ORLANDO, FL – The holidays are taking center stage in Downtown Orlando as Dr. Phillips Center for the Performing Arts transforms its iconic Frontyard into an enchanting storybook for the inaugural Frontyard Holiday Festival at Dr. Phillips Center™ supported by AdventHealth.
“This festival represents the next chapter of our mission—to create a place where everyone in our community loves to be,” said Kathy Ramsberger, president & CEO of Dr. Phillips Center. “Transforming Seneff Arts Plaza into a holiday destination fulfills a long-held vision of creativity, joy and the power of community.”
What to expect:
Opening December 4, 2025, and running weekly for 28 days through January 4, 2026, the arts center’s three-acre lawn—including Seneff Arts Plaza—will come alive with more than 80 live performances, twinkling light displays, fire pits, nightly snowfalls and family-friendly activities with 300,000 guests anticipated to attend.
An iconic illuminated tree sponsored by The Main Law Firm will greet guests entering South Street, featuring a nightly tree lighting ceremony powered by OUC – The Reliable One — creating a one-of-a-kind destination for holiday magic.
Guests will also be able to interact with Santa through various experiences, sponsored by FAIRWINDS Credit Union, savor seasonal favorites like s’mores and hot cocoa or indulge in specialty cocktails, gelato, decorative waffles, BBQ and more.
The festival will also be part of the City of Orlando’s Downtown Development Board’s annualDowntown for the Holidays, presented by AdventHealth. This programming serves as a festive kickoff to the Holiday Stroll in Downtown Orlando, creating the perfect opportunity for visitors to enjoy the event as they make their way through downtown’s holiday lights and activities.
Programming:
The free festival shines a spotlight on Central Florida’s vibrant arts community including weeknight caroling sponsored by Massey Services, Inc. Performances will feature local favorites including Dr. Phillips Center’s Quarter Notes and Four Counts, Opera Orlando, Central Florida Community Arts, Orlando Gay Chorus, Brass Band of Central Florida, Central Florida Vocal Arts’ Belles and Beaux and several local high school ensembles.
On the main stage at Seneff Arts Plaza, guests can look forward to holiday movie nights featuring beloved classics like Dr. Seuss’ The Grinch, The Polar Express, The Santa Clause, A Christmas Story and The Nightmare Before Christmas.
The lineup also includes performances by Tymisha Harris, Ericka Dunlap, April Brown & After 5, Orchestra Fuego, Jarred Armstrong, Will Patrick, 3 and a Half Men, Chase Shellee & the Underground Retro, Derrick Harris & the Eighth Note Collective and The Yuletide Treasures.
Adding to the magic, the only transportable carillon in North America will make a special appearance. Nearly four tons of bronze bells will play sounds of the season and guests will have a chance to learn about this instrument.
New Year’s Eve celebration:
To ring in 2026, a special New Year’s Eve family celebration on December 31 will feature an interactive DJ playing holiday mashups, LED wands, and a 9 p.m. community countdown to welcome in the New Year.
A vision of community and connection:
Since opening in 2014, Dr. Phillips Center has provided more than 63,900 tickets to community members through its engagement initiatives—a tradition that continues through this new holiday festival.
As part of a four-year partnership, AdventHealth will continue to support the arts center’s community programming, helping make the festival a tradition here in Orlando.
“The holidays are a special time to pause, connect and celebrate the moments that bring us joy,” said Sharon Line Clary, senior vice president of community impact and partnership engagement at AdventHealth. “We’re honored to be part of the Frontyard Holiday Festival — an event that brings our community together in the heart of downtown Orlando to share in light, laughter and hope. Through experiences like this, we’re helping our community feel whole — nurturing the body, mind and spirit during a season meant for togetherness.”
The festival is made possible through the generous support of AdventHealth, the City of Orlando’s Downtown Development Board, FAIRWINDS Credit Union, The Main Law Firm, OUC – The Reliable One, JCQ Services, Workscapes, Massey Services, Inc., The Good Pour, Orlando Magic and many other community partners.
Special thanks to media partners iHeartMedia, WESH 2 & CW18, Clear Channel Outdoor and Orlando Weekly for helping spread the holiday spirit.
Event Details
What: Frontyard Holiday Festival at Dr. Phillips Center ™ supported by AdventHealth
When: December 4, 2025 – January 4, 2026
Where: Dr. Phillips Center for the Performing Arts, Seneff Arts Plaza
Admission: Free (select activities available for purchase)
To stay updated on performer lineups and event details, visit drphillipscenter.org.
Orlando, FL— In appreciation of the dedication and service of federal employees, Hatalom Corporation will offer complimentary tickets for federal workers to select performances between November 11-16, 2025.
“Hatalom is honored to provide tickets for federal workers to attend these shows at Dr. Phillips Center,” said John Hinnant, Hatalom President & CEO. “Serving those who serve our nation is at the core of who we are and we are grateful for the opportunity to give back in this way.”
Eligible Performances:
Charlie Hunter – November 11 & 12 – up to (2) tickets max
Classic Albums Live – Thriller – November 12 – up to two (2) tickets max
Dogman, The Musical – November 15 – up to four (4) tickets max
Jeff Rupert Quartet – November 16 – up to two (2) tickets max
Federal Workers can receive complimentary tickets by showing their government-issued, federal ID at Bill & Mary Darden Box Office the day of the show. *Best available seats, while seats are available.
For more information, visit drphillipscenter.org.
GREENVILLE, S.C., (Nov. 6, 2025) — The Peace Center kicks off its 35th season with a month of big announcements! Coming off the heels of unveiling GRAMMY-winning country music superstar Maren Morris as part of its milestone season lineup, the Peace Center today announced the first performances inside its newest music venue, The Mockingbird — an intimate listening room set to open in January 2026 in the heart of downtown Greenville.
The Mockingbird marks a bold new chapter in the Peace Center’s evolution and underscores its 35th Anniversary campaign “The Place to Be” for inspiring arts and entertainment.
The first new venue to open as part of the Peace Center’s ambitious campus expansion, The Mockingbird will seat 180 guests and offer an immersive, one-of-a-kind experience that brings artists and audiences closer together than ever before. While the name pays homage to Nashville’s famed Bluebird Café –– the iconic home of songwriters and storytelling –– the setting is sophisticated, handsome and comfortable, destined to become a marquee Greenville experience.
“The Peace Center is proud to open The Mockingbird as a space that celebrates musical artistry and human connection,” said Peace Center CEO Megan Riegel. “It’s a place where the song takes center stage, and audiences can experience live music the way it’s meant to be heard — up close and personal.”
To launch this exciting new space, the Peace Center proudly presents Song Sessions, an essential yearlong musical celebration curated by acclaimed Nashville singer-songwriter Maia Sharp. Sharp — known for her soulful voice, poetic lyrics, and collaborations with artists including Bonnie Raitt, The Chicks, and Art Garfunkel — will be joined by a rotating lineup of special guest artists, changing each month throughout 2026.
