida Lloyd
• Associate Director: Sharika Niles
• Book: Katori Hall, Frank Ketelaar and Kees Prins
• Choreographer: Anthony Van Laast
• Associate Choreographer: Janet Rothermel
• Music Director: Alvin Hough Jr.
• Casting: The Telsey Office, Patrick Goodwin, CSA

Expected to attend:

• Music Director and Supervisor: Alvin Hough Jr.
• Casting Directors: Patrick Goodwin and Rashad Naylor, The Telsey Office

Production Description 

Tina follows Tina Turner from her humble beginnings in Nutbush, Tennessee, to her transformation into the global queen of rock ‘n’ roll.

SEEKING

Equity chorus singers (female and male characters) for the touring company of TINA – THE TINA TURNER MUSICAL (See breakdown).

ALLINE BULLOCK/IKETTE: Female, late teens to early 30s. African American/Mixed Race. Tina’s older sister. Light, carefree energy. No worries, fun loving, lives in the moment. Exuberant and bubbly. Has great comedic timing. Looking for an experienced actress with excellent singing voice and excellent dance skills. Doubles as one of the Ikettes. FEATURED ENSEMBLE.

FEMALE ENSEMBLE / IKETTES (possibly covering Tina, Alline, Zelma, Gran Georgeanna): Females, 20s-30s. African American/Mixed Race. Looking for excellent dancers and singers with strong acting skills to play an ‘Ikette’ as well as other ensemble elements. FEATURED ENSEMBLE.

FEMALE ENSEMBLE (to cover Rhonda Graam): Females, mid 20s to mid 30s. Caucasian. Looking for excellent actor/singers with good dance / movement to play small roles within the show.

ROGER DAVIES: Male, late 20s to early 30s. Caucasian. Australian. The Manager who transformed Tina’s career in the 80’s. When we first meet Roger, he is only 27. Passionate about music. Excitable, strong willed. Has excellent comic skills. With excellent singing voice, an excellent Australian accent, and strong movement skills. FEATURED ENSEMBLE.

RICHARD BULLOCK: Male, late 30s-early 40s. African American/Mixed Race. Looking for an excellent actor and strong singer to double as the following roles: RICHARD BULLOCK – Anna Mae’s (Tina’s) Father and Zelma’s husband. A Preacher. Full of passion, fire and spirit. Has a violent, fiery relationship with Zelma and inflicts physical abuse. Must be an excellent mover. FEATURED ENSEMBLE.

RAYMOND EARL KING: Male, 20s-early 30s. African American/Mixed Race. One of Ike’s band, The Kings of Rhythm. Has undeniable chemistry with Tina. Charming. Hates the abuse Ike inflicts on Tina. Has a good spirit. Must be a fantastic singer with strong movement skills. FEATURED ENSEMBLE.

ERWIN BACH & OTHERS: Male, late 20s- mid 30s. Caucasian. Tina’s German marketing manager who she falls in love with and later marries. The couple remain married to this day. Younger than Tina, charismatic, gentle, clearly intelligent and handsome. Magnetism is essential to believe she fell in love at one glance. Must be an excellent actor with a strong voice and strong movement skills. Must have an excellent German accent. FEATURED ENSEMBLE.

PHIL SPECTOR & OTHERS: Male, 30s. Caucasian. The prolific record producer, musician, songwriter, and businessman. Signed Ike and Tina to his label. An eccentric genius, looking for a very strong character actor with excellent singing voice and excellent comedic instincts. FEATURED ENSEMBLE.

JOHN CARPENTER/MALE ENSEMBLE: Male, late 20s to late 30s. Caucasian. To play the Capitol Records music producer. Authoritative. A businessman. Must be an excellent singer/actor with strong movement skills. FEATURED ENSEMBLE.

MALE ENSEMBLE (to cover Ike Turner and/or Richard / Raymond): Males, 30s-40s. African American/Mixed Race. Looking for excellent actor/singers with good dance / movement to play small roles and cover Ike Turner and Richard/Raymond.

MALE ENSEMBLE (to cover Roger, Erwin and Phil): Male, mid 20s to mid 30s. Caucasian. Looking for excellent singers/actors with good movement / dance to play small roles.

MALE ENSEMBLE, RONNIE/CRAIG: Male, mid 20s to mid 30s. African American/Mixed Race. Looking for excellent singers/actors with good movement/dance skills to play RONNIE and CRAIG, Tina’s grown children.

AUDITION

Female Characters

• Date: Friday, August 25, 2023
• Time: 10:00 AM

Male Characters

• Date: Friday, August 25, 2023
• Time: 2:00 PM

Location

• Pearl Studios (500)
  519 8th Ave
  New York, NY 10018
• Holding Room 406

Instructions

Please come warmed up and prepared to sing a 16-32 bar cut in the style of the show that shows off range. A piano accompanist will be provided. Please bring your headshot and resume stapled together.