“There’s something powerful about a small room built for listening,” said Sharp. “It lets the emotion, the stories, and the songs breathe. The Mockingbird will be that kind of place, and I can’t wait to share these weekends with the people of Greenville and the entire region.”
The first scheduled performances of Song Sessions are:
OPENING NIGHT: Maia Sharp with Georgia Middleman & Gary Burr
Saturday, January 17 @ 7:30 p.m.
Georgia Middleman is an acclaimed songwriter whose work has been recorded by artists like Keith Urban, Reba McEntire, and Kenny Chesney. Her song “When the Right One Comes Along” was featured on the TV show “Nashville.” She’s also part of the musical trio Blue Sky Riders and recently released her fourth solo album, “Requests.”
Gary Burr is a Nashville Songwriters Hall of Fame inductee and an award-winning country songwriter with 15 #1 hits. His songs have been recorded by major artists such as Faith Hill, Garth Brooks, Carole King, and Christina Aguilera. He’s a former Songwriter of the Year (ASCAP, Billboard, NSAI) and is a member of the trio Blue Sky Riders with Georgia Middleman and Kenny Loggins.
Married for over ten years, Georgia and Gary perform together across the country, blending harmonies, humor, and storytelling in their live shows.
Maia Sharp with David Ryan Harris & Adam Wright
Friday, February 20 & Saturday, February 21 @ 7:30 pm
David Ryan Harris is a genre-defying singer-songwriter and multi-instrumentalist whose blend of soul, folk, rock, and R&B has earned him a devoted following. He has toured and recorded with artists like John Mayer, India.Arie, and Dave Matthews, while his solo work showcases introspective songwriting and vocal depth. As a writer and producer, he’s contributed to hit songs such as “Battle Scars” (Guy Sebastian & Lupe Fiasco) and “Just a Dream” (Nelly) and continues to release solo projects that highlight his versatility and emotional range.
Adam Wright is a Grammy-nominated Nashville songwriter known for his vivid storytelling, lyrical craftsmanship, and understated musical style. His songs have been recorded by country and Americana greats including Alan Jackson, Lee Ann Womack, Garth Brooks, and Trisha Yearwood. Equally respected as a solo artist, Adam’s own recordings such as “Dust and I Win” reflect his literary voice and deep-rooted Southern sensibility, solidifying his place as one of Nashville’s most thoughtful and distinctive songwriters.
Maia Sharp with Emma-Lee Cypert & Tera Lynne Fister
Friday, March 20 & Saturday, March 21 @ 7:30 pm
Emma-Lee is a Toronto-born, Nashville-based singer-songwriter and producer known for her genre-spanning songwriting and emotive artistry. Signed with Sony Music Publishing and RareSpark Media Group, she has penned over 150 songs recorded by artists such as Mickey Guyton, Brett Kissel, Tim Hicks, Meghan Patrick, and Mackenzie Porter, with several hits reaching the Top 40 and beyond. As a solo artist, she has released three acclaimed albums —”Never Just a Dream,” “Backseat Heroine,” and “Fantasies” — and her music has appeared in numerous TV shows and films. In addition to her music career, she is also a professional photographer, capturing portraits of artists and creatives across North America.
Tera Lynne Fister is a bold, soul-driven singer-songwriter whose music blends country grit with rock ‘n’ roll swagger and unfiltered emotional honesty. A St. Louis native now based in Nashville, she’s spent over a decade honing her craft — writing, recording, and performing across the U.S. and internationally. Known for her powerhouse vocals, electric stage presence, and signature bright hair, Tera has shared stages with acts like Thomas Rhett, Big & Rich, and Alabama. Her independent debut album “Flowers From The Ground” showcases her fearless storytelling and raw vulnerability, earning her recognition from outlets like Forbes and CMT. Whether on a festival stage or an intimate writers’ round, Tera delivers every performance with authenticity and heart.
Song Sessions begin January 17, 2026, and continue one weekend each month thereafter through December 2026. Each weekend includes Friday and Saturday evening performances that highlight the craft and intimacy of songwriting, plus Saturday afternoon workshops designed for aspiring musicians in the region. All performances and workshops are ticketed events at various prices.
Tickets for Song Sessions go on sale Friday, November 7 at 10 a.m. ET at peacecenter.org.
- New high-efficiency boilers to boost energy performance and reliability.
- Reconstructed chillers for precise, sustainable cooling and water savings.
- Advanced lighting systems with ETC’s Apex console and Chroma-Q Color Force II instruments for stunning stage effects.
- Roof repairs across multiple areas of our 400,000-square-foot facility.
- Modern water softeners and brine tanks to improve sustainability and extend equipment life.
DES MOINES, IA – Des Moines Performing Arts (DMPA) is proud to announce its partnership with the Iowa Adventure Pass program for the 2025-26 season, making live theater more accessible to families across the state.
Through this initiative, library patrons at participating libraries can enjoy complimentary tickets to upcoming Wellmark Family Series performances – bringing music, storytelling, and unforgettable moments to new and returning audiences – beginning with Sugar Skull! A Día de Muertos Musical Adventure on Saturday, Nov. 8.
DMPA’s Coordinator of Community Engagement, Inclusion and Belonging, Janet Casson, helped make this collaboration possible. “This partnership with Iowa Adventure Pass through the Iowa libraries aligns perfectly with our mission to increase ticket access for the performing arts for families in our state.”
Eligible pass holders can reserve up to eight passes for one of the hour-long performances this season.
“The Iowa Adventure Pass is thrilled to partner with DMPA and the Wellmark Family Series to expand access to performing arts in Des Moines. This partnership is part of our shared commitment to making cultural experiences accessible to all families. We are very thankful for this opportunity, which allows more library families to experience the inspiration and joy of live theater,” says Karalee Kerr, Iowa Adventure Pass Administrator and Grimes Public Library Assistant Director.
Tickets to the Wellmark Family Series shows are limited and will be reserved on a first-come, first-served basis. Passes can only be reserved up to 60 days in advance. Library patrons who reserve tickets must bring their confirmation pass and photo ID to the Des Moines Civic Center Ticket Office (221 Walnut Street, Des Moines) prior to the performance to redeem their tickets. Tickets must be redeemed no later than 45 minutes before the show.
Due to the popularity of the first show in the series, Sugar Skull! A Día de Muertos Musical Adventure, DMPA is adding 20 extra tickets for each performance.
To learn more about the Iowa Adventure Pass and to reserve tickets to a Wellmark Family Series show, visit iowadventurepass.org.
HOUSTON, TX – The Hobby Center for the Performing Arts shifts timeline earlier to apply for participation in the Houston is Inspired initiative to better serve artists and arts organizations across Houston. Applications for the 2026–2027 season officially open Friday, October 31 through December 1, 2025.
Launched in 2023-2024, Houston is Inspired is a signature Hobby Center program that celebrates and amplifies the work of local artists and organizations through week-long residencies, offering access to the Hobby Center’s premier spaces, professional production support, and marketing resources.
The first two seasons featured curated partnerships, but with the introduction of an open application process earlier this year for the 2025-2026 Season, the Hobby Center took another meaningful step toward creating equitable access to Hobby Center partnerships and representing the full scope of Houston’s arts community.
“We recognize that time is one of the most valuable resources for artists and organizations as they plan their seasons and deepen their creative work,” said Deborah Lugo, Vice President of Programming and Education at the Hobby Center. “That’s why we’ve moved the Houston Is Inspired Open Call timeline earlier for the 2026-2027 Season—to ensure we can select artists sooner and provide more meaningful time for collaboration, planning, and engagement throughout the residency.”
The initiative is designed to spotlight Houston’s vibrant creative landscape, supporting authentic work that reflects the city’s rich cultural diversity. Selected artists and organizations for the 2026-27 Season will receive comprehensive production, administrative and promotional support including a $20,000 stipend to help fund the creation and development of their performance, five days of full access to Zilkha Hall comprised of stage, dressing rooms, technical equipment, and production staff for rehearsals, tech and final performance as well as a marketing investment from the Hobby Center and project-specific promotional plan created and executed in partnership with the artist/organization.
Each week-long residency is valued at over $60,000 in support of the project.
Applicants must be a Houston-based performing artist or organization and demonstrate readiness to present a 90–120-minute performance in Zilkha Hall.
The Hobby Center invites all eligible arts organizations and artists based in Greater Houston to apply. To learn more about program eligibility and the application process, visit TheHobbyCenter.org.
MORRISTOWN, NJ – Atlantic Health has been named the official Health and Wellness partner of Mayo Performing Arts Center.
In this partnership, the two organizations will highlight the positive health benefits that come from participating in and experiencing the arts.
“This exciting new partnership with Atlantic Health will highlight the many ways our organizations are aligned toward keeping our community healthy, happy and well,” said Allison Larena, President and CEO, MPAC. “Arts participation and enjoyment bring many important health benefits and we appreciate that Atlantic Heath acknowledges the positive impact of the arts on people’s well-being.”
“Atlantic Health is committed to building healthier communities and this latest partnership with Mayo Performing Arts Center is another example of our collaborative effort to connect with our patients in new and meaningful ways and to meet them wherever the opportunity exists to help improve the wellbeing of their mind, body and spirit” said Eric Steinberger, Chief Marketing Officer, Atlantic Health.
Like exercise and good nutrition, the arts have health benefits. Whether it is through viewing a live performance, or arts participation through a class, the arts add value to quality of life and an individual’s health and wellness, improving overall well-being, reducing stress, and enhancing mental health.
For over 30 years, MPAC has been delivering on these benefits for participants from toddlers to seniors through 200+ main stage concerts, the Performing Arts School, The Miracle Project for children on the autism spectrum, free community concerts, creative aging programs for seniors and through volunteer programs.
Performing arts learning experiences for students can strengthen academic skills development, improve overall school performance, and help to develop social and emotional skills, including teamwork, empathy, and self-expression.
Arts programs help older adults lower their overall risk of dementia and disease and maintain their independence. In fact, participating in the arts result in some of the same health benefits as exercise!
MPAC will acknowledge Atlantic Health throughout the year in a variety of platforms, ranging from performance program books, social media posts, in-theatre signage and more to drive awareness that Atlantic Health supports the health benefits of MPAC arts experiences.
“More and more research has shown the benefits of arts participation. We’re thrilled to be able to work hand-in-hand with Atlantic Health to amplify this message to the public,” Ms. Larena added.
About Atlantic Health:
Atlantic Health is at the forefront of medicine, setting standards for quality health care in New Jersey, Pennsylvania and the New York metropolitan area. Powered by a workforce of 24,000 team members and more than 7,779 affiliated physicians dedicated to building healthier communities, Atlantic Health serves more than half of the state of New Jersey including 14 counties and 7.5 million people.
The not-for-profit system offers more than 550 sites of care, including its eight hospitals: Atlantic Health Morristown Medical Center in Morristown, NJ, Atlantic Health Overlook Medical Center in Summit, NJ, Atlantic Health Newton Medical Center in Newton, NJ, Atlantic Health Chilton Medical Center in Pompton Plains, NJ, Atlantic Health Hackettstown Medical Center in Hackettstown, NJ, Atlantic Health Goryeb Children’s Hospital in Morristown, NJ, Atlantic Rehabilitation Institute in Madison, NJ and Atlantic Health CentraState Medical Center in Freehold, NJ.
The system includes Atlantic Medical Group, part of a physician enterprise that makes up one of the largest multispecialty practices in New Jersey with more than 1,700 physicians and advance practice providers. Joined with Atlantic Accountable Care Organization and Optimus Healthcare Partners they form part of Atlantic Alliance, a Clinically Integrated Network of more than 2,500 health care providers throughout northern and central NJ.
Atlantic Health provides care for the full continuum of health care needs through 30 urgent care centers, Atlantic Visiting Nurse and Atlantic Health Virtual Visits. Facilitating the connection between these services on both land and air is the transportation fleet of Atlantic Mobile Health.
Founded by Atlantic Health, the Healthcare Transformation Consortium is a partnership of seven regional hospitals and health systems dedicated to improving access and affordability. Atlantic Health has a medical school affiliation with Thomas Jefferson University, is home to the regional campus of the Sidney Kimmel Medical College at Morristown and Overlook Medical Centers and is the official health care partner of the New York Jets.
LOS ANGELES, CA — Center Theatre Group offers a slate of artistic programming that helps identify and support the next generation of great plays and playwrights – which is in addition to the shows seen on its stages at the Ahmanson Theatre, the Mark Taper Forum, and the Kirk Douglas Theatre.
Through these programs, CTG fosters and develops a broad range of new theatrical work from artists within the diverse communities of Los Angeles, across the nation, and abroad. The company has a long history of providing artists with both financial and artistic support via resources, readings, and workshops throughout the year in Los Angeles, New York, and beyond. This tradition continues as CTG is proud to announce the 2025/26 LA Writers’ Workshop and LA Artist Residencies.
CTG Brindell & Milton Gottlieb Artistic Director Snehal Desai said, “Center Theatre Group is a cultural force in the American theatre, and one of the ways we will continue to be that force for decades to come is by helping to support Los Angeles artists. My goal as Artistic Director is to bring world class theatre to Los Angeles, and Los Angeles to the world. The LA Writers’ Workshop and our LA Artist Residences programs are just two of the ways we bring Los Angeles to the world—by supporting the artists and theatre companies who call Los Angeles their home, and by fostering an environment where playwrights can do their best work on their path to creating the next great American play.”