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

CONTRACT

• Touring Agreement $996 weekly minimum (Level 5)

Visit the show page to view the current tour route.

Posted: April 7, 2025
Audition: April 14, 2025

• Book by Rick Elice
  
• Music & Lyrics by PigPen Theatre Co.
  
• Based on the novel by Sara Gruen
  
• Directed by Ryan Emmons
• Based on Original Direction by Jessica Stone
  
• Choreography by Jesse Robb and Shana Carroll
  
• Music Supervision by Mary-Mitchell Campbell and Benedict Braxton-Smith
  
• Casting by The TRC Company
  

Production Description 

Based on Sara Gruen’s best-selling novel. After losing what matters most, a young man, Jacob, jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life – and love – beyond his wildest dreams.

SEEKING

AUDITION

Click here for more information and instructions regarding the audition process.

SALARY

• $700–900/week

DATES

• Rehearsals Start: August 25th, 2025

NOTES

To be considered for hire, you must be over 18 by the time of 1st tour rehearsal: o/a August 25th, 2025

We will not be accepting an unofficial sign-up list.

Visit the show page to view the current tour routes.

Posted: April 17, 2023
Auditions: April 28, 2023

Equity National Tour

• Producers: Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt, and David Stone
• Director: Joe Mantello
• Choreographer: Wayne Cilento
• Music & Lyrics: Stephen Schwartz
• Book: Winnie Holzman
• Music Supervisor: Stephen Oremus
• Music Director: Dan Micciche
• Associate Director: Lisa Leguillou
• Associate Choreographer: Corinne McFadden Herrera
• General Manager: 321 Theatrical Management
• Casting: The Telsey Office
• Expected to attend:
  Dan Micciche: Music Director
  Ally Kiley: Casting Associate – Telsey Office

Production Description 

Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good.

SEEKING

Equity actors for chorus singer parts in the Broadway and tour productions of WICKED.

[SINGERS WHO MOVE] Any gender, 20s – 50s, any ethnicity. Seeking fantastic singers with a wide vocal range. Should have movement ability. To play various characters in the ensemble. Possible principal understudy assignments.

Duration

• Currently touring

AUDITION DATES

Friday, April 28, 2023
10:00 AM (E)
Lunch 1:00 PM – 2:00 PM

LOCATION
Pearl Studios (500)
500 8th Avenue
New York, NY 10018-6504

PREPARATION

Please prepare 16 bars of a contemporary musical theater song showing range. Sopranos may sing 16 bars of a traditional legit musical theater song showing range. Bring sheet music for your song; an accompanist will be provided.

Also, please bring your headshot and resume stapled together.

NOTES

The open call is for both the Broadway and National Touring Companies.

Salary

• Production (League) $2311 weekly minimum

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.

Holding/Audition room information:

• The maximum capacity in the holding room is: 100
• The maximum capacity in the audition room is: 21

Visit the show page to view the current tour route.

Posted: May 2, 2024
Audition: May 14, 2024

Broadway & Equity National Tour

• Producers: Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt, and David Stone
• Director: Joe Mantello
• Choreographer: Wayne Cilento
• Music & Lyrics: Stephen Schwartz
• Book: Winnie Holzman
• Music Supervisor: Stephen Oremus
• Music Director: Dan Micciche
• Associate Director: Lisa Leguillou
• Associate Choreographer: Corinne McFadden Herrera (expected to attend)
• General Manager: 321 Theatrical Management
• Casting: The Telsey Office

Production Description 

Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good.

SEEKING

[DANCERS WHO SING] Dancers of any gender who sing to play men and women of Oz, 20s–30s, any ethnicity. Unique, athletic dancers with strong ballet/jazz technique for Wayne Cilento’s edgy, contemporary choreography. To play various characters in the ensemble. Possible principal understudy assignments. ENSEMBLE

DURATION

• Currently touring

AUDITION

• Date:
  Tuesday, May 14, 2024
  10:00 AM (E) [men]
  Lunch 1:00 PM – 2:00 PM
  2:00 PM (E) [women]
• Location:
  Sunlight Studios
  321 W 44th St
  Ste #202
  New York, NY 10036
  Studio D – Holding; Studio G – Auditions

PREPARATION

Please be ready to dance with jazz shoes or sneakers. Please bring a headshot and resume stapled together.

NOTES

The open call is for both the Broadway and National Touring Companies.

SALARY

Production (League) / Touring Agreement
Broadway – $2537 weekly minimum
Tour – $2499 weekly minimum

NOTES

ECC Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Visit the show page to view the current tour route.