The LA Writers’ Workshop celebrates its 20th anniversary with the announcement of this year’s participating playwrights. Since 2005, CTG has invited a cohort of local playwrights to spend a year researching and writing new works with feedback from the artistic staff and their fellow writers. The program is designed to foster important voices, inspire playwrights to create their best work, encourage bold writing, and build relationships among local playwrights, CTG, and the Los Angeles theatre community. CTG’s growing list of LA Writers’ Workshop alumni is currently comprised of more than 100 playwrights. The 2025/26 cohort includes Bernardo Cubría, Christina Pumariega, Erika Sheffer, Keiko Green, Kevin Douglas, and Maddox Pennington.
“The LA Writers’ Workshop is one of the most exciting programs we have in New Play Development,” added Dr. Sonia Desai, CTG’s Director of Literary and Dramaturgy. “It has a rich history of inviting LA playwrights into the CTG family. We are always excited to have opportunities to create community with the wonderful artists in this city. Each of these playwrights brings a unique voice to the table that we are looking forward to nurturing and exploring over the next year in our cohort.
Center Theatre Group’s LA Artist Residencies were established in 2023 and were created to foster community and share resources with Los Angeles-based theatre artists, companies, and organizations. Through these residencies, CTG provides access to rehearsal rooms, costumes, props, furniture, equipment, office space, and additional administrative and creative resources and support. The Los Angeles theatre companies in residence for 2025/26 are Ammunition Theatre Company (AMMO), Four Larks, Teatro del Barrio, and Native Voices.
2025/26 LA WRITER’ WORKSHOP PLAYWRIGHTS
BERNARDO CUBRÍA is a Mexican playwright/director. His award winning play The Hispanic/Latino/Latina/Latinx/
KEVIN DOUGLAS is excited to be a part of the 2025/26 CTG LA Writers’ Workshop cohort. Kevin received a B.F.A in acting from The Theatre School at DePaul University. After graduating, Kevin took writing and improvisation classes at The Second City. Kevin is a member of the Regional Tony Award-winning company, Lookingglass Theatre. His play Thaddeus and Slocum: A Vaudeville Adventure (which earned him a Black Theatre Alliance Award for playwrighting). His play Plantation! directed by David Schwimmer had its world premiere at Lookingglass Theatre as well. His short plays Cautiously Optimistic and Chickens Be Roostin’ were in both Lower Depth Theatre’s Pandemic Play Festival and BIPOC Voting Plays Festival, respectively. He is currently developing for television. Kevin’s Untitled Vampire Play (which had some development at the Chicago Performance Lab) will be produced at Lookingglass Theatre in summer of 2026.
KEIKO GREEN (she/her) is a playwright, TV writer, and performer based in Los Angeles. Plays include: You Are Cordially Invited to the End of the World! (South Coast Rep; Oregon Shakespeare Festival – Upcoming), Empty Ride (Old Globe), Exotic Deadly: Or the MSG Play (Old Globe; SF Playhouse; Porkfilled Productions – Upcoming), Hells Canyon (Theater Mu; WET – upcoming), The Bed Trick (Seattle Shakespeare Co; Artists Repertory Theatre – Upcoming), Sharon (Cygnet Theatre), and Hometown Boy (Actors Express; Seattle Public Theater). Her plays have been developed at the Kennedy Center, the National New Play Network, Playwrights Realm, Ensemble Studio Theatre, and twice by the O’Neill National Playwrights Conference. Awards/Honors: Susan Blackburn Prize Finalist, Kilroys Web, San Diego Critics Circle Award (Outstanding New Play), Gregory Award (Outstanding New Play). She holds commissions from Manhattan Theatre Club/Sloan Foundation and Atlantic Theatre Company. Current/Past Affiliations: Old Globe Resident Artist, Geffen Writers Group, Chance Resident Playwright, Theater Mu’s Mu Tang Clan, Seattle Rep Resident Writers Group, ACT Core Company Member. For TV, she wrote on Hulu’s Interior Chinatown and AppleTV’s upcoming Margo’s Got Money Troubles. As an actor, she has performed at theaters nationwide and originated the role of Connie in Lauren Yee’s The Great Leap at the Denver Center and Seattle Rep. BFA: NYU Drama – Experimental Theatre Wing, MFA: UCSD Playwriting. www.keikogreen.com
MADDOX PENNINGTON (he/they) is a performer, director, and playwright; a citizen of the Cherokee Nation, he is originally from Tulsa, Oklahoma. He received an MFA in Creative Nonfiction from Columbia University; his debut bibliomemoir, A Girl Walks Into a Book: What the Brontës Taught Me About Life, Love, and Women’s Work was published by Hachette Books in 2017. Their work for the stage has been developed with LA’s Native Voices, The Moving Arts MADLab, the 2024 Creative Nations First Storytellers Festival in Boulder, CO, and the Center for the Arts at Kayenta in Ivins, UT. Play readings have been presented by NYC’s FRIGID Queerly Festival Off-Off Broadway, the Theatre Viscera Podcast, and the 2023 T/GNC Reading Festival. He’s performed as an actor in The Fountain Theater’s White Rabbit Red Rabbit (Nassim Soleimanpoor) and will appear this fall in Native Voices’ rolling World Premiere of Tara Moses’ Haunted as Ash. Their latest directing projects include Madeline Sayet’s The Fish at SparkFest in Fort Worth TX and Dillon Chitto’s Pigeon at the Native Voices upcoming New Plays Retreat. With his production company Gaybones, Pennington has written, directed, and produced award-winning plays with majority nonbinary/trans casts. He recently co-produced The Joy Who Lived Festival with LaserVision productions, facilitating acting and writing workshops as well as directing a debut presentation of LOVE CHICKEN: The Musical, for which he wrote the book. You can find them online at MaddoxKPennington.com and @MKPinLA.
CHRISTINA PUMARIEGA acts and writes. Often simultaneously. This spring she performed in the world premiere of her play ¡VOS! at Two River Theater. ¡VOS! was developed at the Ojai Playwrights Conference and received the Edgerton Foundation New Play Award. This summer she develops and performs in Vidas Privadas, inspired by Noël Coward’s Private Lives, at New York Stage & Film and TRT. She attends Hedgebrook this fall. Other plays include Labor (Leah Ryan honorable mention), Joan Dark (Denver Center for the Performing Arts Summit), Harbor Girls and Her Math Play (EST/Sloan Grant). She is currently under commission by MTC/Sloan, DCPA and TRT. TV writing credits include Disney+ and NBC. Acting on and Off-Broadway and in television and film, Pumariega has cross examined Coach Taylor, made out with the Fly and set a Cuban pharmacy ablaze in a corset. MFA, NYU Graduate Acting Program. christinapumariega.com
ERIKA SHEFFER. Plays include Russian Transport (The New Group, Steppenwolf), The Fundamentals (Steppenwolf commission and world premiere) and Vladimir (Manhattan Theatre Club). Honors include the Paula Vogel Playwriting Award, The Vineyard Theatre’s 2012 playwright-in-residence, multiple TCG Edgerton Grants, and an Outer Critics Circle nomination. Her plays have been developed by MTC, South Coast Rep, Geffen Playhouse, The New Group, Steppenwolf, The Vineyard, Ars Nova, and SPACE on Ryder Farm. Alumna of Ars Nova Playgroup and SPACE’s Working Farm. Commissions from Steppenwolf, Geffen Playhouse, and Manhattan Theatre Club. Television and film credits include Apple TV’s Little America, Netflix’s The Beast in Me, as well as multiple shows and features in development for Apple, Starz, and others. BFA from Syracuse University.
LA ARTIST RESIDENCIES
AMMUNITION THEATRE COMPANY (AMMO)
Founded in 2014, Ammunition Theatre Company (AMMO) was born from a desire to accelerate representation in the arts, explore identity in an evolving America, and shift mainstream storytelling toward more inclusive narratives. Since then, AMMO has earned a reputation for producing spirited and subversive plays and readings that challenge assumptions and reflect the world we live in — earning critical acclaim and nominations from Ovation, Stage Raw, and the LA Drama Critics Circle. From its inception, AMMO has been inclusive by design, with a membership that mirrors the diversity of our community. We believe theatre thrives when it sparks conversation, inspires action, and embraces a wide spectrum of lived experiences. To that end, we prioritize developing new works by underrepresented artists — amplifying voices that defy convention and expand cultural understanding. By centering fresh perspectives, we aim to foster dialogue, deepen empathy, and build stronger, healthier communities. At the heart of AMMO is our company: a collective of designers, actors, writers, directors, and producers. We are not only artists — we are advocates, collaborators, and active participants in civic life. Beyond the stage, we partner with philanthropic organizations to expand the reach of our work, bringing theatre and arts education to communities too often left behind — including under-served youth and elders. By combining creative expression with hands-on engagement — we break down barriers between art and everyday life and use theatre to spark dialogue, build relationships, and strengthen the world we share.
FOUR LARKS
Four Larks makes original “visually enthralling” work “at the intersection of theatre, music, visual art, and dance” cited by the LA Times as “the future of live performance.” Created by director / composer Mat Sweeney alongside creative producer Sebastian Peters-Lazaro. Currently working from downtown LA / on Tongva land. Our junkyard operas fuse immersive design, chamber-pop, and physical theatre. Big ideas made manifest in live space and song. We rummage through the junkyard of real and imagined histories to create new performance works in unexpected spaces. We believe that our current truths are stitched into our foundational stories. Our work is to continue wrangling and interrogating them. We are continually working towards an anti-racist and ecologically ethical practice, in both process and production, form and content. We operate variously as an experimental music ensemble, physical theatre lab, and sustainable design firm. Apart from our independently produced work, Mat & Sebastian both also partner with other artists, composers, and institutions to create aesthetic experiences, activate space, and translate ideas across forms. Recently, we worked with the Getty to create an immersive opera from an antiquities exhibition, and with the Los Angeles Chamber Orchestra to turn a new-music program into a series of interactive installations. Throughout the late 2010’s we created and curated a DIY gallery & performance space out of an old flower shop in downtown LA. We’ve just completed our first visual album. Four Larks is an expanding constellation of creative collaborators. Our evolving mission and methodology is profoundly impacted by the artists and audiences that keep us in orbit, as we’ve moved from Naarm / Melbourne, Australia to our current home in downtown Los Angeles. Please see our project credits to connect with our collaborators, and contact us to get involved in future projects.
NATIVE VOICES
Native Voices is devoted to developing and producing new works for the stage by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights. Native Voices has produced plays by a diverse group of Native writers, covering an array of subjects from satiric comedies to urban dramas and even radio plays. Every year, Native Voices presents the popular Short Play Festival, where ten-minute plays take center stage, each one bursting with creativity around a unique theme. The retreat and festival provide emerging and established Native American authors a rigorous opportunity to shape their plays over the course of an entire week. Collaboration occurs in daily workshops with nationally recognized directors, dramaturgs, and an acting company largely composed of exceptional Native American actors. The week culminates with a festival of staged readings. The best part? The audience gets to vote for their favorite performance after each show. Many works developed through this process have gone on to enjoy successful runs on the Autry Museum’s main stage and elsewhere. The First Look Series is a script development process that brings playwrights together with professional directors, dramaturgs, and actors. Each spring and fall, plays are workshopped and prepared for a public staged reading and discussion, giving the playwright an opportunity to hear the play—often for the first time—with a live audience. Plays can be new works, works-in-progress, or material that has already been produced at another venue.
TEATRO DEL BARRIO
Teatro del Barrio Artistic Director Sergio Serdio was born and raised in the City of Puebla de Los Ángeles, Mexico in 1968. His first approach to professional theater was with the Espacio 1900 Dramatic School; after four years of academic studies receiving a Diploma from de ANDA (National Actors Assoc.) Sergio headed to Mexico City and continued his studies at the prestigious INBA (National Institute of Fine Arts; BA Drama). During all this time Sergio taught and developed projects for underserved communities in his hometown which evolved into the creation of Teatro Del Barrio, a theatrical troupe focused celebrating Mexican stage traditions. After travelling to Europe with great success with Teatro del Barrio’s La Visión de los Vencidos, Sergio immigrated to California to work with the American Latino community. In Los Angeles, Sergio worked with progressive churches on theatrical projects. The West Hollywood Metropolitan Community Church (MCC) produced the first project: La Pastorela Mexicana (The Christmas Play) and Dracula Gay, a musical parody of the well-known Nosferatu who had become HIV positive. Sergio, as a member of the Gay community, has been always centered from eliminating the stigma over HIV, empowering HIV positive people to actively participate in his plays. At Olvera Street Sergio’s Teatro del Barrio in community with the United Methodist Church and the City of Los Angeles produced four repertory projects over the last fifteen years; La Danza de La Muerte (Dance of the Dead Ones), La Pasión de Cristo (The Passion of Christ), El Teatro de Verano (Summer Theater) and La Pastorela Mexicana (The Christmas Mexican Tradition). For three years Sergio participated as a volunteer with the Mental Health Department of Los Angeles; trained to use theatre to help people with depression. For five years Sergio was part of the Migrant Educational Academy programs of the Bakersfield School District, focusing on children of labor workers’ families; providing them and their parents with dramatic tools, teachings and shows inspired by Mexican culture and tradition. During the pandemic Sergio became part of Cal State programs for community education and received a Diploma on Community Teaching Artist Certificate Program. Recently Teatro del Barrio developed musical theater project at La Plaza United Methodist Church hand to hand with El Coro de Colores, a diversity choir, under the musical direction of Lincoln Castillo. Teatro del Barrio has endured as an art community collective, collaborating in a weekly show at KPFK 90.7FM Dialogos Culturales de Media Noche for the last 8 years.
GREENSBORO, NC— The Steven Tanger Center for the Performing Arts opened its doors to 320 students across the Triad and surrounding counties for the second annual School Days program. Students from Guilford County Schools, Rockingham County Schools, Davidson County Schools, Alamance-Burlington Schools, Greensboro Day School, Westchester Country Day School, and Caldwell Academy had two opportunities (Oct. 13 and Oct. 20) to learn first-hand about the ins and outs of the performing arts industry.
“We are proud to promote the arts in the Triad,” said Scott Johnson, General Manager of the Greensboro Complex and Tanger Center. “We were thrilled to double the student attendance of this wonderful program from our first event last year. This experience opens doors for students who may not otherwise have the opportunity to visit a venue like Tanger Center and learn about the myriad career opportunities at performing arts centers.”
Throughout the day, students were immersed in five breakout sessions – including production, event management, maintenance and security, marketing and ticketing, and guest services – to learn about the different roles that help keep a performing arts venue running. Students had the opportunity to ask questions and speak directly with Tanger Center staff, attend presentations, and try hands-on demonstrations.
“We are so grateful to Tanger Center for providing this opportunity for our students,” said Leigh Ann Little, Director of Arts Education for Guilford County Schools. “This is one more way that our students are gaining real-world experiences as part of the Guilford Guarantee.”
ORLANDO, FL— On Wednesday October 22, Veterans took the stage at the Orlando VA Medical Center to share music, poetry and performances created during a series of Arts & Wellness workshops—a partnership between Dr. Phillips Center for the Performing Arts and the Orlando VA Healthcare System. The event celebrated the close of the fall session of the Veterans’ Arts & Wellness programming, led by Dr. Phillips Center.
Over eight weeks, Veterans and caregivers collaborated with the art center’s teaching artists, including local musicians, poets and theater professionals to explore the power of creative expression and community. What began as a series of sessions soon grew into a shared movement, so impactful that the Veterans requested to perform in a culminating performance at the Orlando VA Medical Center in Lake Nona, hoping to uplift their community and inspire more of their peers to join the program.
“Watching these veterans find joy through the program reminds us that the arts are about healing, connection and courage,” said Kathy Ramsberger, president and CEO of Dr. Phillips Center. “This is exactly why we created this Arts & Wellness initiative. As we look ahead, our goal is to reach 20 communities where wellness is the priority and art is the catalyst.”
Launched in 2024, Dr. Phillips Center’s Arts & Wellness initiative in partnership with the Orlando VA Healthcare System introduced a drum circle, offering a supportive space for Veterans and caregivers to explore creativity, connection and healing. The program has since expanded to include choir, spoken word and improv theater. The free sessions, offered at both Dr. Phillips Center and the Orlando VA Medical Center, provide opportunities for Veterans to connect through the arts in a welcoming environment.
“Our partnership with Dr. Phillips Center for the Performing Arts has opened powerful new avenues for healing and self-expression among the Veterans and caregivers we serve,” said Timothy J. Cooke, Director and CEO, Orlando VA Healthcare System. “Through these creative arts classes, participants are finding new ways to connect, build confidence and strengthen their overall well-being. This collaboration truly embodies our commitment to whole health- honoring the physical, emotional and creative spirit of Veterans.”
Generous support for the program is provided by Hatalom Corporation, Pabst Steinmetz Foundation, VyStar Foundation and Winifred Johnson Clive Foundation.
Additional sessions will continue in the spring, to learn more about Arts & Wellness programming, please email artsandwellness@drphillipscenter.org.
INDIANA, PA. Theater-by-the-Grove, the producing artistic company at Indiana University of Pennsylvania’s Department of Music, Theatre, and Dance, is excited to open a call for new plays to be submitted for consideration for a full production in late February 2026. Submissions from established, professional, working, or amateur playwrights will all be considered.
Plays should be:
Full-length—at least 1 hr. 30 in duration.
Unproduced—to have had no fully-staged production history. Previous staged readings and private workshops are acceptable, but the script should not have been done “on its feet” (with full staging and design) before a public audience.
Conceptually modern—the narrative should be situated in (or, at least be designed for) a contemporary setting, to minimize design costs (e.g. bespoke period costumes, historical architecture, etc.). Stories that have these settings but do not require this kind of design will be considered.
Relevant—the themes of the play should have direct engagement with a concept, event, movement, conflict, or topic of interest for engaged and thinking artists and audiences (e.g. political events, pop culture trends, technological issues, etc.). We are looking for works that contain themes our university-level artists are passionate about exploring and presenting to the public.
Written “for” college-age cast of 6 to 12 actors—a “medium” sized cast with flexibility in casting across gender centering primarily around age-appropriate characters (18 – 30 yrs old) would be ideal. Scripts with characters that can flex to fit this need will be considered, as will scripts with slightly fewer or more characters which deeply spark our interest.
Submissions will be accepted until November 14, 2025, and reviewed until late November, at which point we will reach out to the selected playwright to confirm an agreement for production. Depending on the number of submissions, it may not be possible to individually inform all other submissions of their non-selection.
Please send a full copy of your play in .pdf format to the production director Dr. Joshua Kelly jtkelly@iup.edu. Plays can be in any format but must include a detailed character description AND a brief synopsis at the beginning of the work. Questions can be sent to: Dr. Joshua Kelly, director; Dr. Michael Schwartz, the production dramaturg (mschwart@iup.edu); or Dr. Carrie J. Cole, the IUP Artistic Director (cjcole@iup.edu).
Orlando, FL— Dr. Phillips Center for the Performing Arts today has unveiled a new bronze relief sculpture by world-renowned artist Paul Day, honoring Chairman Emeritus James H. Pugh, Jr.—the visionary whose dedicated leadership helped bring the arts center to life.
From 2003 to 2022, Pugh guided the organization from concept to completion, serving nearly two decades as chairman. His time, expertise and steadfast determination were instrumental in transforming the vision of a world-class performing arts center into reality. Alongside his wife, Alexis, Pugh was the very first donor to the project, making a gift that named the 294-seat Alexis & Jim Pugh Theater—an intimate venue that has since welcomed thousands of regional artists and performances.
Under his leadership, the center opened the 2,700-seat Walt Disney Theater, elevating Broadway in Orlando, and Steinmetz Hall, a multiform venue that expanded cultural access for Central Florida and was recognized by Architectural Digest as one of the 11 most beautiful theaters in the world.
“Jim has been instrumental in bringing this dream and our promise of Arts for Every Life to the region,” said Kathy Ramsberger, President & CEO of Dr. Phillips Center. “His vision and generosity shaped every step of our journey, from guiding the design and construction to building a culture of excellence. This sculpture ensures he continues to always be a part of our story.”
Commissioned by long-time friend and arts center donor Neal Dempsey, the large-scale bronze relief sculpture reflects Pugh’s lasting impact on the arts in Central Florida. Created by internationally recognized artist Paul Day, known for The Meeting Place in St. Pancreas Station in London and A Beautiful Day for a Neighbor at Rollins College, the new piece symbolizes the journey of vision, leadership and community that Pugh orchestrated in bringing Dr. Phillips Center to life.
“Today, we celebrated three powerful forces– transformative vision, unwavering perseverance and the magic that happens when a community rallies behind a dream,” said Ed Timberlake, Chairman of Dr. Phillips Center Board of Directors. “Jim proved that with enough determination and heart, you can turn an ambitious dream into a living, breathing cultural cornerstone.”
Ticketed guests can visit the sculpture on the first tier of the Della Phillips Lobby.
Generous support for the art piece was made possible by Jan & Neal Dempsey. Additional support was provided by Valeria & Jim Shapiro and Bill Forness.
Philadelphia, PA — The Philadelphia Orchestra and Ensemble Arts announces two key additions to their leadership team: Dr. Kobie Smith as Chief Philanthropy Officer and Jamie Shover as Vice President of Information Technology. These appointments reinforce The Philadelphia Orchestra and Ensemble Arts’ commitment to advancing its mission through visionary leadership, innovation, and community engagement.
As Chief Philanthropy Officer, Kobie Smith will lead fundraising strategy and execution and campaign management for The Philadelphia Orchestra and Ensemble Arts, working with leadership and the Board of Trustees to strengthen and expand philanthropic support through major gifts, membership, and donor engagement. He will also guide and mentor the development team, foster a culture of collaboration and high performance, and help shape the organization’s long-term vision as a member of executive leadership. Smith starts in November.
Jamie Shover started with The Philadelphia Orchestra and Ensemble Arts last month. She will provide strategic vision and leadership for all aspects of the organization’s technology, ensuring IT systems, infrastructure, cybersecurity, and data governance are fully integrated into business and programmatic priorities. She will oversee IT operations, business applications, and vendor partnerships while guiding innovation, supporting cross-organizational change, and building a strong, collaborative, and future-ready technology team.
“We are thrilled to welcome Kobie and Jamie to our leadership team,” said Ryan Fleur, president and CEO of The Philadelphia Orchestra and Ensemble Arts. “Kobie’s proven fundraising expertise and deep connection to the arts, combined with Jamie’s vision for technology-driven transformation, position us to strengthen our impact, better serve our communities, and inspire the next generation of audiences.”
Dr. Kobie Smith, Chief Philanthropy Officer
Smith brings nearly 20 years of philanthropy, fundraising, relationship management, and leadership experience to the nonprofit organization. He joins from the Perelman School of Medicine at the University of Pennsylvania, where he most recently served as Executive Director of Development.
At Penn, Smith was instrumental in the Power of Penn campaign, raising $111 million for medical student scholarships, program enhancements, and a new medical education building. He also helped launch the first endowed scholarship funds for degrees in Bioethics, Combined MD/MBA (Wharton), Genetic Counseling, and Public Health. From 2020 to 2022, he also led Penn Medicine’s efforts to raise $21 million for health equity, access, and educational pipeline initiatives.
A member of Penn Medicine’s Chief Advancement Officer’s executive leadership team since 2020, Smith also began his career in development at the University of Cincinnati and later advanced fundraising at The Christ Hospital Health Network in Cincinnati, Ohio. Nationally, he has held leadership volunteer roles with the Association of American Medical Colleges (AAMC), the Council for Advancement and Support of Education (CASE), and the Association of Fundraising Professionals (AFP). A trained opera singer and current Orchestra and Ensemble Arts patron, Smith holds a Bachelor of Music in Vocal Performance from the University of Alabama, a Master of Arts in Arts Administration from the University of Cincinnati College-Conservatory of Music, and a Doctor of Education in Higher Education from the University of Pennsylvania Graduate School of Education.
Jamie Shover, Vice President of Information Technology
Shover joins from The John F. Kennedy Center for the Performing Arts in Washington, DC, where she most recently served as Senior Director, Data & Systems. Shover will oversee the strategic use of technology to advance The Philadelphia Orchestra and Ensemble Arts’ mission and operations.
At the Kennedy Center, Shover led enterprise-wide initiatives in data-driven decision making, AI-enabled fundraising, customer relationship management, enterprise resource planning, and digital transformation, including large-scale cloud migrations. Her career also includes extensive consulting experience in data warehousing, database engineering, and data enablement across industries such as energy, banking, pharmaceuticals, and entertainment.
Shover has shared her expertise nationally, presenting on cloud transformation and data lake technologies for Amazon Web Services (AWS), Slalom, and other organizations. She holds a Bachelor of Arts in American Studies & Sociology from Dickinson College and is currently pursuing her master’s degree.
ST. PAUL, Minn. — The Arts Partnership is accepting proposals for its Knight Foundation Cultural Opportunity Fund, now through Dec. 31, 2025. Established in 2014, the fund provides both full and partial grants for Minnesota performing artists and ensembles to perform at the Ordway Center for the Performing Arts Concert Hall. Selected artists will present their performances during the July 2026 through June 2027 season.
“Our state is home to so many incredibly talented artists, and this fund allows us to welcome more emerging talent, established Minnesota-based performers and mid-sized arts organization to our Concert Hall stage each season,” said Christopher Harrington, President of The Arts Partnership, and President and CEO of the Ordway Center for the Performing Arts. “We are very grateful to the John S. and James L. Knight Foundation for their generous support that makes this program possible.”
In 2014, the John S. and James L. Knight Foundation endowed $1 million to create the Knight Foundation Cultural Opportunity Fund intended for those who could not otherwise afford to rent the Concert Hall to produce a performance or event in the hall. Since then, 65 performances have received more than $330,000 in support to host concerts, film screenings, stage productions and author readings in the Concert Hall.
The fund is administered by the Arts Partnership, which is composed of the four highly acclaimed organizations that perform regularly at the Ordway Center for the Performing Arts — Minnesota Opera, the Ordway, The Saint Paul Chamber Orchestra and Schubert Club.
The Ordway Concert Hall opened in March 2015. The Hall seats 1,087 guests with no seat being more than 90 feet from the stage. The sprung wood mahogany stage makes it suitable for intimate classical music performances, popular concerts, lectures, choral music, a variety of dance styles and more. Lauded as one of the best music venues in the Twin Cities, the Ordway Concert Hall remains an acoustical gem even 10 years after it’s construction.
Submissions will be evaluated by a panel that reviews applications for outreach strategies, organizational capacity and productions that fulfill that organization’s mission or advance the artist’s career. Learn more about the fund and eligibility here. The online application portal will close Dec. 31, 2025, and award recipients will be notified in mid-February.
Minneapolis, MN — Hennepin Arts and RBC Wealth Management today announced a new partnership naming RBC Wealth Management as the Official Wealth Management Partner of Hennepin Arts and grants the firm prestigious naming rights to the mezzanine levels of the historic Orpheum, State and Pantages theatres – a first for the historic theaters.
“We’re proud to support Hennepin Arts, reflecting our commitment to the vibrant downtown Minneapolis community and our longstanding presence here,” said Michael Armstrong, CEO, RBC Wealth Management – U.S. “Our U.S. headquarters at RBC Gateway is just steps from the Hennepin Theatre District and we’re excited to continue investing in the cultural richness of the city where so many of our employees and clients live and work.”
The partnership reflects a shared commitment to the role of the arts in strengthening community. Each year, Hennepin Arts welcomes more than 600,000 visitors to the Hennepin Theatre District, presenting national Broadway tours, concerts, comedians and community events that drive economic impact while bringing people together through live performances.
“Working alongside community-minded partners like RBC Wealth Management helps us bring brighter, braver, and bolder experiences to our audiences,” said Todd Duesing, President & CEO of Hennepin Arts. “This partnership has grown from our strong existing relationship with RBC into a more robust collaboration that aligns with our vision to create a dynamic Hennepin Theatre District. Their support ensures our historic theatres continue to inspire Minnesotans for generations to come.”
RBC Wealth Management’s roots in the Twin Cities date back to 1909 and today the firm is one of the 10 largest employers in Minneapolis with more than 1700 downtown employees. Through this partnership, RBC Wealth Management extends its strong arts commitment directly to the heart of Minneapolis’ performing arts scene for major events like the upcoming pre-Broadway world premiere of the musical Purple Rain.
“We share Hennepin Arts’ belief that the arts have the power to inspire, educate and bring people together,” said Angie O’Leary, Head of Wealth Strategies and Solutions, RBC Wealth Management – U.S. “We look forward to connecting with those who appreciate the thriving theater and music scenes in the Twin Cities, and nurture a new generation of arts lovers.”
RBC Wealth Management–U.S.
RBC Wealth Management is a leading financial services company in the United States, delivering trusted advice and world-class wealth solutions to individuals, families and businesses. With 195 offices across 42 states, RBC Wealth Management supports the complex needs of high-net-worth clients through customized wealth planning, investment management, retirement planning and more. As part of RBC, a diversified global financial institution and one of the world’s largest banks based on market capitalization, RBC Wealth Management offers the scale, resources and expertise to help clients achieve their financial goals. RBC Wealth Management, a division of RBC Capital Markets, LLC, registered investment adviser and Member NYSE/FINRA/SIPC. Learn more at rbcwm.com.
Hennepin Arts drives cultural and economic vitality in Minnesota through leadership of the dynamic Hennepin Theatre District in downtown Minneapolis and educational programming that reaches every area of the state. Its historic theatres — Orpheum, State and Pantages — and the Dudley Riggs Theatre light up Hennepin Avenue with top-tier entertainment, including the best of Broadway and a wide variety of arts programming. Hennepin Arts is a nonprofit 501(c)(3) organization. Learn more at HennepinArts.org.
Costa Mesa, CA — Segerstrom Center for the Arts is proud to continue its commitment to the Orange County community through its fourth annual Feel Good, Do Good donation drives, partnering local nonprofits with the touring Broadway productions we host. During the 2025-2026 Broadway season, each visiting show will be thematically paired with a critical cause and unique organization. Audiences are encouraged to donate small items to aid the diverse needs of these nonprofits and make a positive impact in the area. This initiative greatly aligns with the Center’s goal of spreading kindness and fostering unity both in the arts and the greater community.
Throughout the past few seasons, the Center’s collection drive program has grown to work with over 20 local organizations to spread goodwill with the help of its strong community of theatergoers. With donation drives ranging from providing nearly 1,000 books to Children’s Hospital of Orange County (CHOC) Foundation during
To Kill a Mockingbird to collecting over 600 pounds of pasta ingredients for Caterina’s Club during Peter Pan, this program has proven to be a tremendous support to the goals of local nonprofit organizations.
“As a nonprofit organization, Segerstrom Center understands the vital role community partnerships play in strengthening Orange County,” says Lisa Middleton, Vice President of Marketing and Communications. “Our fourth annual Broadway season collection drives exemplify our commitment to supporting local nonprofits while harnessing the unifying power of live theater. When audiences come together to experience world-class performances, we’re creating opportunities for them to also make a meaningful difference in their neighbors’ lives. It’s this spirit of collective impact that defines who we are as both an arts organization and a community partner.”
The Center’s collective drive began in fall 2022 with the Center’s collaboration with Grandma’s House of Hope during the touring production of Hadestown to completely restock their shelves with canned food for Orange County’s unhoused population and those in crisis. This initial partnership proved to be a huge success, demonstrating the communal strength and goodwill of the theater community. After partnering with various nonprofits such as Ronald McDonald House, Orange County Animal Care, Someone Cares Soup Kitchen, and Miracles for Kids, Segerstrom Center is dedicated to encouraging audiences to leave each show inspired and compelled to inspire others.
This past season was filled with heartwarming stories and powerful moments of community support. One of the most memorable came during the devastating fires in Los Angeles, when we were able to quickly shift our donation efforts and send much-needed support to the LA Dream Center. The speed and determination with which this came together was nothing short of inspiring.
Our school supplies drive for United Way during the run of Mamma Mia brought hope and excitement to an elementary school in Santa Ana that has faced a particularly difficult year. These donations helped bring a sense of normalcy and anticipation as students prepare to return for the new school year. We’re honored to have played a small part in uplifting these students and educators.
As the program continues to expand, patrons and audience members are invited to play an active role in the local community by bringing items to the collection bins found in the lobby of Segerstrom Hall. To best assist the needs of each partnership and the audience at hand, the donation drives are divided into four categories of requests:
- Canned food
- Toys and books
- School supplies
- Hygiene products
Just as Broadway positively impacts the lives of audiences worldwide, theatergoers can share that same touch by making an impact on the lives of those in the community. Segerstrom extends its gratitude to all who participate in the collection drive or engage in community action. Join the Center in inspiring Broadway lovers to make a powerful difference in Orange County!
Tickets for the 2025-2026 Broadway Series at Segerstrom Center for the Arts are available for purchase online at scfta.org, in person at 600 Town Center Drive, Costa Mesa, CA 92626, and by phone at 714.556.2787. For inquiries about group ticket discounts of 10 or more, call the Group Services office at 714.755.0236.